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(1680, 4, '2016-04-08 06:12:20', '2016-04-08 13:12:20', '\"LIES IN THE ANTICIPATION\".', 'LIES IN THE ANTICIPATION', '', 'inherit', 'open', 'closed', '', 'lies-in-the-anticipation', '', '', '2016-04-08 06:12:20', '2016-04-08 13:12:20', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/LIES-IN-THE-ANTICIPATION.mp3', 0, 'attachment', 'audio/mpeg', 0),
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(1694, 4, '2016-04-08 06:14:49', '2016-04-08 13:14:49', '\"Liquid Rapture\".', 'Liquid Rapture', '', 'inherit', 'open', 'closed', '', 'liquid-rapture', '', '', '2016-04-08 06:14:49', '2016-04-08 13:14:49', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Liquid-Rapture.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1695, 4, '2016-04-08 06:14:52', '2016-04-08 13:14:52', '\"Stained Glass Apparition\".', 'Stained Glass Apparition', '', 'inherit', 'open', 'closed', '', 'stained-glass-apparition', '', '', '2016-04-11 14:23:18', '2016-04-11 21:23:18', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Stained-Glass-Apparition.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1696, 4, '2016-04-08 06:14:55', '2016-04-08 13:14:55', '\"Teased Into Submission\".', 'Teased Into Submission', '', 'inherit', 'open', 'closed', '', 'teased-into-submission', '', '', '2016-04-08 06:14:55', '2016-04-08 13:14:55', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Teased-Into-Submission.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1697, 4, '2016-04-08 06:14:59', '2016-04-08 13:14:59', '\"The Orgasm Oracle\".', 'The Orgasm Oracle', '', 'inherit', 'open', 'closed', '', 'the-orgasm-oracle', '', '', '2016-04-08 06:14:59', '2016-04-08 13:14:59', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/The-Orgasm-Oracle.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1698, 4, '2016-04-08 06:15:01', '2016-04-08 13:15:01', '\"Vault Of A Different Heaven\".', 'Vault Of A Different Heaven', '', 'inherit', 'open', 'closed', '', 'vault-of-a-different-heaven', '', '', '2016-04-08 06:15:01', '2016-04-08 13:15:01', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Vault-Of-A-Different-Heaven.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1699, 4, '2016-04-08 06:15:05', '2016-04-08 13:15:05', '\"Vision Of Isis\".', 'Vision Of Isis', '', 'inherit', 'open', 'closed', '', 'vision-of-isis', '', '', '2016-04-08 06:15:05', '2016-04-08 13:15:05', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Vision-Of-Isis.mp3', 0, 'attachment', 'audio/mpeg', 0),
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(1716, 4, '2016-04-08 06:16:54', '2016-04-08 13:16:54', '\"More Than Two Secrets\".', 'More Than Two Secrets', '', 'inherit', 'open', 'closed', '', 'more-than-two-secrets', '', '', '2016-04-08 06:16:54', '2016-04-08 13:16:54', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/More-Than-Two-Secrets.mp3', 0, 'attachment', 'audio/mpeg', 0),
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(1762, 2, '2016-04-11 12:05:42', '2016-04-11 19:05:42', 'Emmy and Telly Award-winning songwriter and 424 member Paul Chiten has composed Nashville artist Melissa Ramski\'s latest single, “As Real As It Gets,” co-written with indie artist Heidi Swan. Melissa won the 2015 Indie Ville TV Artist of The Year award and has thousands of followers on Facebook, Reverb Nation and Spotify.\r\n\r\n[audio mp3=\"https://afm424.org/wp-content/uploads/2016/04/As-Real-As-It-Gets-Ramskis.mp3\"][/audio]', 'Featured Artist - Heidi Swan - As Real As It Gets', '', 'draft', 'open', 'closed', '', 'as-real-as-it-gets', '', '', '2016-09-09 22:27:25', '2016-09-10 05:27:25', '', 0, 'https://afm424.org/?p=1762', 0, 'post', '', 0),
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(1765, 4, '2016-04-11 12:05:17', '2016-04-11 19:05:17', 'Emmy Award-winning songwriter and 424 member Paul Chiten has composed Nashville artist Melissa Ramski\'s the latest single, “As Real As It Gets” (co-written with Indie artist Heidi Swan). Melissa won the 2015 Indie Ville TV Artist of The Year award and has thousands of followers on Facebook, Reverb Nation and Spotify.\r\n\r\n[audio mp3=\"https://afm424.org/wp-content/uploads/2016/04/As-Real-As-It-Gets-Ramskis.mp3\"][/audio]', 'As Real As It Gets', '', 'inherit', 'closed', 'closed', '', '1762-revision-v1', '', '', '2016-04-11 12:05:17', '2016-04-11 19:05:17', '', 1762, 'https://afm424.org/1762-revision-v1/', 0, 'revision', '', 0),
(1766, 2, '2016-05-22 11:01:40', '2016-05-22 18:01:40', 'The next generation of ambient dub music. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. The rhythmic feel has an ethnic/reggae-influenced vibe. Ambient TripDub music has been used in a wide variety of forms; film, television, music video, commercials, art museum installations, modern dance and art films.\r\n\r\nAmbient TripDub is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play\r\n\r\nAmazon (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/Btqzopac4i5qtfeoktszluplqsq?utm_source=youtube&amp;utm_medium=buylink\">stream</a>)\r\n\r\n[playlist ids=\"1632,1628,1629\"]\r\n\r\n&nbsp;\r\n\r\n&nbsp;', 'Featured Arist - Ambient TripDub', 'The next generation of ambient dub music. The spontaneity of live performances mixed with the limitless possibilities of digital audio, coupled with a \"musique concrete” approach.', 'publish', 'open', 'closed', '', 'featured-artist-ambient-tripdub', '', '', '2016-05-22 22:57:59', '2016-05-23 05:57:59', '', 0, 'https://afm424.org/?p=1766', 0, 'post', '', 2),
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(1767, 4, '2016-04-11 12:35:09', '2016-04-11 19:35:09', 'The next generation of ambient dub music. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. The rhythmic feel has an ethnic/reggae-influenced vibe. Ambient TripDub music has been used in a wide variety of forms; film, television, music video, commercials, art museum installations, modern dance and art films.\r\n\r\nAmbient TripDub is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play\r\n\r\nAmazon (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/Btqzopac4i5qtfeoktszluplqsq?utm_source=youtube&amp;utm_medium=buylink\">stream</a>)\r\n\r\n[audio mp3=\"https://afm424.org/wp-content/uploads/2016/04/Prophetic-Steps.mp3\"][/audio]\r\n\r\n[audio mp3=\"https://afm424.org/wp-content/uploads/2016/04/Blue-Jungle.mp3\"][/audio]\r\n\r\n[audio mp3=\"https://afm424.org/wp-content/uploads/2016/04/Night-Vision.mp3\"][/audio]', 'Ambient TripDub', '', 'inherit', 'closed', 'closed', '', '1766-revision-v1', '', '', '2016-04-11 12:35:09', '2016-04-11 19:35:09', '', 1766, 'https://afm424.org/1766-revision-v1/', 0, 'revision', '', 0),
(1769, 4, '2016-04-11 12:36:40', '2016-04-11 19:36:40', 'The next generation of ambient dub music. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. The rhythmic feel has an ethnic/reggae-influenced vibe. Ambient TripDub music has been used in a wide variety of forms; film, television, music video, commercials, art museum installations, modern dance and art films.\r\n\r\nAmbient TripDub is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play\r\n\r\nAmazon (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/Btqzopac4i5qtfeoktszluplqsq?utm_source=youtube&amp;utm_medium=buylink\">stream</a>)\r\n\r\n[playlist ids=\"1632,1628,1629\"]\r\n\r\n&nbsp;\r\n\r\n&nbsp;', 'Ambient TripDub', 'The next generation of ambient dub music. The spontaneity of live performances mixed with the limitless possibilities of digital audio, coupled with a \"musique concrete” approach.', 'inherit', 'closed', 'closed', '', '1766-revision-v1', '', '', '2016-04-11 12:36:40', '2016-04-11 19:36:40', '', 1766, 'https://afm424.org/1766-revision-v1/', 0, 'revision', '', 0),
(1770, 2, '2016-04-11 12:39:10', '2016-04-11 19:39:10', 'Alternate, stripped down, more far-out mixes from the popular Ambient TripDub album. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. A rhythmic landscape with an ethnic/reggae-influenced vibe. Ambient TripDub ReMixes has been used in a wide variety of forms; film, television, music videos, commercials, art museum installations, modern dance performances and art films.\r\n\r\nDownload on iTunes and Amazon. Stream on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Ambient-TripDub-Remixes-Naked-Music/dp/B010C5DQNK/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454292794&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=ambient+tripdub+remixes\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub-remixes/id1011734710\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/B4aq7qtjticjgximfhj5dwbrhqq?preview=AE9vGKp4kJyUBla-jwGnYG4BHfHXMD1Q5tX_A8_kELVGau3pqQOW5ZGlFRIRUbHmeWGFtI5VVr7aaW0-KT5Wi9k2KmBERTIceGfClX35pDqlfw4crZgY5ko%3D\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1644,1640,1645\"]', 'Featured Artist - Ambient TripDub – ReMixes', 'Ambient TripDub––ReMixes. Alternate and stripped down mixes from the first Ambient Dub album. The spontaneity of live performances mixed with the limitless possibilities of digital audio, coupled with a \"musique concrete” approach. ', 'draft', 'open', 'closed', '', 'featured-artist-ambient-tripdub-remixes', '', '', '2016-07-27 23:57:52', '2016-07-28 06:57:52', '', 0, 'https://afm424.org/?p=1770', 0, 'post', '', 0),
(1771, 4, '2016-04-11 12:38:57', '2016-04-11 19:38:57', 'Ambient TripDub––ReMixes. Alternate, stripped down and more far-out mixes from the first Ambient Dub album. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. The rhythmic has an ethnic/reggae-influenced vibe. Ambient TripDub––ReMixes music has been used in a wide variety of forms; film, television, music video, commercials, art museum installations, modern dance and art films.\r\n\r\nAmbient TripDub––ReMixes is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Ambient-TripDub-Remixes-Naked-Music/dp/B010C5DQNK/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454292794&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=ambient+tripdub+remixes\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub-remixes/id1011734710\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/B4aq7qtjticjgximfhj5dwbrhqq?preview=AE9vGKp4kJyUBla-jwGnYG4BHfHXMD1Q5tX_A8_kELVGau3pqQOW5ZGlFRIRUbHmeWGFtI5VVr7aaW0-KT5Wi9k2KmBERTIceGfClX35pDqlfw4crZgY5ko%3D\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1644,1640,1645\"]', 'Ambient TripDub – ReMixes', 'Ambient TripDub––ReMixes. Alternate and stripped down mixes from the first Ambient Dub album. The spontaneity of live performances mixed with the limitless possibilities of digital audio, coupled with a \"musique concrete” approach. ', 'inherit', 'closed', 'closed', '', '1770-revision-v1', '', '', '2016-04-11 12:38:57', '2016-04-11 19:38:57', '', 1770, 'https://afm424.org/1770-revision-v1/', 0, 'revision', '', 0),
(1772, 4, '2016-04-11 12:39:10', '2016-04-11 19:39:10', 'Ambient TripDub––ReMixes. Alternate, stripped down and more far-out mixes from the first Ambient Dub album. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. The rhythmic has an ethnic/reggae-influenced vibe. Ambient TripDub––ReMixes music has been used in a wide variety of forms; film, television, music video, commercials, art museum installations, modern dance and art films.\r\n\r\nAmbient TripDub––ReMixes is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Ambient-TripDub-Remixes-Naked-Music/dp/B010C5DQNK/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454292794&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=ambient+tripdub+remixes\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub-remixes/id1011734710\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/B4aq7qtjticjgximfhj5dwbrhqq?preview=AE9vGKp4kJyUBla-jwGnYG4BHfHXMD1Q5tX_A8_kELVGau3pqQOW5ZGlFRIRUbHmeWGFtI5VVr7aaW0-KT5Wi9k2KmBERTIceGfClX35pDqlfw4crZgY5ko%3D\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1644,1640,1645\"]', 'Ambient TripDub – ReMixes', 'Ambient TripDub––ReMixes. Alternate and stripped down mixes from the first Ambient Dub album. The spontaneity of live performances mixed with the limitless possibilities of digital audio, coupled with a \"musique concrete” approach. ', 'inherit', 'closed', 'closed', '', '1770-revision-v1', '', '', '2016-04-11 12:39:10', '2016-04-11 19:39:10', '', 1770, 'https://afm424.org/1770-revision-v1/', 0, 'revision', '', 0),
(1773, 2, '2016-04-22 10:00:53', '2016-04-22 17:00:53', '<strong>ShagHead</strong> is dark, sensuous, sexual music. Performed with a live band mixed with wild synthesizer overdubs. <strong>ShagHead</strong> music has been featured in television, films, videos by Playboy and Penthouse and as soundtrack music for experimental films. <strong>ShagHead</strong> is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/gp/product/B010XN33QQ/191-8279318-4053063?ie=UTF8&amp;*Version*=1&amp;*entries*=0\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/shaghead/id1015758166\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_ShagHead?id=B37usf75ui65kb3g2klsi7eewta&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1802,1728,1722\"]', 'Featured Artist - ShagHead', 'ShagHead is dark, sensuous, sexual music. A blend of live musicians mixed with wild synthesizers.', 'publish', 'open', 'closed', '', 'featured-artist-shaghead', '', '', '2016-04-22 13:04:05', '2016-04-22 20:04:05', '', 0, 'https://afm424.org/?p=1773', 0, 'post', '', 0),
(1774, 4, '2016-04-11 12:42:35', '2016-04-11 19:42:35', '<strong>ShagHead</strong> is dark, sensuous, sexual music. Performed with a live band mixed with wild synthesizer overdubs. <strong>ShagHead</strong> music has been featured in television, films, videos by Playboy and Penthouse and as soundtrack music for experimental films. <strong>ShagHead</strong> is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/gp/product/B010XN33QQ/191-8279318-4053063?ie=UTF8&amp;*Version*=1&amp;*entries*=0\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/shaghead/id1015758166\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_ShagHead?id=B37usf75ui65kb3g2klsi7eewta&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1728,1722\"]', 'ShagHead', 'ShagHead is dark, sensuous, sexual music. A blend of live musicians mixed with wild synthesizers.', 'inherit', 'closed', 'closed', '', '1773-revision-v1', '', '', '2016-04-11 12:42:35', '2016-04-11 19:42:35', '', 1773, 'https://afm424.org/1773-revision-v1/', 0, 'revision', '', 0),
(1775, 4, '2016-04-11 12:42:53', '2016-04-11 19:42:53', '<strong>ShagHead</strong> is dark, sensuous, sexual music. Performed with a live band mixed with wild synthesizer overdubs. <strong>ShagHead</strong> music has been featured in television, films, videos by Playboy and Penthouse and as soundtrack music for experimental films. <strong>ShagHead</strong> is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/gp/product/B010XN33QQ/191-8279318-4053063?ie=UTF8&amp;*Version*=1&amp;*entries*=0\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/shaghead/id1015758166\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_ShagHead?id=B37usf75ui65kb3g2klsi7eewta&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1728,1722\"]', 'ShagHead', 'ShagHead is dark, sensuous, sexual music. A blend of live musicians mixed with wild synthesizers.', 'inherit', 'closed', 'closed', '', '1773-revision-v1', '', '', '2016-04-11 12:42:53', '2016-04-11 19:42:53', '', 1773, 'https://afm424.org/1773-revision-v1/', 0, 'revision', '', 0),
(1777, 4, '2016-04-11 12:43:36', '2016-04-11 19:43:36', 'The next generation of ambient dub music. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. The rhythmic feel has an ethnic/reggae-influenced vibe. Ambient TripDub music has been used in a wide variety of forms; film, television, music video, commercials, art museum installations, modern dance and art films.\r\n\r\nAmbient TripDub is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play\r\n\r\nAmazon (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/Btqzopac4i5qtfeoktszluplqsq?utm_source=youtube&amp;utm_medium=buylink\">stream</a>)\r\n\r\n[playlist ids=\"1632,1628,1629\"]\r\n\r\n&nbsp;\r\n\r\n&nbsp;', 'Featured Arist - Ambient TripDub', 'The next generation of ambient dub music. The spontaneity of live performances mixed with the limitless possibilities of digital audio, coupled with a \"musique concrete” approach.', 'inherit', 'closed', 'closed', '', '1766-revision-v1', '', '', '2016-04-11 12:43:36', '2016-04-11 19:43:36', '', 1766, 'https://afm424.org/1766-revision-v1/', 0, 'revision', '', 0),
(2439, 6, '2016-07-27 23:51:18', '2016-07-28 06:51:18', 'Ambient TripDub––ReMixes. Alternate, stripped down and more far-out mixes from the popular Ambient TripDub album. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. The rhythmic has an ethnic/reggae-influenced vibe. Ambient TripDub––ReMixes music has been used in a wide variety of forms; film, television, music video, commercials, art museum installations, modern dance and art films.\r\n\r\nDownload on iTunes and Amazon. Stream on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Ambient-TripDub-Remixes-Naked-Music/dp/B010C5DQNK/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454292794&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=ambient+tripdub+remixes\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub-remixes/id1011734710\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/B4aq7qtjticjgximfhj5dwbrhqq?preview=AE9vGKp4kJyUBla-jwGnYG4BHfHXMD1Q5tX_A8_kELVGau3pqQOW5ZGlFRIRUbHmeWGFtI5VVr7aaW0-KT5Wi9k2KmBERTIceGfClX35pDqlfw4crZgY5ko%3D\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1644,1640,1645\"]', 'Featured Artist - Ambient TripDub – ReMixes', 'Ambient TripDub––ReMixes. Alternate and stripped down mixes from the first Ambient Dub album. The spontaneity of live performances mixed with the limitless possibilities of digital audio, coupled with a \"musique concrete” approach. ', 'inherit', 'closed', 'closed', '', '1770-revision-v1', '', '', '2016-07-27 23:51:18', '2016-07-28 06:51:18', '', 1770, 'https://afm424.org/1770-revision-v1/', 0, 'revision', '', 0),
(1778, 4, '2016-04-11 12:43:48', '2016-04-11 19:43:48', 'Ambient TripDub––ReMixes. Alternate, stripped down and more far-out mixes from the first Ambient Dub album. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. The rhythmic has an ethnic/reggae-influenced vibe. Ambient TripDub––ReMixes music has been used in a wide variety of forms; film, television, music video, commercials, art museum installations, modern dance and art films.\r\n\r\nAmbient TripDub––ReMixes is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Ambient-TripDub-Remixes-Naked-Music/dp/B010C5DQNK/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454292794&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=ambient+tripdub+remixes\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub-remixes/id1011734710\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/B4aq7qtjticjgximfhj5dwbrhqq?preview=AE9vGKp4kJyUBla-jwGnYG4BHfHXMD1Q5tX_A8_kELVGau3pqQOW5ZGlFRIRUbHmeWGFtI5VVr7aaW0-KT5Wi9k2KmBERTIceGfClX35pDqlfw4crZgY5ko%3D\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1644,1640,1645\"]', 'Featured Artist - Ambient TripDub – ReMixes', 'Ambient TripDub––ReMixes. Alternate and stripped down mixes from the first Ambient Dub album. The spontaneity of live performances mixed with the limitless possibilities of digital audio, coupled with a \"musique concrete” approach. ', 'inherit', 'closed', 'closed', '', '1770-revision-v1', '', '', '2016-04-11 12:43:48', '2016-04-11 19:43:48', '', 1770, 'https://afm424.org/1770-revision-v1/', 0, 'revision', '', 0),
(1779, 4, '2016-04-11 12:43:58', '2016-04-11 19:43:58', '<strong>ShagHead</strong> is dark, sensuous, sexual music. Performed with a live band mixed with wild synthesizer overdubs. <strong>ShagHead</strong> music has been featured in television, films, videos by Playboy and Penthouse and as soundtrack music for experimental films. <strong>ShagHead</strong> is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/gp/product/B010XN33QQ/191-8279318-4053063?ie=UTF8&amp;*Version*=1&amp;*entries*=0\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/shaghead/id1015758166\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_ShagHead?id=B37usf75ui65kb3g2klsi7eewta&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1728,1722\"]', 'Featured Artist - ShagHead', 'ShagHead is dark, sensuous, sexual music. A blend of live musicians mixed with wild synthesizers.', 'inherit', 'closed', 'closed', '', '1773-revision-v1', '', '', '2016-04-11 12:43:58', '2016-04-11 19:43:58', '', 1773, 'https://afm424.org/1773-revision-v1/', 0, 'revision', '', 0),
(1780, 2, '2016-06-24 18:33:32', '2016-06-25 01:33:32', '21st-century dance musix. A mashup of dance rhythms, R&amp;B, rap &amp; pop. chromewench is popular in clubs in New York, LA, Europe and Asia. Download on iTunes &amp; Amazon. Stream on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove &amp; Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Chromewench-Naked-Prey-Music/dp/B013V7DX4I/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454294891&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=chromewench\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/chromewench/id1020913320\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Chromewench?id=Bkpzrwc4mhx25oczl3yaj4ptu54&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1649,1655,1650\"]', 'Featured Artist - chromewench', 'Dance musix for the 21st century. A mashup of techno, R&B, rap & pop. Check out samples from the album. ', 'publish', 'open', 'closed', '', 'featured-artist-chromewench', '', '', '2016-07-02 02:46:42', '2016-07-02 09:46:42', '', 0, 'https://afm424.org/?p=1780', 0, 'post', '', 0),
(1781, 4, '2016-04-11 12:46:16', '2016-04-11 19:46:16', '21st-century dance musix. A mashup of dance rhythms, R&amp;B, rap &amp; pop. chromewench is popular in clubs in New York, LA, Europe and Asia. Available for download on iTunes &amp; Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove &amp; Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Chromewench-Naked-Prey-Music/dp/B013V7DX4I/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454294891&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=chromewench\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/chromewench/id1020913320\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Chromewench?id=Bkpzrwc4mhx25oczl3yaj4ptu54&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1649,1655,1650\"]', 'Featured Artist - Chromewench', 'Dance musix for the 21st century. A mashup of techno, R&B, rap & pop. Check out samples from the album. ', 'inherit', 'closed', 'closed', '', '1780-revision-v1', '', '', '2016-04-11 12:46:16', '2016-04-11 19:46:16', '', 1780, 'https://afm424.org/1780-revision-v1/', 0, 'revision', '', 0),
(1782, 4, '2016-04-11 12:46:31', '2016-04-11 19:46:31', '21st-century dance musix. A mashup of dance rhythms, R&amp;B, rap &amp; pop. chromewench is popular in clubs in New York, LA, Europe and Asia. Available for download on iTunes &amp; Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove &amp; Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Chromewench-Naked-Prey-Music/dp/B013V7DX4I/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454294891&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=chromewench\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/chromewench/id1020913320\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Chromewench?id=Bkpzrwc4mhx25oczl3yaj4ptu54&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1649,1655,1650\"]', 'Featured Artist - Chromewench', 'Dance musix for the 21st century. A mashup of techno, R&B, rap & pop. Check out samples from the album. ', 'inherit', 'closed', 'closed', '', '1780-revision-v1', '', '', '2016-04-11 12:46:31', '2016-04-11 19:46:31', '', 1780, 'https://afm424.org/1780-revision-v1/', 0, 'revision', '', 0),
(1783, 2, '2016-04-11 12:53:36', '0000-00-00 00:00:00', 'Lion Featherz has few boundaries. Soundtrack music from hardcore dance to baroque strings to synth atmospheres. Check out samples from the current album. Available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Lion-Featherz-Naked-Prey-Music/dp/B011888G8K/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454295695&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=lion+featherz\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/lion-featherz/id1017417932\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Lion_Featherz?id=B5kucwlp5al6lli7wlkmcbrjpne&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1664,1671,1668\"]', 'Featured Artist - Lion Featherz', 'Lion Featherz has few boundaries. Soundtrack music from hardcore dance to baroque strings.  Check out samples from the current album. ', 'draft', 'open', 'closed', '', 'featured-artist-lion-featherz', '', '', '2016-04-11 12:53:36', '2016-04-11 19:53:36', '', 0, 'https://afm424.org/?p=1783', 0, 'post', '', 0),
(1784, 4, '2016-04-11 12:48:54', '2016-04-11 19:48:54', 'Lion Featherz has few boundaries. Soundtrack music from hardcore dance to baroque strings to synth atmospheres. Check out samples from the current album. Available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Lion-Featherz-Naked-Prey-Music/dp/B011888G8K/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454295695&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=lion+featherz\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/lion-featherz/id1017417932\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Lion_Featherz?id=B5kucwlp5al6lli7wlkmcbrjpne&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1664,1671,1668\"]', 'Featured Artist - Lion Featherz', 'Lion Featherz has few boundaries. Soundtrack music from hardcore dance to baroque strings.  Check out samples from the current album. ', 'inherit', 'closed', 'closed', '', '1783-revision-v1', '', '', '2016-04-11 12:48:54', '2016-04-11 19:48:54', '', 1783, 'https://afm424.org/1783-revision-v1/', 0, 'revision', '', 0),
(1785, 4, '2016-04-11 12:49:03', '2016-04-11 19:49:03', 'Lion Featherz has few boundaries. Soundtrack music from hardcore dance to baroque strings to synth atmospheres. Check out samples from the current album. Available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Lion-Featherz-Naked-Prey-Music/dp/B011888G8K/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454295695&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=lion+featherz\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/lion-featherz/id1017417932\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Lion_Featherz?id=B5kucwlp5al6lli7wlkmcbrjpne&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1664,1671,1668\"]', 'Featured Artist - Lion Featherz', 'Lion Featherz has few boundaries. Soundtrack music from hardcore dance to baroque strings.  Check out samples from the current album. ', 'inherit', 'closed', 'closed', '', '1783-revision-v1', '', '', '2016-04-11 12:49:03', '2016-04-11 19:49:03', '', 1783, 'https://afm424.org/1783-revision-v1/', 0, 'revision', '', 0),
(1786, 2, '2016-04-11 12:53:36', '0000-00-00 00:00:00', 'Naked Flowers––Contemporary tracks for fans of Japanese pop. Modern original songs––from dance remixes to ballads––that blend western beats and rhythms with Asian instruments and melodic influences. The lyrics combine English with Japanese. This is music with a novel approach to J-pop.\r\n\r\nNaked Flowers is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/gp/product/B0165FEQNK?ie=UTF8&amp;keywords=naked%20flowers%20naked%20prey%20music&amp;qid=1444187198&amp;ref_=sr_1_1&amp;sr=8-1\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/naked-flowers-ep/id1046378017\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Naked_Flowers?id=B3wry4fzpwlomcjpztjfnt7ad7u\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1737,1738,1736\"]', 'Featured Artist - Naked Flowers', 'Naked Flowers––Contemporary tracks for fans of Japanese pop music. ', 'draft', 'open', 'closed', '', 'featured-artist-naked-flowers', '', '', '2016-04-11 12:53:36', '2016-04-11 19:53:36', '', 0, 'https://afm424.org/?p=1786', 0, 'post', '', 0),
(1788, 4, '2016-04-11 12:51:17', '2016-04-11 19:51:17', '', 'Naked-Flowers_cover', '', 'inherit', 'open', 'closed', '', 'naked-flowers_cover', '', '', '2016-04-11 12:51:17', '2016-04-11 19:51:17', '', 1786, 'https://afm424.org/wp-content/uploads/2016/04/Naked-Flowers_cover.jpg', 0, 'attachment', 'image/jpeg', 0),
(1789, 4, '2016-04-11 12:52:52', '2016-04-11 19:52:52', 'Naked Flowers––Contemporary tracks for fans of Japanese pop. Modern original songs––from dance remixes to ballads––that blend western beats and rhythms with Asian instruments and melodic influences. The lyrics combine English with Japanese. This is music with a novel approach to J-pop.\r\n\r\nNaked Flowers is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/gp/product/B0165FEQNK?ie=UTF8&amp;keywords=naked%20flowers%20naked%20prey%20music&amp;qid=1444187198&amp;ref_=sr_1_1&amp;sr=8-1\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/naked-flowers-ep/id1046378017\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Naked_Flowers?id=B3wry4fzpwlomcjpztjfnt7ad7u\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1737,1738,1736\"]', 'Featured Artist - Naked Flowers', 'Naked Flowers––Contemporary tracks for fans of Japanese pop music. ', 'inherit', 'closed', 'closed', '', '1786-revision-v1', '', '', '2016-04-11 12:52:52', '2016-04-11 19:52:52', '', 1786, 'https://afm424.org/1786-revision-v1/', 0, 'revision', '', 0),
(1790, 4, '2016-04-11 12:53:09', '2016-04-11 19:53:09', 'Naked Flowers––Contemporary tracks for fans of Japanese pop. Modern original songs––from dance remixes to ballads––that blend western beats and rhythms with Asian instruments and melodic influences. The lyrics combine English with Japanese. This is music with a novel approach to J-pop.\r\n\r\nNaked Flowers is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/gp/product/B0165FEQNK?ie=UTF8&amp;keywords=naked%20flowers%20naked%20prey%20music&amp;qid=1444187198&amp;ref_=sr_1_1&amp;sr=8-1\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/naked-flowers-ep/id1046378017\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Naked_Flowers?id=B3wry4fzpwlomcjpztjfnt7ad7u\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1737,1738,1736\"]', 'Featured Artist - Naked Flowers', 'Naked Flowers––Contemporary tracks for fans of Japanese pop music. ', 'inherit', 'closed', 'closed', '', '1786-revision-v1', '', '', '2016-04-11 12:53:09', '2016-04-11 19:53:09', '', 1786, 'https://afm424.org/1786-revision-v1/', 0, 'revision', '', 0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES
(1791, 2, '2016-06-24 15:59:20', '0000-00-00 00:00:00', 'Singer/songwriter Heidi Swan fuses blues, country and pop into a personal sound.\r\n\r\nHeidi is an active performer. She played at the first ever Rockr Grrl Conference in Seattle along with Ann Wilson of Heart, Amy Ray of the Indigo Girls, Ronnie Spector, Jill Sobule &amp; Courtney Love. She was featured at the Winter Olympics at Winter Dome in Salt Lake City opposite of Macy Gray and was a headliner at the famed Mukiltio Lighthouse Festival in Washington state.\r\n\r\nHeidi Swan’s album “As Real As it Gets\" is available for download on iTunes and Amazon. Streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&amp;field-keywords=naked+prey+music+as+real+as+it+gets\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/us/album/as-real-as-it-gets/id1050002542\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/Bjk3adykz4g7jaudcg6svkaclqi?utm_source=youtube&amp;utm_medium=buylink\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1658,1659,1661\"]', 'Featured Artist - Heidi Swan', 'Heidi Swan––a singer/songwriter who fuses blues, country and pop into a new sound. ', 'draft', 'open', 'closed', '', 'featured-artist-heidi-swan', '', '', '2016-06-24 15:59:20', '2016-06-24 22:59:20', '', 0, 'https://afm424.org/?p=1791', 0, 'post', '', 0),
(1792, 4, '2016-04-11 14:11:16', '2016-04-11 21:11:16', 'Singer/songwriter Heidi Swan fuses blues, country and pop into a new sound.\r\n\r\nHeidi is an active performer. She played at the first ever Rockr Grrl Conference in Seattle along with Ann Wilson of Heart, Amy Ray of the Indigo Girls, Ronnie Spector, Jill Sobule &amp; Courtney Love––at Montana\'s annual Hard Rock Festival––at the 2002 Winter Olympics at the Winter Dome in Salt Lake City opposite of Macy Gray and at the famed Mukiltio Lighthouse Festival in Washington state.\r\n\r\nHeidi Swan’s album “As Real As it Gets\" is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&amp;field-keywords=naked+prey+music+as+real+as+it+gets\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/us/album/as-real-as-it-gets/id1050002542\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/Bjk3adykz4g7jaudcg6svkaclqi?utm_source=youtube&amp;utm_medium=buylink\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1658,1659,1661\"]', 'Featured Artist - Heidi Swan', 'Heidi Swan––a singer/songwriter who fuses blues, country and pop into a new sound. ', 'inherit', 'closed', 'closed', '', '1791-revision-v1', '', '', '2016-04-11 14:11:16', '2016-04-11 21:11:16', '', 1791, 'https://afm424.org/1791-revision-v1/', 0, 'revision', '', 0),
(1793, 4, '2016-04-11 14:11:35', '2016-04-11 21:11:35', 'Singer/songwriter Heidi Swan fuses blues, country and pop into a new sound.\r\n\r\nHeidi is an active performer. She played at the first ever Rockr Grrl Conference in Seattle along with Ann Wilson of Heart, Amy Ray of the Indigo Girls, Ronnie Spector, Jill Sobule &amp; Courtney Love––at Montana\'s annual Hard Rock Festival––at the 2002 Winter Olympics at the Winter Dome in Salt Lake City opposite of Macy Gray and at the famed Mukiltio Lighthouse Festival in Washington state.\r\n\r\nHeidi Swan’s album “As Real As it Gets\" is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&amp;field-keywords=naked+prey+music+as+real+as+it+gets\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/us/album/as-real-as-it-gets/id1050002542\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/Bjk3adykz4g7jaudcg6svkaclqi?utm_source=youtube&amp;utm_medium=buylink\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1658,1659,1661\"]', 'Featured Artist - Heidi Swan', 'Heidi Swan––a singer/songwriter who fuses blues, country and pop into a new sound. ', 'inherit', 'closed', 'closed', '', '1791-revision-v1', '', '', '2016-04-11 14:11:35', '2016-04-11 21:11:35', '', 1791, 'https://afm424.org/1791-revision-v1/', 0, 'revision', '', 0),
(1794, 4, '2016-04-11 14:12:52', '2016-04-11 21:12:52', '21st-century dance musix. A mashup of dance rhythms, R&amp;B, rap &amp; pop. chromewench is popular in clubs in New York, LA, Europe and Asia. Available for download on iTunes &amp; Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove &amp; Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Chromewench-Naked-Prey-Music/dp/B013V7DX4I/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454294891&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=chromewench\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/chromewench/id1020913320\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Chromewench?id=Bkpzrwc4mhx25oczl3yaj4ptu54&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1649,1655,1650\"]', 'Featured Artist - chromewench', 'Dance musix for the 21st century. A mashup of techno, R&B, rap & pop. Check out samples from the album. ', 'inherit', 'closed', 'closed', '', '1780-revision-v1', '', '', '2016-04-11 14:12:52', '2016-04-11 21:12:52', '', 1780, 'https://afm424.org/1780-revision-v1/', 0, 'revision', '', 0),
(1795, 4, '2016-04-11 14:16:03', '2016-04-11 21:16:03', '', 'Transylvania 6-5000 by PAUL CHITEN.mp3', '', 'inherit', 'open', 'closed', '', 'transylvania-6-5000-by-paul-chiten-mp3', '', '', '2016-04-11 14:16:03', '2016-04-11 21:16:03', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Transylvania-6-5000-by-PAUL-CHITEN.mp3.zip', 0, 'attachment', 'application/zip', 0),
(1796, 4, '2016-04-11 14:16:27', '2016-04-11 21:16:27', '\"Love Don\'t Stand A Chance\" from PC SINGZ PC by Paul Chiten. Genre: Rock.', 'Love Don\'t Stand A Chance', '', 'inherit', 'open', 'closed', '', 'love-dont-stand-a-chance', '', '', '2016-04-25 06:31:58', '2016-04-25 13:31:58', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Love-Dont-Stand-A-Chance-by-PAUL-CHITEN.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1797, 4, '2016-04-11 14:16:27', '2016-04-11 21:16:27', '', '', '', 'inherit', 'open', 'closed', '', '1797', '', '', '2016-04-11 14:16:27', '2016-04-11 21:16:27', '', 0, 'https://afm424.org/1797/', 0, 'attachment', 'image/jpeg', 0),
(1798, 4, '2016-04-11 14:16:37', '2016-04-11 21:16:37', '\"Tea In The Garden-Vox tempo map-MASTER_8_10_14**\".', 'Tea In The Garden', '', 'inherit', 'open', 'closed', '', 'tea-in-the-garden-vox-tempo-map-master_8_10_14', '', '', '2016-04-25 06:31:53', '2016-04-25 13:31:53', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Tea-In-The-Garden-by-PAUL-CHITEN.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1799, 2, '2016-04-11 14:24:31', '0000-00-00 00:00:00', 'MOON by Naked Prey Music. Sensuous, atmospheric, ethereal, sexy. Featured in projects by Playboy and Penthouse was the soundtrack for the live show “eXotica\" in Las Vegas.\r\n\r\nAvailable for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Ddigital-music&amp;field-keywords=naked+prey+music+moon\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/moon/id1015245318\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Moon?id=Bu2tbbo2ixdiunvjaxwrlfpry7i&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1691,1693,1695\"]', 'Featured Artist - Moon', 'Moon is an album moody, sensual tracks from Naked Prey Music. Sample the current album.', 'draft', 'open', 'closed', '', 'featured-artist-moon', '', '', '2016-04-11 14:24:31', '2016-04-11 21:24:31', '', 0, 'https://afm424.org/?p=1799', 0, 'post', '', 0),
(1800, 4, '2016-04-11 14:23:28', '2016-04-11 21:23:28', 'MOON by Naked Prey Music. Sensuous, atmospheric, ethereal, sexy. Featured in projects by Playboy and Penthouse was the soundtrack for the live show “eXotica\" in Las Vegas.\r\n\r\nAvailable for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Ddigital-music&amp;field-keywords=naked+prey+music+moon\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/moon/id1015245318\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Moon?id=Bu2tbbo2ixdiunvjaxwrlfpry7i&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1691,1693,1695\"]', 'Featured Artist - Moon', 'Moon is an album moody, sensual tracks from Naked Prey Music. Sample the current album.', 'inherit', 'closed', 'closed', '', '1799-revision-v1', '', '', '2016-04-11 14:23:28', '2016-04-11 21:23:28', '', 1799, 'https://afm424.org/1799-revision-v1/', 0, 'revision', '', 0),
(1801, 4, '2016-04-11 14:23:43', '2016-04-11 21:23:43', 'MOON by Naked Prey Music. Sensuous, atmospheric, ethereal, sexy. Featured in projects by Playboy and Penthouse was the soundtrack for the live show “eXotica\" in Las Vegas.\r\n\r\nAvailable for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Ddigital-music&amp;field-keywords=naked+prey+music+moon\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/moon/id1015245318\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Moon?id=Bu2tbbo2ixdiunvjaxwrlfpry7i&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1691,1693,1695\"]', 'Featured Artist - Moon', 'Moon is an album moody, sensual tracks from Naked Prey Music. Sample the current album.', 'inherit', 'closed', 'closed', '', '1799-revision-v1', '', '', '2016-04-11 14:23:43', '2016-04-11 21:23:43', '', 1799, 'https://afm424.org/1799-revision-v1/', 0, 'revision', '', 0),
(1802, 4, '2016-04-12 06:00:59', '2016-04-12 13:00:59', '\"Ritual Seduction\".', 'Ritual Seduction', '', 'inherit', 'open', 'closed', '', 'ritual-seduction', '', '', '2016-04-12 06:01:11', '2016-04-12 13:01:11', '', 1773, 'https://afm424.org/wp-content/uploads/2016/04/Ritual-Seduction.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1803, 4, '2016-04-12 06:01:24', '2016-04-12 13:01:24', '<strong>ShagHead</strong> is dark, sensuous, sexual music. Performed with a live band mixed with wild synthesizer overdubs. <strong>ShagHead</strong> music has been featured in television, films, videos by Playboy and Penthouse and as soundtrack music for experimental films. <strong>ShagHead</strong> is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/gp/product/B010XN33QQ/191-8279318-4053063?ie=UTF8&amp;*Version*=1&amp;*entries*=0\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/shaghead/id1015758166\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_ShagHead?id=B37usf75ui65kb3g2klsi7eewta&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1802,1728,1722\"]', 'Featured Artist - ShagHead', 'ShagHead is dark, sensuous, sexual music. A blend of live musicians mixed with wild synthesizers.', 'inherit', 'closed', 'closed', '', '1773-revision-v1', '', '', '2016-04-12 06:01:24', '2016-04-12 13:01:24', '', 1773, 'https://afm424.org/1773-revision-v1/', 0, 'revision', '', 0),
(1830, 4, '2016-04-28 08:33:50', '2016-04-28 15:33:50', '', 'blog-hdr-img', '', 'inherit', 'open', 'closed', '', 'blog-hdr-img', '', '', '2016-04-28 08:33:50', '2016-04-28 15:33:50', '', 1829, 'https://afm424.org/wp-content/uploads/2016/04/blog-hdr-img.jpg', 0, 'attachment', 'image/jpeg', 0),
(1805, 6, '2016-04-12 12:02:24', '2016-04-12 19:02:24', 'The next generation of ambient dub music. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. The rhythmic feel has an ethnic/reggae-influenced vibe. Ambient TripDub music has been used in a wide variety of forms; film, television, music video, commercials, art museum installations, modern dance and art films.\r\n\r\nAmbient TripDub is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play\r\n\r\nAmazon (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/Btqzopac4i5qtfeoktszluplqsq?utm_source=youtube&amp;utm_medium=buylink\">stream</a>)\r\n\r\n[playlist ids=\"1632,1628,1629\"]\r\n\r\n&nbsp;\r\n\r\n&nbsp;', 'Featured Arist - Ambient TripDub', 'The next generation of ambient dub music. The spontaneity of live performances mixed with the limitless possibilities of digital audio, coupled with a \"musique concrete” approach.', 'inherit', 'closed', 'closed', '', '1766-autosave-v1', '', '', '2016-04-12 12:02:24', '2016-04-12 19:02:24', '', 1766, 'https://afm424.org/1766-autosave-v1/', 0, 'revision', '', 0),
(1807, 6, '2016-04-17 00:35:14', '2016-04-17 07:35:14', 'Emmy and Telly Award-winning songwriter and 424 member Paul Chiten has composed Nashville artist Melissa Ramski\'s the latest single, “As Real As It Gets” (co-written with Indie artist Heidi Swan). Melissa won the 2015 Indie Ville TV Artist of The Year award and has thousands of followers on Facebook, Reverb Nation and Spotify.\r\n\r\n[audio mp3=\"https://afm424.org/wp-content/uploads/2016/04/As-Real-As-It-Gets-Ramskis.mp3\"][/audio]', 'As Real As It Gets', '', 'inherit', 'closed', 'closed', '', '1762-revision-v1', '', '', '2016-04-17 00:35:14', '2016-04-17 07:35:14', '', 1762, 'https://afm424.org/1762-revision-v1/', 0, 'revision', '', 0),
(1808, 6, '2016-04-17 00:36:46', '2016-04-17 07:36:46', 'Emmy and Telly Award-winning songwriter and 424 member Paul Chiten has composed Nashville artist Melissa Ramski\'s latest single, “As Real As It Gets,” co-written with indie artist Heidi Swan. Melissa won the 2015 Indie Ville TV Artist of The Year award and has thousands of followers on Facebook, Reverb Nation and Spotify.\r\n\r\n[audio mp3=\"https://afm424.org/wp-content/uploads/2016/04/As-Real-As-It-Gets-Ramskis.mp3\"][/audio]', 'As Real As It Gets', '', 'inherit', 'closed', 'closed', '', '1762-revision-v1', '', '', '2016-04-17 00:36:46', '2016-04-17 07:36:46', '', 1762, 'https://afm424.org/1762-revision-v1/', 0, 'revision', '', 0),
(1822, 6, '2016-04-22 13:56:57', '2016-04-22 20:56:57', 'ALLURE OF SOULS is a Gothic influenced alternative rock duo with a melodic and romantic overlay. They are based in Los Angeles. Lead singer Aina Olsen is a former Miss Norway. AOS music has been featured in films and television. They\'ve released two singles, “When The Angels Cry” and “Cold” which have become popular on digital media. The Allure of Souls album “X-O” is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon: (<a href=\"https://www.amazon.com/gp/product/B0194NQDLI?ie=UTF8&amp;keywords=Allure%20of%20Souls&amp;qid=1454198349&amp;ref_=sr_1_3&amp;s=dmusic&amp;sr=1-3-mp3-albums-bar-strip-0\" target=\"_blank\">download</a>)\r\niTunes: (<a href=\"https://itunes.apple.com/in/album/x-o/id1066205916?app=itunes&amp;ign-mpt=uo%3D4\" target=\"_blank\">download</a>)\r\nGoogle Play: (<a href=\"https://play.google.com/store/music/album/Allure_of_Souls_X_O?id=Bi2d7kczdwtdzoxz3cr4wx3krby&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist artists=\"false\" ids=\"1456,1459,1449,1450\"]', 'Featured Artist - Allure of Souls', 'ALLURE OF SOULS is a compelling Gothic influenced alternative rock duo with a melodic and romantic overlay. A portion of their current album “X-O” can be listened to here.', 'inherit', 'closed', 'closed', '', '1436-revision-v1', '', '', '2016-04-22 13:56:57', '2016-04-22 20:56:57', '', 1436, 'https://afm424.org/1436-revision-v1/', 0, 'revision', '', 0),
(1821, 4, '2016-04-22 06:23:38', '2016-04-22 13:23:38', '[vc_row][vc_column width=\"2/3\"][vc_column_text]\r\n<h1>Members Area</h1>\r\n<a href=\"http://local424.afmquartet.org/files/2010/12/424-2012-Bylaws.pdf\">424 2012 Bylaws</a>\r\n\r\n<a href=\"https://afm424.org/wp-content/uploads/2014/10/2013BylawsAFM-International1.pdf\">2013 Bylaws AFM International</a>\r\n<div>\r\n<div dir=\"ltr\"><a href=\"http://promusic47.org/allscales.html\" target=\"_blank\">Electronic Media Scale</a></div>\r\n</div>\r\n<div></div>\r\n[/vc_column_text][/vc_column][vc_column width=\"1/3\"][vc_column_text]You are currently logged in. <a href=\"https://afm424.org/member-dashboard/\">Member Dashboard</a>.[/vc_column_text][ihc-logout-link][/vc_column][/vc_row]', 'Members Area', '', 'inherit', 'closed', 'closed', '', '17-revision-v1', '', '', '2016-04-22 06:23:38', '2016-04-22 13:23:38', '', 17, 'https://afm424.org/17-revision-v1/', 0, 'revision', '', 0),
(1829, 4, '2016-04-28 08:45:03', '2016-04-28 15:45:03', '[vc_row][vc_column width=\"2/3\"][vc_column_text]\r\n<h1>Local 424 AFM Blog</h1>\r\n[/vc_column_text][/vc_column][vc_column width=\"1/3\"][vc_wp_search title=\"Search\"][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=\"post\" max_items=\"-1\" style=\"lazy\" element_width=\"3\" item=\"1562\" grid_id=\"vc_gid:1469107168130-2932ae6e-bb3b-6\" taxonomies=\"27\"][/vc_column][/vc_row]', 'Blog', '', 'publish', 'closed', 'closed', '', 'blog', '', '', '2016-07-21 06:21:37', '2016-07-21 13:21:37', '', 0, 'https://afm424.org/?page_id=1829', 0, 'page', '', 0),
(1816, 4, '2016-04-20 13:09:01', '2016-04-20 20:09:01', '<h1>Links</h1>\nHere you will find useful links regarding all aspects of the music business.\n<h3>Songwriting, Music Publishing &amp; Royalties:</h3>\n<ul>\n	<li><a href=\"http://www.ascap.com\" target=\"_blank\">ASCAP</a></li>\n	<li><a href=\"http://www.bmi.com\" target=\"_blank\">BMI</a></li>\n	<li><a href=\"http://www.sesac.com\" target=\"_blank\">SESAC</a></li>\n	<li><a href=\"https://www.harryfox.com\" target=\"_blank\">Harry Fox Agency</a></li>\n	<li><a href=\"http://www.soundexchange.com\" target=\"_blank\">Sound Exchange</a></li>\n</ul>\nLog onto ASCAP, BMI, SESAC, Harry Fox Agency or Sound Exchange to find info on Performing Rights Organizations––how to get your songs published, receive royalties, manage your music publishing, assemble your music catalog––and much more.\n<h3>Music Copyrighting</h3>\n<ul>\n	<li><a href=\"http://www.copyright.gov/forms/\" target=\"_blank\">Copyright Forms</a></li>\n	<li><a href=\"http://www.copyright.gov/eco/\" target=\"_blank\">Electronic Copyright Filing</a></li>\n</ul>\n<h3>Music Copyright Info</h3>\n<ul>\n	<li><a href=\"https://www.loc.gov/search/?in=&amp;q=music+copyrighting&amp;new=true&amp;st=\" target=\"_blank\">Library of Congress</a></li>\n</ul>\n<h3>Concert Calendar</h3>\n<ul>\n	<li><a href=\"http://www.livenation.com\" target=\"_blank\">Live Nation</a></li>\n	<li><a href=\"http://www.craneway.com\" target=\"_blank\">Craneway Pavilion</a></li>\n</ul>\n<h3>Gibson News Features</h3>\n<img class=\"wp-image-1817 size-full alignleft\" src=\"https://afm424.org/wp-content/uploads/2015/10/gibson.png\" alt=\"gibson\" width=\"279\" height=\"181\" />', 'Links', '', 'inherit', 'closed', 'closed', '', '1151-autosave-v1', '', '', '2016-04-20 13:09:01', '2016-04-20 20:09:01', '', 1151, 'https://afm424.org/1151-autosave-v1/', 0, 'revision', '', 0),
(1817, 4, '2016-04-20 12:58:11', '2016-04-20 19:58:11', '', 'gibson', '', 'inherit', 'open', 'closed', '', 'gibson', '', '', '2016-04-20 12:58:11', '2016-04-20 19:58:11', '', 1151, 'https://afm424.org/wp-content/uploads/2015/10/gibson.png', 0, 'attachment', 'image/png', 0),
(1818, 4, '2016-04-20 13:01:02', '2016-04-20 20:01:02', '<h1>Links</h1>\r\nHere you will find useful links regarding all aspects of the music business.\r\n<h3>Songwriting, Music Publishing &amp; Royalties:</h3>\r\n<ul>\r\n	<li><a href=\"http://www.ascap.com\" target=\"_blank\">ASCAP</a></li>\r\n	<li><a href=\"http://www.bmi.com\" target=\"_blank\">BMI</a></li>\r\n	<li><a href=\"http://www.sesac.com\" target=\"_blank\">SESAC</a></li>\r\n	<li><a href=\"https://www.harryfox.com\" target=\"_blank\">Harry Fox Agency</a></li>\r\n	<li><a href=\"http://www.soundexchange.com\" target=\"_blank\">Sound Exchange</a></li>\r\n</ul>\r\nLog onto ASCAP, BMI, SESAC, Harry Fox Agency or Sound Exchange to find info on Performing Rights Organizations––how to get your songs published, receive royalties, manage your music publishing, assemble your music catalog––and much more.\r\n<h3>Music Copyrighting</h3>\r\n<ul>\r\n	<li><a href=\"http://www.copyright.gov/forms/\" target=\"_blank\">Copyright Forms</a></li>\r\n	<li><a href=\"http://www.copyright.gov/eco/\" target=\"_blank\">Electronic Copyright Filing</a></li>\r\n</ul>\r\n<h3>Music Copyright Info</h3>\r\n<ul>\r\n	<li><a href=\"https://www.loc.gov/search/?in=&amp;q=music+copyrighting&amp;new=true&amp;st=\" target=\"_blank\">Library of Congress</a></li>\r\n</ul>\r\n<h3>Concert Calendar</h3>\r\n<ul>\r\n	<li><a href=\"http://www.livenation.com\" target=\"_blank\">Live Nation</a></li>\r\n	<li><a href=\"http://www.craneway.com\" target=\"_blank\">Craneway Pavilion</a></li>\r\n</ul>\r\n<h3>Gibson News Features</h3>\r\n<img class=\"alignnone wp-image-1817 size-full\" src=\"https://afm424.org/wp-content/uploads/2015/10/gibson.png\" alt=\"gibson\" width=\"279\" height=\"181\" />', 'Links', '', 'inherit', 'closed', 'closed', '', '1151-revision-v1', '', '', '2016-04-20 13:01:02', '2016-04-20 20:01:02', '', 1151, 'https://afm424.org/1151-revision-v1/', 0, 'revision', '', 0),
(1819, 4, '2016-04-20 13:09:04', '2016-04-20 20:09:04', '<h1>Links</h1>\r\nHere you will find useful links regarding all aspects of the music business.\r\n<h3>Songwriting, Music Publishing &amp; Royalties:</h3>\r\n<ul>\r\n	<li><a href=\"http://www.ascap.com\" target=\"_blank\">ASCAP</a></li>\r\n	<li><a href=\"http://www.bmi.com\" target=\"_blank\">BMI</a></li>\r\n	<li><a href=\"http://www.sesac.com\" target=\"_blank\">SESAC</a></li>\r\n	<li><a href=\"https://www.harryfox.com\" target=\"_blank\">Harry Fox Agency</a></li>\r\n	<li><a href=\"http://www.soundexchange.com\" target=\"_blank\">Sound Exchange</a></li>\r\n</ul>\r\nLog onto ASCAP, BMI, SESAC, Harry Fox Agency or Sound Exchange to find info on Performing Rights Organizations––how to get your songs published, receive royalties, manage your music publishing, assemble your music catalog––and much more.\r\n<h3>Music Copyrighting</h3>\r\n<ul>\r\n	<li><a href=\"http://www.copyright.gov/forms/\" target=\"_blank\">Copyright Forms</a></li>\r\n	<li><a href=\"http://www.copyright.gov/eco/\" target=\"_blank\">Electronic Copyright Filing</a></li>\r\n</ul>\r\n<h3>Music Copyright Info</h3>\r\n<ul>\r\n	<li><a href=\"https://www.loc.gov/search/?in=&amp;q=music+copyrighting&amp;new=true&amp;st=\" target=\"_blank\">Library of Congress</a></li>\r\n</ul>\r\n<h3>Concert Calendar</h3>\r\n<ul>\r\n	<li><a href=\"http://www.livenation.com\" target=\"_blank\">Live Nation</a></li>\r\n	<li><a href=\"http://www.craneway.com\" target=\"_blank\">Craneway Pavilion</a></li>\r\n</ul>\r\n<h3>Gibson News Features</h3>\r\n<img class=\"wp-image-1817 size-full alignleft\" src=\"https://afm424.org/wp-content/uploads/2015/10/gibson.png\" alt=\"gibson\" width=\"279\" height=\"181\" />', 'Links', '', 'inherit', 'closed', 'closed', '', '1151-revision-v1', '', '', '2016-04-20 13:09:04', '2016-04-20 20:09:04', '', 1151, 'https://afm424.org/1151-revision-v1/', 0, 'revision', '', 0),
(1820, 4, '2016-04-20 14:23:19', '2016-04-20 21:23:19', '<h1>Links</h1>\r\nHere you will find useful links regarding all aspects of the music business.\r\n<h3>Songwriting, Music Publishing &amp; Royalties:</h3>\r\n<ul>\r\n	<li><a href=\"http://www.ascap.com\" target=\"_blank\">ASCAP</a></li>\r\n	<li><a href=\"http://www.bmi.com\" target=\"_blank\">BMI</a></li>\r\n	<li><a href=\"http://www.sesac.com\" target=\"_blank\">SESAC</a></li>\r\n	<li><a href=\"https://www.harryfox.com\" target=\"_blank\">Harry Fox Agency</a></li>\r\n	<li><a href=\"http://www.soundexchange.com\" target=\"_blank\">Sound Exchange</a></li>\r\n</ul>\r\nLog onto ASCAP, BMI, SESAC, Harry Fox Agency or Sound Exchange to find info on Performing Rights Organizations––how to get your songs published, receive royalties, manage your music publishing, assemble your music catalog––and much more.\r\n<h3>Music Copyrighting</h3>\r\n<ul>\r\n	<li><a href=\"http://www.copyright.gov/forms/\" target=\"_blank\">Copyright Forms</a></li>\r\n	<li><a href=\"http://www.copyright.gov/eco/\" target=\"_blank\">Electronic Copyright Filing</a></li>\r\n</ul>\r\n<h3>Music Copyright Info</h3>\r\n<ul>\r\n	<li><a href=\"https://www.loc.gov/search/?in=&amp;q=music+copyrighting&amp;new=true&amp;st=\" target=\"_blank\">Library of Congress</a></li>\r\n</ul>\r\n<h3>Concert Calendar</h3>\r\n<ul>\r\n	<li><a href=\"http://www.livenation.com\" target=\"_blank\">Live Nation</a></li>\r\n	<li><a href=\"http://www.craneway.com\" target=\"_blank\">Craneway Pavilion</a></li>\r\n</ul>\r\n<h3>Gibson News Features</h3>\r\n<a href=\"http://www.gibson.com/News-Lifestyle.aspx \" target=\"_blank\"><img class=\"alignleft wp-image-1817 size-full\" src=\"https://afm424.org/wp-content/uploads/2015/10/gibson.png\" alt=\"gibson\" width=\"279\" height=\"181\" /></a>', 'Links', '', 'inherit', 'closed', 'closed', '', '1151-revision-v1', '', '', '2016-04-20 14:23:19', '2016-04-20 21:23:19', '', 1151, 'https://afm424.org/1151-revision-v1/', 0, 'revision', '', 0);
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(1823, 6, '2017-02-15 22:57:54', '2017-02-16 05:57:54', '<div>\n<div>\n<div>PAUL CHITEN website home page:</div>\n<div><b><a href=\"http://www.sweethartproductions.com/\">sweethartproductions.com</a></b></div>\n<div>\n<div>\n<div>PAUL CHITEN website personal page:</div>\n<div><a href=\"http://sweethartproductions.com/PaulChiten.aspx\"><b>http://sweethartproductions.com/PaulChiten.aspx</b></a></div>\n</div>\n</div>\n</div>\n</div>\n<div>\n<div>PAUL CHITEN business email:\n<a href=\"mailto:pc@sweethartproductions.com\"><b>pc@sweethartproductions.com</b></a></div>\n<div></div>\n</div>\n&nbsp;\n\n<strong>Music &amp; Technology Talents</strong>\n\n• Composer • Arranger • Producer • Songwriter • Performer • Conductor • Musician\n• Vocalist • MIDI Programmer • Sound Designer • Computer Consultant\n• Primary Instruments: Piano &amp; Synthesizers\n• Other Instruments: Electric Guitar, Acoustic Guitar, Bass, Flute, Organ, Harmonica,\nVibes, Harpsichord, Recorder, Harmonium, Drums, Marimba, Percussion, Didgeridoo\n\n[playlist ids=\"1796,1798,1825\"]\n\n<strong>A Few Highlights</strong>\n<ul>\n 	<li>Composer/Arranger/Performer/Musical Director for EMC World show, Las Vegas, 2014-2015-2016</li>\n 	<li>Music for “The Carrie Diaries,” CW Network, 2013-2014</li>\n 	<li>Won a 2008 Daytime Emmy for Nickelodeon’s top-rated show, “The Wonder Pets!” for Outstanding  Achievement in Music Direction and Composition.</li>\n 	<li>Winner of two 2008 Telly Awards for Outstanding Achievement in Music</li>\n 	<li>Composed, Performed &amp; Produced music for the new video game “Spy Bots” from Bionic Games</li>\n 	<li>Winner of three 2005 Telly Awards for Best Television Commercial</li>\n 	<li>Winner of 2005 Aurora Platinum Award for Best Commercial</li>\n 	<li>Arranged &amp; Performed the Main Title music for the CBS Movie,  “Helter Skelter” Co-produced with “X-Files” composer  Mark Snow. Music for the show was nominated for an Emmy Award</li>\n 	<li>Producer/Performer/Co-Composer for Sony/Showtime television series, “Street Time.”</li>\n 	<li>Music Director, Arranger and Performer for Cisco Systems Show, Las Vegas</li>\n 	<li>Composed and Produced the theme music that daily opens and closes “The Tokyo Stock Exchange”</li>\n 	<li>Musical Director and Performer, “Crystal Palace,” Tokyo, Japan</li>\n 	<li>Musical Director for featured show at “Windows Of The World” Amphitheatre, China</li>\n 	<li>Music Publishing deal with Fuji Pacific</li>\n 	<li>Worked with composer Mike Stoller on the definitive music arrangements for the “Elvis Presley Sings Lieber &amp;  Stoller Songbook”</li>\n 	<li>South American tour with Donna Summer, Keyboards and Vocals</li>\n 	<li>European tour with Donna Summer, Keyboards and Vocals</li>\n 	<li>African tours with my band, “Angel City”</li>\n 	<li>Music Publishing deal with Paramount/Famous Music</li>\n 	<li>Member of the Songwriter’s Summit excursion to Russia with  “Music Speaks Louder Than Words” project. Album on Epic Records</li>\n 	<li>Featured in the television mini-series “Makin’ Music,” which won an Emmy Award</li>\n</ul>\n<table width=\"413\">\n<tbody>\n<tr>\n<td width=\"123\"><strong>Film &amp; Television</strong>\n<table width=\"413\">\n<tbody>\n<tr>\n<td width=\"203\"><strong>The Carrie Diaries</strong></td>\n<td width=\"211\">CW Network</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Street Time</strong></td>\n<td width=\"211\">Sony/Showtime</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Dawson’s Creek</strong></td>\n<td width=\"211\">Columbia/Tri-Star/Warner Brothers</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Helter Skelter </strong>(main title)</td>\n<td width=\"211\">CBS Movie</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Law &amp; Order</strong></td>\n<td width=\"211\">NBC</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Wonder Pets</strong></td>\n<td width=\"211\">Nickelodeon</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Saving Milly</strong></td>\n<td width=\"211\">CBS Movie Of The Week</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Tokyo Stock Exchange</strong></td>\n<td width=\"211\">Music for Nikkei Exchange</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Software AG Show</strong></td>\n<td width=\"211\">Music Director, Arranger and Performer</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Spring Break Shark Attack</strong></td>\n<td width=\"211\">CBS Movie Of The Week</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Coming To America</strong></td>\n<td width=\"211\">Paramount</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Beyond Chance</strong></td>\n<td width=\"211\">Lifetime</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Witness</strong></td>\n<td width=\"211\">Paramount</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Queen’s Logic</strong></td>\n<td width=\"211\">Universal</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>True Colors</strong></td>\n<td width=\"211\">Paramount</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Santa Barbara</strong></td>\n<td width=\"211\">NBC</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>The Jew In The Lotus</strong>(score)</td>\n<td width=\"211\">Blind Dog Films</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>New Attitude</strong></td>\n<td width=\"211\">ABC</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Distant Thunder</strong></td>\n<td width=\"211\">Paramount</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Woman On The Run</strong></td>\n<td width=\"211\">NBC Mini-Series</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Lame Ducks</strong></td>\n<td width=\"211\">Paramount</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Hollywood Beat</strong></td>\n<td width=\"211\">Aaron Spelling/ABC</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Transylvania 6-5000</strong></td>\n<td width=\"211\">New World</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Bad Guys</strong></td>\n<td width=\"211\">Tomorrow Entertainment</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Street Smart</strong></td>\n<td width=\"211\">Cannon</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Sweet Poison</strong> (score)</td>\n<td width=\"211\">Universal</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Los Angeles Olympics</strong>(score)</td>\n<td width=\"211\">Master Arts</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Fantasy Chamber </strong>(score)</td>\n<td width=\"211\">Ultimate</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Intellidex </strong>(LaserDisc score)</td>\n<td width=\"211\">Post Films</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Erotic Visions </strong>(score)</td>\n<td width=\"211\">Ultimate</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Pulsebeat </strong>(score)</td>\n<td width=\"211\">Calla Films</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Intersil </strong>(score)</td>\n<td width=\"211\">General Electric</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Technics </strong>(score)</td>\n<td width=\"211\">Technics Ltd.</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Marbella </strong>(score)</td>\n<td width=\"211\">Calla Films</td>\n</tr>\n<tr>\n<td width=\"203\"><strong>Fame</strong></td>\n<td width=\"211\">ABC</td>\n</tr>\n<tr>\n<td width=\"203\"></td>\n<td width=\"211\"></td>\n</tr>\n</tbody>\n</table>\n&nbsp;\n\n<strong>Trailers</strong>\n<table width=\"413\">\n<tbody>\n<tr>\n<td width=\"241\"><strong>Slingblade</strong></td>\n<td width=\"172\">Miramax</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>Let The Devil Wear Black</strong></td>\n<td width=\"172\">Trimark</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>Joe The King</strong></td>\n<td width=\"172\">Trimark</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>The Cape</strong></td>\n<td width=\"172\">MTM Television</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>The Blood Oranges</strong></td>\n<td width=\"172\">Trimark Pictures</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>Witness</strong></td>\n<td width=\"172\">Paramount</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>Mona Lisa</strong></td>\n<td width=\"172\">Island Pictures</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>River’s Edge</strong></td>\n<td width=\"172\">New World</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>Jimmy Reardon</strong></td>\n<td width=\"172\">Island Pictures</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>Sweet Lies</strong></td>\n<td width=\"172\">Island Pictures</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>Rocky IV</strong></td>\n<td width=\"172\">CBS/Fox</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>Pope of Greenwich Village</strong></td>\n<td width=\"172\">United Artists</td>\n</tr>\n</tbody>\n</table>\n&nbsp;\n\n<strong>Commercials</strong>\n<table width=\"413\">\n<tbody>\n<tr>\n<td width=\"241\"><strong>Armani Olympiad</strong></td>\n<td width=\"172\">Giorgio Armani</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>Relax</strong></td>\n<td width=\"172\">Ford</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>Countrywide</strong></td>\n<td width=\"172\">Countrywide</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>Port Of Los Angeles</strong></td>\n<td width=\"172\">M-Creative</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>The Bus Ride</strong></td>\n<td width=\"172\">Big Star Jeans</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>Just Can’t Wait</strong></td>\n<td width=\"172\">Toyota</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>Metro Parks</strong></td>\n<td width=\"172\">Ohio State Parks</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>Island Presents</strong></td>\n<td width=\"172\">Island Pictures</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>Season Theme</strong></td>\n<td width=\"172\">Oakland A’s</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>Attitude</strong></td>\n<td width=\"172\">Gotcha Jeans</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>Prom Fantasy</strong></td>\n<td width=\"172\">Elektra Casadei Designs</td>\n</tr>\n<tr>\n<td width=\"241\"><strong>Logo Theme</strong></td>\n<td width=\"172\">Pathe</td>\n</tr>\n</tbody>\n</table>\n&nbsp;\n\n<strong>Video</strong>\n<table width=\"413\">\n<tbody>\n<tr>\n<td width=\"261\"><strong>Spy Bots</strong> (video game)</td>\n<td width=\"152\">Bionic Games</td>\n</tr>\n<tr>\n<td width=\"261\"><strong>Fighter Squadron</strong> (video game)</td>\n<td width=\"152\">Activision</td>\n</tr>\n<tr>\n<td width=\"261\"><strong>Faster Faster</strong></td>\n<td width=\"152\">MTV</td>\n</tr>\n<tr>\n<td width=\"261\"><strong>Girls Of Radio</strong> •Talk,Rock &amp; Shock</td>\n<td width=\"152\">Playboy Entertainment</td>\n</tr>\n<tr>\n<td width=\"261\"><strong>London Nights</strong></td>\n<td width=\"152\">Trikilis Productions</td>\n</tr>\n<tr>\n<td width=\"261\"><strong>On Campus</strong> (score)</td>\n<td width=\"152\">Warner Vision</td>\n</tr>\n<tr>\n<td width=\"261\"><strong>Beyond Vaudeville</strong></td>\n<td width=\"152\">Exotic World</td>\n</tr>\n<tr>\n<td width=\"261\"><strong>Art of Massage</strong> (score)</td>\n<td width=\"152\">Warner Vision</td>\n</tr>\n<tr>\n<td width=\"261\"><strong>Bump &amp; Grind</strong> • History of Burlesque</td>\n<td width=\"152\">Sheba Productions</td>\n</tr>\n<tr>\n<td width=\"261\"><strong>Poison Letter</strong></td>\n<td width=\"152\">MTV</td>\n</tr>\n<tr>\n<td width=\"261\"><strong>Paris Lights</strong></td>\n<td width=\"152\">Trikilis Productions</td>\n</tr>\n</tbody>\n</table>\n<strong> </strong>\n\n<strong>Studio &amp; Production</strong>\n\n<em>Composed, Arranged, Produced, Performed, Programmed or Sound Designed for:</em>\n<table width=\"413\">\n<tbody>\n<tr>\n<td width=\"128\">Michael Jackson</td>\n<td width=\"120\">Natalie Cole</td>\n<td width=\"149\">Anita Baker</td>\n</tr>\n<tr>\n<td width=\"128\">Tina Turner</td>\n<td width=\"120\">Alice Cooper</td>\n<td width=\"149\">Brenda Russell</td>\n</tr>\n<tr>\n<td width=\"128\">Donna Summer</td>\n<td width=\"120\">Cyndi Lauper</td>\n<td width=\"149\">LA Law</td>\n</tr>\n<tr>\n<td width=\"128\">Pointer Sisters</td>\n<td width=\"120\">The Breakfast Club</td>\n<td width=\"149\">Vince Neil (Motley Crue)</td>\n</tr>\n<tr>\n<td width=\"128\">Commodores</td>\n<td width=\"120\">Kokopop</td>\n<td width=\"149\">Skin Deep</td>\n</tr>\n<tr>\n<td width=\"128\">Lou Rawls, Jr</td>\n<td width=\"120\">Marvin Gaye, Jr.</td>\n<td width=\"149\">Alisha</td>\n</tr>\n<tr>\n<td width=\"128\">Glass</td>\n<td width=\"120\">Phil Perry</td>\n<td width=\"149\">Santa Barbera</td>\n</tr>\n<tr>\n<td width=\"128\">Five Star</td>\n<td width=\"120\">Julian Lennon</td>\n<td width=\"149\">Fame</td>\n</tr>\n<tr>\n<td width=\"128\">NBC</td>\n<td width=\"120\">Solid Gold</td>\n<td width=\"149\">CBS</td>\n</tr>\n<tr>\n<td width=\"128\">B.D. Fox &amp; Friends</td>\n<td width=\"120\">ABC</td>\n<td width=\"149\">Court TV</td>\n</tr>\n<tr>\n<td width=\"128\">Warner Brothers</td>\n<td width=\"120\">Fox Television</td>\n<td width=\"149\">Propaganda Films</td>\n</tr>\n<tr>\n<td width=\"128\">Universal</td>\n<td width=\"120\">Cucoloris Films</td>\n<td width=\"149\">McClatchy Films</td>\n</tr>\n<tr>\n<td width=\"128\">Phil Perry</td>\n<td width=\"120\">Flicker Films</td>\n<td width=\"149\">Lifetime</td>\n</tr>\n<tr>\n<td width=\"128\">Herbie Hancock</td>\n<td width=\"120\">History Channel</td>\n<td width=\"149\">Andre Fisher</td>\n</tr>\n<tr>\n<td width=\"128\">Phil Ramone</td>\n<td width=\"120\">KPIX</td>\n<td width=\"149\">Saatchi &amp; Saatchi</td>\n</tr>\n<tr>\n<td width=\"128\">Jimmy Iovine</td>\n<td width=\"120\">Young &amp; Rubicam</td>\n<td width=\"149\"></td>\n</tr>\n</tbody>\n</table>\n&nbsp;\n\n<strong>Musical Director</strong>\n\n•   EMC World show, Las Vegas\n\n•   Television series “Makin’ Music,” which won an Emmy Award.\n\n•   Cisco Annual Corporate Show, Las Vegas\n\n•   Sweethart Productions\n\n•   The Commodores, conductor &amp; arranger\n\n•   Software AG Annual Corporate Show, Orlando\n\n•   Headline show at “Windows Of The World” Amphitheater, China\n\n•   Oracle Show at the Los Angeles Convention Center\n\n•   Deltek Annual Corporate Show, Nashville\n\n•   The band “Angel City,” multiple tours of Africa\n\n•   The band “PC2000,” launching MTV’s “Basement Tapes” series.\n\n•   Television series “Zoom,” WGBH\n\n•   Production company “Hot Spoons Productions”\n\n•   Los Angeles Olympics Master Arts Show\n\n<strong>\nSongs</strong>\n\nMaster Produced (*) by Paul Chiten\nMaster co-Produced (**) by Paul Chiten\n<table width=\"413\">\n<tbody>\n<tr>\n<td width=\"123\"><strong>Title</strong></td>\n<td width=\"115\"><strong>Artist</strong></td>\n<td width=\"156\"><strong>Label</strong></td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Can’t Wait Another Minute</strong></td>\n<td width=\"115\">Five Star</td>\n<td width=\"156\">RCA</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Lewis Sisters</td>\n<td width=\"156\">Riva</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Aina</td>\n<td width=\"156\">Polydor</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Ain’t Crack</td>\n<td width=\"156\">Disney</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Patti Brooks</td>\n<td width=\"156\">Paramount</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Dance Chart</td>\n<td width=\"156\">Telstar</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Five Star’s Greatest Hits</td>\n<td width=\"156\">RCA</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Now Dance</td>\n<td width=\"156\">EMI/Virgin</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Drive My Car (Til Sunset)</strong></td>\n<td width=\"115\">Brenda Russell</td>\n<td width=\"156\">A&amp;M</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Come Into My Life</strong></td>\n<td width=\"115\">Laura Branigan</td>\n<td width=\"156\">Atco</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">The Imperials</td>\n<td width=\"156\">Starsong</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Chikaco Sawada</td>\n<td width=\"156\">Taurus</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Dancing With A Stranger</strong></td>\n<td width=\"115\">Cyndi Lauper</td>\n<td width=\"156\">Epic</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Real Life</strong></td>\n<td width=\"115\">Pointer Sisters</td>\n<td width=\"156\">Motown</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Get Ethnic</strong></td>\n<td width=\"115\">Donna Summer</td>\n<td width=\"156\">Atlantic</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Hollywood Beat</strong></td>\n<td width=\"115\">Natalie Cole</td>\n<td width=\"156\">ABC/Aaron Spelling</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>One Step Closer</strong></td>\n<td width=\"115\">Starpoint</td>\n<td width=\"156\">Elecktra</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Together</strong></td>\n<td width=\"115\">Mickey Thomas (Starship)</td>\n<td width=\"156\">Epic</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Seduction</strong></td>\n<td width=\"115\">Sam Riney</td>\n<td width=\"156\">Spindletop</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>You Are My Angel</strong></td>\n<td width=\"115\">Myrah Kay</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Party-2-Go</strong></td>\n<td width=\"115\">Ram Jam**</td>\n<td width=\"156\">Universal</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Show Me</strong></td>\n<td width=\"115\">Glass*</td>\n<td width=\"156\">BMG</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Minako Tanaka</td>\n<td width=\"156\">Japan Records</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Tango</strong></td>\n<td width=\"115\">Laima</td>\n<td width=\"156\">MCA / GRP</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Transylvania 6-5000</strong></td>\n<td width=\"115\">Paul Chiten*</td>\n<td width=\"156\">New World</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Snap Dance</strong></td>\n<td width=\"115\">New Fifth Dimension</td>\n<td width=\"156\"></td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Hand Tools*</td>\n<td width=\"156\">Casablanca</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>For Members</strong><strong>Only</strong></td>\n<td width=\"115\">Imagination</td>\n<td width=\"156\">RCA</td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Love Will Talk</strong></td>\n<td width=\"115\">Alisha</td>\n<td width=\"156\">MCA</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Solveg Angelic</td>\n<td width=\"156\">Intermediate</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>All Over Again</strong></td>\n<td width=\"115\">Jose Feliciano*</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>First In Line</strong></td>\n<td width=\"115\">Jaki Graham</td>\n<td width=\"156\">RCA</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Fame*</td>\n<td width=\"156\">ABC</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>It’s A Wild World</strong></td>\n<td width=\"115\">Tonio K.</td>\n<td width=\"156\">Warner Brothers</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Shocking Behavior</strong></td>\n<td width=\"115\">Hand Tools*</td>\n<td width=\"156\">Paramount</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Suzi Quatro*</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Target Practice</strong></td>\n<td width=\"115\">Aina</td>\n<td width=\"156\">Polydor</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Courting Disaster</strong></td>\n<td width=\"115\">Paul Chiten*</td>\n<td width=\"156\">Casablanca</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Patterns In Peru</td>\n<td width=\"156\"></td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>I’ll Move The World</strong></td>\n<td width=\"115\">Gennaro*</td>\n<td width=\"156\">CBS</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Girls Don’t Lie</strong></td>\n<td width=\"115\">Alisha</td>\n<td width=\"156\">RCA</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">George McCrae</td>\n<td width=\"156\">Ariola</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Only In Your Arms</strong></td>\n<td width=\"115\">DeVere*</td>\n<td width=\"156\">Cannon</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>I’ve Got Your Number</strong></td>\n<td width=\"115\">Ondrea**</td>\n<td width=\"156\">RCA</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Move Over, I’m Driving</strong></td>\n<td width=\"115\">Jane Edwards</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>The Melting Point</strong></td>\n<td width=\"115\">Lewis Sisters</td>\n<td width=\"156\">Riva</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Yoko Oginome</td>\n<td width=\"156\">VIctor</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Mocha*</td>\n<td width=\"156\"></td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Somebody Wants You</strong></td>\n<td width=\"115\">Mendy Lee</td>\n<td width=\"156\">Jacksons Records</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Man On The Street</strong></td>\n<td width=\"115\">PC2000*</td>\n<td width=\"156\">HSRecords</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Mike Hegedus*</td>\n<td width=\"156\"></td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Every Time We Kiss</strong></td>\n<td width=\"115\">Sam Riney</td>\n<td width=\"156\">Spindletop</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Over The Top</strong></td>\n<td width=\"115\">Mocha*</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Tell Me How You </strong><strong>Like It </strong></td>\n<td width=\"115\">Minako Tanaka</td>\n<td width=\"156\">Japan Records</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Vivien</td>\n<td width=\"156\">Funhouse</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Whatcha Gonna Do</strong><strong>About It</strong></td>\n<td width=\"115\">Yvonne Jackson</td>\n<td width=\"156\">Ichiban</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Suzette Charles**</td>\n<td width=\"156\"></td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Before It Rains Again</strong></td>\n<td width=\"115\">Patrick DuPont</td>\n<td width=\"156\">Off The Wall</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Weekend Pain</strong></td>\n<td width=\"115\">Minako Tanaka</td>\n<td width=\"156\">Japan Records</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Some Day</strong></td>\n<td width=\"115\">Paul Chiten*</td>\n<td width=\"156\">ABC</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>The Truth About Angel</strong></td>\n<td width=\"115\">Suzi Quatro*</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Sleeping In The Moon</strong></td>\n<td width=\"115\">Hiromi Asai</td>\n<td width=\"156\">Funhouse</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>The Truth About Angel</strong></td>\n<td width=\"115\">Suzi Quatro*</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Too Far Too Fast</strong></td>\n<td width=\"115\">The Heat</td>\n<td width=\"156\">MDM</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>You Set Me In Motion</strong></td>\n<td width=\"115\">Tricia Burton</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Old Enough To</strong><strong>Know Better</strong></td>\n<td width=\"115\">Jacqui Berne</td>\n<td width=\"156\">Rick Wake Productions</td>\n</tr>\n<tr>\n<td width=\"123\"></td>\n<td width=\"115\">Patti Day</td>\n<td width=\"156\">Starway</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>You Got My Attention</strong></td>\n<td width=\"115\">Angie Gold</td>\n<td width=\"156\">Alfa</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Witch’s Trap</strong></td>\n<td width=\"115\">Akemi Ishi</td>\n<td width=\"156\">CBS</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Have You Ever</strong></td>\n<td width=\"115\">Tomo</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>When I Look At You</strong></td>\n<td width=\"115\">Tomo</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>The Poetry Of Sex</strong></td>\n<td width=\"115\">Tomo</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Vanilla Latte</strong></td>\n<td width=\"115\">Tomo</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>So Deep </strong></td>\n<td width=\"115\">Tomo</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Perfect World  </strong></td>\n<td width=\"115\">Tomo</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>More Than Just Friends </strong></td>\n<td width=\"115\">Tomo</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Mindworker</strong></td>\n<td width=\"115\">Paul August*</td>\n<td width=\"156\">John Paul Records</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Emergency</strong></td>\n<td width=\"115\">PC2000*</td>\n<td width=\"156\">Jump Records</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>There Must Be A God</strong></td>\n<td width=\"115\">Rhetta Hughs</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Erotic Visions (album)</strong></td>\n<td width=\"115\">Paul Chiten*</td>\n<td width=\"156\">Playfull</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Poet For The Moonlight</strong></td>\n<td width=\"115\">Jose Feliciano*</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Fantasy Chamber (album)</strong></td>\n<td width=\"115\">Paul Chiten*</td>\n<td width=\"156\">Playfull</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>A Woman Like Me</strong></td>\n<td width=\"115\">Soul Tarot*</td>\n<td width=\"156\">B Street</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Seditious Philosophies (album)</strong></td>\n<td width=\"115\">Steve Dolmer*</td>\n<td width=\"156\">Sony</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>You Are My Angel</strong></td>\n<td width=\"115\">Andrea Robinson*</td>\n<td width=\"156\">LDH Records</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>What Is Sex</strong></td>\n<td width=\"115\">Tahlia Loren*</td>\n<td width=\"156\">LS Records</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>So Crazy In Love</strong></td>\n<td width=\"115\">Robin Taylor*</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Whatever It Takes</strong></td>\n<td width=\"115\">Robin Taylor*</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Sedative</strong></td>\n<td width=\"115\">Robin Taylor*</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Hearts Under Fire</strong></td>\n<td width=\"115\">Gennaro*</td>\n<td width=\"156\">CBS</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>I’ll Move The World</strong></td>\n<td width=\"115\">Gennaro*</td>\n<td width=\"156\">CBS</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>You Are My Angel </strong></td>\n<td width=\"115\">Myrah Kay</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>Take It All  </strong></td>\n<td width=\"115\">Heidi Swan</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>As Real As It Gets</strong></td>\n<td width=\"115\">Heidi Swan</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>No More Borken Dreams</strong></td>\n<td width=\"115\">Heidi Swan</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>It Takes A Lot To Love </strong></td>\n<td width=\"115\">Heidi Swan</td>\n<td width=\"156\">Independent</td>\n</tr>\n<tr>\n<td colspan=\"3\" width=\"404\"></td>\n</tr>\n<tr>\n<td width=\"123\"><strong>You Are my Angel</strong></td>\n<td width=\"115\">Myrah Kay</td>\n<td width=\"156\">Avex</td>\n</tr>\n</tbody>\n</table>\n&nbsp;\n\n<strong>Education</strong>\n•  Mills College, Masters Degree in Music Composition\n•  Brown University, Bachelor’s Degree\n•  Harvard University, Special Arts Program\n•   University Of California at San Diego\n•  New England Conservatory Of Music\n•  Berklee School Of Music\n•   Private Piano &amp; Composition Study\n\n<strong>\nLecturing &amp; Publications</strong>\n\n• <strong>UCLA </strong>\nTopic: Music For Visuals\n\n•<strong> Musician’s Institute </strong>\nTopic: Music Composition Using MIDI &amp; Computers\n\n•<strong> National Academy of Songwriters</strong>\nTopic: Record Deals For New Artists\n\n•<strong> Mix Magazine</strong>\nTopic: The Importance Of Pre-Production\n\n•<strong> Songwriter’s Expo</strong>\nTopic: The Promotion &amp; Marketing of New Music\n\n• <strong>San Luis Obispo Dept. of Corrections Outreach Program </strong>\nTopic: World Music\n\n• <strong>Los Angeles Songwriters Showcase </strong>\nTopic: Modern Songwriting\n\n• <strong>South By Southwest Music Conference – BMI Guest Speaker </strong>\nTopic: Music Composition For Different Genres\n\n• <strong>N.A.M.M Show</strong>\nTopic: Producing New Artists\n\n•<strong> A.E.S Show</strong>\nTopic: Music &amp; The Internet\n\n• <strong>Digital Living Room High Technology Convention </strong>\nTopic: Music &amp; Technology\n\n• <strong>National Music Educators Convention – Keynote Speaker</strong>\nTopic: The Future of Music\n<div></div>\n<div>PAUL CHITEN website home page:</div>\n<div><b><a href=\"http://sweethartproductions.com/\" target=\"_blank\">sweethartproductions.com</a></b></div>\n<div>PAUL CHITEN website personal page:</div>\n<div><b>http://sweethartproductions.com/PaulChiten.aspx</b></div>\n<div>PAUL CHITEN business email:\n<a href=\"mailto:pc@sweethartproductions.com\"><b>pc@sweethartproductions.com</b></a></div></td>\n</tr>\n</tbody>\n</table>', 'Featured Artist – Paul Chiten', 'Paul Chiten is a Los Angeles-based songwriter, composer, producer, musician, singer and artist. His songs have gone platinum and gold. His compositions and productions have won Telly, Aurora and Emmy Awards. He has worked with Michael Jackson, Anita Baker, Tina Turner, Donna Summer, Cyndi Lauper and countless others.', 'inherit', 'closed', 'closed', '', '813-autosave-v1', '', '', '2017-02-15 22:57:54', '2017-02-16 05:57:54', '', 813, 'https://afm424.org/813-autosave-v1/', 0, 'revision', '', 0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES
(1824, 4, '2016-04-23 08:41:55', '2016-04-23 15:41:55', '<div>\r\n<div>\r\n<div>PAUL CHITEN website home page:</div>\r\n<div><b><a href=\"http://www.sweethartproductions.com/\">sweethartproductions.com</a></b></div>\r\n<div>\r\n<div>\r\n<div>PAUL CHITEN website personal page:</div>\r\n<div><a href=\"http://sweethartproductions.com/PaulChiten.aspx\"><b>http://sweethartproductions.com/PaulChiten.aspx</b></a></div>\r\n</div>\r\n</div>\r\n</div>\r\n</div>\r\n<div>\r\n<div>PAUL CHITEN business email:\r\n<a href=\"mailto:pc@sweethartproductions.com\"><b>pc@sweethartproductions.com</b></a></div>\r\n<div></div>\r\n</div>\r\n&nbsp;\r\n\r\n<strong>Music &amp; Technology Talents</strong>\r\n\r\n• Composer • Arranger • Producer • Songwriter • Performer • Conductor • Musician\r\n• Vocalist • MIDI Programmer • Sound Designer • Computer Consultant\r\n• Primary Instruments: Piano &amp; Synthesizers\r\n• Other Instruments: Electric Guitar, Acoustic Guitar, Bass, Flute, Organ, Harmonica,\r\nVibes, Harpsichord, Recorder, Harmonium, Drums, Marimba, Percussion, Didgeridoo\r\n\r\n[playlist ids=\"1796,1798,1825\"]\r\n\r\n<strong>A Few Highlights</strong>\r\n<ul>\r\n	<li>Composer/Arranger/Performer/Musical Director for EMC World show, Las Vegas, 2014-2015</li>\r\n	<li>Music for “The Carrie Diaries,” CW Network, 2013-2014</li>\r\n	<li>Won a 2008 Daytime Emmy for Nickelodeon’s top-rated show, “The Wonder Pets!” for Outstanding  Achievement in Music Direction and Composition.</li>\r\n	<li>Winner of two 2008 Telly Awards for Outstanding Achievement in Music</li>\r\n	<li>Composed, Performed &amp; Produced music for the new video game “Spy Bots” from Bionic Games</li>\r\n	<li>Winner of three 2005 Telly Awards for Best Television Commercial</li>\r\n	<li>Winner of 2005 Aurora Platinum Award for Best Commercial</li>\r\n	<li>Arranged &amp; Performed the Main Title music for the CBS Movie,  “Helter Skelter” Co-produced with “X-Files” composer  Mark Snow. Music for the show was nominated for an Emmy Award</li>\r\n	<li>Producer/Performer/Co-Composer for Sony/Showtime television series, “Street Time.”</li>\r\n	<li>Music Director, Arranger and Performer for Cisco Systems Show, Las Vegas</li>\r\n	<li>Composed and Produced the theme music that daily opens and closes “The Tokyo Stock Exchange”</li>\r\n	<li>Musical Director and Performer, “Crystal Palace,” Tokyo, Japan</li>\r\n	<li>Musical Director for featured show at “Windows Of The World” Amphitheatre, China</li>\r\n	<li>Music Publishing deal with Fuji Pacific</li>\r\n	<li>Worked with composer Mike Stoller on the definitive music arrangements for the “Elvis Presley Sings Lieber &amp;  Stoller Songbook”</li>\r\n	<li>South American tour with Donna Summer, Keyboards and Vocals</li>\r\n	<li>European tour with Donna Summer, Keyboards and Vocals</li>\r\n	<li>African tours with my band, “Angel City”</li>\r\n	<li>Music Publishing deal with Paramount/Famous Music</li>\r\n	<li>Member of the Songwriter’s Summit excursion to Russia with  “Music Speaks Louder Than Words” project. Album on Epic Records</li>\r\n	<li>Featured in the television mini-series “Makin’ Music,” which won an Emmy Award</li>\r\n</ul>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"123\"><strong>Film &amp; Television</strong>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"203\"><strong>The Carrie Diaries</strong></td>\r\n<td width=\"211\">CW Network</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Street Time</strong></td>\r\n<td width=\"211\">Sony/Showtime</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Dawson’s Creek</strong></td>\r\n<td width=\"211\">Columbia/Tri-Star/Warner Brothers</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Helter Skelter </strong>(main title)</td>\r\n<td width=\"211\">CBS Movie</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Law &amp; Order</strong></td>\r\n<td width=\"211\">NBC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Wonder Pets</strong></td>\r\n<td width=\"211\">Nickelodeon</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Saving Milly</strong></td>\r\n<td width=\"211\">CBS Movie Of The Week</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Tokyo Stock Exchange</strong></td>\r\n<td width=\"211\">Music for Nikkei Exchange</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Software AG Show</strong></td>\r\n<td width=\"211\">Music Director, Arranger and Performer</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Spring Break Shark Attack</strong></td>\r\n<td width=\"211\">CBS Movie Of The Week</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Coming To America</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Beyond Chance</strong></td>\r\n<td width=\"211\">Lifetime</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Witness</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Queen’s Logic</strong></td>\r\n<td width=\"211\">Universal</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>True Colors</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Santa Barbara</strong></td>\r\n<td width=\"211\">NBC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>The Jew In The Lotus</strong>(score)</td>\r\n<td width=\"211\">Blind Dog Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>New Attitude</strong></td>\r\n<td width=\"211\">ABC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Distant Thunder</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Woman On The Run</strong></td>\r\n<td width=\"211\">NBC Mini-Series</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Lame Ducks</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Hollywood Beat</strong></td>\r\n<td width=\"211\">Aaron Spelling/ABC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Transylvania 6-5000</strong></td>\r\n<td width=\"211\">New World</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Bad Guys</strong></td>\r\n<td width=\"211\">Tomorrow Entertainment</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Street Smart</strong></td>\r\n<td width=\"211\">Cannon</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Sweet Poison</strong> (score)</td>\r\n<td width=\"211\">Universal</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Los Angeles Olympics</strong>(score)</td>\r\n<td width=\"211\">Master Arts</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Fantasy Chamber </strong>(score)</td>\r\n<td width=\"211\">Ultimate</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Intellidex </strong>(LaserDisc score)</td>\r\n<td width=\"211\">Post Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Erotic Visions </strong>(score)</td>\r\n<td width=\"211\">Ultimate</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Pulsebeat </strong>(score)</td>\r\n<td width=\"211\">Calla Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Intersil </strong>(score)</td>\r\n<td width=\"211\">General Electric</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Technics </strong>(score)</td>\r\n<td width=\"211\">Technics Ltd.</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Marbella </strong>(score)</td>\r\n<td width=\"211\">Calla Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Fame</strong></td>\r\n<td width=\"211\">ABC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"></td>\r\n<td width=\"211\"></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Trailers</strong>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"241\"><strong>Slingblade</strong></td>\r\n<td width=\"172\">Miramax</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Let The Devil Wear Black</strong></td>\r\n<td width=\"172\">Trimark</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Joe The King</strong></td>\r\n<td width=\"172\">Trimark</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>The Cape</strong></td>\r\n<td width=\"172\">MTM Television</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>The Blood Oranges</strong></td>\r\n<td width=\"172\">Trimark Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Witness</strong></td>\r\n<td width=\"172\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Mona Lisa</strong></td>\r\n<td width=\"172\">Island Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>River’s Edge</strong></td>\r\n<td width=\"172\">New World</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Jimmy Reardon</strong></td>\r\n<td width=\"172\">Island Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Sweet Lies</strong></td>\r\n<td width=\"172\">Island Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Rocky IV</strong></td>\r\n<td width=\"172\">CBS/Fox</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Pope of Greenwich Village</strong></td>\r\n<td width=\"172\">United Artists</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Commercials</strong>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"241\"><strong>Armani Olympiad</strong></td>\r\n<td width=\"172\">Giorgio Armani</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Relax</strong></td>\r\n<td width=\"172\">Ford</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Countrywide</strong></td>\r\n<td width=\"172\">Countrywide</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Port Of Los Angeles</strong></td>\r\n<td width=\"172\">M-Creative</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>The Bus Ride</strong></td>\r\n<td width=\"172\">Big Star Jeans</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Just Can’t Wait</strong></td>\r\n<td width=\"172\">Toyota</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Metro Parks</strong></td>\r\n<td width=\"172\">Ohio State Parks</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Island Presents</strong></td>\r\n<td width=\"172\">Island Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Season Theme</strong></td>\r\n<td width=\"172\">Oakland A’s</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Attitude</strong></td>\r\n<td width=\"172\">Gotcha Jeans</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Prom Fantasy</strong></td>\r\n<td width=\"172\">Elektra Casadei Designs</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Logo Theme</strong></td>\r\n<td width=\"172\">Pathe</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Video</strong>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"261\"><strong>Spy Bots</strong> (video game)</td>\r\n<td width=\"152\">Bionic Games</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Fighter Squadron</strong> (video game)</td>\r\n<td width=\"152\">Activision</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Faster Faster</strong></td>\r\n<td width=\"152\">MTV</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Girls Of Radio</strong> •Talk,Rock &amp; Shock</td>\r\n<td width=\"152\">Playboy Entertainment</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>London Nights</strong></td>\r\n<td width=\"152\">Trikilis Productions</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>On Campus</strong> (score)</td>\r\n<td width=\"152\">Warner Vision</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Beyond Vaudeville</strong></td>\r\n<td width=\"152\">Exotic World</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Art of Massage</strong> (score)</td>\r\n<td width=\"152\">Warner Vision</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Bump &amp; Grind</strong> • History of Burlesque</td>\r\n<td width=\"152\">Sheba Productions</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Poison Letter</strong></td>\r\n<td width=\"152\">MTV</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Paris Lights</strong></td>\r\n<td width=\"152\">Trikilis Productions</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<strong> </strong>\r\n\r\n<strong>Studio &amp; Production</strong>\r\n\r\n<em>Composed, Arranged, Produced, Performed, Programmed or Sound Designed for:</em>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"128\">Michael Jackson</td>\r\n<td width=\"120\">Natalie Cole</td>\r\n<td width=\"149\">Anita Baker</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Tina Turner</td>\r\n<td width=\"120\">Alice Cooper</td>\r\n<td width=\"149\">Brenda Russell</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Donna Summer</td>\r\n<td width=\"120\">Cyndi Lauper</td>\r\n<td width=\"149\">LA Law</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Pointer Sisters</td>\r\n<td width=\"120\">The Breakfast Club</td>\r\n<td width=\"149\">Vince Neil (Motley Crue)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Commodores</td>\r\n<td width=\"120\">Kokopop</td>\r\n<td width=\"149\">Skin Deep</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Lou Rawls, Jr</td>\r\n<td width=\"120\">Marvin Gaye, Jr.</td>\r\n<td width=\"149\">Alisha</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Glass</td>\r\n<td width=\"120\">Phil Perry</td>\r\n<td width=\"149\">Santa Barbera</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Five Star</td>\r\n<td width=\"120\">Julian Lennon</td>\r\n<td width=\"149\">Fame</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">NBC</td>\r\n<td width=\"120\">Solid Gold</td>\r\n<td width=\"149\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">B.D. Fox &amp; Friends</td>\r\n<td width=\"120\">ABC</td>\r\n<td width=\"149\">Court TV</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Warner Brothers</td>\r\n<td width=\"120\">Fox Television</td>\r\n<td width=\"149\">Propaganda Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Universal</td>\r\n<td width=\"120\">Cucoloris Films</td>\r\n<td width=\"149\">McClatchy Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Phil Perry</td>\r\n<td width=\"120\">Flicker Films</td>\r\n<td width=\"149\">Lifetime</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Herbie Hancock</td>\r\n<td width=\"120\">History Channel</td>\r\n<td width=\"149\">Andre Fisher</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Phil Ramone</td>\r\n<td width=\"120\">KPIX</td>\r\n<td width=\"149\">Saatchi &amp; Saatchi</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Jimmy Iovine</td>\r\n<td width=\"120\">Young &amp; Rubicam</td>\r\n<td width=\"149\"></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Musical Director</strong>\r\n\r\n•   EMC World show, Las Vegas\r\n\r\n•   Television series “Makin’ Music,” which won an Emmy Award.\r\n\r\n•   Cisco Annual Corporate Show, Las Vegas\r\n\r\n•   Sweethart Productions\r\n\r\n•   The Commodores, conductor &amp; arranger\r\n\r\n•   Software AG Annual Corporate Show, Orlando\r\n\r\n•   Headline show at “Windows Of The World” Amphitheater, China\r\n\r\n•   Oracle Show at the Los Angeles Convention Center\r\n\r\n•   Deltek Annual Corporate Show, Nashville\r\n\r\n•   The band “Angel City,” multiple tours of Africa\r\n\r\n•   The band “PC2000,” launching MTV’s “Basement Tapes” series.\r\n\r\n•   Television series “Zoom,” WGBH\r\n\r\n•   Production company “Hot Spoons Productions”\r\n\r\n•   Los Angeles Olympics Master Arts Show\r\n\r\n<strong>\r\nSongs</strong>\r\n\r\nMaster Produced (*) by Paul Chiten\r\nMaster co-Produced (**) by Paul Chiten\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"123\"><strong>Title</strong></td>\r\n<td width=\"115\"><strong>Artist</strong></td>\r\n<td width=\"156\"><strong>Label</strong></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Can’t Wait Another Minute</strong></td>\r\n<td width=\"115\">Five Star</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Lewis Sisters</td>\r\n<td width=\"156\">Riva</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Aina</td>\r\n<td width=\"156\">Polydor</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Ain’t Crack</td>\r\n<td width=\"156\">Disney</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Patti Brooks</td>\r\n<td width=\"156\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Dance Chart</td>\r\n<td width=\"156\">Telstar</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Five Star’s Greatest Hits</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Now Dance</td>\r\n<td width=\"156\">EMI/Virgin</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Drive My Car (Til Sunset)</strong></td>\r\n<td width=\"115\">Brenda Russell</td>\r\n<td width=\"156\">A&amp;M</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Come Into My Life</strong></td>\r\n<td width=\"115\">Laura Branigan</td>\r\n<td width=\"156\">Atco</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">The Imperials</td>\r\n<td width=\"156\">Starsong</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Chikaco Sawada</td>\r\n<td width=\"156\">Taurus</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Dancing With A Stranger</strong></td>\r\n<td width=\"115\">Cyndi Lauper</td>\r\n<td width=\"156\">Epic</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Real Life</strong></td>\r\n<td width=\"115\">Pointer Sisters</td>\r\n<td width=\"156\">Motown</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Get Ethnic</strong></td>\r\n<td width=\"115\">Donna Summer</td>\r\n<td width=\"156\">Atlantic</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Hollywood Beat</strong></td>\r\n<td width=\"115\">Natalie Cole</td>\r\n<td width=\"156\">ABC/Aaron Spelling</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>One Step Closer</strong></td>\r\n<td width=\"115\">Starpoint</td>\r\n<td width=\"156\">Elecktra</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Together</strong></td>\r\n<td width=\"115\">Mickey Thomas (Starship)</td>\r\n<td width=\"156\">Epic</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Seduction</strong></td>\r\n<td width=\"115\">Sam Riney</td>\r\n<td width=\"156\">Spindletop</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Are My Angel</strong></td>\r\n<td width=\"115\">Myrah Kay</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Party-2-Go</strong></td>\r\n<td width=\"115\">Ram Jam**</td>\r\n<td width=\"156\">Universal</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Show Me</strong></td>\r\n<td width=\"115\">Glass*</td>\r\n<td width=\"156\">BMG</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Minako Tanaka</td>\r\n<td width=\"156\">Japan Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Tango</strong></td>\r\n<td width=\"115\">Laima</td>\r\n<td width=\"156\">MCA / GRP</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Transylvania 6-5000</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">New World</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Snap Dance</strong></td>\r\n<td width=\"115\">New Fifth Dimension</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Hand Tools*</td>\r\n<td width=\"156\">Casablanca</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>For Members</strong><strong>Only</strong></td>\r\n<td width=\"115\">Imagination</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Love Will Talk</strong></td>\r\n<td width=\"115\">Alisha</td>\r\n<td width=\"156\">MCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Solveg Angelic</td>\r\n<td width=\"156\">Intermediate</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>All Over Again</strong></td>\r\n<td width=\"115\">Jose Feliciano*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>First In Line</strong></td>\r\n<td width=\"115\">Jaki Graham</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Fame*</td>\r\n<td width=\"156\">ABC</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>It’s A Wild World</strong></td>\r\n<td width=\"115\">Tonio K.</td>\r\n<td width=\"156\">Warner Brothers</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Shocking Behavior</strong></td>\r\n<td width=\"115\">Hand Tools*</td>\r\n<td width=\"156\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Suzi Quatro*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Target Practice</strong></td>\r\n<td width=\"115\">Aina</td>\r\n<td width=\"156\">Polydor</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Courting Disaster</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">Casablanca</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Patterns In Peru</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>I’ll Move The World</strong></td>\r\n<td width=\"115\">Gennaro*</td>\r\n<td width=\"156\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Girls Don’t Lie</strong></td>\r\n<td width=\"115\">Alisha</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">George McCrae</td>\r\n<td width=\"156\">Ariola</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Only In Your Arms</strong></td>\r\n<td width=\"115\">DeVere*</td>\r\n<td width=\"156\">Cannon</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>I’ve Got Your Number</strong></td>\r\n<td width=\"115\">Ondrea**</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Move Over, I’m Driving</strong></td>\r\n<td width=\"115\">Jane Edwards</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>The Melting Point</strong></td>\r\n<td width=\"115\">Lewis Sisters</td>\r\n<td width=\"156\">Riva</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Yoko Oginome</td>\r\n<td width=\"156\">VIctor</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Mocha*</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Somebody Wants You</strong></td>\r\n<td width=\"115\">Mendy Lee</td>\r\n<td width=\"156\">Jacksons Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Man On The Street</strong></td>\r\n<td width=\"115\">PC2000*</td>\r\n<td width=\"156\">HSRecords</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Mike Hegedus*</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Every Time We Kiss</strong></td>\r\n<td width=\"115\">Sam Riney</td>\r\n<td width=\"156\">Spindletop</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Over The Top</strong></td>\r\n<td width=\"115\">Mocha*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Tell Me How You </strong><strong>Like It </strong></td>\r\n<td width=\"115\">Minako Tanaka</td>\r\n<td width=\"156\">Japan Records</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Vivien</td>\r\n<td width=\"156\">Funhouse</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Whatcha Gonna Do</strong><strong>About It</strong></td>\r\n<td width=\"115\">Yvonne Jackson</td>\r\n<td width=\"156\">Ichiban</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Suzette Charles**</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Before It Rains Again</strong></td>\r\n<td width=\"115\">Patrick DuPont</td>\r\n<td width=\"156\">Off The Wall</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Weekend Pain</strong></td>\r\n<td width=\"115\">Minako Tanaka</td>\r\n<td width=\"156\">Japan Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Some Day</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">ABC</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>The Truth About Angel</strong></td>\r\n<td width=\"115\">Suzi Quatro*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Sleeping In The Moon</strong></td>\r\n<td width=\"115\">Hiromi Asai</td>\r\n<td width=\"156\">Funhouse</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>The Truth About Angel</strong></td>\r\n<td width=\"115\">Suzi Quatro*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Too Far Too Fast</strong></td>\r\n<td width=\"115\">The Heat</td>\r\n<td width=\"156\">MDM</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Set Me In Motion</strong></td>\r\n<td width=\"115\">Tricia Burton</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Old Enough To</strong><strong>Know Better</strong></td>\r\n<td width=\"115\">Jacqui Berne</td>\r\n<td width=\"156\">Rick Wake Productions</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Patti Day</td>\r\n<td width=\"156\">Starway</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Got My Attention</strong></td>\r\n<td width=\"115\">Angie Gold</td>\r\n<td width=\"156\">Alfa</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Witch’s Trap</strong></td>\r\n<td width=\"115\">Akemi Ishi</td>\r\n<td width=\"156\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Have You Ever</strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>When I Look At You</strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>The Poetry Of Sex</strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Vanilla Latte</strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>So Deep </strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Perfect World  </strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>More Than Just Friends </strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Mindworker</strong></td>\r\n<td width=\"115\">Paul August*</td>\r\n<td width=\"156\">John Paul Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Emergency</strong></td>\r\n<td width=\"115\">PC2000*</td>\r\n<td width=\"156\">Jump Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>There Must Be A God</strong></td>\r\n<td width=\"115\">Rhetta Hughs</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Erotic Visions (album)</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">Playfull</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Poet For The Moonlight</strong></td>\r\n<td width=\"115\">Jose Feliciano*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Fantasy Chamber (album)</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">Playfull</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>A Woman Like Me</strong></td>\r\n<td width=\"115\">Soul Tarot*</td>\r\n<td width=\"156\">B Street</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Seditious Philosophies (album)</strong></td>\r\n<td width=\"115\">Steve Dolmer*</td>\r\n<td width=\"156\">Sony</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Are My Angel</strong></td>\r\n<td width=\"115\">Andrea Robinson*</td>\r\n<td width=\"156\">LDH Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>What Is Sex</strong></td>\r\n<td width=\"115\">Tahlia Loren*</td>\r\n<td width=\"156\">LS Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>So Crazy In Love</strong></td>\r\n<td width=\"115\">Robin Taylor*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Whatever It Takes</strong></td>\r\n<td width=\"115\">Robin Taylor*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Sedative</strong></td>\r\n<td width=\"115\">Robin Taylor*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Hearts Under Fire</strong></td>\r\n<td width=\"115\">Gennaro*</td>\r\n<td width=\"156\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>I’ll Move The World</strong></td>\r\n<td width=\"115\">Gennaro*</td>\r\n<td width=\"156\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Are My Angel </strong></td>\r\n<td width=\"115\">Myrah Kay</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Take It All  </strong></td>\r\n<td width=\"115\">Heidi Swan</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>As Real As It Gets</strong></td>\r\n<td width=\"115\">Heidi Swan</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>No More Borken Dreams</strong></td>\r\n<td width=\"115\">Heidi Swan</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>It Takes A Lot To Love </strong></td>\r\n<td width=\"115\">Heidi Swan</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Are my Angel</strong></td>\r\n<td width=\"115\">Myrah Kay</td>\r\n<td width=\"156\">Avex</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Education</strong>\r\n•  Mills College, Masters Degree in Music Composition\r\n•  Brown University, Bachelor’s Degree\r\n•  Harvard University, Special Arts Program\r\n•   University Of California at San Diego\r\n•  New England Conservatory Of Music\r\n•  Berklee School Of Music\r\n•   Private Piano &amp; Composition Study\r\n\r\n<strong>\r\nLecturing &amp; Publications</strong>\r\n\r\n• <strong>UCLA </strong>\r\nTopic: Music For Visuals\r\n\r\n•<strong> Musician’s Institute </strong>\r\nTopic: Music Composition Using MIDI &amp; Computers\r\n\r\n•<strong> National Academy of Songwriters</strong>\r\nTopic: Record Deals For New Artists\r\n\r\n•<strong> Mix Magazine</strong>\r\nTopic: The Importance Of Pre-Production\r\n\r\n•<strong> Songwriter’s Expo</strong>\r\nTopic: The Promotion &amp; Marketing of New Music\r\n\r\n• <strong>San Luis Obispo Dept. of Corrections Outreach Program </strong>\r\nTopic: World Music\r\n\r\n• <strong>Los Angeles Songwriters Showcase </strong>\r\nTopic: Modern Songwriting\r\n\r\n• <strong>South By Southwest Music Conference – BMI Guest Speaker </strong>\r\nTopic: Music Composition For Different Genres\r\n\r\n• <strong>N.A.M.M Show</strong>\r\nTopic: Producing New Artists\r\n\r\n•<strong> A.E.S Show</strong>\r\nTopic: Music &amp; The Internet\r\n\r\n• <strong>Digital Living Room High Technology Convention </strong>\r\nTopic: Music &amp; Technology\r\n\r\n• <strong>National Music Educators Convention – Keynote Speaker</strong>\r\nTopic: The Future of Music\r\n<div></div>\r\n<div>PAUL CHITEN website home page:</div>\r\n<div><b><a href=\"http://sweethartproductions.com/\" target=\"_blank\">sweethartproductions.com</a></b></div>\r\n<div>PAUL CHITEN website personal page:</div>\r\n<div><b>http://sweethartproductions.com/PaulChiten.aspx</b></div>\r\n<div>PAUL CHITEN business email:\r\n<a href=\"mailto:pc@sweethartproductions.com\"><b>pc@sweethartproductions.com</b></a></div></td>\r\n</tr>\r\n</tbody>\r\n</table>', 'Featured Artist – Paul Chiten', 'Paul Chiten is a Los Angeles-based songwriter, composer, producer, musician, singer and artist. His songs have gone platinum and gold. His compositions and productions have won Telly, Aurora and Emmy Awards. He has worked with Michael Jackson, Anita Baker, Tina Turner, Donna Summer, Cyndi Lauper and countless others.', 'inherit', 'closed', 'closed', '', '813-autosave-v1', '', '', '2016-04-23 08:41:55', '2016-04-23 15:41:55', '', 813, 'https://afm424.org/813-autosave-v1/', 0, 'revision', '', 0),
(1825, 4, '2016-04-23 08:41:21', '2016-04-23 15:41:21', '\"Transylvania 6-5000\" from PC SINGZ PC by Paul Chiten. Genre: Rock.', 'Transylvania 6-5000', '', 'inherit', 'open', 'closed', '', 'transylvania-6-5000', '', '', '2016-04-23 08:41:28', '2016-04-23 15:41:28', '', 813, 'https://afm424.org/wp-content/uploads/2015/09/Transylvania-6-5000-by-PAUL-CHITEN.mp3', 0, 'attachment', 'audio/mpeg', 0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES
(1826, 4, '2016-04-23 08:42:12', '2016-04-23 15:42:12', '<div>\r\n<div>\r\n<div>PAUL CHITEN website home page:</div>\r\n<div><b><a href=\"http://www.sweethartproductions.com/\">sweethartproductions.com</a></b></div>\r\n<div>\r\n<div>\r\n<div>PAUL CHITEN website personal page:</div>\r\n<div><a href=\"http://sweethartproductions.com/PaulChiten.aspx\"><b>http://sweethartproductions.com/PaulChiten.aspx</b></a></div>\r\n</div>\r\n</div>\r\n</div>\r\n</div>\r\n<div>\r\n<div>PAUL CHITEN business email:\r\n<a href=\"mailto:pc@sweethartproductions.com\"><b>pc@sweethartproductions.com</b></a></div>\r\n<div></div>\r\n</div>\r\n&nbsp;\r\n\r\n<strong>Music &amp; Technology Talents</strong>\r\n\r\n• Composer • Arranger • Producer • Songwriter • Performer • Conductor • Musician\r\n• Vocalist • MIDI Programmer • Sound Designer • Computer Consultant\r\n• Primary Instruments: Piano &amp; Synthesizers\r\n• Other Instruments: Electric Guitar, Acoustic Guitar, Bass, Flute, Organ, Harmonica,\r\nVibes, Harpsichord, Recorder, Harmonium, Drums, Marimba, Percussion, Didgeridoo\r\n\r\n[playlist ids=\"1796,1798,1825\"]\r\n\r\n<strong>A Few Highlights</strong>\r\n<ul>\r\n	<li>Composer/Arranger/Performer/Musical Director for EMC World show, Las Vegas, 2014-2015</li>\r\n	<li>Music for “The Carrie Diaries,” CW Network, 2013-2014</li>\r\n	<li>Won a 2008 Daytime Emmy for Nickelodeon’s top-rated show, “The Wonder Pets!” for Outstanding  Achievement in Music Direction and Composition.</li>\r\n	<li>Winner of two 2008 Telly Awards for Outstanding Achievement in Music</li>\r\n	<li>Composed, Performed &amp; Produced music for the new video game “Spy Bots” from Bionic Games</li>\r\n	<li>Winner of three 2005 Telly Awards for Best Television Commercial</li>\r\n	<li>Winner of 2005 Aurora Platinum Award for Best Commercial</li>\r\n	<li>Arranged &amp; Performed the Main Title music for the CBS Movie,  “Helter Skelter” Co-produced with “X-Files” composer  Mark Snow. Music for the show was nominated for an Emmy Award</li>\r\n	<li>Producer/Performer/Co-Composer for Sony/Showtime television series, “Street Time.”</li>\r\n	<li>Music Director, Arranger and Performer for Cisco Systems Show, Las Vegas</li>\r\n	<li>Composed and Produced the theme music that daily opens and closes “The Tokyo Stock Exchange”</li>\r\n	<li>Musical Director and Performer, “Crystal Palace,” Tokyo, Japan</li>\r\n	<li>Musical Director for featured show at “Windows Of The World” Amphitheatre, China</li>\r\n	<li>Music Publishing deal with Fuji Pacific</li>\r\n	<li>Worked with composer Mike Stoller on the definitive music arrangements for the “Elvis Presley Sings Lieber &amp;  Stoller Songbook”</li>\r\n	<li>South American tour with Donna Summer, Keyboards and Vocals</li>\r\n	<li>European tour with Donna Summer, Keyboards and Vocals</li>\r\n	<li>African tours with my band, “Angel City”</li>\r\n	<li>Music Publishing deal with Paramount/Famous Music</li>\r\n	<li>Member of the Songwriter’s Summit excursion to Russia with  “Music Speaks Louder Than Words” project. Album on Epic Records</li>\r\n	<li>Featured in the television mini-series “Makin’ Music,” which won an Emmy Award</li>\r\n</ul>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"123\"><strong>Film &amp; Television</strong>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"203\"><strong>The Carrie Diaries</strong></td>\r\n<td width=\"211\">CW Network</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Street Time</strong></td>\r\n<td width=\"211\">Sony/Showtime</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Dawson’s Creek</strong></td>\r\n<td width=\"211\">Columbia/Tri-Star/Warner Brothers</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Helter Skelter </strong>(main title)</td>\r\n<td width=\"211\">CBS Movie</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Law &amp; Order</strong></td>\r\n<td width=\"211\">NBC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Wonder Pets</strong></td>\r\n<td width=\"211\">Nickelodeon</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Saving Milly</strong></td>\r\n<td width=\"211\">CBS Movie Of The Week</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Tokyo Stock Exchange</strong></td>\r\n<td width=\"211\">Music for Nikkei Exchange</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Software AG Show</strong></td>\r\n<td width=\"211\">Music Director, Arranger and Performer</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Spring Break Shark Attack</strong></td>\r\n<td width=\"211\">CBS Movie Of The Week</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Coming To America</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Beyond Chance</strong></td>\r\n<td width=\"211\">Lifetime</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Witness</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Queen’s Logic</strong></td>\r\n<td width=\"211\">Universal</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>True Colors</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Santa Barbara</strong></td>\r\n<td width=\"211\">NBC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>The Jew In The Lotus</strong>(score)</td>\r\n<td width=\"211\">Blind Dog Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>New Attitude</strong></td>\r\n<td width=\"211\">ABC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Distant Thunder</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Woman On The Run</strong></td>\r\n<td width=\"211\">NBC Mini-Series</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Lame Ducks</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Hollywood Beat</strong></td>\r\n<td width=\"211\">Aaron Spelling/ABC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Transylvania 6-5000</strong></td>\r\n<td width=\"211\">New World</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Bad Guys</strong></td>\r\n<td width=\"211\">Tomorrow Entertainment</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Street Smart</strong></td>\r\n<td width=\"211\">Cannon</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Sweet Poison</strong> (score)</td>\r\n<td width=\"211\">Universal</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Los Angeles Olympics</strong>(score)</td>\r\n<td width=\"211\">Master Arts</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Fantasy Chamber </strong>(score)</td>\r\n<td width=\"211\">Ultimate</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Intellidex </strong>(LaserDisc score)</td>\r\n<td width=\"211\">Post Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Erotic Visions </strong>(score)</td>\r\n<td width=\"211\">Ultimate</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Pulsebeat </strong>(score)</td>\r\n<td width=\"211\">Calla Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Intersil </strong>(score)</td>\r\n<td width=\"211\">General Electric</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Technics </strong>(score)</td>\r\n<td width=\"211\">Technics Ltd.</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Marbella </strong>(score)</td>\r\n<td width=\"211\">Calla Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Fame</strong></td>\r\n<td width=\"211\">ABC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"></td>\r\n<td width=\"211\"></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Trailers</strong>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"241\"><strong>Slingblade</strong></td>\r\n<td width=\"172\">Miramax</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Let The Devil Wear Black</strong></td>\r\n<td width=\"172\">Trimark</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Joe The King</strong></td>\r\n<td width=\"172\">Trimark</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>The Cape</strong></td>\r\n<td width=\"172\">MTM Television</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>The Blood Oranges</strong></td>\r\n<td width=\"172\">Trimark Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Witness</strong></td>\r\n<td width=\"172\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Mona Lisa</strong></td>\r\n<td width=\"172\">Island Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>River’s Edge</strong></td>\r\n<td width=\"172\">New World</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Jimmy Reardon</strong></td>\r\n<td width=\"172\">Island Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Sweet Lies</strong></td>\r\n<td width=\"172\">Island Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Rocky IV</strong></td>\r\n<td width=\"172\">CBS/Fox</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Pope of Greenwich Village</strong></td>\r\n<td width=\"172\">United Artists</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Commercials</strong>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"241\"><strong>Armani Olympiad</strong></td>\r\n<td width=\"172\">Giorgio Armani</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Relax</strong></td>\r\n<td width=\"172\">Ford</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Countrywide</strong></td>\r\n<td width=\"172\">Countrywide</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Port Of Los Angeles</strong></td>\r\n<td width=\"172\">M-Creative</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>The Bus Ride</strong></td>\r\n<td width=\"172\">Big Star Jeans</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Just Can’t Wait</strong></td>\r\n<td width=\"172\">Toyota</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Metro Parks</strong></td>\r\n<td width=\"172\">Ohio State Parks</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Island Presents</strong></td>\r\n<td width=\"172\">Island Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Season Theme</strong></td>\r\n<td width=\"172\">Oakland A’s</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Attitude</strong></td>\r\n<td width=\"172\">Gotcha Jeans</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Prom Fantasy</strong></td>\r\n<td width=\"172\">Elektra Casadei Designs</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Logo Theme</strong></td>\r\n<td width=\"172\">Pathe</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Video</strong>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"261\"><strong>Spy Bots</strong> (video game)</td>\r\n<td width=\"152\">Bionic Games</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Fighter Squadron</strong> (video game)</td>\r\n<td width=\"152\">Activision</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Faster Faster</strong></td>\r\n<td width=\"152\">MTV</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Girls Of Radio</strong> •Talk,Rock &amp; Shock</td>\r\n<td width=\"152\">Playboy Entertainment</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>London Nights</strong></td>\r\n<td width=\"152\">Trikilis Productions</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>On Campus</strong> (score)</td>\r\n<td width=\"152\">Warner Vision</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Beyond Vaudeville</strong></td>\r\n<td width=\"152\">Exotic World</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Art of Massage</strong> (score)</td>\r\n<td width=\"152\">Warner Vision</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Bump &amp; Grind</strong> • History of Burlesque</td>\r\n<td width=\"152\">Sheba Productions</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Poison Letter</strong></td>\r\n<td width=\"152\">MTV</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Paris Lights</strong></td>\r\n<td width=\"152\">Trikilis Productions</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<strong> </strong>\r\n\r\n<strong>Studio &amp; Production</strong>\r\n\r\n<em>Composed, Arranged, Produced, Performed, Programmed or Sound Designed for:</em>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"128\">Michael Jackson</td>\r\n<td width=\"120\">Natalie Cole</td>\r\n<td width=\"149\">Anita Baker</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Tina Turner</td>\r\n<td width=\"120\">Alice Cooper</td>\r\n<td width=\"149\">Brenda Russell</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Donna Summer</td>\r\n<td width=\"120\">Cyndi Lauper</td>\r\n<td width=\"149\">LA Law</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Pointer Sisters</td>\r\n<td width=\"120\">The Breakfast Club</td>\r\n<td width=\"149\">Vince Neil (Motley Crue)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Commodores</td>\r\n<td width=\"120\">Kokopop</td>\r\n<td width=\"149\">Skin Deep</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Lou Rawls, Jr</td>\r\n<td width=\"120\">Marvin Gaye, Jr.</td>\r\n<td width=\"149\">Alisha</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Glass</td>\r\n<td width=\"120\">Phil Perry</td>\r\n<td width=\"149\">Santa Barbera</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Five Star</td>\r\n<td width=\"120\">Julian Lennon</td>\r\n<td width=\"149\">Fame</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">NBC</td>\r\n<td width=\"120\">Solid Gold</td>\r\n<td width=\"149\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">B.D. Fox &amp; Friends</td>\r\n<td width=\"120\">ABC</td>\r\n<td width=\"149\">Court TV</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Warner Brothers</td>\r\n<td width=\"120\">Fox Television</td>\r\n<td width=\"149\">Propaganda Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Universal</td>\r\n<td width=\"120\">Cucoloris Films</td>\r\n<td width=\"149\">McClatchy Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Phil Perry</td>\r\n<td width=\"120\">Flicker Films</td>\r\n<td width=\"149\">Lifetime</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Herbie Hancock</td>\r\n<td width=\"120\">History Channel</td>\r\n<td width=\"149\">Andre Fisher</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Phil Ramone</td>\r\n<td width=\"120\">KPIX</td>\r\n<td width=\"149\">Saatchi &amp; Saatchi</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Jimmy Iovine</td>\r\n<td width=\"120\">Young &amp; Rubicam</td>\r\n<td width=\"149\"></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Musical Director</strong>\r\n\r\n•   EMC World show, Las Vegas\r\n\r\n•   Television series “Makin’ Music,” which won an Emmy Award.\r\n\r\n•   Cisco Annual Corporate Show, Las Vegas\r\n\r\n•   Sweethart Productions\r\n\r\n•   The Commodores, conductor &amp; arranger\r\n\r\n•   Software AG Annual Corporate Show, Orlando\r\n\r\n•   Headline show at “Windows Of The World” Amphitheater, China\r\n\r\n•   Oracle Show at the Los Angeles Convention Center\r\n\r\n•   Deltek Annual Corporate Show, Nashville\r\n\r\n•   The band “Angel City,” multiple tours of Africa\r\n\r\n•   The band “PC2000,” launching MTV’s “Basement Tapes” series.\r\n\r\n•   Television series “Zoom,” WGBH\r\n\r\n•   Production company “Hot Spoons Productions”\r\n\r\n•   Los Angeles Olympics Master Arts Show\r\n\r\n<strong>\r\nSongs</strong>\r\n\r\nMaster Produced (*) by Paul Chiten\r\nMaster co-Produced (**) by Paul Chiten\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"123\"><strong>Title</strong></td>\r\n<td width=\"115\"><strong>Artist</strong></td>\r\n<td width=\"156\"><strong>Label</strong></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Can’t Wait Another Minute</strong></td>\r\n<td width=\"115\">Five Star</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Lewis Sisters</td>\r\n<td width=\"156\">Riva</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Aina</td>\r\n<td width=\"156\">Polydor</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Ain’t Crack</td>\r\n<td width=\"156\">Disney</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Patti Brooks</td>\r\n<td width=\"156\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Dance Chart</td>\r\n<td width=\"156\">Telstar</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Five Star’s Greatest Hits</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Now Dance</td>\r\n<td width=\"156\">EMI/Virgin</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Drive My Car (Til Sunset)</strong></td>\r\n<td width=\"115\">Brenda Russell</td>\r\n<td width=\"156\">A&amp;M</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Come Into My Life</strong></td>\r\n<td width=\"115\">Laura Branigan</td>\r\n<td width=\"156\">Atco</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">The Imperials</td>\r\n<td width=\"156\">Starsong</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Chikaco Sawada</td>\r\n<td width=\"156\">Taurus</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Dancing With A Stranger</strong></td>\r\n<td width=\"115\">Cyndi Lauper</td>\r\n<td width=\"156\">Epic</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Real Life</strong></td>\r\n<td width=\"115\">Pointer Sisters</td>\r\n<td width=\"156\">Motown</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Get Ethnic</strong></td>\r\n<td width=\"115\">Donna Summer</td>\r\n<td width=\"156\">Atlantic</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Hollywood Beat</strong></td>\r\n<td width=\"115\">Natalie Cole</td>\r\n<td width=\"156\">ABC/Aaron Spelling</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>One Step Closer</strong></td>\r\n<td width=\"115\">Starpoint</td>\r\n<td width=\"156\">Elecktra</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Together</strong></td>\r\n<td width=\"115\">Mickey Thomas (Starship)</td>\r\n<td width=\"156\">Epic</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Seduction</strong></td>\r\n<td width=\"115\">Sam Riney</td>\r\n<td width=\"156\">Spindletop</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Are My Angel</strong></td>\r\n<td width=\"115\">Myrah Kay</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Party-2-Go</strong></td>\r\n<td width=\"115\">Ram Jam**</td>\r\n<td width=\"156\">Universal</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Show Me</strong></td>\r\n<td width=\"115\">Glass*</td>\r\n<td width=\"156\">BMG</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Minako Tanaka</td>\r\n<td width=\"156\">Japan Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Tango</strong></td>\r\n<td width=\"115\">Laima</td>\r\n<td width=\"156\">MCA / GRP</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Transylvania 6-5000</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">New World</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Snap Dance</strong></td>\r\n<td width=\"115\">New Fifth Dimension</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Hand Tools*</td>\r\n<td width=\"156\">Casablanca</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>For Members</strong><strong>Only</strong></td>\r\n<td width=\"115\">Imagination</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Love Will Talk</strong></td>\r\n<td width=\"115\">Alisha</td>\r\n<td width=\"156\">MCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Solveg Angelic</td>\r\n<td width=\"156\">Intermediate</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>All Over Again</strong></td>\r\n<td width=\"115\">Jose Feliciano*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>First In Line</strong></td>\r\n<td width=\"115\">Jaki Graham</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Fame*</td>\r\n<td width=\"156\">ABC</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>It’s A Wild World</strong></td>\r\n<td width=\"115\">Tonio K.</td>\r\n<td width=\"156\">Warner Brothers</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Shocking Behavior</strong></td>\r\n<td width=\"115\">Hand Tools*</td>\r\n<td width=\"156\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Suzi Quatro*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Target Practice</strong></td>\r\n<td width=\"115\">Aina</td>\r\n<td width=\"156\">Polydor</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Courting Disaster</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">Casablanca</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Patterns In Peru</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>I’ll Move The World</strong></td>\r\n<td width=\"115\">Gennaro*</td>\r\n<td width=\"156\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Girls Don’t Lie</strong></td>\r\n<td width=\"115\">Alisha</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">George McCrae</td>\r\n<td width=\"156\">Ariola</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Only In Your Arms</strong></td>\r\n<td width=\"115\">DeVere*</td>\r\n<td width=\"156\">Cannon</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>I’ve Got Your Number</strong></td>\r\n<td width=\"115\">Ondrea**</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Move Over, I’m Driving</strong></td>\r\n<td width=\"115\">Jane Edwards</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>The Melting Point</strong></td>\r\n<td width=\"115\">Lewis Sisters</td>\r\n<td width=\"156\">Riva</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Yoko Oginome</td>\r\n<td width=\"156\">VIctor</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Mocha*</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Somebody Wants You</strong></td>\r\n<td width=\"115\">Mendy Lee</td>\r\n<td width=\"156\">Jacksons Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Man On The Street</strong></td>\r\n<td width=\"115\">PC2000*</td>\r\n<td width=\"156\">HSRecords</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Mike Hegedus*</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Every Time We Kiss</strong></td>\r\n<td width=\"115\">Sam Riney</td>\r\n<td width=\"156\">Spindletop</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Over The Top</strong></td>\r\n<td width=\"115\">Mocha*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Tell Me How You </strong><strong>Like It </strong></td>\r\n<td width=\"115\">Minako Tanaka</td>\r\n<td width=\"156\">Japan Records</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Vivien</td>\r\n<td width=\"156\">Funhouse</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Whatcha Gonna Do</strong><strong>About It</strong></td>\r\n<td width=\"115\">Yvonne Jackson</td>\r\n<td width=\"156\">Ichiban</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Suzette Charles**</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Before It Rains Again</strong></td>\r\n<td width=\"115\">Patrick DuPont</td>\r\n<td width=\"156\">Off The Wall</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Weekend Pain</strong></td>\r\n<td width=\"115\">Minako Tanaka</td>\r\n<td width=\"156\">Japan Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Some Day</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">ABC</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>The Truth About Angel</strong></td>\r\n<td width=\"115\">Suzi Quatro*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Sleeping In The Moon</strong></td>\r\n<td width=\"115\">Hiromi Asai</td>\r\n<td width=\"156\">Funhouse</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>The Truth About Angel</strong></td>\r\n<td width=\"115\">Suzi Quatro*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Too Far Too Fast</strong></td>\r\n<td width=\"115\">The Heat</td>\r\n<td width=\"156\">MDM</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Set Me In Motion</strong></td>\r\n<td width=\"115\">Tricia Burton</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Old Enough To</strong><strong>Know Better</strong></td>\r\n<td width=\"115\">Jacqui Berne</td>\r\n<td width=\"156\">Rick Wake Productions</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Patti Day</td>\r\n<td width=\"156\">Starway</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Got My Attention</strong></td>\r\n<td width=\"115\">Angie Gold</td>\r\n<td width=\"156\">Alfa</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Witch’s Trap</strong></td>\r\n<td width=\"115\">Akemi Ishi</td>\r\n<td width=\"156\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Have You Ever</strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>When I Look At You</strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>The Poetry Of Sex</strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Vanilla Latte</strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>So Deep </strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Perfect World  </strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>More Than Just Friends </strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Mindworker</strong></td>\r\n<td width=\"115\">Paul August*</td>\r\n<td width=\"156\">John Paul Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Emergency</strong></td>\r\n<td width=\"115\">PC2000*</td>\r\n<td width=\"156\">Jump Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>There Must Be A God</strong></td>\r\n<td width=\"115\">Rhetta Hughs</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Erotic Visions (album)</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">Playfull</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Poet For The Moonlight</strong></td>\r\n<td width=\"115\">Jose Feliciano*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Fantasy Chamber (album)</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">Playfull</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>A Woman Like Me</strong></td>\r\n<td width=\"115\">Soul Tarot*</td>\r\n<td width=\"156\">B Street</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Seditious Philosophies (album)</strong></td>\r\n<td width=\"115\">Steve Dolmer*</td>\r\n<td width=\"156\">Sony</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Are My Angel</strong></td>\r\n<td width=\"115\">Andrea Robinson*</td>\r\n<td width=\"156\">LDH Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>What Is Sex</strong></td>\r\n<td width=\"115\">Tahlia Loren*</td>\r\n<td width=\"156\">LS Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>So Crazy In Love</strong></td>\r\n<td width=\"115\">Robin Taylor*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Whatever It Takes</strong></td>\r\n<td width=\"115\">Robin Taylor*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Sedative</strong></td>\r\n<td width=\"115\">Robin Taylor*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Hearts Under Fire</strong></td>\r\n<td width=\"115\">Gennaro*</td>\r\n<td width=\"156\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>I’ll Move The World</strong></td>\r\n<td width=\"115\">Gennaro*</td>\r\n<td width=\"156\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Are My Angel </strong></td>\r\n<td width=\"115\">Myrah Kay</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Take It All  </strong></td>\r\n<td width=\"115\">Heidi Swan</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>As Real As It Gets</strong></td>\r\n<td width=\"115\">Heidi Swan</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>No More Borken Dreams</strong></td>\r\n<td width=\"115\">Heidi Swan</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>It Takes A Lot To Love </strong></td>\r\n<td width=\"115\">Heidi Swan</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Are my Angel</strong></td>\r\n<td width=\"115\">Myrah Kay</td>\r\n<td width=\"156\">Avex</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Education</strong>\r\n•  Mills College, Masters Degree in Music Composition\r\n•  Brown University, Bachelor’s Degree\r\n•  Harvard University, Special Arts Program\r\n•   University Of California at San Diego\r\n•  New England Conservatory Of Music\r\n•  Berklee School Of Music\r\n•   Private Piano &amp; Composition Study\r\n\r\n<strong>\r\nLecturing &amp; Publications</strong>\r\n\r\n• <strong>UCLA </strong>\r\nTopic: Music For Visuals\r\n\r\n•<strong> Musician’s Institute </strong>\r\nTopic: Music Composition Using MIDI &amp; Computers\r\n\r\n•<strong> National Academy of Songwriters</strong>\r\nTopic: Record Deals For New Artists\r\n\r\n•<strong> Mix Magazine</strong>\r\nTopic: The Importance Of Pre-Production\r\n\r\n•<strong> Songwriter’s Expo</strong>\r\nTopic: The Promotion &amp; Marketing of New Music\r\n\r\n• <strong>San Luis Obispo Dept. of Corrections Outreach Program </strong>\r\nTopic: World Music\r\n\r\n• <strong>Los Angeles Songwriters Showcase </strong>\r\nTopic: Modern Songwriting\r\n\r\n• <strong>South By Southwest Music Conference – BMI Guest Speaker </strong>\r\nTopic: Music Composition For Different Genres\r\n\r\n• <strong>N.A.M.M Show</strong>\r\nTopic: Producing New Artists\r\n\r\n•<strong> A.E.S Show</strong>\r\nTopic: Music &amp; The Internet\r\n\r\n• <strong>Digital Living Room High Technology Convention </strong>\r\nTopic: Music &amp; Technology\r\n\r\n• <strong>National Music Educators Convention – Keynote Speaker</strong>\r\nTopic: The Future of Music\r\n<div></div>\r\n<div>PAUL CHITEN website home page:</div>\r\n<div><b><a href=\"http://sweethartproductions.com/\" target=\"_blank\">sweethartproductions.com</a></b></div>\r\n<div>PAUL CHITEN website personal page:</div>\r\n<div><b>http://sweethartproductions.com/PaulChiten.aspx</b></div>\r\n<div>PAUL CHITEN business email:\r\n<a href=\"mailto:pc@sweethartproductions.com\"><b>pc@sweethartproductions.com</b></a></div></td>\r\n</tr>\r\n</tbody>\r\n</table>', 'Featured Artist – Paul Chiten', 'Paul Chiten is a Los Angeles-based songwriter, composer, producer, musician, singer and artist. His songs have gone platinum and gold. His compositions and productions have won Telly, Aurora and Emmy Awards. He has worked with Michael Jackson, Anita Baker, Tina Turner, Donna Summer, Cyndi Lauper and countless others.', 'inherit', 'closed', 'closed', '', '813-revision-v1', '', '', '2016-04-23 08:42:12', '2016-04-23 15:42:12', '', 813, 'https://afm424.org/813-revision-v1/', 0, 'revision', '', 0),
(1850, 4, '2016-05-23 05:53:15', '2016-05-23 12:53:15', '[vc_row][vc_column width=\"2/3\"][vc_column_text]\r\n<h1>Local 424 AFM</h1>\r\n<em><strong>Welcome to the new AFM Local 424 website.</strong></em>\r\n\r\nThe American Federation of Musicians (AFM) is the largest organization in the world dedicated to representing the interests of musicians, singers, songwriters, composers, arrangers and DJs.\r\n\r\nThe AFM has well over 90,000 members nationwide. We represent all styles of music—rock, alternative, classical, jazz, pop, country, folk, bluegrass, funk, R&amp;B, gospel, J-Pop, K-Pop, world beat, singer/songwriter, Latin, contemporary Christian, big band, reggae and more.\r\n\r\nWith such active members as Bruce Springsteen, Metallica, Counting Crows, Roberta Flack, Santana, Yo-Yo Ma, Sheila E, Suzanne Vega, The Goo Goo Dolls, Willie Nelson and Branford Marsalis, the AFM has strong representation in all areas of popular music.\r\n\r\n<hr />\r\n\r\n<h4 style=\"text-align: center;\"><span style=\"color: #3399dd;\">The AFM has been promoting and protecting musicians for over 110 years.</span></h4>\r\n\r\n<hr />\r\n\r\nLocal 424 is committed to bringing the AFM into the 21st century––embracing all the latest technological developments in popular entertainment.\r\n\r\nLocal 424 is here to serve those whose passion is music and help them realize their dreams.[/vc_column_text][/vc_column][vc_column width=\"1/3\"][vc_cta h2=\"Become an AFM Member!\" h4=\"Join our ever-growing community of artists.\" txt_align=\"center\" shape=\"square\" add_button=\"bottom\" btn_title=\"Join AFM\" btn_shape=\"square\" btn_color=\"primary\" btn_align=\"center\" add_icon=\"top\" i_icon_fontawesome=\"fa fa-users\" i_background_style=\"rounded\" i_background_color=\"white\" i_on_border=\"true\" btn_link=\"url:http%3A%2F%2Fafm424.org%2Fjoin%2F||\"][/vc_cta][vc_cta h2=\"International Musician\" txt_align=\"center\" shape=\"square\" add_button=\"bottom\" btn_title=\"Current Issue\" btn_style=\"flat\" btn_shape=\"square\" btn_color=\"danger\" btn_align=\"center\" add_icon=\"top\" i_icon_fontawesome=\"fa fa-book\" i_background_style=\"rounded\" i_background_color=\"white\" i_on_border=\"true\" btn_link=\"url:http%3A%2F%2Finternationalmusician.org||target:%20_blank\"][/vc_cta][/vc_column][/vc_row][vc_row][vc_column][vc_separator][vc_column_text]\r\n<h2>Latest News</h2>\r\n[/vc_column_text][vc_row_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464007751641-9713825c-db2c-7\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464007902250-8cf2a230-1e1c-8\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464007905771-4d88ff64-9592-5\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464007910614-c37f7682-145a-1\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]', 'Home', '', 'inherit', 'closed', 'closed', '', '5-autosave-v1', '', '', '2016-05-23 05:53:15', '2016-05-23 12:53:15', '', 5, 'https://afm424.org/5-autosave-v1/', 0, 'revision', '', 0),
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(1836, 4, '2016-04-28 08:46:55', '2016-04-28 15:46:55', '[vc_row][vc_column width=\"2/3\"][vc_column_text]\r\n<h1>Local 424 AFM Blog</h1>\r\n[/vc_column_text][vc_basic_grid post_type=\"post\" max_items=\"1\" item=\"1511\" grid_id=\"vc_gid:1461858396110-658c3425-cd4e-5\" taxonomies=\"27\"][/vc_column][vc_column width=\"1/3\"][vc_wp_search title=\"Search\"][vc_column_text]\r\n<h3>Blog Archives</h3>\r\n[/vc_column_text][/vc_column][/vc_row]', 'Blog', '', 'inherit', 'closed', 'closed', '', '1829-revision-v1', '', '', '2016-04-28 08:46:55', '2016-04-28 15:46:55', '', 1829, 'https://afm424.org/1829-revision-v1/', 0, 'revision', '', 0),
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(1846, 6, '2016-05-10 21:43:44', '2016-05-11 04:43:44', '[vc_row][vc_column][vc_column_text]Last week I asked 14 friends if they had heard of the Boswell Sisters.\n\n13 said no.\n\nOne said, “Oh yeah. They’re amazing!\"\n\nThat friend was a jazz singer.\n\nIf you like Pentatonix, GQ, Take 6, The Manhattan Transfer, the Andrews Sisters or Lambert, Hendricks &amp; Ross––thank the Boswell Sisters. They invented the jazz vocal ensemble.\n<blockquote>\"Without the Boswell Sisters there would be no Andrews Sisters.\" -Patty Andrews</blockquote>\nIf you like Diana Krall, Bobby McFerrin, Wynonna Judd, Billie Holiday or Ella Fitzgerald––thank the Boswells again. They developed the modern approach to jazz and pop singing.\n<blockquote>\"Who influenced me? There was only one singer who influenced me. I tried to sing like her all the time, because everything she did made sense musically… and that singer was Connie Boswell.\" -Ella Fitzgerald</blockquote>\nThe Boswell Sisters are one of the most awe-inspiring and important groups to have ever made music.\n\n<img class=\"wp-image-986 \" src=\"https://afm424.org/wp-content/uploads/2015/09/Crazy-still-1-PS2-2.jpg\" alt=\"Connie, Vet, Martha\" width=\"567\" height=\"418\" />\n\nIn a 3-minute song, a Boswell Sisters’ arrangement can seamlessly traverse through multiple key changes, several 90-degree tempo shifts, complete reharmonization of various sections, scatting, gulling, lyrics sung in “gibberish,” and all mesmerizingly executed with jaw-dropping style and a wondrous sense of swing.\n\nAfter many years as a music professional, I cannot believe I was unaware of this stunning vocal trio until January 2015, when I stumbled upon them by accident while surfing the Net. I watched the live 2-minute film clip of  “Crazy People”–– and that was all it took. I was hooked. Or, as Boswell Sisters aficionados say, I was “Bozzed.”\n\nThis was a new musical world. A wild take on jazz with no words to adequately describe it. I launched a YouTube quest for as much Boswell Sisters music as I could find. Fortunately, many of their tracks are posted on YouTube and CD reissues are readily available on Amazon.\n\nBefore you read any further…check out the “Crazy People” video.\n\nFor those who have not taken the trip to Planet Boz––you are in for one doozie of a ride.\n\n<span style=\"text-decoration: underline;\"><strong>The Boswell Sisters – “Crazy People”</strong></span>\n\nhttps://www.youtube.com/watch?v=R-O5U4uuPF8\n\n<strong>The Boswell Sisters were the most popular music group in America from 1931 to 1936.</strong>\n\nThen suddenly, in 1936, it was all over.\n\nThey quickly faded from the scene––and the public’s memory.\n\nSo…who were they?\n\nAnd why was this incredible trio largely forgotten?\n\n<img class=\"alignnone size-full wp-image-979\" src=\"https://afm424.org/wp-content/uploads/2015/09/boswell-sisters-early-1a-Cropped.jpg\" alt=\"boswell-sisters-early-1a-Cropped\" width=\"497\" height=\"563\" />\n<h2>SHUFFLE OFF TO NEW ORLEANS</h2>\nFate can be like a slot machine. The tumblers must align themselves in just the right way to trigger a jackpot. The Boswell Sisters’ story is like that. There’s everything that makes a compelling tale: tragedy, victory, loss, pain, luck, secrets, betrayal, talent, and a deep love forged by strong family bonds. The sisters had an incredible ability to turn adversity into triumph, making the most of every opportunity. Their saga is as compelling as their music.\n\nThe “Bozzies” (as they are affectionately called) were three bright, über-cute, funny, playful, and extraordinarily talented sisters: Martha (1905-1958), Connie (1907-1976) and Helvetia (1911-1988, known as Vet).\n\nWhile the girls were very young, the Boswell family settled in New Orleans. With its eclectic blend of cultures and the sound of blues, jazz and gospel all around them, these three brilliant young women––encouraged by musical parents and a strong-willed mother––created a sound so fresh, so unique, that it caused a musical sensation, changing the face (and ears) of popular music.\n\n[caption id=\"attachment_987\" align=\"alignnone\" width=\"486\"]<img class=\" wp-image-987\" src=\"https://afm424.org/wp-content/uploads/2015/09/early-boswells-pix-book.png\" alt=\"The Early Boswells CONNIE–cello         MARTHA–piano     VET–violin\" width=\"486\" height=\"575\" /> The early Boswells<br />CONNIE–cello       MARTHA–piano     VET–violin[/caption]\n\n&nbsp;\n<h2>THAT’S HOW RHYTHM WAS BORN</h2>\n<blockquote>\"Their music hit me right between the eyes, and what hit me was their originality. There was just no one like them.\" -David McCain, Boswell authority</blockquote>\nThe young Boswells were trained to be classical instrumentalists. The very essence of music coursed through their veins; Martha was going to be concert pianist, Connie, a cellist, and Vet, a violinist. Yet something else began tugging at their heels.\n\nIn a 1925 interview with the Shreveport Times, Martha said: “We studied classical music. . .and were being prepared for the stage and a concert tour throughout the United States, but the saxophone got us.”\n\nConnie traded her cello for a tenor sax, Vet took up the banjo and Martha’s classical piano arpeggios morphed into hot jazz rhythms and ragtime licks.\n\nThough untrained as vocalists, they sang amazingly well together––with that ethereal, other-worldly blend that seems reserved only for talented siblings with genetically-linked vocal cords. And they were connected in even more profound ways.\n<blockquote>David McCain comments: “They did have an uncanny telepathy with each other. It wasn’t only just their musical skill and ability. It was this telepathy they had…which even went beyond just being sisters. It was really being in tune with each other. It’s certainly evident on the records when you hear it.”</blockquote>\nThree personas forged into a single musical tour-de-force. They sang with an inspired, surgical precision never heard before, nor equaled since. Together they charted a new course in music where no road map existed.\n\n&nbsp;\n\n[caption id=\"attachment_982\" align=\"alignnone\" width=\"354\"]<img class=\"wp-image-982\" src=\"https://afm424.org/wp-content/uploads/2015/09/bozwell_sisters_stacked.jpg\" alt=\"Martha (bottom) –– Connie (middle) –– Vet (top)\" width=\"354\" height=\"456\" /> Connie (bottom) – Martha (middle) – Vet (top)[/caption]\n<h2>BETWEEN THE DEVIL AND THE DEEP BLUE SEA</h2>\n<blockquote>\"Connie Boswell is the most widely imitated singer of all time.\" -Frank Sinatra</blockquote>\nA surprising fact about the Boswell Sisters: Connie was confined to a wheelchair.\n\nAt the age of 3 either she was either severely injured when ejected from a careening homemade go-cart, had contracted polio, or both (each story was alternately told by Connie through the years). A further incident at age 22, involving a 15-foot fall from a window during a game of hide-and-seek, took away whatever remaining lower-body ability she had. The end result: she never walked again.\n\nFor their early gigs, Connie was carried “packsaddle” style by her sisters; Martha and Vet interlocked their forearms while Connie sat in the middle. They learned to rely on each other in profound ways: physically, musically, emotionally and spiritually. This intimacy was reflected in the music they created.\n<blockquote>Vet’s daughter, Chica Boswell Minnerly, observed: “They went everywhere together, socially. They did things together. Played their music together. And they thought alike. When you have that kind of closeness and you translate it into a musical form, it’s hard to explain what happens…with a trio. A trio begins to have its own identity. And that identity is very different from any of the sisters. So it becomes truly a trio.”</blockquote>\nIn the 1920s jazz was often referred to in derogatory terms, especially by religious groups (in the 1950s these same charges would be leveled at rock and roll).\n<blockquote>Chica continues: “Jazz, in some circles, was considered ‘the Devil’s music.’ But it was hard to call it ‘the Devil’s music’ when you had these three pretty little girls…one of whom couldn’t walk…and they’re singing this music. So it presented a contradiction. It’s interesting, because people had to make their minds up about it.”</blockquote>\n<img class=\"alignnone wp-image-991\" src=\"https://afm424.org/wp-content/uploads/2015/09/postcard.jpeg\" alt=\"postcard\" width=\"436\" height=\"329\" />\n<h2>ROLL ON, MISSISSPPI, ROLL ON</h2>\nBy 1929 the Boswell Sisters were New Orleans favorites. But if they wanted a higher level of success, they needed to play venues further from home.\n\nSo the young ladies hit the road, performing in an unglamorous sector of the Vaudeville circuit. Their show featured playing instruments––Martha on piano, Connie on sax, Vet on banjo (and some tap dancing), doing popular songs of the day. Oh…and a little singing was pitched in.\n\nAt their first out-of-town gig, in a small, dingy theatre in Chicago, the trio was suddenly stricken at show time with a serious case of stage fright. They were so nervous that they left their instruments backstage––all they could manage to do was sing to Martha’s piano accompaniment. When they finished, the stage manager, noticing their discarded instruments backstage, asked: <em>“Don’t you girls do anything but sing?”</em>\n\nAh, but fate was tampering with those slot machine tumblers––it was through their singing that they would create a musical sensation.\n\n[caption id=\"attachment_976\" align=\"alignnone\" width=\"283\"]<img class=\" wp-image-976\" src=\"https://afm424.org/wp-content/uploads/2015/09/Boswell-profiles.jpg\" alt=\"Vet, Martha, Connie\" width=\"283\" height=\"359\" /> Vet, Martha, Connie[/caption]\n\nTheir tour ended up in Los Angeles, where the radio work was. One day Connie showed up for a live broadcast with a bad cold. She suggested the songs be transposed down “an octave or two,” and sing soft and close into the microphone. This close-mike technique is one of the first examples of using the newly developed electronic microphone for maximum effect. This gave the trio an important component of their signature sound.\n\nWhile doing radio shows in California, a letter came into the station with a scathing review. It was Martha who opened it. The listener wrote: “Get rid of those awful Boswell Sisters––they’re always changing the melody, and whenever they come on the radio, me and my friends turn them off.”\n\nIt closed with a bristling coda: <em>“We call them the savage chanters.”</em>\n\nMartha was so upset at this harsh critique that she broke down in tears. She was about to rip up the letter when Connie snatched it from her hand. Connie said it was proof that the trio was indeed doing something different, and that they should keep on doing it.\n\nWith the experience gleaned from touring and consistent radio work, it was time to move to New York, where the jazz scene was in full swing. It was 1930 and the Boswell Sisters were getting ready to take on the world.\n<h3></h3>\n[caption id=\"attachment_992\" align=\"alignnone\" width=\"437\"]<img class=\"wp-image-992\" src=\"https://afm424.org/wp-content/uploads/2015/09/the-boswell-sisters.jpg\" alt=\"\" width=\"437\" height=\"547\" /> Martha (bottom) - Connie (middle) - Vet (top)[/caption]\n<h2>THE MUSIC GOES ROUND &amp; ROUND</h2>\nThe Boswell Sisters came along at the right time. Vaudeville was giving way to that new invention––radio––which grew rapidly from a curiosity to a widely accepted form of entertainment.\n\nRecorded music was also going through a seismic transformation. Early recording technology used a crude horn to channel the sound. By 1925 the electronic microphone finally made it possible to capture nuances never heard in a recording before.\n\nThe Bozzies made their first few recordings (into those horns) in 1925. By the time they got to their main body of work, starting in 1931, the electronic microphone was firmly established as the new standard.\n\nLike today’s Internet, with the popularity of Facebook, YouTube, Twitter, Instagram––the sisters embraced the technologies of their day: radio, records and films. These burgeoning media marvels allowed them to reach a far wider audience than was ever possible through live shows alone.\n\nAnd the New York scene is where the sisters would find the success they worked so hard for.\n\nRecords in the 1930s meant a live studio performance. There was no tape, overdubbing, or editing. Each take was recorded in mono onto a wax disc––worlds away from modern digital recording. There was no concept of “fix it in the mix.” The performance had to be good or the “waxie” was tossed. The Bozzies went through a lot of “waxies” before they were satisfied with a record.\n\nIn the studio, they were fortunate to work with some great musicians of the day, many of whom later became well known: Glenn Miller (trombone and arranger), Tommy Dorsey (trombone), Jimmy Dorsey (alto sax), Benny Goodman (clarinet), Artie Shaw (clarinet), Bunny Berigan (trumpet), Manny Klein (trumpet), Joe Tarto (bass/tuba), Eddie Lang (guitar), Dick McDonough (guitar), Carl Kress (guitar), Joe Venuti (violin), Victor Young (violin) and Stan King (drums). They also worked with the orchestras of Jimmy Grier, Victor Young and Paul Whiteman.\n\nMany of these celebrated musicians were members of AFM Local 47 (Hollywood): Benny Goodman, Tommy and Jimmy Dorsey, Artie Shaw, Bunny Berigan, Joe Venuti, Manny Klein, Joe Tarto and Victor Young.\n\n[caption id=\"attachment_989\" align=\"alignnone\" width=\"482\"]<img class=\" wp-image-989\" src=\"https://afm424.org/wp-content/uploads/2015/09/Musicians-BW.jpg\" alt=\"Hamming it up with The Ramblers band during the first European tour.\" width=\"482\" height=\"321\" /> Hamming it up with The Ramblers band during the first European tour[/caption]\n\nSo how could three white middle-class southern gals come to sound like a sassy trio of soulful jazz singers? Most people who heard them. without seeing them, assumed they were black. Their influences included gospel, jazz, blues and “race” records. Connie was a fan of early blues vocalists Bessie Smith, and especially Mamie Smith––whom she patterned her style after. Her other two major influences were a disparate pair: hot-jazzer Louis Armstrong and operatic tenor Enrico Caruso.\n\nThe Bozzies’ vocal sound is a curious combination. Martha and Connie were contraltos, while Vet was a mezzo-soprano with an exceptional range. The typical vocal registers were thrown out the window, because they had the uncanny ability to shift parts at will, creating ever-morphing three-dimensional sonic shapes.\n\nMartha called this “blending.” Connie referred to it as “passing harmony.” Whatever you call it, it meant that the melody could continually move between the three voices. The shuffling of parts, the rapid tempo changes, the modulations and continual reharmonization––indeed rising to the level of recomposition––make that unmistakable Boswell Sound. Nobody had done music this way before. Or since.\n\nIn a 1965 interview, Connie reflected on the trio’s sound. She said when people heard them for the first time, they couldn’t believe they were sisters, because “no family could have 3 sisters who could sing like this.” At the same time, they HAD to be sisters, because “no 3 voices could possibly blend this well without being from the same family.”\n\n[caption id=\"attachment_975\" align=\"alignnone\" width=\"681\"]<img class=\" wp-image-975\" src=\"https://afm424.org/wp-content/uploads/2015/09/At-piano-1024x641.png\" alt=\"Vet, Martha, Connie\" width=\"681\" height=\"426\" /> Vet, Martha, Connie[/caption]\n\nTheir father, A.C., a former Vaudevillian and Barbershop singer, taught them a language he called “gibberish.” It’s a zany, word-morphing, pig-Latinish kind of thing––and the girls loved it. This “gibberish” shows up in a number of their recordings. A variation on “gibberish” is heard on the second section of “Everybody Loves My Baby,” which features nonsense sounds sung at an insanely fast tempo, performed with perfect diction in astonishingly precise 3-part harmony––a typical Bozzie Dazzle Moment.\n<h4><span style=\"text-decoration: underline;\">Everybody Loves My Baby</span></h4>\n[audio mp3=\"https://afm424.org/wp-content/uploads/2015/09/Everybody-Loves-My-Baby.mp3\"][/audio]\n\n&nbsp;\n\nEvery time I hear this track, a jolt of electricity shoots up my spine. The vocal histrionics are as energetically wild as they are highly disciplined. Connie even “gulls” (a technique of extreme glottal stops) in the middle of everything. Hey, if this doesn’t get you to sit up and take notice, you’re in a musical coma.\n\nThe sisters created all their own arrangements, working collectively, each sparking off the other. But just how did they come up with these wildly inventive sound canvasses?\n\nConnie provided some insight in a 1932 interview: “The method we use is rather quaint, and I know will amuse you when you hear about it––we learn our songs backwards! ...That is to say, we start at the end of the chorus and work back to the beginning. None of our arrangements are written out. Once we learn a song we never forget the arrangement.”\n\nOnstage, Martha played piano accompaniment (and on most of their recordings). Connie sat next to her on the piano bench and Vet stood behind, resting one hand on each sister’s shoulder, choreographing the trios’ movements.\n\n[caption id=\"attachment_985\" align=\"alignnone\" width=\"572\"]<img class=\" wp-image-985\" src=\"https://afm424.org/wp-content/uploads/2015/09/Crazy-People-Martha-smile.png\" alt=\"Connie, Vet, Martha\" width=\"572\" height=\"429\" /> Connie, Vet, Martha[/caption]\n<h4><span style=\"text-decoration: underline;\">Shout, Sister, Shout!</span></h4>\n[audio mp3=\"https://afm424.org/wp-content/uploads/2015/09/Shout-Sister-Shout.mp3\"][/audio]\n\n&nbsp;\n\nA Boswell Sisters’ theme song; truly a pocket symphony.\n\nIn a span of 3 minutes, it’s quite a ride through snappy jazz textures, dark gospel, fast scatting, all culminating in bayou-infused swampy soul.\n\nThe fact that these beautiful and talented young women become so successful in a world dominated by men––at a time when women had only fairly recently been given the right to vote––is testimony of their sense of empowerment as females. They went on the road with no chaperones, managed their own business, and charted their own destinies.\n\nThe Bozzies were also in control, and responsible for, their musical creations. Rare for recording artists at that time. Their unique musicality, uncanny skill, playful hearts and wistfully “witchy” soulfulness kept them leagues ahead of any competition.\n\n[caption id=\"attachment_974\" align=\"alignnone\" width=\"422\"]<img class=\" wp-image-974\" src=\"https://afm424.org/wp-content/uploads/2015/09/albumcoverBoswellSisters-ShoutSisterShout.jpg\" alt=\"Martha, Vet, Connie\" width=\"422\" height=\"410\" /> Martha, Vet, Connie[/caption]\n\nTwo new phrases entered the musical language of their time: “Boswell Sound” and “Boswell Rhythm.”\n\n“Boswell Sound” referred to their ability to conjure up unusual and infinitely appealing vocal harmonies, coupled with an astounding vocal blend and wildly creative arrangements with unexpected changes, and amazing vocal gymnastics.\n\n“Boswell Rhythm” was their jazzy, syncopated phrasing and astonishingly precise tempo changes, all executed with an extraordinary sense of musical swing.\n\nRhythmically, they could push the pulse so it sat on the leading edge of the beat––almost rushing, but not quite. This aggressive hanging over the leading edge of the beat was also called “New Orleans drive.” Many musicians from that scene played on top of the beat, but nobody sang quite like this. And 3 people doing it in perfect synchronicity? Only the Bozzies could do it this incredibly.\n<h4><span style=\"text-decoration: underline;\">Heebie Jeebies</span></h4>\n[audio mp3=\"https://afm424.org/wp-content/uploads/2015/09/Heebie-Jeebies.mp3\"][/audio]\n\n&nbsp;\n\nTheir good-luck song. The spirit is as intoxicating as the smell of down-home southern gumbo.\n\nA classic Boswell madcap slap-dash romp through many tempo and textural changes, the first-ever 3-part harmony scatting–– delivering a salvo of infectious musical energy that inevitably leaves the listener smiling…and breathless.\n\n<img class=\"alignnone wp-image-983\" src=\"https://afm424.org/wp-content/uploads/2015/09/Brunswick-publicity-PS2.jpg\" alt=\"Brunswick publicity-PS2\" width=\"716\" height=\"449\" />\n<h2>IT DON’T MEAN A THING,  IF IT AIN’T GOT THAT SWING</h2>\nWhen the Bozzies recorded their first side for Brunswick Records, “When I Take My Sugar To Tea,” (their first charted hit), the veteran studio musicians expected a typical session with your average young vocal group. They got anything but. The sisters possessed a musicianship equal to their own. The music was challenging, the girls were accomplished, charming and fun, and the players were given latitude to improvise solos in their own style.\n\nWhen they finished the first successful run-through of the song, all the musicians spontaneously got up––and gave the sisters a standing ovation. This kind of thing simply did not happen. This was a moment vital to the trio’s sense of self- confidence.\n\nThe Boswell Sisters were definitely on their way.\n\n[caption id=\"attachment_978\" align=\"alignnone\" width=\"867\"]<img class=\" wp-image-978\" src=\"https://afm424.org/wp-content/uploads/2015/09/Boswells-at-piano.jpeg\" alt=\"Connie, Vet, Martha\" width=\"867\" height=\"715\" /> Connie, Vet, Martha[/caption]\n<h2>WE’RE ON THE HIGHWAY TO HEAVEN</h2>\nFrom 1931 to 1936 the Boswell Sisters rode the wave of their greatest popularity. They racked up 20 hits on the US charts, and a #1 in 1935 with “The Object Of My Affection.”\n\nThey sold 75 million records at a time when many Americans didn’t even have enough money to buy fresh bread. This was the Great Depression. Americans found the sisters’ music so uplifting, so transportive, that it helped momentarily lift the nation out of its collective miseries. Their music reminded people of the joy of being alive at a time when all that seemed to lay ahead for the country was more gloom.\n\n<a href=\"https://afm424.org/wp-content/uploads/2015/09/Charicature-color.jpg\"><img class=\"alignnone wp-image-1146 \" src=\"https://afm424.org/wp-content/uploads/2015/09/Charicature-color-239x300.jpg\" alt=\"\" width=\"295\" height=\"370\" /></a>\n<blockquote><em>\"You know, they never cartoon folks unless they are known world wide.\"</em> -A. C. Boswell,  father (in a letter to his daughters)</blockquote>\nFor some reason, history has generally underestimated the impact, revolutionary sound and popularity that the Boswell Sisters had. If any musical act has the right to use the word “magic,” it certainly is the Bozzies. Music publishers rarely gave permission for artists to alter songs. Of course, the Boswell Sisters were the exception. Their changes invariably added to the compositional intrigue of the song (the fact that they also sold a lot of records didn’t hurt).\n\n<img class=\"alignnone wp-image-973\" src=\"https://afm424.org/wp-content/uploads/2015/09/when-i-grow-too-old-boswells-uk.jpg\" alt=\"when-i-grow-too-old-boswells-uk\" width=\"324\" height=\"446\" />\n<h2>MY FUTURE JUST PASSED</h2>\nBy 1936 it all ended.\n\nThe trio broke up.\n\nAfter over 20 years of making music together––and 5 years at the top––the country’s most popular musical group was no more.\n\n<strong>Why did they break up at the height of their success?</strong>\n\nThe reason given at the time was that Martha and Vet wanted to get married and raise families, while Connie desired a solo career. While this is true, there were deeper dynamics in play.\n\nPerhaps for Connie to have a full-on solo career, she needed to break away from the trio. Harry Leedy––Connie’s husband, and manager for both Connie and the trio––could have contributed in sowing the seeds of dissention by promoting Connie over the group, nudging the trio into the shadows.\n\nPerhaps because the trio had run its course. Intense creativity often embodies the seeds of its own destruction within it.\n\n<strong>Why were they largely forgotten?</strong>\n\nMaybe because their music was so new and revolutionary, it defied classification.\n\nThe music business has a difficult time packaging unique acts. Particularly after they’ve disbanded.\n\nMaybe because their moment in the spotlight was brief––1931 to 1936––and life moved them on in different directions.\n\nMaybe because they were popular during the Great Depression, a time that was so painful that Americans wanted to forget this distressing part of their history.\n\nAfter the breakup, Martha and Vet did retire from the biz, settled down to married life and raised families. Connie continued on with a successful solo career. In 1942, she changed the spelling of her name to “Connee.” From 1936 to 1954, she had 29 songs on the US charts, including two #1 hits which were duets with Bing Crosby.\n\nBut our slot machine hit a once-in-a-google jackpot.\n\nThe Bozzies will never be duplicated.\n\nWhat endures is <strong>the amazing musical legacy the Boswell Sisters left to the universe.</strong>\n\n<img class=\"alignnone wp-image-980\" src=\"https://afm424.org/wp-content/uploads/2015/09/Boswell-Sisters-logo-cropped.jpg\" alt=\"Boswell-Sisters-logo-cropped\" width=\"385\" height=\"562\" />\n<h2>PUT THAT SUN BACK IN THE SKY</h2>\nAfter being largely forgotten for over 70 years, there is a resurgence of interest in the Boswell Sisters. The Internet has certainly helped create a new audience. YouTube and Vimeo have provided access to dozens of their songs and some film clips and compilation CDs are readily available.\n\nTribute groups and Bozzie-influenced bands are growing from all over the globe: the Pfister Sisters, the Puppini Sisters, Boswellmania, the Stolen Sweets, the DeGeleonardo Sisters, the Ditties, the Boswell Project, the Hazelnuts, O Sister! and more. A burgeoning Boswell Sisters Revival is taking place.\n\nThe Boswells created their music in the first part of the 20th century, but this isn’t nostalgia. Those 78rpm records may have the audio imprint of another era, but the music itself is still fresh, innovative, and as vibrant as when it was first birthed. The Boswell Sisters deserve wider recognition for their considerable contributions to popular music as well as their important place in American music history.\n\nThanks to Vet’s granddaughter, Kyla Titus, we now know more of the Boswell Sisters’ story. She wrote a wonderful book, “The Boswell Legacy,” published in 2014. My appreciation of their music deepened the more I learned of their backstory. This book is the best, most authentic source for getting the scoop on the fascinating Boswell saga, from a true insider.\n\nIf your appetite for the Boswell Sisters has now been aroused, check out the links below.\n\n<strong>Warning…</strong>\n\nAs I mentioned at the top of this article, listening to Boswell Sisters’ music will put you at risk of “getting Bozzed.”\n\nYou can get hooked, finding yourself listening to their songs over and over and over again.\n<h5 style=\"text-align: center;\">Constant exposure can result in a state of long-lasting euphoria.</h5>\n&nbsp;\n\n<img class=\"alignnone size-full wp-image-981\" src=\"https://afm424.org/wp-content/uploads/2015/09/Boswell-Sisters-poster.jpg\" alt=\"Boswell-Sisters-poster\" width=\"355\" height=\"468\" />\n\n<strong>ACKNOWLEDGEMENTS:</strong>\n\nSource material was compiled from “The Boswell Legacy” by Kyla Titus, Chica Boswell Minnerly, Boswell authority David McCain, Vet Boswell Family Collection LLC, TheBoswellSisters.com, Bozzies.org, “Time For The Boswells” by Dennis Yancey, “Three Perfect Minutes” blog by Bryan Mangum, and “The Boswell Sisters: Close Harmony” documentary by Joshua Tree Productions.\n\n<strong>LINKS:</strong>\n<ul>\n 	<li><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https://www.facebook.com/TheBoswellSisters\" target=\"_blank\">Facebook</a></span></li>\n</ul>\n<span style=\"text-decoration: underline;\"><strong>Websites:</strong></span>\n<ul>\n 	<li><a href=\"http://theboswellsisters.com\" target=\"_blank\">theboswellsisters.com</a></li>\n 	<li><a href=\"http://www.bozzies.org\" target=\"_blank\">bozzies.org</a></li>\n</ul>\n<strong><span style=\"text-decoration: underline;\">The Boswell Legacy book:</span></strong>\n\n<a href=\"http://theboswellsisters.weebly.com/store/p21/The_Boswell_Legacy_Book_-_USA_FREE_SHIPPING.html\" target=\"_blank\"><img class=\"wp-image-1225 alignnone\" src=\"https://afm424.org/wp-content/uploads/2015/09/The-Boswell-Legacy-book-232x300.jpg\" alt=\"The Boswell Legacy book\" width=\"125\" height=\"162\" /></a>\n<ul>\n 	<li><a href=\"http://theboswellsisters.weebly.com/store/p21/The_Boswell_Legacy_Book_-_USA_FREE_SHIPPING.html\" target=\"_blank\">“The Boswell Legacy” by Kyla Titus</a></li>\n</ul>\n<strong><span style=\"text-decoration: underline;\">Internet Music Archive:</span></strong>\n<ul>\n 	<li><a href=\"https://archive.org/search.php?query=boswell%20sisters\" target=\"_blank\">archive.org Boswell Sisters</a></li>\n</ul>\n<strong><a href=\"mailto:pchiten424@gmail.com\" target=\"_blank\">Contact</a> <a style=\"line-height: 1.5;\" href=\"mailto:pchiten424@gmail.com\" target=\"_blank\">Paul Chiten</a></strong>\n\n<img class=\"alignleft size-thumbnail wp-image-601\" src=\"https://afm424.org/wp-content/uploads/2015/05/Paul-Chiten-150x150.jpg\" alt=\"Paul-Chiten\" width=\"150\" height=\"150\" /><strong>Paul Chiten</strong> is a Los Angeles-based songwriter, composer, producer, musician, singer and artist. His songs have earned him multi-platinum and gold records. His compositions and productions have won Telly, Aurora and Emmy Awards.\n\nHe has worked with Michael Jackson, Anita Baker, Tina Turner, Donna Summer, Cyndi Lauper and countless others.\n\nPaul was Music Director/Orchestrator/Arranger/Performer for the 2015 EMC World event in Las Vegas. He\'s currently working on making a large part of his music library accessible for downloading and streaming worldwide.  Many of his albums are now available on iTunes, Amazon, Apple Music, Google Play, Deezer, Tidal and Spotify.\n\n<a href=\"http://sweethartproductions.com/PaulChiten.aspx\" target=\"_blank\">website</a>\n\n<a href=\"https://afm424.org/featured-artist-paul-chiten/\" target=\"_blank\">bio</a>\n\n<a href=\"https://afm424.org/wp-content/uploads/2015/09/Ive-Been-Bozzed-cropped.png\"><img class=\"alignnone wp-image-1054\" src=\"https://afm424.org/wp-content/uploads/2015/09/Ive-Been-Bozzed-cropped-300x300.png\" alt=\"I\'ve Been Bozzed-cropped\" width=\"144\" height=\"144\" /></a>[/vc_column_text][/vc_column][/vc_row]', 'The Greatest Trio You Never Heard Of - The Boswell Sisters', 'The Boswell Sisters are one of the most awe-inspiring and important groups to have ever made music.', 'inherit', 'closed', 'closed', '', '1080-revision-v1', '', '', '2016-05-10 21:43:44', '2016-05-11 04:43:44', '', 1080, 'https://afm424.org/1080-revision-v1/', 0, 'revision', '', 0),
(1894, 84, '2016-06-08 10:00:38', '2016-06-08 17:00:38', 'I recently read <a href=\"http://www.huckmagazine.com/perspectives/how-music-dies/\">this</a> article and man it gave me a lot of food for thought. This guy has it nailed, music used to be about passion and about feelings, a way of expressing deep seated emotions, horrors that we saw or that we lived through. It didn’t matter who you were, you had this medium to say what you needed to say, to raise a finger to the man. Like everything else in this world rich people have to take over and monetize it.\r\n\r\nDon’t get me wrong, the music business has always been about making money, but there was true talent coming through and rising to the top. Elvis revolutionized music, then came the Beatles and the Rolling Stones, Bob Dylan isn’t a great singer but he’s an artist, Eminem isn’t a shiny popstar he came up rough. In fact, none of these people had polished upbringings. There is something special about someone coming from nothing with a great talent and bursting onto the scene to share their pain and ecstasy with the listening public.\r\n\r\nAn expression of anger, love, feeling, emotions that are passion fueled, not auto-tuned nonsense that we are drip fed- that’s what music used to be. I listen to current music, in fact, if you were to scroll through my music right now you would probably back away slowly. If you were to troll through my hundreds of CD’s I might get some cred back, but there isn’t much in the way of hard luck stories in music these days.\r\n\r\nWhy is that? Well, apart from the fact that the arts are being removed from public schools everywhere as funds are slashed again and again, there is that pesky problem of nepotism. It’s been permeating every other industry since the dawn of time, it might as well infest music. If your face fits you’re golden and if it doesn’t then girl, bye!\r\n\r\nParents are paying half a month’s salary to hook their kids up with tickets for the latest tour of the latest passing artist and then paying double that just for a meet and greet that likely involves taking pictures with a cardboard cutout, because the artist is too exhausted to be seen. For the older generation you can still go and see the stalwarts of rock but you’re going to pay a fortune to watch something that is nothing like what they sounded like in their day.\r\n\r\nThe days of letting it all hang out on stage, letting it all go in the booth don’t mean the same thing now as they did then. Now it’s a planned wardrobe malfunction, or a public relations relationship to boost fan base.\r\n\r\nWhen Elvis arrived on scene he was a rebel with those snake hips, when Johnny Rotten emerged he was a livewire who didn’t give a shit about what people thought, and rock music and rap music followed and they brought a rebellion for a misunderstood youth. Now our youth are falling in line with doctored tunes produced by well-groomed <span style=\"text-decoration: line-through;\">robots</span> artists, and there is no love there at all.', 'The Man Is Bringing Us Down', '', 'publish', 'open', 'closed', '', 'the-man-is-bringing-us-down', '', '', '2016-06-06 10:49:48', '2016-06-06 17:49:48', '', 0, 'https://afm424.org/?p=1894', 0, 'post', '', 0),
(1851, 4, '2016-05-23 05:53:32', '2016-05-23 12:53:32', '[vc_row][vc_column width=\"2/3\"][vc_column_text]\r\n<h1>Local 424 AFM</h1>\r\n<em><strong>Welcome to the new AFM Local 424 website.</strong></em>\r\n\r\nThe American Federation of Musicians (AFM) is the largest organization in the world dedicated to representing the interests of musicians, singers, songwriters, composers, arrangers and DJs.\r\n\r\nThe AFM has well over 90,000 members nationwide. We represent all styles of music—rock, alternative, classical, jazz, pop, country, folk, bluegrass, funk, R&amp;B, gospel, J-Pop, K-Pop, world beat, singer/songwriter, Latin, contemporary Christian, big band, reggae and more.\r\n\r\nWith such active members as Bruce Springsteen, Metallica, Counting Crows, Roberta Flack, Santana, Yo-Yo Ma, Sheila E, Suzanne Vega, The Goo Goo Dolls, Willie Nelson and Branford Marsalis, the AFM has strong representation in all areas of popular music.\r\n\r\n<hr />\r\n\r\n<h4 style=\"text-align: center;\"><span style=\"color: #3399dd;\">The AFM has been promoting and protecting musicians for over 110 years.</span></h4>\r\n\r\n<hr />\r\n\r\nLocal 424 is committed to bringing the AFM into the 21st century––embracing all the latest technological developments in popular entertainment.\r\n\r\nLocal 424 is here to serve those whose passion is music and help them realize their dreams.[/vc_column_text][/vc_column][vc_column width=\"1/3\"][vc_cta h2=\"Become an AFM Member!\" h4=\"Join our ever-growing community of artists.\" txt_align=\"center\" shape=\"square\" add_button=\"bottom\" btn_title=\"Join AFM\" btn_shape=\"square\" btn_color=\"primary\" btn_align=\"center\" add_icon=\"top\" i_icon_fontawesome=\"fa fa-users\" i_background_style=\"rounded\" i_background_color=\"white\" i_on_border=\"true\" btn_link=\"url:http%3A%2F%2Fafm424.org%2Fjoin%2F||\"][/vc_cta][vc_cta h2=\"International Musician\" txt_align=\"center\" shape=\"square\" add_button=\"bottom\" btn_title=\"Current Issue\" btn_style=\"flat\" btn_shape=\"square\" btn_color=\"danger\" btn_align=\"center\" add_icon=\"top\" i_icon_fontawesome=\"fa fa-book\" i_background_style=\"rounded\" i_background_color=\"white\" i_on_border=\"true\" btn_link=\"url:http%3A%2F%2Finternationalmusician.org||target:%20_blank\"][/vc_cta][/vc_column][/vc_row][vc_row][vc_column][vc_separator][vc_column_text]\r\n<h2>Latest News</h2>\r\n[/vc_column_text][vc_row_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464007751641-9713825c-db2c-7\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464007902250-8cf2a230-1e1c-8\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464007905771-4d88ff64-9592-5\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464007910614-c37f7682-145a-1\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]', 'Home', '', 'inherit', 'closed', 'closed', '', '5-revision-v1', '', '', '2016-05-23 05:53:32', '2016-05-23 12:53:32', '', 5, 'https://afm424.org/5-revision-v1/', 0, 'revision', '', 0),
(1853, 4, '2016-05-23 06:02:02', '2016-05-23 13:02:02', '[vc_row][vc_column width=\"2/3\"][vc_column_text]\n<h1>Local 424 AFM</h1>\n<em><strong>Welcome to the new AFM Local 424 website.</strong></em>\n\nThe American Federation of Musicians (AFM) is the largest organization in the world dedicated to representing the interests of musicians, singers, songwriters, composers, arrangers and DJs.\n\nThe AFM has well over 90,000 members nationwide. We represent all styles of music—rock, alternative, classical, jazz, pop, country, folk, bluegrass, funk, R&amp;B, gospel, J-Pop, K-Pop, world beat, singer/songwriter, Latin, contemporary Christian, big band, reggae and more.\n\nWith such active members as Bruce Springsteen, Metallica, Counting Crows, Roberta Flack, Santana, Yo-Yo Ma, Sheila E, Suzanne Vega, The Goo Goo Dolls, Willie Nelson and Branford Marsalis, the AFM has strong representation in all areas of popular music.\n\n<hr />\n\n<h4 style=\"text-align: center;\"><span style=\"color: #3399dd;\">The AFM has been promoting and protecting musicians for over 110 years.</span></h4>\n\n<hr />\n\nLocal 424 is committed to bringing the AFM into the 21st century––embracing all the latest technological developments in popular entertainment.\n\nLocal 424 is here to serve those whose passion is music and help them realize their dreams.[/vc_column_text][/vc_column][vc_column width=\"1/3\"][vc_cta h2=\"Become an AFM Member!\" h4=\"Join our ever-growing community of artists.\" txt_align=\"center\" shape=\"square\" add_button=\"bottom\" btn_title=\"Join AFM\" btn_shape=\"square\" btn_color=\"primary\" btn_align=\"center\" add_icon=\"top\" i_icon_fontawesome=\"fa fa-users\" i_background_style=\"rounded\" i_background_color=\"white\" i_on_border=\"true\" btn_link=\"url:http%3A%2F%2Fafm424.org%2Fjoin%2F||\"][/vc_cta][vc_cta h2=\"International Musician\" txt_align=\"center\" shape=\"square\" add_button=\"bottom\" btn_title=\"Current Issue\" btn_style=\"flat\" btn_shape=\"square\" btn_color=\"danger\" btn_align=\"center\" add_icon=\"top\" i_icon_fontawesome=\"fa fa-book\" i_background_style=\"rounded\" i_background_color=\"white\" i_on_border=\"true\" btn_link=\"url:http%3A%2F%2Finternationalmusician.org||target:%20_blank\"][/vc_cta][/vc_column][/vc_row][vc_row][vc_column][vc_separator][vc_column_text]\n<h2>Latest News</h2>\n[/vc_column_text][vc_row_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464008515262-154cfe44-478c-4\" taxonomies=\"5\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464008368370-6c808090-f273-6\" taxonomies=\"18\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464008402506-fcfed35b-b60a-3\" taxonomies=\"22\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464008472652-ad036203-af2d-9\" taxonomies=\"7, 11, 8, 25\"][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]', 'Home', '', 'inherit', 'closed', 'closed', '', '5-revision-v1', '', '', '2016-05-23 06:02:02', '2016-05-23 13:02:02', '', 5, 'https://afm424.org/5-revision-v1/', 0, 'revision', '', 0),
(1852, 4, '2016-05-23 05:54:55', '2016-05-23 12:54:55', '[vc_row][vc_column width=\"2/3\"][vc_column_text]\n<h1>Local 424 AFM</h1>\n<em><strong>Welcome to the new AFM Local 424 website.</strong></em>\n\nThe American Federation of Musicians (AFM) is the largest organization in the world dedicated to representing the interests of musicians, singers, songwriters, composers, arrangers and DJs.\n\nThe AFM has well over 90,000 members nationwide. We represent all styles of music—rock, alternative, classical, jazz, pop, country, folk, bluegrass, funk, R&amp;B, gospel, J-Pop, K-Pop, world beat, singer/songwriter, Latin, contemporary Christian, big band, reggae and more.\n\nWith such active members as Bruce Springsteen, Metallica, Counting Crows, Roberta Flack, Santana, Yo-Yo Ma, Sheila E, Suzanne Vega, The Goo Goo Dolls, Willie Nelson and Branford Marsalis, the AFM has strong representation in all areas of popular music.\n\n<hr />\n\n<h4 style=\"text-align: center;\"><span style=\"color: #3399dd;\">The AFM has been promoting and protecting musicians for over 110 years.</span></h4>\n\n<hr />\n\nLocal 424 is committed to bringing the AFM into the 21st century––embracing all the latest technological developments in popular entertainment.\n\nLocal 424 is here to serve those whose passion is music and help them realize their dreams.[/vc_column_text][/vc_column][vc_column width=\"1/3\"][vc_cta h2=\"Become an AFM Member!\" h4=\"Join our ever-growing community of artists.\" txt_align=\"center\" shape=\"square\" add_button=\"bottom\" btn_title=\"Join AFM\" btn_shape=\"square\" btn_color=\"primary\" btn_align=\"center\" add_icon=\"top\" i_icon_fontawesome=\"fa fa-users\" i_background_style=\"rounded\" i_background_color=\"white\" i_on_border=\"true\" btn_link=\"url:http%3A%2F%2Fafm424.org%2Fjoin%2F||\"][/vc_cta][vc_cta h2=\"International Musician\" txt_align=\"center\" shape=\"square\" add_button=\"bottom\" btn_title=\"Current Issue\" btn_style=\"flat\" btn_shape=\"square\" btn_color=\"danger\" btn_align=\"center\" add_icon=\"top\" i_icon_fontawesome=\"fa fa-book\" i_background_style=\"rounded\" i_background_color=\"white\" i_on_border=\"true\" btn_link=\"url:http%3A%2F%2Finternationalmusician.org||target:%20_blank\"][/vc_cta][/vc_column][/vc_row][vc_row][vc_column][vc_separator][vc_column_text]\n<h2>Latest News</h2>\n[/vc_column_text][vc_row_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464008044669-85141e504ee37504640b307264421487-9\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464008044749-2b16d2e2aad01569f368d16f49bc537c-10\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464008044808-715c640279fccd44981912aeca1e4f12-9\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464008044874-594e6d226b6db4b2dfcd5704825b1877-1\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]', 'Home', '', 'inherit', 'closed', 'closed', '', '5-revision-v1', '', '', '2016-05-23 05:54:55', '2016-05-23 12:54:55', '', 5, 'https://afm424.org/5-revision-v1/', 0, 'revision', '', 0),
(1857, 4, '2016-05-25 05:49:40', '2016-05-25 12:49:40', '{\"post_type\":\"post\",\"max_items\":\"1\",\"style\":\"all\",\"items_per_page\":\"10\",\"show_filter\":\"\",\"element_width\":\"12\",\"gap\":\"30\",\"orderby\":\"date\",\"order\":\"DESC\",\"filter_style\":\"default\",\"filter_default_title\":\"All\",\"filter_align\":\"center\",\"filter_color\":\"grey\",\"filter_size\":\"md\",\"arrows_design\":\"none\",\"arrows_position\":\"inside\",\"arrows_color\":\"blue\",\"paging_design\":\"radio_dots\",\"paging_color\":\"grey\",\"loop\":\"\",\"autoplay\":\"-1\",\"item\":\"1562\",\"initial_loading_animation\":\"fadeIn\",\"button_style\":\"\",\"button_color\":\"\",\"button_size\":\"\",\"btn_title\":\"Load more\",\"btn_style\":\"flat\",\"btn_gradient_color_1\":\"turquoise\",\"btn_gradient_color_2\":\"blue\",\"btn_gradient_custom_color_1\":\"#dd3333\",\"btn_gradient_custom_color_2\":\"#eeee22\",\"btn_gradient_text_color\":\"#ffffff\",\"btn_custom_background\":\"#ededed\",\"btn_custom_text\":\"#666\",\"btn_outline_custom_color\":\"#666\",\"btn_outline_custom_hover_background\":\"#666\",\"btn_outline_custom_hover_text\":\"#fff\",\"btn_shape\":\"rounded\",\"btn_color\":\"blue\",\"btn_size\":\"md\",\"btn_align\":\"inline\",\"btn_i_align\":\"left\",\"btn_i_type\":\"fontawesome\",\"btn_i_icon_fontawesome\":\"fa fa-adjust\",\"btn_i_icon_openiconic\":\"vc-oi vc-oi-dial\",\"btn_i_icon_typicons\":\"typcn typcn-adjust-brightness\",\"btn_i_icon_entypo\":\"entypo-icon entypo-icon-note\",\"btn_i_icon_linecons\":\"vc_li vc_li-heart\",\"btn_i_icon_monosocial\":\"vc-mono vc-mono-fivehundredpx\",\"btn_i_icon_pixelicons\":\"vc_pixel_icon vc_pixel_icon-alert\",\"grid_id\":\"vc_gid:1464180484913-f00a855e-2072-1\",\"taxonomies\":\"5\",\"include\":\"\",\"custom_query\":\"\",\"meta_key\":\"\",\"offset\":\"\",\"exclude\":\"\",\"filter_source\":\"category\",\"exclude_filter\":\"\",\"paging_animation_in\":\"\",\"paging_animation_out\":\"\",\"el_class\":\"\",\"css\":\"\",\"btn_button_block\":\"true\",\"btn_add_icon\":\"true\"}', 'Latest News - Feat Artist', '', 'publish', 'closed', 'closed', '', 'latest-news-feat-artist', '', '', '2016-05-25 05:49:40', '2016-05-25 12:49:40', '', 0, 'https://afm424.org/latest-news-feat-artist/', 0, 'vc_settings_preset', 'vc-settings-preset/vc-basic-grid', 0),
(1855, 4, '2016-05-25 05:54:03', '2016-05-25 12:54:03', '[vc_row][vc_column width=\"2/3\"][vc_column_text]\r\n<h1>Latest Local 424 AFM News</h1>\r\n[/vc_column_text][vc_row_inner][vc_column_inner width=\"1/2\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" grid_id=\"vc_gid:1464180712886-83daca9a-71ad-9\" taxonomies=\"5\"][/vc_column_inner][vc_column_inner width=\"1/2\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" grid_id=\"vc_gid:1464180726424-126c7f26-c17d-9\" taxonomies=\"18\"][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=\"1/2\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" grid_id=\"vc_gid:1464180744324-a4184f67-da5a-10\" taxonomies=\"22\"][/vc_column_inner][vc_column_inner width=\"1/2\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" grid_id=\"vc_gid:1464180759673-5faa2599-2f8a-3\" taxonomies=\"7, 11, 8, 25\"][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=\"1/2\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464180821116-100ec8e6-f854-1\"][/vc_column_inner][vc_column_inner width=\"1/2\"][/vc_column_inner][/vc_row_inner][/vc_column][vc_column width=\"1/3\"][vc_wp_search title=\"Search\"][vc_widget_sidebar sidebar_id=\"sidebar-4\"][/vc_column][/vc_row]', 'News', '', 'inherit', 'closed', 'closed', '', '51-autosave-v1', '', '', '2016-05-25 05:54:03', '2016-05-25 12:54:03', '', 51, 'https://afm424.org/51-autosave-v1/', 0, 'revision', '', 0);
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(1874, 4, '2016-05-26 05:44:19', '2016-05-26 12:44:19', '', 'Tuner', 'OLYMPUS DIGITAL CAMERA', 'inherit', 'open', 'closed', '', 'tuner', '', '', '2016-05-26 05:44:19', '2016-05-26 12:44:19', '', 0, 'https://afm424.org/wp-content/uploads/2016/05/dreamstimefree_55078.jpg', 0, 'attachment', 'image/jpeg', 0),
(1899, 4, '2016-06-06 15:14:45', '2016-06-06 22:14:45', '[vc_row][vc_column width=\"2/3\"][vc_column_text]\r\n<h1>Local 424 AFM Blog</h1>\r\n[/vc_column_text][vc_basic_grid post_type=\"post\" max_items=\"-1\" style=\"lazy\" element_width=\"6\" item=\"1562\" grid_id=\"vc_gid:1465251191395-6af3b819-b4a7-9\" taxonomies=\"27\"][/vc_column][vc_column width=\"1/3\"][vc_wp_search title=\"Search\"][/vc_column][/vc_row]', 'Blog', '', 'inherit', 'closed', 'closed', '', '1829-revision-v1', '', '', '2016-06-06 15:14:45', '2016-06-06 22:14:45', '', 1829, 'https://afm424.org/1829-revision-v1/', 0, 'revision', '', 0),
(1898, 4, '2016-06-06 15:13:05', '2016-06-06 22:13:05', '[vc_row][vc_column width=\"2/3\"][vc_column_text]\r\n<h1>Local 424 AFM Blog</h1>\r\n[/vc_column_text][vc_basic_grid post_type=\"post\" max_items=\"-1\" style=\"lazy\" element_width=\"6\" item=\"1562\" grid_id=\"vc_gid:1465251110477-6d2058bd-ae03-3\" taxonomies=\"27\"][/vc_column][vc_column width=\"1/3\"][vc_wp_search title=\"Search\"][vc_column_text]\r\n<h3>Blog Archives</h3>\r\n[/vc_column_text][vc_widget_sidebar sidebar_id=\"sidebar-12\"][/vc_column][/vc_row]', 'Blog', '', 'inherit', 'closed', 'closed', '', '1829-revision-v1', '', '', '2016-06-06 15:13:05', '2016-06-06 22:13:05', '', 1829, 'https://afm424.org/1829-revision-v1/', 0, 'revision', '', 0),
(1878, 85, '2016-06-06 14:00:35', '2016-06-06 21:00:35', 'Video Killed the Radio Star – this song was among the first wave of music videos featured on MTV when it was launched in 1981. Fast forward to 2016, MTV, as many would agree, is almost dying. While it used to be the go-to channel for listening to music and watching videos, times have changed. In a digitally-connected world and in a society that is shaped by the internet, people have found MTV alternatives.\r\n\r\nWith this, there is no doubt that the management is currently struggling. They have made major moves to reinvent themselves in the past, but still, none of the efforts seemed to have sufficed. They still exhibit dismal performance, prompting the creative minds behind the channel to keep on being inventive.\r\n\r\nTo remain relevant in modern times, MTV plans an aggressive move – <a href=\"http://www.inlander.com/spokane/internet-killed-the-video-star/Content?oid=2759590\" target=\"_blank\">to do  away with music videos</a>. Their <em>Music Feed</em> program is going to be limited to 1am to 6am during weekdays.  This is the only time wherein you can watch music videos. Instead of playing music videos during day and nighttime programming, the management wishes to concentrate on music-related shows.\r\n\r\n<em>Unplugged</em>, a previous show is planned to be brought back but with an updated look. <em>Wonderland</em>, a competition featuring aspiring hip-hop artists, is also in the works. Justin Bieber will also produce a show wherein contestants will undergo a 24-hour song writing competition. The channel intends to focus on these types of shows, which not only offer entertainment value, but  can trigger a higher level of engagement compared to music videos that are played repeatedly.\r\n\r\nWhy is MTV taking this route? According to Sean Atkins, MTV President, they plan to go back into music. This is in line with the belief that internet has killed the video star. By going back to music, however, it does not mean that they will be showing music videos like before. Instead, it will be centered in music programming. This is going to be a music-intensive channel without the need to concentrate on music videos.\r\n\r\nIf you want to watch videos, you do not need MTV. Why would you still bother tuning in to MTV when music videos are easily accessible even through your mobile phone? Websites like YouTube and Vimeo are some of the reasons why MTV has slowly lost its share. Through music streaming websites or YouTube channels, music videos can be viewed anytime––you do not have to wait for them to be played on your TV. Even if MTV stops playing music videos, it doesn\'t mean that music videos are dead. Artists and producers will always find ways to promote their songs. However, they have to look at other more effective channels than MTV.', 'The Death of Music Videos: Are We Near The End of an Era?', '', 'publish', 'open', 'closed', '', 'death-of-music-videos-are-we-near-the-end-era', '', '', '2016-06-06 10:46:38', '2016-06-06 17:46:38', '', 0, 'https://afm424.org/?p=1878', 0, 'post', '', 2),
(1892, 6, '2016-07-24 13:38:01', '2016-07-24 20:38:01', 'If millennials are the “me” generation — complacent narcissists raised by TV, video games, and hardworking baby boomer parents with extra money to spend — then generation Z is surely the “meta-me” generation.\n\nMillennials are indeed, as a group, self-obsessed. We went through our teenage years and early adulthood with things like MySpace or Facebook, a means by which we could present ourselves to the world, to feel important about the minutia of our days, and sharing photos that make our lives look like an endless series of parties, sunsets and blackout nights in bars.\n\nWhile this can all be rather annoying, this existed, for the most part, as a way for us to sit down behind our family computer — or laptop, if they were lucky — and search out our friends’ social media pages. When I first created a Facebook page, I didn’t even own a cell phone. I finally bought a flip phone that I used for texts, calls, and playing that snake game.\n\nWhat the current young generation is experiencing is a perfect storm of smartphone technology: internet access, and the rise of the popularity of apps that let you instantly create and share relatively useless content with friends and followers.\n\nThe latest of these apps to catch fire is Musical.ly, a lip-syncing, video sharing platform that was recently valued at $500 million. Some are wondering if it’s <a href=\"https://medium.com/cuepoint/is-musical-ly-the-next-snapchat-160190ff8bef#.y01lwcuzm\" target=\"_blank\">the next Snapchat</a>,–– and with customizable videos that young users go crazy for, it’s hard to disagree.\n\nWhere Musical.ly diverges from Snapchat is in user challenges. This makes it arguably a more interactive app, existing as a platform for users to send photos and short videos meant for a single viewing. While Musical.ly currently boasts more bells and whistles, Snapchat seems to suggest more staying power because of the everyday nature — and R rated underbelly — of users\' posts.\n\nAt this point in time, every app is <em>the next big app</em>…until it’s not.\n\nImpressive user numbers and valuations don’t necessarily equal staying power. Previous “it” app Vine is losing users to Snapchat. While Dubsmash’s 15 minutes of fame are over thanks to Musical.ly.\n\nIt’s a harsh world where technologies are rapidly evolving and user loyalty is almost nonexistent.\n\nWhile it’s true that any app could potentially be the next Facebook — a social media platform that found its footing among college students and went on to be one of the most popular websites in the world — it’s more likely that a new platform that popular platform will turn into the next Vine, Dubsmash, or MySpace. The difference with Facebook is that it brought something previously unseen, and useful, into people’s lives. While Musical.ly may be offering up something slightly novel, it’s staying power is likely going to be as long lasting as the attention of the generation currently so enamoured by it.', 'The Problem With Musical.ly', '', 'inherit', 'closed', 'closed', '', '1880-autosave-v1', '', '', '2016-07-24 13:38:01', '2016-07-24 20:38:01', '', 1880, 'https://afm424.org/1880-autosave-v1/', 0, 'revision', '', 0),
(1880, 84, '2016-06-10 10:00:11', '2016-06-10 17:00:11', 'If millennials are the “me” generation — complacent narcissists raised by TV, video games, and hardworking baby boomer parents with extra money to spend — then generation Z is surely the “meta-me” generation.\r\n\r\nMillennials are indeed, as a group, self-obsessed. We went through our teenage years and early adulthood with things like MySpace or Facebook, a means by which we could present ourselves to the world, to feel important about the minutia of our days, and sharing photos that make our lives look like an endless series of parties, sunsets and blackout nights in bars.\r\n\r\nWhile this can all be rather annoying, this existed, for the most part, as a way for us to sit down behind our family computer — or laptop, if they were lucky — and search out our friends’ social media pages. When I first created a Facebook page, I didn’t even own a cell phone. I finally bought a flip phone that I used for texts, calls, and playing that snake game.\r\n\r\nWhat the current young generation is experiencing is a perfect storm of smartphone technology: internet access, and the rise of the popularity of apps that let you instantly create and share relatively useless content with friends and followers.\r\n\r\nThe latest of these apps to catch fire is Musical.ly, a lip-syncing, video sharing platform that was recently valued at $500 million. Some are wondering if it’s <a href=\"https://medium.com/cuepoint/is-musical-ly-the-next-snapchat-160190ff8bef#.y01lwcuzm\" target=\"_blank\">the next Snapchat</a>,–– and with customizable videos that young users go crazy for, it’s hard to disagree.\r\n\r\nWhere Musical.ly diverges from Snapchat is in user challenges. This makes it arguably a more interactive app, existing as a platform for users to send photos and short videos meant for a single viewing. While Musical.ly currently boasts more bells and whistles, Snapchat seems to suggest more staying power because of the everyday nature — and R rated underbelly — of users\' posts.\r\n\r\nAt this point in time, every app is <em>the next big app</em>…until it’s not.\r\n\r\nImpressive user numbers and valuations don’t necessarily equal staying power. Previous “it” app Vine is losing users to Snapchat. While Dubsmash’s 15 minutes of fame are over thanks to Musical.ly.\r\n\r\nIt’s a harsh world where technologies are rapidly evolving and user loyalty is almost nonexistent.\r\n\r\nWhile it’s true that any app could potentially be the next Facebook — a social media platform that found its footing among college students and went on to be one of the most popular websites in the world — it’s more likely that a new platform that becomes popular will be on the level of a Vine, Dubsmash, or MySpace.\r\n\r\nThe difference with Facebook is that it brought something previously unseen, and useful, into people’s lives. While Musical.ly may be offering up something slightly novel, it’s staying power will likely be as long-lasting as the attention of the generation currently enamoured by it.', 'The Problem With Musical.ly', '', 'publish', 'open', 'closed', '', 'the-problem-with-musical-ly', '', '', '2016-07-24 13:39:09', '2016-07-24 20:39:09', '', 0, 'https://afm424.org/?p=1880', 0, 'post', '', 0),
(1881, 4, '2016-05-30 05:20:44', '2016-05-30 12:20:44', 'If millennials are the “me” generation — complacent narcissists raised by TV, video games, and hardworking baby boomer parents with extra money to spend — then generation Z is surely the “meta-me” generation. Millennials are indeed, as a group, self-obsessed. We went through our teenage years and early adulthood with things like MySpace or Facebook, a means by which we could present ourselves to the world, to feel important about the minutia of our days, or to share photos that make our lives look like an endless series of parties and sunsets and blackout nights in bars.\r\n\r\nWhile this is all very annoying, it existed for the most part in a way that our friends had to sit down behind their family computer — or laptop if they were lucky — and search out their friends’ social media pages. When I first created a Facebook page, I didn’t even own a cell phone, and the one that I finally bought was a flip phone that I used for texts, calls, and playing that snake game. \r\n\r\nWhat the current young generation is experiencing is the perfect storm of smartphone technology, internet access, and the rise of the popularity of apps that let you instantly create and share relatively useless content with friends and followers. The latest of these apps to catch fire is Musical.ly, a lip-syncing, video sharing platform that was recently valued at $500 million. Some are wondering if it’s the next Snapchat, and with customizable videos young users go crazy for, it’s hard to disagree. Where Musical.ly diverges from Snapchat is in user challenges that arguably make it a more interactive app, that basically exists as a platform for users to send photos and short videos meant for a single viewing. While Musical.ly currently boasts more bells and whistles, Snapchat seems to suggest more staying power because of the everyday nature — and R rated underbelly — of users posts.\r\n\r\nAt this point in time, every app is the next app… until it’s not. Impressive user numbers and valuations don’t necessarily equal staying power. Previous “it” app Vine is losing users to Snapchat, while Dubsmash’s fifteen minutes of popularity are over thanks to Musical.ly. It’s a harsh world where technologies are constantly evolving and user loyalty is almost nonexistent. 		It’s true that any app could be the next Facebook — a social media platform that found its footing among college students and went on to be one of the most popular websites in the world — but it’s much more likely that any popular platform will turn into the next Vine, Dubsmash, or MySpace. The difference with Facebook is that it brought something previously unseen, and useful, into people’s lives. While Musical.ly may be offering up something slightly novel, it’s staying power is likely going to be as long lasting as the attention of the generation currently so enamoured by it.', 'The Problem With Musical.ly', '', 'inherit', 'closed', 'closed', '', '1880-revision-v1', '', '', '2016-05-30 05:20:44', '2016-05-30 12:20:44', '', 1880, 'https://afm424.org/1880-revision-v1/', 0, 'revision', '', 0),
(1882, 4, '2016-05-30 05:27:52', '2016-05-30 12:27:52', 'Video Killed the Radio Star – this is the first music video that has been played when MTV was launched in 1981. Fast forward to 2016, MTV, as many would agree, is almost dying. While it used to be the go-to channel for listening to music and watching videos, times have changed. In a digitally-connected world and in a society that is shaped by the internet, people have found MTV alternatives. \r\n\r\nWith this, there is no doubt that the management is currently struggling. They have made major moves to reinvent themselves in the past, but still, none of the efforts seemed to have sufficed. They still exhibit dismal performance, prompting the creative minds behind the channel to keep on being inventive. \r\n\r\nTo remain relevant in modern times, MTV plans to do one aggressive move – to do away with music videos. The music feed program is going to be limited during midnight. This is the only time wherein you can watch music videos. Instead of playing music videos during day and nighttime programming, the management wishes to concentrate on music-related shows. \r\n\r\nUnplugged, a previous show is planned to be brought back but with an updated look. Wonderland, a competition featuring aspiring hip-hop artists, is also in the works. Justin Bieber will also produce a show wherein contestants will undergo a 24-hour song writing competition. The channel intends to focus on these types of shows, which can offer entertainment value and can trigger a higher level of engagement compared to music videos that are played repeatedly. \r\n\r\nWhy is MTV taking this route? According to Sean Atkins, MTV President, they plan to go back into music. This is in line with the belief that internet has killed the video star. By going back to music, however, it does not mean that they will be showing music videos like before. Instead, it will be centered in music programming. This is going to be a music-intensive channel without the need to concentrate on music videos. \r\n\r\nIf you want to watch videos, you do not need MTV. Why would you still bother tuning in to MTV when music videos are easily accessible even through your mobile phone? Websites like YouTube and Vimeo are some of the reasons why MTV has slowly lost its share. Through music streaming websites or YouTube channels, music videos can be viewed anytime, and you do not have to wait for them to be played on your TV. Even if MTV will stop playing music videos, it does not mean that music videos are dead. Of course, artists and producers will always find a way to promote their songs. However, they have to look at other more effective channels than MTV.', 'The Death of Music Videos: Are We Near The End of an Era?', '', 'inherit', 'closed', 'closed', '', '1878-revision-v1', '', '', '2016-05-30 05:27:52', '2016-05-30 12:27:52', '', 1878, 'https://afm424.org/1878-revision-v1/', 0, 'revision', '', 0),
(1883, 4, '2016-05-31 07:27:10', '2016-05-31 14:27:10', '<h3>Local and Federation sponsored booking/referral services:</h3>\r\nLocal 424 assists potential live music purchasers in the Contra Costa County area to find the right artist or group for their party, wedding, festival, corporate function or any other event that requires live music. In addition, the AFM provides an international on-line referral service (free of charge to all members and potential purchasers) that is quickly becoming one of the largest Internet resources of its kind.\r\n<h3>Signatory Booking Agents:</h3>\r\nThe AFM maintains an on-line list of franchised booking agents for the US and Canada. It is also available in booklet form by contacting Local 424 or the AFM. These agents are signatories to the AFM\'s Booking Agent Agreement which sets standards for legally enforceable contracts specifying negotiated fees, working conditions, and commissions.\r\n<h3>Exclusive Member Services:</h3>\r\n<ul>\r\n	<li>AFM <a href=\"http://gopromusic.com\">GoPro Music</a> - Your Single Source For Live Music</li>\r\n	<li>AFM <a href=\"http://goprolessons.com\">GoPro Lessons</a> - Learn From a Pro - Play Like a Pro</li>\r\n	<li>AFM <a href=\"http://goprohosting.com\">GoPro Hosting</a> - Professional Web Hosting Services</li>\r\n</ul>\r\n<h3>Immigration Assistance:</h3>\r\nThe AFM is an international union representing professional musicians in both the United States and Canada. On behalf of its members who accept gigs across the border, the Federation works with the governments of both countries to cut through the hassle of \"red tape\" usually associated with obtaining work visas in either location. This assistance is available for both US and Canadian musicians. There are specialized Canadian and US forms, both formats conform to the laws of the individual countries, are easy to complete, and provide comprehensive legal protection for either single engagement or touring dates.\r\n<h3>Claims on Default:</h3>\r\nIn the event a purchaser defaults on payment to members for a contracted engagement, Local 424 and/or the AFM will work to resolve the dispute between the parties administratively. Should this prove unsuccessful the Local and/or Federation will pursue the claim through a variety of legal methods.\r\n<h3>Pension Fund:</h3>\r\nMembers have the option of having the employer make contributions to the Pension fund of up to 15% of wages paid on their behalf. Please contact the office for more information.\r\n<h3>Negotiated Agreements:</h3>\r\nInternational, national and local agreements covering all types of musical work ensure fair and timely payments as well as benefits and royalties (where applicable) for the reuse and new use of music recorded under these agreements.\r\n<h3>Legal Contracts:</h3>\r\nA signed AFM contract offers you protection for individual engagements, steady engagements, and traveling work. The AFM has a standard form contract that all members are entitled to use. It contains the AFM seal and when properly filled out and filed with the Local, it allows the local officer to help collect payments in the case of a default. Forms are available for download from the AFM\'s website, or at our office.\r\n<h3>A.F.M. Mastercard:</h3>\r\nThe A.F.M. Mastercard offers special rates, travel insurance benefits, and a special payment provision. Contact Local 424 AFM office, 5531 Alameda Avenue, Richmond CA. 94804 or call (510)758.3011 for details.\r\n<h3>Legislative Representation:</h3>\r\nThe AFM is actively involved at the national, state and local levels, advocating and lobbying for legislation that benefits the lives of working musicians including public funding for the arts.\r\n<h3>International Musician Free Subscription:</h3>\r\nThe International Musician is the official journal of the AFM. Published monthly and sent to all members, this informative newspaper delivers articles of current interest to professional musicians, such as educational resources, labor news, as well as audition notices and help wanted ads. The International Musician is also available online, beginning the first of each month, in the private members area of the AFM website. Members may also search online through past issues in the International Musician archives.\r\n<h3>Equipment Insurance:</h3>\r\nOnly you know the value of your instruments and equipment. Just think of the amount of money it would take to replace them. Most homeowner\'s and renter\'s insurance is not enough to protect you from loss, theft, or damage on location. The AFM provides access to an \"All-Risk\" Musical Instrument and Equipment Insurance Plan. Your instruments and music-related equipment are protected from vandalism, breakage, water, fire, lightning, and theft up to the full replacement value. If you are employed full-time, freelance, work out of your home, or are self-employed, this insurance protects the large investment you\'ve made in your equipment.\r\n\r\n<strong>A Collective Voice:</strong>\r\n\r\nIt is only through the combined efforts of members that Local 424 and the AFM are able to better the position of musicians in our society. As a collective unit, we not only have a strong voice in collective bargaining and government lobbying, but anywhere that musicians work. As a member, you will have a voice in deciding our collective future.', 'Benefits', '', 'inherit', 'closed', 'closed', '', '7-revision-v1', '', '', '2016-05-31 07:27:10', '2016-05-31 14:27:10', '', 7, 'https://afm424.org/7-revision-v1/', 0, 'revision', '', 0),
(1884, 4, '2016-05-31 07:35:59', '2016-05-31 14:35:59', '<h3>Local and Federation sponsored booking/referral services:</h3>\r\nLocal 424 assists potential live music purchasers in the Contra Costa County area to find the right artist or group for their party, wedding, festival, corporate function or any other event that requires live music. In addition, the AFM provides an international on-line referral service (free of charge to all members and potential purchasers) that is quickly becoming one of the largest Internet resources of its kind.\r\n<h3>Signatory Booking Agents:</h3>\r\nThe AFM maintains an on-line list of franchised booking agents for the US and Canada. It is also available in booklet form by contacting Local 424 or the AFM. These agents are signatories to the AFM\'s Booking Agent Agreement which sets standards for legally enforceable contracts specifying negotiated fees, working conditions, and commissions.\r\n<h3>Exclusive Member Services:</h3>\r\n<ul>\r\n 	<li>AFM <a href=\"http://gopromusic.com\">GoPro Music</a> - Your Single Source For Live Music</li>\r\n 	<li>AFM <a href=\"http://goprolessons.com\">GoPro Lessons</a> - Learn From a Pro - Play Like a Pro</li>\r\n 	<li>AFM <a href=\"http://goprohosting.com\">GoPro Hosting</a> - Professional Web Hosting Services</li>\r\n</ul>\r\n<h3>Immigration Assistance:</h3>\r\nThe AFM is an international union representing professional musicians in both the United States and Canada. On behalf of its members who accept gigs across the border, the Federation works with the governments of both countries to cut through the hassle of \"red tape\" usually associated with obtaining work visas in either location. This assistance is available for both US and Canadian musicians. There are specialized Canadian and US forms, both formats conform to the laws of the individual countries, are easy to complete, and provide comprehensive legal protection for either single engagement or touring dates.\r\n<h3>Claims on Default:</h3>\r\nIn the event a purchaser defaults on payment to members for a contracted engagement, Local 424 and/or the AFM will work to resolve the dispute between the parties administratively. Should this prove unsuccessful the Local and/or Federation will pursue the claim through a variety of legal methods.\r\n<h3>Pension Fund:</h3>\r\nMembers have the option of having the employer make contributions to the Pension fund of up to 15% of wages paid on their behalf. Please contact the office for more information.\r\n<h3>Negotiated Agreements:</h3>\r\nInternational, national and local agreements covering all types of musical work ensure fair and timely payments as well as benefits and royalties (where applicable) for the reuse and new use of music recorded under these agreements.\r\n<h3>Legal Contracts:</h3>\r\nA signed AFM contract offers you protection for individual engagements, steady engagements, and traveling work. The AFM has a standard form contract that all members are entitled to use. It contains the AFM seal and when properly filled out and filed with the Local, it allows the local officer to help collect payments in the case of a default. Forms are available for download from the AFM\'s website, or at our office.\r\n<h3>A.F.M. Mastercard:</h3>\r\nThe A.F.M. Mastercard offers special rates, travel insurance benefits, and a special payment provision. Contact Local 424 AFM office, 5531 Alameda Avenue, Richmond CA. 94804 or call (510)758.3011 for details.\r\n<h3>Legislative Representation:</h3>\r\nThe AFM is actively involved at the national, state and local levels, advocating and lobbying for legislation that benefits the lives of working musicians including public funding for the arts.\r\n<h3>International Musician Free Subscription:</h3>\r\nThe International Musician is the official journal of the AFM. Published monthly and sent to all members, this informative newspaper delivers articles of current interest to professional musicians, such as educational resources, labor news, as well as audition notices and help wanted ads. The International Musician is also available online, beginning the first of each month, in the private members area of the AFM website. Members may also search online through past issues in the International Musician archives.\r\n<h3>Equipment Insurance:</h3>\r\nOnly you know the value of your instruments and equipment. Just think of the amount of money it would take to replace them. Most homeowner\'s and renter\'s insurance is not enough to protect you from loss, theft, or damage on location. The AFM provides access to an \"All-Risk\" Musical Instrument and Equipment Insurance Plan. Your instruments and music-related equipment are protected from vandalism, breakage, water, fire, lightning, and theft up to the full replacement value. If you are employed full-time, freelance, work out of your home, or are self-employed, this insurance protects the large investment you\'ve made in your equipment.\r\n\r\n<strong>A Collective Voice:</strong>\r\n\r\nIt is only through the combined efforts of members that Local 424 and the AFM are able to better the position of musicians in our society. As a collective unit, we not only have a strong voice in collective bargaining and government lobbying, but anywhere that musicians work. As a member, you will have a voice in deciding our collective future.', 'Benefits', '', 'inherit', 'closed', 'closed', '', '7-autosave-v1', '', '', '2016-05-31 07:35:59', '2016-05-31 14:35:59', '', 7, 'https://afm424.org/7-autosave-v1/', 0, 'revision', '', 0),
(1885, 4, '2016-05-31 07:38:22', '2016-05-31 14:38:22', '[vc_row][vc_column][vc_column_text]<strong><em>An American Federation of International Musicians    </em></strong><strong><em>         </em></strong>\r\n\r\n<strong>Local 424 Musician’s Union of Contra Costa County is having an afternoon of Freelance Fun! </strong>Where rolling music meets the joy of rural landscape Martinez. In that golden back country behind barbwired funk. Where horses are real and cars are a piece of highway. Where fruit trees grow. Watch an eagle soar to the sound of a young Bluegrass fiddler playing to a vintage mandolin.\r\n\r\n<strong>Saturday October 10th, 2015 at Noon to 5 PM. </strong><strong>Pot Luck</strong>(<strong>BYOB</strong>).  Please coordinate with Michael Sasaki what food, drink you are bringing.\r\nFood List:\r\n\r\nFood: _______________________  person’s name.\r\n\r\nFood :_______________________  person’s name.\r\n\r\nDrink:_______________________ person’s name.\r\n\r\nDrink:_______________________ person’s name.\r\n\r\n&nbsp;\r\n\r\nImpromptu music performances. Have a desire to perform that afternoon? We are taking sign ups from September 28<sup>th</sup>. 10 minute time slots are available. Can perform in multiple time slots.\r\n\r\nPerformer_________________ time:\r\n\r\nPerformer_________________ time:\r\n\r\nPerformer_________________ time.\r\n\r\nPerformer_________________ time.\r\n\r\n&nbsp;\r\n\r\n<strong>Special guest musicians; Featuring Jazz guitarist, Hideo Date from Toyama &amp; Keiji Oshita on acoustic bass. Please stop by Keiji</strong><strong>’</strong><strong>s store, Zipang in </strong><strong>El Cerrito</strong><strong>.  I feel like a  </strong><strong>Bingo game.I-19? Bingo!</strong>\r\n\r\nHave a song to sing? Have a thing to say? Come on down and start a brawl. Tell a joke. See who cares? Do you have that one riff that you want to play? Verses without a hook? No bridge? Need your horn fixed? Who has the best honey? Who makes the best apple pie? How fast can you fillet a salmon? Talk about organizing a neighborhood veggie garden. Home remedies. Massages. Rediscover Epsom Salt &amp; Baking Soda.\r\n\r\nCome and be a part of your past. These will be your good ole days. Come see yourself on You Tube in the future. Be a sound bite biting back. Scratch that itch! Toto! Toto?\r\n\r\n<strong>RSVP coming</strong>; 510.758.3011 or text. local424@afm.org. Attention: Action Coordinator.\r\n\r\n<strong>Blues Internet Broadcaster out of KVMR 89.5 FM  Grass Valley, Sierra Blues Society Founder, Thom Myers may be hanging out amongst us.</strong>\r\n\r\n<strong>Location</strong>: 1071 Pereira Road. Martinez, California 94553. local424@afm.org attention: President Eliot Kenin\r\n\r\nAuthor, lovely Lynn Danielle Sugayan and Local 424 AFM President Eliot Kenin will be walking amongst us too. Eliot said there is parking available on the road coming in. For more information; local424@afm.org.  Attention: Parking Map. New 424 website where you can submit your annual dues by credit card. $114 Regular. $68 Life.  Change your own contact information at <a href=\"http://www.afm424.org/\">www.afm424.org</a>.  is about to go LIVE.\r\n\r\n&nbsp;\r\n\r\nThank you Eliot &amp; <em>Lynn</em> for having us over.[/vc_column_text][vc_gallery type=\"nivo\" interval=\"3\" images=\"1009,1010,1011,1012,1013,1014,1015,1016,1017,1018,1019,1020,1021,1022\" img_size=\"675x380\"][/vc_column][/vc_row]', 'Freelance Fun', '', 'inherit', 'closed', 'closed', '', '1007-autosave-v1', '', '', '2016-05-31 07:38:22', '2016-05-31 14:38:22', '', 1007, 'https://afm424.org/1007-autosave-v1/', 0, 'revision', '', 0),
(1886, 4, '2016-05-31 09:22:57', '2016-05-31 16:22:57', 'If millennials are the “me” generation — complacent narcissists raised by TV, video games, and hardworking baby boomer parents with extra money to spend — then generation Z is surely the “meta-me” generation. Millennials are indeed, as a group, self-obsessed. We went through our teenage years and early adulthood with things like MySpace or Facebook, a means by which we could present ourselves to the world, to feel important about the minutia of our days, or to share photos that make our lives look like an endless series of parties and sunsets and blackout nights in bars.\r\n\r\nWhile this is all very annoying, it existed for the most part in a way that our friends had to sit down behind their family computer — or laptop if they were lucky — and search out their friends’ social media pages. When I first created a Facebook page, I didn’t even own a cell phone, and the one that I finally bought was a flip phone that I used for texts, calls, and playing that snake game.\r\n\r\nWhat the current young generation is experiencing is the perfect storm of smartphone technology, internet access, and the rise of the popularity of apps that let you instantly create and share relatively useless content with friends and followers. The latest of these apps to catch fire is Musical.ly, a lip-syncing, video sharing platform that was recently valued at $500 million. Some are wondering if it’s <a href=\"https://medium.com/cuepoint/is-musical-ly-the-next-snapchat-160190ff8bef#.y01lwcuzm\" target=\"_blank\">the next Snapchat</a>, and with customizable videos young users go crazy for, it’s hard to disagree. Where Musical.ly diverges from Snapchat is in user challenges that arguably make it a more interactive app, that basically exists as a platform for users to send photos and short videos meant for a single viewing. While Musical.ly currently boasts more bells and whistles, Snapchat seems to suggest more staying power because of the everyday nature — and R rated underbelly — of users posts.\r\n\r\nAt this point in time, every app is the next app… until it’s not. Impressive user numbers and valuations don’t necessarily equal staying power. Previous “it” app Vine is losing users to Snapchat, while Dubsmash’s fifteen minutes of popularity are over thanks to Musical.ly. It’s a harsh world where technologies are constantly evolving and user loyalty is almost nonexistent. It’s true that any app could be the next Facebook — a social media platform that found its footing among college students and went on to be one of the most popular websites in the world — but it’s much more likely that any popular platform will turn into the next Vine, Dubsmash, or MySpace. The difference with Facebook is that it brought something previously unseen, and useful, into people’s lives. While Musical.ly may be offering up something slightly novel, it’s staying power is likely going to be as long lasting as the attention of the generation currently so enamoured by it.', 'The Problem With Musical.ly', '', 'inherit', 'closed', 'closed', '', '1880-revision-v1', '', '', '2016-05-31 09:22:57', '2016-05-31 16:22:57', '', 1880, 'https://afm424.org/1880-revision-v1/', 0, 'revision', '', 0);
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(1887, 4, '2016-05-31 09:23:52', '2016-05-31 16:23:52', 'Video Killed the Radio Star – this is the first music video that has been played when MTV was launched in 1981. Fast forward to 2016, MTV, as many would agree, is almost dying. While it used to be the go-to channel for listening to music and watching videos, times have changed. In a digitally-connected world and in a society that is shaped by the internet, people have found MTV alternatives.\r\n\r\nWith this, there is no doubt that the management is currently struggling. They have made major moves to reinvent themselves in the past, but still, none of the efforts seemed to have sufficed. They still exhibit dismal performance, prompting the creative minds behind the channel to keep on being inventive.\r\n\r\nTo remain relevant in modern times, MTV plans to do one aggressive move – <a href=\"http://www.inlander.com/spokane/internet-killed-the-video-star/Content?oid=2759590\" target=\"_blank\">to do away with music videos</a>. The music feed program is going to be limited during midnight. This is the only time wherein you can watch music videos. Instead of playing music videos during day and nighttime programming, the management wishes to concentrate on music-related shows.\r\n\r\nUnplugged, a previous show is planned to be brought back but with an updated look. Wonderland, a competition featuring aspiring hip-hop artists, is also in the works. Justin Bieber will also produce a show wherein contestants will undergo a 24-hour song writing competition. The channel intends to focus on these types of shows, which can offer entertainment value and can trigger a higher level of engagement compared to music videos that are played repeatedly.\r\n\r\nWhy is MTV taking this route? According to Sean Atkins, MTV President, they plan to go back into music. This is in line with the belief that internet has killed the video star. By going back to music, however, it does not mean that they will be showing music videos like before. Instead, it will be centered in music programming. This is going to be a music-intensive channel without the need to concentrate on music videos.\r\n\r\nIf you want to watch videos, you do not need MTV. Why would you still bother tuning in to MTV when music videos are easily accessible even through your mobile phone? Websites like YouTube and Vimeo are some of the reasons why MTV has slowly lost its share. Through music streaming websites or YouTube channels, music videos can be viewed anytime, and you do not have to wait for them to be played on your TV. Even if MTV will stop playing music videos, it does not mean that music videos are dead. Of course, artists and producers will always find a way to promote their songs. However, they have to look at other more effective channels than MTV.', 'The Death of Music Videos: Are We Near The End of an Era?', '', 'inherit', 'closed', 'closed', '', '1878-revision-v1', '', '', '2016-05-31 09:23:52', '2016-05-31 16:23:52', '', 1878, 'https://afm424.org/1878-revision-v1/', 0, 'revision', '', 0),
(1888, 6, '2016-05-31 16:22:52', '2016-05-31 23:22:52', 'Video Killed the Radio Star – this song was among the first wave of music videos featured on MTV when it was launched in 1981. Fast forward to 2016, MTV, as many would agree, is almost dying. While it used to be the go-to channel for listening to music and watching videos, times have changed. In a digitally-connected world and in a society that is shaped by the internet, people have found MTV alternatives.\n\nWith this, there is no doubt that the management is currently struggling. They have made major moves to reinvent themselves in the past, but still, none of the efforts seemed to have sufficed. They still exhibit dismal performance, prompting the creative minds behind the channel to keep on being inventive.\n\nTo remain relevant in modern times, MTV plans an aggressive move – <a href=\"http://www.inlander.com/spokane/internet-killed-the-video-star/Content?oid=2759590\" target=\"_blank\">to do  away with music videos</a>. Their <em>Music Feed</em> program is going to be limited to 1am to 6am during weekdays.  This is the only time wherein you can watch music videos. Instead of playing music videos during day and nighttime programming, the management wishes to concentrate on music-related shows.\n\n<em>Unplugged</em>, a previous show is planned to be brought back but with an updated look. <em>Wonderland</em>, a competition featuring aspiring hip-hop artists, is also in the works. Justin Bieber will also produce a show wherein contestants will undergo a 24-hour song writing competition. The channel intends to focus on these types of shows, which not only offer entertainment value, but  can trigger a higher level of engagement compared to music videos that are played repeatedly.\n\nWhy is MTV taking this route? According to Sean Atkins, MTV President, they plan to go back into music. This is in line with the belief that internet has killed the video star. By going back to music, however, it does not mean that they will be showing music videos like before. Instead, it will be centered in music programming. This is going to be a music-intensive channel without the need to concentrate on music videos.\n\nIf you want to watch videos, you do not need MTV. Why would you still bother tuning in to MTV when music videos are easily accessible even through your mobile phone? Websites like YouTube and Vimeo are some of the reasons why MTV has slowly lost its share. Through music streaming websites or YouTube channels, music videos can be viewed anytime––you do not have to wait for them to be played on your TV. Even if MTV stops playing music videos, it doesn\'t mean that music videos are dead. Artists and producers will always find ways to promote their songs. However, they have to look at other more effective channels than MTV.', 'The Death of Music Videos: Are We Near The End of an Era?', '', 'inherit', 'closed', 'closed', '', '1878-autosave-v1', '', '', '2016-05-31 16:22:52', '2016-05-31 23:22:52', '', 1878, 'https://afm424.org/1878-autosave-v1/', 0, 'revision', '', 0),
(1889, 6, '2016-05-31 12:06:07', '2016-05-31 19:06:07', 'Video Killed the Radio Star – this song was among the first wave music videos featured on MTV when it was launched in 1981. Fast forward to 2016, MTV, as many would agree, is almost dying. While it used to be the go-to channel for listening to music and watching videos, times have changed. In a digitally-connected world and in a society that is shaped by the internet, people have found MTV alternatives.\r\n\r\nWith this, there is no doubt that the management is currently struggling. They have made major moves to reinvent themselves in the past, but still, none of the efforts seemed to have sufficed. They still exhibit dismal performance, prompting the creative minds behind the channel to keep on being inventive.\r\n\r\nTo remain relevant in modern times, MTV plans an aggressive move – <a href=\"http://www.inlander.com/spokane/internet-killed-the-video-star/Content?oid=2759590\" target=\"_blank\">to do  away with music videos</a>. Their Music Feed program is going to be limited to 1am to 6am during the weekdays.  This is the only time wherein you can watch music videos. Instead of playing music videos during day and nighttime programming, the management wishes to concentrate on music-related shows.\r\n\r\nUnplugged, a previous show is planned to be brought back but with an updated look. Wonderland, a competition featuring aspiring hip-hop artists, is also in the works. Justin Bieber will also produce a show wherein contestants will undergo a 24-hour song writing competition. The channel intends to focus on these types of shows, which can offer entertainment value and can trigger a higher level of engagement compared to music videos that are played repeatedly.\r\n\r\nWhy is MTV taking this route? According to Sean Atkins, MTV President, they plan to go back into music. This is in line with the belief that internet has killed the video star. By going back to music, however, it does not mean that they will be showing music videos like before. Instead, it will be centered in music programming. This is going to be a music-intensive channel without the need to concentrate on music videos.\r\n\r\nIf you want to watch videos, you do not need MTV. Why would you still bother tuning in to MTV when music videos are easily accessible even through your mobile phone? Websites like YouTube and Vimeo are some of the reasons why MTV has slowly lost its share. Through music streaming websites or YouTube channels, music videos can be viewed anytime, and you do not have to wait for them to be played on your TV. Even if MTV will stop playing music videos, it does not mean that music videos are dead. Of course, artists and producers will always find a way to promote their songs. However, they have to look at other more effective channels than MTV.', 'The Death of Music Videos: Are We Near The End of an Era?', '', 'inherit', 'closed', 'closed', '', '1878-revision-v1', '', '', '2016-05-31 12:06:07', '2016-05-31 19:06:07', '', 1878, 'https://afm424.org/1878-revision-v1/', 0, 'revision', '', 0),
(1890, 6, '2016-05-31 12:21:39', '2016-05-31 19:21:39', 'Video Killed the Radio Star – this song was among the first wave of music videos featured on MTV when it was launched in 1981. Fast forward to 2016, MTV, as many would agree, is almost dying. While it used to be the go-to channel for listening to music and watching videos, times have changed. In a digitally-connected world and in a society that is shaped by the internet, people have found MTV alternatives.\r\n\r\nWith this, there is no doubt that the management is currently struggling. They have made major moves to reinvent themselves in the past, but still, none of the efforts seemed to have sufficed. They still exhibit dismal performance, prompting the creative minds behind the channel to keep on being inventive.\r\n\r\nTo remain relevant in modern times, MTV plans an aggressive move – <a href=\"http://www.inlander.com/spokane/internet-killed-the-video-star/Content?oid=2759590\" target=\"_blank\">to do  away with music videos</a>. Their Music Feed program is going to be limited to 1am to 6am during weekdays.  This is the only time wherein you can watch music videos. Instead of playing music videos during day and nighttime programming, the management wishes to concentrate on music-related shows.\r\n\r\nUnplugged, a previous show is planned to be brought back but with an updated look. Wonderland, a competition featuring aspiring hip-hop artists, is also in the works. Justin Bieber will also produce a show wherein contestants will undergo a 24-hour song writing competition. The channel intends to focus on these types of shows, which can offer entertainment value and can trigger a higher level of engagement compared to music videos that are played repeatedly.\r\n\r\nWhy is MTV taking this route? According to Sean Atkins, MTV President, they plan to go back into music. This is in line with the belief that internet has killed the video star. By going back to music, however, it does not mean that they will be showing music videos like before. Instead, it will be centered in music programming. This is going to be a music-intensive channel without the need to concentrate on music videos.\r\n\r\nIf you want to watch videos, you do not need MTV. Why would you still bother tuning in to MTV when music videos are easily accessible even through your mobile phone? Websites like YouTube and Vimeo are some of the reasons why MTV has slowly lost its share. Through music streaming websites or YouTube channels, music videos can be viewed anytime, and you do not have to wait for them to be played on your TV. Even if MTV will stop playing music videos, it does not mean that music videos are dead. Of course, artists and producers will always find a way to promote their songs. However, they have to look at other more effective channels than MTV.', 'The Death of Music Videos: Are We Near The End of an Era?', '', 'inherit', 'closed', 'closed', '', '1878-revision-v1', '', '', '2016-05-31 12:21:39', '2016-05-31 19:21:39', '', 1878, 'https://afm424.org/1878-revision-v1/', 0, 'revision', '', 0),
(1891, 6, '2016-05-31 16:24:35', '2016-05-31 23:24:35', 'Video Killed the Radio Star – this song was among the first wave of music videos featured on MTV when it was launched in 1981. Fast forward to 2016, MTV, as many would agree, is almost dying. While it used to be the go-to channel for listening to music and watching videos, times have changed. In a digitally-connected world and in a society that is shaped by the internet, people have found MTV alternatives.\r\n\r\nWith this, there is no doubt that the management is currently struggling. They have made major moves to reinvent themselves in the past, but still, none of the efforts seemed to have sufficed. They still exhibit dismal performance, prompting the creative minds behind the channel to keep on being inventive.\r\n\r\nTo remain relevant in modern times, MTV plans an aggressive move – <a href=\"http://www.inlander.com/spokane/internet-killed-the-video-star/Content?oid=2759590\" target=\"_blank\">to do  away with music videos</a>. Their <em>Music Feed</em> program is going to be limited to 1am to 6am during weekdays.  This is the only time wherein you can watch music videos. Instead of playing music videos during day and nighttime programming, the management wishes to concentrate on music-related shows.\r\n\r\n<em>Unplugged</em>, a previous show is planned to be brought back but with an updated look. <em>Wonderland</em>, a competition featuring aspiring hip-hop artists, is also in the works. Justin Bieber will also produce a show wherein contestants will undergo a 24-hour song writing competition. The channel intends to focus on these types of shows, which not only offer entertainment value, but  can trigger a higher level of engagement compared to music videos that are played repeatedly.\r\n\r\nWhy is MTV taking this route? According to Sean Atkins, MTV President, they plan to go back into music. This is in line with the belief that internet has killed the video star. By going back to music, however, it does not mean that they will be showing music videos like before. Instead, it will be centered in music programming. This is going to be a music-intensive channel without the need to concentrate on music videos.\r\n\r\nIf you want to watch videos, you do not need MTV. Why would you still bother tuning in to MTV when music videos are easily accessible even through your mobile phone? Websites like YouTube and Vimeo are some of the reasons why MTV has slowly lost its share. Through music streaming websites or YouTube channels, music videos can be viewed anytime––you do not have to wait for them to be played on your TV. Even if MTV stops playing music videos, it doesn\'t mean that music videos are dead. Artists and producers will always find ways to promote their songs. However, they have to look at other more effective channels than MTV.', 'The Death of Music Videos: Are We Near The End of an Era?', '', 'inherit', 'closed', 'closed', '', '1878-revision-v1', '', '', '2016-05-31 16:24:35', '2016-05-31 23:24:35', '', 1878, 'https://afm424.org/1878-revision-v1/', 0, 'revision', '', 0),
(1893, 6, '2016-05-31 16:39:11', '2016-05-31 23:39:11', 'If millennials are the “me” generation — complacent narcissists raised by TV, video games, and hardworking baby boomer parents with extra money to spend — then generation Z is surely the “meta-me” generation. Millennials are indeed, as a group, self-obsessed. We went through our teenage years and early adulthood with things like MySpace or Facebook, a means by which we could present ourselves to the world, to feel important about the minutia of our days, or to share photos that make our lives look like an endless series of parties, sunsets and blackout nights in bars.\r\n\r\nWhile this is all very annoying, it existed for the most part in a way that our friends had to sit down behind their family computer — or laptop, if they were lucky — and search out their friends’ social media pages. When I first created a Facebook page, I didn’t even own a cell phone. The one that I finally bought was a flip phone that I used for texts, calls, and playing that snake game.\r\n\r\nWhat the current young generation is experiencing is the perfect storm of smartphone technology, internet access, and the rise of the popularity of apps that let you instantly create and share relatively useless content with friends and followers. The latest of these apps to catch fire is Musical.ly, a lip-syncing, video sharing platform that was recently valued at $500 million. Some are wondering if it’s <a href=\"https://medium.com/cuepoint/is-musical-ly-the-next-snapchat-160190ff8bef#.y01lwcuzm\" target=\"_blank\">the next Snapchat</a>, and with customizable videos young users go crazy for, it’s hard to disagree. Where Musical.ly diverges from Snapchat is in user challenges. This makes it arguably a more interactive app, basically existing as a platform for users to send photos and short videos meant for a single viewing. While Musical.ly currently boasts more bells and whistles, Snapchat seems to suggest more staying power because of the everyday nature — and R rated underbelly — of users posts.\r\n\r\nAt this point in time, every app is the next app…until it’s not. Impressive user numbers and valuations don’t necessarily equal staying power. Previous “it” app Vine is losing users to Snapchat, while Dubsmash’s fifteen minutes of popularity are over thanks to Musical.ly. It’s a harsh world where technologies are constantly evolving and user loyalty is almost nonexistent. It’s true that any app could be the next Facebook — a social media platform that found its footing among college students and went on to be one of the most popular websites in the world — but it’s much more likely that any popular platform will turn into the next Vine, Dubsmash, or MySpace. The difference with Facebook is that it brought something previously unseen, and useful, into people’s lives. While Musical.ly may be offering up something slightly novel, it’s staying power is likely going to be as long lasting as the attention of the generation currently so enamoured by it.', 'The Problem With Musical.ly', '', 'inherit', 'closed', 'closed', '', '1880-revision-v1', '', '', '2016-05-31 16:39:11', '2016-05-31 23:39:11', '', 1880, 'https://afm424.org/1880-revision-v1/', 0, 'revision', '', 0),
(1895, 4, '2016-06-06 09:53:38', '2016-06-06 16:53:38', 'I recently read <a href=\"http://www.huckmagazine.com/perspectives/how-music-dies/\">this</a> article and man it gave me a lot of food for thought. This guy has it nailed, music used to be about passion and about feelings, a way of expressing deep seated emotions, horrors that we saw or that we lived through. It didn’t matter who you were, you had this medium to say what you needed to say, to raise a finger to the man. Like everything else in this world rich people have to take over and monetize it.\r\n\r\nDon’t get me wrong, the music business has always been about making money, but there was true talent coming through and rising to the top. Elvis revolutionized music, then came the Beatles and the Rolling Stones, Bob Dylan isn’t a great singer but he’s an artist, Eminem isn’t a shiny popstar he came up rough. In fact, none of these people had polished upbringings. There is something special about someone coming from nothing with a great talent and bursting onto the scene to share their pain and ecstasy with the listening public.\r\n\r\nAn expression of anger, love, feeling, emotions that are passion fueled, not auto-tuned nonsense that we are drip fed- that’s what music used to be. I listen to current music, in fact, if you were to scroll through my music right now you would probably back away slowly. If you were to troll through my hundreds of CD’s I might get some cred back, but there isn’t much in the way of hard luck stories in music these days.\r\n\r\nWhy is that? Well, apart from the fact that the arts are being removed from public schools everywhere as funds are slashed again and again, there is that pesky problem of nepotism. It’s been permeating every other industry since the dawn of time, it might as well infest music. If your face fits you’re golden and if it doesn’t then girl, bye!\r\n\r\nParents are paying half a month’s salary to hook their kids up with tickets for the latest tour of the latest passing artist and then paying double that just for a meet and greet that likely involves taking pictures with a cardboard cutout, because the artist is too exhausted to be seen. For the older generation you can still go and see the stalwarts of rock but you’re going to pay a fortune to watch something that is nothing like what they sounded like in their day.\r\n\r\nThe days of letting it all hang out on stage, letting it all go in the booth don’t mean the same thing now as they did then. Now it’s a planned wardrobe malfunction, or a public relations relationship to boost fan base.\r\n\r\nWhen Elvis arrived on scene he was a rebel with those snake hips, when Johnny Rotten emerged he was a livewire who didn’t give a shit about what people thought, and rock music and rap music followed and they brought a rebellion for a misunderstood youth. Now our youth are falling in line with doctored tunes produced by well-groomed <span style=\"text-decoration: line-through;\">robots</span> artists, and there is no love there at all.', 'The Man Is Bringing Us Down', '', 'inherit', 'closed', 'closed', '', '1894-revision-v1', '', '', '2016-06-06 09:53:38', '2016-06-06 16:53:38', '', 1894, 'https://afm424.org/1894-revision-v1/', 0, 'revision', '', 0),
(1920, 6, '2016-06-13 23:06:27', '2016-06-14 06:06:27', '<p id=\"E12\" class=\"qowt-stl-Title\">YouTube has taken the world by storm. There is no denying it. But YouTube is not just a bunch of funny videos of people falling over or babies laughing. There is a <a href=\"http://www.vocativ.com/320984/youtube-users-are-reinventing-the-way-we-classify-music/\" target=\"_blank\">whole world of music videos</a> on YouTube that has changed the way we hear and classify music.</p>\n<p id=\"E18\"><span id=\"E19\">For a long time, we’ve had the same old genres of pop, hip hop, rock etc. Once in a while a new genre would pop up, but that wasn’t an everyday occurrence. Things have changed with the advent of YouTube. Though music videos still have tags of the traditional genres like R&amp;B, country and rock n’ roll, </span><span id=\"E21\">there </span><span id=\"E22\">are</span><span id=\"E23\"> new ways of classifying music now. These classifications are based on moods, habits, situations. The traditional methods of defining music––the style of music and who the artist is––have taken a backseat, making room for a new approach. </span></p>\n<p id=\"E24\"><span id=\"E25\">People now want music that </span><span id=\"E26\">has </span><span id=\"E27\">functional or practical purposes</span><span id=\"E28\">. For example, they might want music for an office party</span><span id=\"E29\">,</span><span id=\"E30\"> </span><span id=\"E31\">o</span><span id=\"E32\">r music that puts their bab</span><span id=\"E33\">y to sleep, or </span><span id=\"E34\">music with waves in the background. The result is that these new classifications </span><span id=\"E35\">have melted</span><span id=\"E36\"> the barriers between styles. Now there are new categories that are not as clear-cut as the tra</span><span id=\"E37\">ditional genres used to be. </span></p>\n<p id=\"E40\"><span id=\"E41\">So why these new classifications?</span></p>\n<p id=\"E42\"><span id=\"E43\">YouTube has videos from all over the planet, even from the smallest far flung areas of the world where internet is still a rare phenomenon.</span><span id=\"E45\"> It is the go-to video platform. When you have music videos from literally everywhere, it’s not just the physical barriers that dissolve, it\'s also affecting how we view music categories. </span></p>\n<span id=\"E48\">People can easily download music from two vastly different corners of the world, and mix them up––making a new kind of music. T</span><span id=\"E50\">here are also those who don’t adhere to the traditional genres. Everyone has their own playlist; </span><span id=\"E50\">one for getting ready in the morning, one for jogging, one for sleeping, etc. When they upload these preferences to YouTube, word spreads. This influences other people to start looking at music in a diffe</span><span id=\"E51\">rent manner, and they focus on its functional purposes. </span>\n<p id=\"E52\"><span id=\"E53\">A study conducted by Massimo </span><span id=\"E55\">Airoldi</span><span id=\"E57\">, </span><span id=\"E59\">Davide B</span><span id=\"E60\">eraldo</span><span id=\"E62\"> and Alessandro </span><span id=\"E64\">Gandini, </span><span id=\"E67\">appeared in the journal “Poetics,” called this phenomenon “crowd-generated music categories.” </span></p>\nWe live in a world that is constantly in motion. Why should music classifications stand still?', 'The New Era of YouTube Music Classification', '', 'inherit', 'closed', 'closed', '', '1913-autosave-v1', '', '', '2016-06-13 23:06:27', '2016-06-14 06:06:27', '', 1913, 'https://afm424.org/1913-autosave-v1/', 0, 'revision', '', 0),
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(1906, 6, '2016-06-08 01:58:10', '2016-06-08 08:58:10', '', '13UA1A0C28_reduced', '', 'inherit', 'open', 'closed', '', '13ua1a0c28_reduced', '', '', '2016-06-08 01:58:10', '2016-06-08 08:58:10', '', 0, 'https://afm424.org/wp-content/uploads/2016/06/13UA1A0C28_reduced.jpg', 0, 'attachment', 'image/jpeg', 0),
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(1908, 6, '2016-06-08 01:58:21', '2016-06-08 08:58:21', '', 'SJ81NDY82G', '', 'inherit', 'open', 'closed', '', 'sj81ndy82g', '', '', '2016-06-08 01:58:21', '2016-06-08 08:58:21', '', 0, 'https://afm424.org/wp-content/uploads/2016/06/SJ81NDY82G.jpg', 0, 'attachment', 'image/jpeg', 0),
(1909, 6, '2016-06-08 01:58:43', '2016-06-08 08:58:43', '', 'pexels-photo-104084 2_B&W', '', 'inherit', 'open', 'closed', '', 'pexels-photo-104084-2_bw', '', '', '2016-06-08 01:58:43', '2016-06-08 08:58:43', '', 0, 'https://afm424.org/wp-content/uploads/2016/06/pexels-photo-104084-2_BW.jpeg', 0, 'attachment', 'image/jpeg', 0),
(1910, 6, '2016-06-08 01:58:50', '2016-06-08 08:58:50', '', 'pexels-photo-104084_lite purple', '', 'inherit', 'open', 'closed', '', 'pexels-photo-104084_lite-purple', '', '', '2016-06-08 01:58:50', '2016-06-08 08:58:50', '', 0, 'https://afm424.org/wp-content/uploads/2016/06/pexels-photo-104084_lite-purple.jpg', 0, 'attachment', 'image/jpeg', 0),
(1911, 6, '2016-06-08 01:59:01', '2016-06-08 08:59:01', '', 'pexels-photo', '', 'inherit', 'open', 'closed', '', 'pexels-photo', '', '', '2016-06-08 01:59:01', '2016-06-08 08:59:01', '', 0, 'https://afm424.org/wp-content/uploads/2016/06/pexels-photo.jpg', 0, 'attachment', 'image/jpeg', 0),
(2105, 6, '2016-06-23 14:55:39', '2016-06-23 21:55:39', 'R. Taylor is a hybrid - mixing R&amp;B, pop, blues, a some jazz. With a soulful, sexy voice and an attitude assured enough to sing about sensitive emotions. Her music has been featured on The Carrie Diaries and her EP is a hit in the major online streaming stores.\r\n\r\nThe “R Taylor” EP is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, Muzoic, Microsoft Groove and Google Play.\r\n\r\nAmazon (download)\r\niTunes (download)\r\nGoogle Play (stream)\r\n\r\n[playlist ids=\"2097,2098,2096\"]\r\n\r\n&nbsp;', 'Featured Artist - R. Taylor', 'R. Taylor is a hybrid - a mix of R&B, pop, blues, and a some jazz. With a soulful, sexy voice and an attitude assured enough to sing about sensitive emotions.', 'inherit', 'closed', 'closed', '', '2093-revision-v1', '', '', '2016-06-23 14:55:39', '2016-06-23 21:55:39', '', 2093, 'https://afm424.org/2093-revision-v1/', 0, 'revision', '', 0),
(1913, 85, '2016-06-13 10:20:18', '2016-06-13 17:20:18', '<p id=\"E12\" class=\"qowt-stl-Title\">YouTube has taken the world by storm. There is no denying it. But YouTube is not just a bunch of funny videos of people falling over or babies laughing. There is a <a href=\"http://www.vocativ.com/320984/youtube-users-are-reinventing-the-way-we-classify-music/\" target=\"_blank\">whole world of music videos</a> on YouTube that has changed the way we hear and classify music.</p>\r\n<p id=\"E18\"><span id=\"E19\">For a long time, we’ve had the same old genres of pop, hip hop, rock etc. Once in a while a new genre would pop up, but that wasn’t an everyday occurrence. Things have changed with the advent of YouTube. Though music videos still have tags of the traditional genres like R&amp;B, country and rock n’ roll, </span><span id=\"E21\">there </span><span id=\"E22\">are</span><span id=\"E23\"> new ways of classifying music now. These classifications are based on moods, habits, situations. The traditional methods of defining music––the style of music and who the artist is––have taken a backseat, making room for a new approach. </span></p>\r\n<p id=\"E24\"><span id=\"E25\">People now want music that </span><span id=\"E26\">has </span><span id=\"E27\">functional or practical purposes</span><span id=\"E28\">. For example, they might want music for an office party</span><span id=\"E29\">,</span><span id=\"E30\"> </span><span id=\"E31\">o</span><span id=\"E32\">r music that puts their bab</span><span id=\"E33\">y to sleep, or </span><span id=\"E34\">music with waves in the background. The result is that these new classifications </span><span id=\"E35\">have melted</span><span id=\"E36\"> the barriers between styles. Now there are new categories that are not as clear-cut as the tra</span><span id=\"E37\">ditional genres used to be. </span></p>\r\n<p id=\"E40\"><span id=\"E41\">So why these new classifications?</span></p>\r\n<p id=\"E42\"><span id=\"E43\">YouTube has videos from all over the planet, even from the smallest far flung areas of the world where internet is still a rare phenomenon.</span><span id=\"E45\"> It is the go-to video platform. When you have music videos from literally everywhere, it’s not just the physical barriers that dissolve, it\'s also affecting how we view music categories. </span></p>\r\n<span id=\"E48\">People can easily download music from two vastly different corners of the world, and mix them up––making a new kind of music. T</span><span id=\"E50\">here are also those who don’t adhere to the traditional genres. Everyone has their own playlist; </span><span id=\"E50\">one for getting ready in the morning, one for jogging, one for sleeping, etc. When they upload these preferences to YouTube, word spreads. This influences other people to start looking at music in a diffe</span><span id=\"E51\">rent manner, and they focus on its functional purposes. </span>\r\n<p id=\"E52\"><span id=\"E53\">A study conducted by Massimo </span><span id=\"E55\">Airoldi</span><span id=\"E57\">, </span><span id=\"E59\">Davide B</span><span id=\"E60\">eraldo</span><span id=\"E62\"> and Alessandro </span><span id=\"E64\">Gandini, </span><span id=\"E67\">appeared in the journal “Poetics,” called this phenomenon “crowd-generated music categories.” </span></p>\r\nWe live in a world that is constantly in motion. Why should music classifications stand still?', 'The New Era of YouTube Music Classification', '', 'publish', 'open', 'closed', '', 'new-era-youtube-music-classification', '', '', '2016-06-20 07:58:00', '2016-06-20 14:58:00', '', 0, 'https://afm424.org/?p=1913', 0, 'post', '', 0),
(1923, 6, '2016-06-13 22:55:40', '2016-06-14 05:55:40', '<p id=\"E12\" class=\"qowt-stl-Title\">YouTube has taken the world by storm. There is no denying it. But YouTube is not just a bunch of funny videos of people falling over or babies laughing. There is a <a href=\"http://www.vocativ.com/320984/youtube-users-are-reinventing-the-way-we-classify-music/\" target=\"_blank\">whole world of music videos</a> on YouTube that has changed the way we hear and classify music.</p>\r\n<p id=\"E18\"><span id=\"E19\">For a long time, we’ve had the same old genres of pop, hip hop, rock etc. Once in a while a new genre would pop up, but that wasn’t an everyday occurrence. Things have changed with the advent of YouTube. Though music videos still have tags of the traditional genres like R&amp;B, country and rock n’ roll, </span><span id=\"E21\">there </span><span id=\"E22\">are</span><span id=\"E23\"> new ways of classifying music now. These classifications are based on moods, habits, situations. The traditional methods of defining music––the style of music and who the artist is––have taken a backseat, making room for a new approach. </span></p>\r\n<p id=\"E24\"><span id=\"E25\">People now want music that </span><span id=\"E26\">has </span><span id=\"E27\">functional or practical purposes</span><span id=\"E28\">. For example, they might want music for an office party</span><span id=\"E29\">,</span><span id=\"E30\"> </span><span id=\"E31\">o</span><span id=\"E32\">r music that puts their bab</span><span id=\"E33\">y to sleep, or </span><span id=\"E34\">music with waves in the background. The result is that these new classifications </span><span id=\"E35\">have melted</span><span id=\"E36\"> the barriers between styles. Now there are new categories that are not as clear-cut as the tra</span><span id=\"E37\">ditional genres used to be. </span></p>\r\n<p id=\"E40\"><span id=\"E41\">So why these new classifications?</span></p>\r\n<p id=\"E42\"><span id=\"E43\">YouTube has videos from all over the planet, even from the smallest far flung areas of the world where internet is still a rare phenomenon.</span><span id=\"E45\"> It is the go-to video platform. When you have music videos from literally everywhere, it’s not just the physical barriers that dissolve, it\'s also affecting how we view music categories. </span></p>\r\n<span id=\"E48\">People can easily download music from two vastly different corners of the world, and mix them up––making a new kind of music. T</span><span id=\"E50\">here are also those who don’t adhere to the traditional genres. Everyone has their own playlist; </span><span id=\"E50\">one for getting ready in the morning, one for jogging, one for sleeping, etc. When they upload these preferences to YouTube, word spreads. This influences other people to start looking at music in a diffe</span><span id=\"E51\">rent manner, and they focus on its functional purposes. </span>\r\n<p id=\"E52\"><span id=\"E53\">A study conducted by Massimo </span><span id=\"E55\">Airoldi</span><span id=\"E57\">, </span><span id=\"E59\">Davide B</span><span id=\"E60\">eraldo</span><span id=\"E62\"> and Alessandro </span><span id=\"E64\">Gandini, </span><span id=\"E67\">appeared in the journal “Poetics,” called this phenomenon “crowd-generated music categories.” We live in a world that is constantly in motion. Why should music classifications be any different?</span></p>', 'The New Era of YouTube Music Classification', '', 'inherit', 'closed', 'closed', '', '1913-revision-v1', '', '', '2016-06-13 22:55:40', '2016-06-14 05:55:40', '', 1913, 'https://afm424.org/1913-revision-v1/', 0, 'revision', '', 0),
(1921, 6, '2016-06-13 22:49:15', '2016-06-14 05:49:15', '<p id=\"E12\" class=\"qowt-stl-Title\">YouTube has taken the world by storm, there is no denying it. But YouTube is not just a bunch of funny videos of people falling over or babies laughing. There is a <a href=\"http://www.vocativ.com/320984/youtube-users-are-reinventing-the-way-we-classify-music/\" target=\"_blank\">whole world of music videos</a> on YouTube that has changed the way we hear and classify music.</p>\r\n<p id=\"E18\"><span id=\"E19\">For a long time, we’ve had the same old genres of pop, hip hop, rock etc. Once in a while a new genre would pop up, but that wasn’t an everyday occurrence. But things have changed with the advent of YouTube into the world. Music videos still have tags of the traditional genres like R&amp;B, country and rock n’ roll.</span><span id=\"E21\"> </span></p>\r\n<span id=\"E21\">But there </span><span id=\"E22\">are</span><span id=\"E23\"> new ways of classifying music now. These classifications are based on moods, habits, situations. The traditional methods of music classification––the type of music, and who the artist is––have taken a backseat, making room for a new approach. </span>\r\n<p id=\"E24\"><span id=\"E25\">People now want music that </span><span id=\"E26\">has </span><span id=\"E27\">functional or practical purposes</span><span id=\"E28\">. For example, they might want music for an office party</span><span id=\"E29\">,</span><span id=\"E30\"> </span><span id=\"E31\">o</span><span id=\"E32\">r music that puts their bab</span><span id=\"E33\">y to sleep, or </span><span id=\"E34\">music with waves in the background. The result is that these new classifications </span><span id=\"E35\">have melted</span><span id=\"E36\"> the barriers between styles. Now there are new categories that are not as clear-cut as the tra</span><span id=\"E37\">ditional genres used to be. </span></p>\r\n<p id=\"E40\"><span id=\"E41\">So why these new classifications?</span></p>\r\n<p id=\"E42\"><span id=\"E43\">YouTube has videos from all over the planet, even from the smallest far flung areas of the world where internet is still a rare phenomenon.</span><span id=\"E45\"> It is the go-to video platform. When you have music videos from literally everywhere, it’s not just the physical barriers that dissolve, it\'s also affecting how we view music categories. </span></p>\r\n<span id=\"E48\">People can easily download music from two vastly different corners of the world, and mix them up––making a new kind of music. T</span><span id=\"E50\">here are also those who don’t adhere to the traditional genres. Everyone has their own playlist; </span><span id=\"E50\">one for getting ready in the morning, one for jogging, one for sleeping, etc. When they upload these preferences to YouTube, word spreads. This influences other people to start looking at music in a diffe</span><span id=\"E51\">rent manner, and they focus on its functional purposes. </span>\r\n<p id=\"E52\"><span id=\"E53\">A study conducted by Massimo </span><span id=\"E55\">Airoldi</span><span id=\"E57\">, </span><span id=\"E59\">Davide B</span><span id=\"E60\">eraldo</span><span id=\"E62\"> and Alessandro </span><span id=\"E64\">Gandini, </span><span id=\"E67\">appeared in the journal “Poetics,” called this phenomenon “crowd-generated music categories.” We live in a world that is constantly in motion. Why should music classifications be any different?</span></p>', 'The New Era of YouTube Music Classification', '', 'inherit', 'closed', 'closed', '', '1913-revision-v1', '', '', '2016-06-13 22:49:15', '2016-06-14 05:49:15', '', 1913, 'https://afm424.org/1913-revision-v1/', 0, 'revision', '', 0),
(1914, 4, '2016-06-09 15:22:48', '2016-06-09 22:22:48', '<p id=\"E12\" class=\"qowt-stl-Title\">YouTube has taken the world by storm, there is no denying it. But YouTube is not just a bunch of funny videos of people falling over or babies laughing. There is a <a href=\"http://www.vocativ.com/320984/youtube-users-are-reinventing-the-way-we-classify-music/\" target=\"_blank\">whole world of music videos</a> on YouTube and that too has changed the way we hear and classify music.</p>\r\n<p id=\"E16\"><span id=\"E17\">Classification of music</span></p>\r\n<p id=\"E18\"><span id=\"E19\">For a long time, we’ve had the same old genres of pop, hip hop, rock etc. Once in a while a new genre would pop up but that wasn’t an everyday occurrence. But things have changed with the advent of YouTube into the world. Music videos still have tags of the traditional genres like R and B, rock n’ roll</span><span id=\"E20\">!</span><span id=\"E21\"> But there </span><span id=\"E22\">are</span><span id=\"E23\"> ways of classifying music now. These classifications are based on moods, habits, situations. The type of music and who the artist is; these are classification that have taken a backseat to make room for the new ones. </span></p>\r\n<p id=\"E24\"><span id=\"E25\">People now want music that </span><span id=\"E26\">has </span><span id=\"E27\">functional or practical purposes</span><span id=\"E28\">. For example, they might want music for an office party</span><span id=\"E29\">,</span><span id=\"E30\"> </span><span id=\"E31\">o</span><span id=\"E32\">r music that puts their bab</span><span id=\"E33\">y to sleep, or the</span><span id=\"E34\"> music with waves in the background. The result is that these new classifications </span><span id=\"E35\">have melted</span><span id=\"E36\"> the barriers between genres. Now there are new categories that are not as clear cut as the tra</span><span id=\"E37\">ditional genres classification. </span></p>\r\n<p id=\"E40\"><span id=\"E41\">Why the new classifications?</span></p>\r\n<p id=\"E42\"><span id=\"E43\">YouTube has videos from all over the world, even from the smallest far flung areas of the world where internet is still a rare phenomenon</span><span id=\"E44\">!</span><span id=\"E45\"> It is the go-to video platform. So when you have music videos form literally all over the world, it’s not just the physical barriers that melt, but also those of</span><span id=\"E46\"> </span><span id=\"E47\">musical genres</span><span id=\"E48\">. People can easily download music from two different corners of world and mix them up, making a new kind of music. </span><span id=\"E49\">Also,</span><span id=\"E50\"> there are people who don’t adhere to the traditional genres of music. Everyone has their own playlist. They have a different from when they get ready in the morning, a different one for their jog and a different one for sleeping. When they upload these preferences on YouTube, word spreads. Other people also start looking at music in a diffe</span><span id=\"E51\">rent manner, and they start focusing on its functional purposes. </span></p>\r\n<p id=\"E52\"><span id=\"E53\">A study—conducted by Massimo </span><span id=\"E55\">Airoldi</span><span id=\"E57\">, </span><span id=\"E59\">DavideB</span><span id=\"E60\">eraldo</span><span id=\"E62\">, and Alessandro </span><span id=\"E64\">Gandini</span><span id=\"E66\"> </span><span id=\"E67\">appearing in the journal “Poetics”, call this phenomenon “crowd-generated music categories.” This article further explain</span><span id=\"E68\">s</span><span id=\"E69\"> this phenomenon. </span></p>', 'The New Era of YouTube Music Classification', '', 'inherit', 'closed', 'closed', '', '1913-revision-v1', '', '', '2016-06-09 15:22:48', '2016-06-09 22:22:48', '', 1913, 'https://afm424.org/1913-revision-v1/', 0, 'revision', '', 0),
(1915, 86, '2016-06-15 10:26:12', '2016-06-15 17:26:12', 'The punk movement of the 70s influenced not just the music scene, but also the visual worlds of art and graphic design. The art featured a do-it-yourself approach, reflecting the anti-establishment sentiments of the rough, unrefined rock music popular at that time. These designs exude a sense of rawness in the overall look or in the means of the production.\r\n\r\nSome designers during the Punk era did go to art school. Notables are Jamie Reid and Malcolm McLaren. However, the majority of the artists didn’t have any formal training in graphic design. The practitioners did have a few things in common: a passion for music, a camera, a pen and a pair of scissors. Just like the bands they followed, these visual artists used cheap instruments to create their art. The finish products were often described as edgy, indecent and rude.\r\n\r\nDuring the Punk period, the most popular forms of music art were fanzines and album covers. Bands created music with inexpensive instruments and pressed their own records. They churned out fanzines reproduced on photocopiers. Their albums were sold at gigs and independent stores, and often featured hand printed covers. The artists were given the freedom to create whatever they like. That’s why Punk cover art was considered provocative and crass––or the combination of the two.\r\n\r\nIf you ever find yourself in London, head over to the British Library and check out the exhibit highlighting visual media from the punk period. The exhibit is part of Punk London Festival––a year-long series of exhibitions and events celebrating the creativity of that era. It runs from January 2016 to January 2017.\r\n\r\nThere\'s a dazzling wall of album covers, ranging from the Sex Pistol\'s \"Anarchy in the UK\" to Stretcher Case Baby\'s \"The Damned.\" This is an incredible exhibition for Generation X-ers who want to relive their punk years, or for Millennials who want to know more about that scene.\r\n\r\nIf you can’t go to the exhibition, you can <a href=\"http://www.digitalartsonline.co.uk/news/graphic-design/how-punk-changed-design/\" target=\"_blank\">head here</a> to view the popular album covers and fanzine art from that notorious era.', 'The Influence of Punk on Music Art and Graphic Design', '', 'publish', 'open', 'closed', '', 'influence-of-punk-to-music-art', '', '', '2016-06-20 07:58:11', '2016-06-20 14:58:11', '', 0, 'https://afm424.org/?p=1915', 0, 'post', '', 0),
(1916, 4, '2016-06-09 15:29:19', '2016-06-09 22:29:19', 'The punk movement of the 70s has influenced not just the music scene, but also the graphic design and art scene. The art of that time also featured the do-it-yourself approach and anti-establishment sentiments of the raw rock music popular during that era. The designs exude a sense of rawness, whether it is the overall design or the means of the production.\r\n\r\nThere are some designers during the Punk era who went to art school. Some of the notable ones were Jamie Reid and Malcolm McLaren. However, majority of the artists during that time didn’t have any formal training in graphic design. Some of the common things that practitioners had were a passion for music, a camera, pen and a pair of scissors. Just like the bands that they follow, they used cheap instruments to create their art. And their finish products were often described as edgy and rough.\r\n\r\nDuring the Punk period, the most popular forms of music art were fanzines and album covers. Bands created music with cheap instruments and pressed their own records. They also churned out fanzines reproduced through photocopiers. Their albums were sold during gigs and at independent stores. These albums featured covers that were hand printed. The artists were given the freedom to create whatever they like, and that’s why album covers produced that time were provocative, crass, or the combination of the two.\r\n\r\nIf you are in London, you can head to the British Library to see an exhibit on the visual media from the punk scene. The exhibit is part of Punk London Festival, which is a series of exhibitions and events to celebrate the creativity of that era.\r\n\r\nThe exhibit featured a wall of album covers ranging from Anarchy in the UK of the Sex Pistols to Stretcher Case Baby of The Damned. People who want to relive their punk years and millenials who want to know more about that era can head to the British Library to view the exhibit. But if you can’t go to the library, you can <a href=\"http://www.digitalartsonline.co.uk/news/graphic-design/how-punk-changed-design/\" target=\"_blank\">head here</a> to view the popular album covers and fanzine arts during the Punk era.', 'The Influence of Punk to Music Art and Graphic Design', '', 'inherit', 'closed', 'closed', '', '1915-revision-v1', '', '', '2016-06-09 15:29:19', '2016-06-09 22:29:19', '', 1915, 'https://afm424.org/1915-revision-v1/', 0, 'revision', '', 0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES
(1917, 86, '2016-06-17 15:29:45', '2016-06-17 22:29:45', 'Los Angeles is an excellent city to live in, especially if you are an artist, as there are plenty of amazing opportunities. However, many musicians often struggle a lot when they move to this big city. Breaking into any new scene is quite challenging and often intimidating. The following is a few smart tips for any musician seeking to move to LA and have a successful career.\r\n\r\nDon’t set unrealistic expectations – A common mistake amongst many musicians when making the move to a bigger city is expecting overnight success. Instead, you should have a long term plan and continue working smart every day till you reach your goal. Even the really successful musicians took some time to really get noticed in LA.\r\n\r\nEnsure you have enough savings – It is always good to save some money before moving to a large city since it might take a while to start earning money from paying gigs. Furthermore, you will also need to invest the money in attending shows and events among others. The money will also be important for paying for <a href=\"http://pitchfork.com/features/article/9894-the-dark-art-of-mastering-music/\" target=\"_blank\">mastering</a> services, especially if you want your music to sound professional.\r\n\r\nFind your own niche – To succeed in LA and get work quickly, you will need to choose one genre of music and specialize in it. This is not to say that it is bad to have the ability of playing multiple styles, but you need to find what you are strongest in and then target that specific scene.\r\n\r\nAdjust your look – Looks do really matter when you are in LA. For example, if you are trying to penetrate the rock scene, there is a way you should be dressing so that people can easily associate you with your exact brand of music. You must look the part if you want to succeed as a musician.', 'What Every Musician Needs to Know about Moving to LA', '', 'publish', 'open', 'closed', '', 'every-musician-needs-know-moving-la', '', '', '2016-06-20 07:58:19', '2016-06-20 14:58:19', '', 0, 'https://afm424.org/?p=1917', 0, 'post', '', 0),
(1918, 4, '2016-06-09 15:31:54', '2016-06-09 22:31:54', 'Los Angeles is an excellent city to live in, especially if you are an artist, as there are plenty of amazing opportunities. However, many musicians often struggle a lot when they move to this big city. Breaking into any new scene is quite challenging and often intimidating. The following is a few smart tips for any musician seeking to move to LA and have a successful career.\r\n\r\nDon’t set unrealistic expectations – A common mistake amongst many musicians when making the move to a bigger city is expecting overnight success. Instead, you should have a long term plan and continue working smart every day till you reach your goal. Even the really successful musicians took some time to really get noticed in LA.\r\n\r\nEnsure you have enough savings – It is always good to save some money before moving to a large city since it might take a while to start earning money from paying gigs. Furthermore, you will also need to invest the money in attending shows and events among others. The money will also be important for paying for <a href=\"http://pitchfork.com/features/article/9894-the-dark-art-of-mastering-music/\" target=\"_blank\">mastering</a> services, especially if you want your music to sound professional.\r\n\r\nFind your own niche – To succeed in LA and get work quickly, you will need to choose one genre of music and specialize in it. This is not to say that it is bad to have the ability of playing multiple styles, but you need to find what you are strongest in and then target that specific scene.\r\n\r\nAdjust your look – Looks do really matter when you are in LA. For example, if you are trying to penetrate the rock scene, there is a way you should be dressing so that people can easily associate you with your exact brand of music. You must look the part if you want to succeed as a musician.', 'What Every Musician Needs to Know about Moving to LA', '', 'inherit', 'closed', 'closed', '', '1917-revision-v1', '', '', '2016-06-09 15:31:54', '2016-06-09 22:31:54', '', 1917, 'https://afm424.org/1917-revision-v1/', 0, 'revision', '', 0),
(1922, 6, '2016-06-13 22:50:33', '2016-06-14 05:50:33', '<p id=\"E12\" class=\"qowt-stl-Title\">YouTube has taken the world by storm. There is no denying it. But YouTube is not just a bunch of funny videos of people falling over or babies laughing. There is a <a href=\"http://www.vocativ.com/320984/youtube-users-are-reinventing-the-way-we-classify-music/\" target=\"_blank\">whole world of music videos</a> on YouTube that has changed the way we hear and classify music.</p>\r\n<p id=\"E18\"><span id=\"E19\">For a long time, we’ve had the same old genres of pop, hip hop, rock etc. Once in a while a new genre would pop up, but that wasn’t an everyday occurrence. But things have changed with the advent of YouTube into the world. Music videos still have tags of the traditional genres like R&amp;B, country and rock n’ roll.</span><span id=\"E21\"> </span></p>\r\n<span id=\"E21\">But there </span><span id=\"E22\">are</span><span id=\"E23\"> new ways of classifying music now. These classifications are based on moods, habits, situations. The traditional methods of music classification––the type of music, and who the artist is––have taken a backseat, making room for a new approach. </span>\r\n<p id=\"E24\"><span id=\"E25\">People now want music that </span><span id=\"E26\">has </span><span id=\"E27\">functional or practical purposes</span><span id=\"E28\">. For example, they might want music for an office party</span><span id=\"E29\">,</span><span id=\"E30\"> </span><span id=\"E31\">o</span><span id=\"E32\">r music that puts their bab</span><span id=\"E33\">y to sleep, or </span><span id=\"E34\">music with waves in the background. The result is that these new classifications </span><span id=\"E35\">have melted</span><span id=\"E36\"> the barriers between styles. Now there are new categories that are not as clear-cut as the tra</span><span id=\"E37\">ditional genres used to be. </span></p>\r\n<p id=\"E40\"><span id=\"E41\">So why these new classifications?</span></p>\r\n<p id=\"E42\"><span id=\"E43\">YouTube has videos from all over the planet, even from the smallest far flung areas of the world where internet is still a rare phenomenon.</span><span id=\"E45\"> It is the go-to video platform. When you have music videos from literally everywhere, it’s not just the physical barriers that dissolve, it\'s also affecting how we view music categories. </span></p>\r\n<span id=\"E48\">People can easily download music from two vastly different corners of the world, and mix them up––making a new kind of music. T</span><span id=\"E50\">here are also those who don’t adhere to the traditional genres. Everyone has their own playlist; </span><span id=\"E50\">one for getting ready in the morning, one for jogging, one for sleeping, etc. When they upload these preferences to YouTube, word spreads. This influences other people to start looking at music in a diffe</span><span id=\"E51\">rent manner, and they focus on its functional purposes. </span>\r\n<p id=\"E52\"><span id=\"E53\">A study conducted by Massimo </span><span id=\"E55\">Airoldi</span><span id=\"E57\">, </span><span id=\"E59\">Davide B</span><span id=\"E60\">eraldo</span><span id=\"E62\"> and Alessandro </span><span id=\"E64\">Gandini, </span><span id=\"E67\">appeared in the journal “Poetics,” called this phenomenon “crowd-generated music categories.” We live in a world that is constantly in motion. Why should music classifications be any different?</span></p>', 'The New Era of YouTube Music Classification', '', 'inherit', 'closed', 'closed', '', '1913-revision-v1', '', '', '2016-06-13 22:50:33', '2016-06-14 05:50:33', '', 1913, 'https://afm424.org/1913-revision-v1/', 0, 'revision', '', 0),
(1924, 6, '2016-06-13 23:06:41', '2016-06-14 06:06:41', '<p id=\"E12\" class=\"qowt-stl-Title\">YouTube has taken the world by storm. There is no denying it. But YouTube is not just a bunch of funny videos of people falling over or babies laughing. There is a <a href=\"http://www.vocativ.com/320984/youtube-users-are-reinventing-the-way-we-classify-music/\" target=\"_blank\">whole world of music videos</a> on YouTube that has changed the way we hear and classify music.</p>\r\n<p id=\"E18\"><span id=\"E19\">For a long time, we’ve had the same old genres of pop, hip hop, rock etc. Once in a while a new genre would pop up, but that wasn’t an everyday occurrence. Things have changed with the advent of YouTube. Though music videos still have tags of the traditional genres like R&amp;B, country and rock n’ roll, </span><span id=\"E21\">there </span><span id=\"E22\">are</span><span id=\"E23\"> new ways of classifying music now. These classifications are based on moods, habits, situations. The traditional methods of defining music––the style of music and who the artist is––have taken a backseat, making room for a new approach. </span></p>\r\n<p id=\"E24\"><span id=\"E25\">People now want music that </span><span id=\"E26\">has </span><span id=\"E27\">functional or practical purposes</span><span id=\"E28\">. For example, they might want music for an office party</span><span id=\"E29\">,</span><span id=\"E30\"> </span><span id=\"E31\">o</span><span id=\"E32\">r music that puts their bab</span><span id=\"E33\">y to sleep, or </span><span id=\"E34\">music with waves in the background. The result is that these new classifications </span><span id=\"E35\">have melted</span><span id=\"E36\"> the barriers between styles. Now there are new categories that are not as clear-cut as the tra</span><span id=\"E37\">ditional genres used to be. </span></p>\r\n<p id=\"E40\"><span id=\"E41\">So why these new classifications?</span></p>\r\n<p id=\"E42\"><span id=\"E43\">YouTube has videos from all over the planet, even from the smallest far flung areas of the world where internet is still a rare phenomenon.</span><span id=\"E45\"> It is the go-to video platform. When you have music videos from literally everywhere, it’s not just the physical barriers that dissolve, it\'s also affecting how we view music categories. </span></p>\r\n<span id=\"E48\">People can easily download music from two vastly different corners of the world, and mix them up––making a new kind of music. T</span><span id=\"E50\">here are also those who don’t adhere to the traditional genres. Everyone has their own playlist; </span><span id=\"E50\">one for getting ready in the morning, one for jogging, one for sleeping, etc. When they upload these preferences to YouTube, word spreads. This influences other people to start looking at music in a diffe</span><span id=\"E51\">rent manner, and they focus on its functional purposes. </span>\r\n<p id=\"E52\"><span id=\"E53\">A study conducted by Massimo </span><span id=\"E55\">Airoldi</span><span id=\"E57\">, </span><span id=\"E59\">Davide B</span><span id=\"E60\">eraldo</span><span id=\"E62\"> and Alessandro </span><span id=\"E64\">Gandini, </span><span id=\"E67\">appeared in the journal “Poetics,” called this phenomenon “crowd-generated music categories.” </span></p>\r\nWe live in a world that is constantly in motion. Why should music classifications stand still?', 'The New Era of YouTube Music Classification', '', 'inherit', 'closed', 'closed', '', '1913-revision-v1', '', '', '2016-06-13 23:06:41', '2016-06-14 06:06:41', '', 1913, 'https://afm424.org/1913-revision-v1/', 0, 'revision', '', 0),
(1925, 6, '2016-06-15 12:08:56', '2016-06-15 19:08:56', 'The punk movement of the 70s influenced not just the music scene, but also the visual worlds of art and graphic design. The art featured a do-it-yourself approach, reflecting the anti-establishment sentiments of the rough, unrefined rock music popular at that time. These designs exude a sense of rawness in the overall look or in the means of the production.\n\nSome designers during the Punk era did go to art school. Notables are Jamie Reid and Malcolm McLaren. However, the majority of the artists didn’t have any formal training in graphic design. The practitioners did have a few things in common: a passion for music, a camera, a pen and a pair of scissors. Just like the bands they followed, these visual artists used cheap instruments to create their art. The finish products were often described as edgy, indecent and rude.\n\nDuring the Punk period, the most popular forms of music art were fanzines and album covers. Bands created music with inexpensive instruments and pressed their own records. They churned out fanzines reproduced on photocopiers. Their albums were sold at gigs and independent stores, and often featured hand printed covers. The artists were given the freedom to create whatever they like. That’s why Punk cover art was considered provocative and crass––or the combination of the two.\n\nIf you ever find yourself in London, head over to the British Library and check out the exhibit highlighting visual media from the punk period. The exhibit is part of Punk London Festival––a year-long series of exhibitions and events celebrating the creativity of that era. It runs from January 2016 to January 2017.\n\nThere\'s a dazzling wall of album covers, ranging from the Sex Pistol\'s \"Anarchy in the UK\" to Stretcher Case Baby\'s \"The Damned.\" It\'s an incredible exhibition for Generation X-ers who want to relive their punk years, or for Millennials who want to know more about that scene.\n\nIf you can’t go to the library, you can <a href=\"http://www.digitalartsonline.co.uk/news/graphic-design/how-punk-changed-design/\" target=\"_blank\">head here</a> to view the popular album covers and fanzine art from that notorious era.', 'The Influence of Punk on Music Art and Graphic Design', '', 'inherit', 'closed', 'closed', '', '1915-autosave-v1', '', '', '2016-06-15 12:08:56', '2016-06-15 19:08:56', '', 1915, 'https://afm424.org/1915-autosave-v1/', 0, 'revision', '', 0),
(1926, 6, '2016-06-15 11:47:45', '2016-06-15 18:47:45', 'The punk movement of the 70s has influenced not just the music scene, but also the graphic design and art scene. The art of that time featured a do-it-yourself approach and anti-establishment sentiments of the rough, unrefined rock music popular during that era. The designs exude a sense of rawness, whether it is the overall look or the means of the production.\r\n\r\nSome designers during the Punk era went to art school. Notables are Jamie Reid and Malcolm McLaren. However, majority of the artists during that time didn’t have any formal training in graphic design. But the practitioners had a few things in common: a passion for music, a camera, a pen and a pair of scissors. Just like the bands they followed, these visual artists used cheap instruments to create their art. Their finish products were often described as edgy and rough.\r\n\r\nDuring the Punk period, the most popular forms of music art were fanzines and album covers. Bands created music with inexpensive instruments and pressed their own records. They churned out fanzines reproduced through photocopiers. Their albums were sold at gigs and independent stores, and often featured hand printed covers. The artists were given the freedom to create whatever they like. That’s why Punk cover art was considered provocative, crass, or the combination of the two.\r\n\r\nIf you find yourself in London, head over to the British Library and check out the exhibit highlighting visual media from the punk period. The exhibit is part of Punk London Festival––a year-long series of exhibitions and events celebrating the creativity of that era. It runs from January 2016 to January 2017.\r\n\r\nThere\'s a dazzling wall of album covers, ranging from the Sex Pistol\'s \"Anarchy in the UK\" to Stretcher Case Baby\'s \"The Damned.\" It\'s an incredible exhibition for Generation X-ers who want to relive their punk years, or for Millennials who want to know more about that scene.\r\n\r\nIf you can’t go to the library, you can <a href=\"http://www.digitalartsonline.co.uk/news/graphic-design/how-punk-changed-design/\" target=\"_blank\">head here</a> to view the popular album covers and fanzine art from that notorious era.', 'The Influence of Punk to Music Art and Graphic Design', '', 'inherit', 'closed', 'closed', '', '1915-revision-v1', '', '', '2016-06-15 11:47:45', '2016-06-15 18:47:45', '', 1915, 'https://afm424.org/1915-revision-v1/', 0, 'revision', '', 0),
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(1928, 6, '2016-06-15 11:52:54', '2016-06-15 18:52:54', 'The punk movement of the 70s has influenced not just the music scene, but also the graphic design and art scene. The art of that time featured a do-it-yourself approach and anti-establishment sentiments of the rough, unrefined rock music popular during that era. The designs exude a sense of rawness, whether it is the overall look or the means of the production.\r\n\r\nSome designers during the Punk era went to art school. Notables are Jamie Reid and Malcolm McLaren. However, majority of the artists during that time didn’t have any formal training in graphic design. But the practitioners had a few things in common: a passion for music, a camera, a pen and a pair of scissors. Just like the bands they followed, these visual artists used cheap instruments to create their art. Their finish products were often described as edgy and rough.\r\n\r\nDuring the Punk period, the most popular forms of music art were fanzines and album covers. Bands created music with inexpensive instruments and pressed their own records. They churned out fanzines reproduced through photocopiers. Their albums were sold at gigs and independent stores, and often featured hand printed covers. The artists were given the freedom to create whatever they like. That’s why Punk cover art was considered provocative, crass, or the combination of the two.\r\n\r\nIf you find yourself in London, head over to the British Library and check out the exhibit highlighting visual media from the punk period. The exhibit is part of Punk London Festival––a year-long series of exhibitions and events celebrating the creativity of that era. It runs from January 2016 to January 2017.\r\n\r\nThere\'s a dazzling wall of album covers, ranging from the Sex Pistol\'s \"Anarchy in the UK\" to Stretcher Case Baby\'s \"The Damned.\" It\'s an incredible exhibition for Generation X-ers who want to relive their punk years, or for Millennials who want to know more about that scene.\r\n\r\nIf you can’t go to the library, you can <a href=\"http://www.digitalartsonline.co.uk/news/graphic-design/how-punk-changed-design/\" target=\"_blank\">head here</a> to view the popular album covers and fanzine art from that notorious era.', 'The Influence of Punk on Music Art and Graphic Design', '', 'inherit', 'closed', 'closed', '', '1915-revision-v1', '', '', '2016-06-15 11:52:54', '2016-06-15 18:52:54', '', 1915, 'https://afm424.org/1915-revision-v1/', 0, 'revision', '', 0),
(1929, 6, '2016-06-15 12:09:44', '2016-06-15 19:09:44', 'The punk movement of the 70s influenced not just the music scene, but also the visual worlds of art and graphic design. The art featured a do-it-yourself approach, reflecting the anti-establishment sentiments of the rough, unrefined rock music popular at that time. These designs exude a sense of rawness in the overall look or in the means of the production.\r\n\r\nSome designers during the Punk era did go to art school. Notables are Jamie Reid and Malcolm McLaren. However, the majority of the artists didn’t have any formal training in graphic design. The practitioners did have a few things in common: a passion for music, a camera, a pen and a pair of scissors. Just like the bands they followed, these visual artists used cheap instruments to create their art. The finish products were often described as edgy, indecent and rude.\r\n\r\nDuring the Punk period, the most popular forms of music art were fanzines and album covers. Bands created music with inexpensive instruments and pressed their own records. They churned out fanzines reproduced on photocopiers. Their albums were sold at gigs and independent stores, and often featured hand printed covers. The artists were given the freedom to create whatever they like. That’s why Punk cover art was considered provocative and crass––or the combination of the two.\r\n\r\nIf you ever find yourself in London, head over to the British Library and check out the exhibit highlighting visual media from the punk period. The exhibit is part of Punk London Festival––a year-long series of exhibitions and events celebrating the creativity of that era. It runs from January 2016 to January 2017.\r\n\r\nThere\'s a dazzling wall of album covers, ranging from the Sex Pistol\'s \"Anarchy in the UK\" to Stretcher Case Baby\'s \"The Damned.\" This is an incredible exhibition for Generation X-ers who want to relive their punk years, or for Millennials who want to know more about that scene.\r\n\r\nIf you can’t go to the exhibition, you can <a href=\"http://www.digitalartsonline.co.uk/news/graphic-design/how-punk-changed-design/\" target=\"_blank\">head here</a> to view the popular album covers and fanzine art from that notorious era.', 'The Influence of Punk on Music Art and Graphic Design', '', 'inherit', 'closed', 'closed', '', '1915-revision-v1', '', '', '2016-06-15 12:09:44', '2016-06-15 19:09:44', '', 1915, 'https://afm424.org/1915-revision-v1/', 0, 'revision', '', 0),
(1931, 6, '2016-06-17 19:19:23', '2016-06-18 02:19:23', '', 'Gold record melting', '', 'inherit', 'open', 'closed', '', 'gold-record-melting', '', '', '2016-06-17 19:19:23', '2016-06-18 02:19:23', '', 0, 'https://afm424.org/wp-content/uploads/2016/06/Gold-record-melting.jpg', 0, 'attachment', 'image/jpeg', 0),
(1932, 6, '2016-06-18 22:21:20', '2016-06-19 05:21:20', '', 'CDs in Holder', '', 'inherit', 'open', 'closed', '', 'cds-in-holder', '', '', '2016-06-18 22:21:20', '2016-06-19 05:21:20', '', 0, 'https://afm424.org/wp-content/uploads/2016/06/CDs-in-Holder.jpg', 0, 'attachment', 'image/jpeg', 0),
(1933, 6, '2016-06-18 22:21:24', '2016-06-19 05:21:24', '', 'Young boy with headphones', '', 'inherit', 'open', 'closed', '', 'young-boy-with-headphones', '', '', '2016-06-18 22:21:24', '2016-06-19 05:21:24', '', 0, 'https://afm424.org/wp-content/uploads/2016/06/Young-boy-with-headphones.jpg', 0, 'attachment', 'image/jpeg', 0),
(1934, 6, '2016-06-20 09:38:25', '2016-06-20 16:38:25', '[vc_row][vc_column][vc_column_text]I love movies. My friends think I’m totally insane because I can watch the same film over and over and over again. That is, if its soul truly touches me. And if the music is really good.\r\n\r\nA film is a helluva lot more than a plot, some dialog and a shoot-out at the end. The musical score is something that most people don’t focus on when viewing a film, especially the first time. But it has a tremendous impact on how a movie feels artistically and deeply affects how it translates emotionally.\r\n\r\nFor me, Ennio Morricone lives at the top of the film composer pyramid.\r\n\r\nWhen I mention his name to non-musicians, they invariably say, “Didn’t he invent the radio?”\r\n\r\nNo. That’s Marconi.\r\n\r\nBut they’re both Italian. And both sound wave pioneers.\r\n\r\nMorricone’s work has a large wingspan––from the rich history of European orchestral music to the contemporary sounds of modern grooves, electronics and the avant-garde. His compositions can be achingly beautiful, his orchestrations masterful. I’ve broken down in tears more than once while listening to his sonic raptures.\r\n\r\nMorricone often collaborated with a fellow Italian, the equally legendary film director Sergio Leone. Leone redefined a genre with his groundbreaking “spaghetti western,” A Fistful Of Dollars (1964), starring Clint Eastwood. This film featured Morricone’s first iconic score.\r\n\r\nIt set the stage for all that was to come.\r\n<h3><img class=\"wp-image-1937 aligncenter\" src=\"https://afm424.org/wp-content/uploads/2016/06/Whats-The-Score_Ennio-Morricone-2.jpg\" alt=\"What\'s-The-Score_Ennio-Morricone-2\" width=\"531\" height=\"298\" /></h3>\r\n<h2>YOU DON\'T RECOGNIZE THE NAME?</h2>\r\nChances are you’ve been exposed to Morricone’s music even if you weren’t aware of it. Of the over 500 scores he\'s composed for film and television projects, here\'s a few you’ve probably heard of:\r\n<ul>\r\n 	<li><strong>The Hateful Eight</strong> (2015) – starring Samuel L. Jackson, Kurt Russell, Tim Roth – directed by Quentin Tarantino</li>\r\n 	<li><strong>The Best Offer</strong> (2013) – starring Geoffrey Rusch – directed by Guiseppe Tornatore</li>\r\n 	<li><strong>The Untouchables</strong> (1987) – starring Kevin Costner, Robert De Niro – directed by Brian De Palma</li>\r\n 	<li><strong>The Godfather</strong> (1972 – collaboration w/Nino Rota) – starring Marlon Brando, Al Pacino – directed by Francis Ford Coppola</li>\r\n</ul>\r\n<h2>TAKE IT FROM THE TOP</h2>\r\nEnnio was born in Rome in 1928. His father Mario was a professional trumpet player. So it was natural that he taught his son trumpet (and piano).\r\n\r\nWhen the lad was a mere 12, he entered the National Academy of Santa Cecilla, enrolling in the conservatory’s 4-year harmony program. He completed it in 6 months (I wonder how many envious students this precocious young prodigy pissed off).\r\n\r\nEnnio continue to study there for 11 more years, earning three diplomas: trumpet, orchestration and composition.\r\n\r\nIn the 1950s Morricone broke into the business by writing pop songs, doing a lot of arranging, and composing as a ghost writer. In the 1960s, his passion for film scoring became center stage. And this is where he would leave his indelible mark.\r\n<h2>GOOD, BAD, UGLY</h2>\r\nMorricone’s score for The Good, the Bad and the Ugly (1966) is considered one of the most influential soundtracks in history. It was inducted into the Grammy Hall of Fame in 2009. The soundtrack album was on the charts for over a year. The Main Theme was a #2 pop hit in 1968. Pretty damn good for a score to a western flick from a country better known at that time for its pizza, pasta, sports cars and business suits.\r\n<blockquote><em>\"I use realistic sounds in a psychological way. With The Good, the Bad and the Ugly, I used animal sounds - the coyote - and this sound of the animal became the main theme of the movie.\" -Ennio Morricone</em></blockquote>\r\n<h4>The Good, the Bad and the Ugly – Main Theme (1:25)</h4>\r\nhttps://youtu.be/h1PfrmCGFnk?t=1m16s\r\n<h3></h3>\r\n&nbsp;\r\n<h2>ONCE UPON A TIME IN AMERICA</h2>\r\nIf you asked me to pick ONE movie that epitomizes a brilliantly effective approach to orchestral film music scoring, the first words out of my mouth would probably be “<strong>Once Upon A Time In America</strong>” (1984).\r\n\r\nBased on a true story from the book, “The Hoods,” Once Upon A Time In America is a complex and graphic tale exposing the underbelly of the American Dream; viewed through the successes and failures of a gang of 4 small time Jewish hoods over 5 decades, as they scale the ladder from poverty to power.\r\n\r\nFilled with grit, style, intrigue, romance, violence, sex, guilt and betrayal, it’s a fascinating portrayal of early 20th century America. Morricone’s score takes a great film and turns it into a classic.\r\n\r\n[caption id=\"attachment_1939\" align=\"aligncenter\" width=\"472\"]<img class=\"wp-image-1939\" src=\"https://afm424.org/wp-content/uploads/2016/06/Whats-The-Score_Ennio-Morricone-4-655x1024.jpg\" alt=\"“I like the stink of the streets. It cleans out my lungs. And it gives me a hard-on.” ––David “Noodles” Aaronson (played by Robert De Niro)\" width=\"472\" height=\"737\" /> <strong><em>“I like the stink of the streets. It cleans out my lungs.<br />And it gives me a hard-on.”</em></strong><br /> <em>–David “Noodles” Aaronson (played by Robert De Niro)</em>[/caption]\r\n\r\nIn order to fully appreciate what this masterpiece means to me, I need to give you a little background on director Sergio Leone\'s epic struggle to make this film, and the zeitgeist that enveloped his final crusade.\r\n\r\nLeone was among the first to be approached to direct The Godfather, but turned it down because he wanted to make a different kind of American gangster film. Though when he passed on that project, he had no idea of what an exhausting, protracted, uphill battle it would be to bring his ambitious Once Upon A Time In America to life.\r\n\r\nAs funding became more elusive with each passing year, Leone became more and more depressed. Ennio felt his friend\'s despondency. So he would try to cheer Sergio up by playing various themes he had composed for the film over the phone. This usually helped lift Sergio’s spirits (for a while, anyway).\r\n\r\nUltimately it took Leone 12 years to find a producer willing to put up the money, and take the chance on this visionary gem.\r\n\r\nFilm scores are generally done after the shooting is finished, when there’s footage for the composer to write to. But because it took so long for the film to get into production––in an unusual reversal––Once Upon A Time In America was shot to the finished score.\r\n<blockquote><em>“Actors like De Niro, for whom live sound is very important, having the music played on set helps them to get into the mood.” -Sergio Leone</em></blockquote>\r\nThe director and actors loved being able to do scenes with the actual recorded score to inspire their performances. Robert De Niro said that this was a rare and incomparable experience.\r\n\r\nActor James Woods believes Once Upon A Time In America is one of the greatest movies ever made––resoundingly qualifying his statement with: <em>“and it’s not just because I’m in it.”</em>\r\n<h5 style=\"text-align: center;\"><img class=\"size-full wp-image-1940 aligncenter\" src=\"https://afm424.org/wp-content/uploads/2016/06/Whats-The-Score_Ennio-Morricone-5.jpg\" alt=\"The Jewish Gang William Forsythe – James Hayden – James Woods – Robert De Niro\" width=\"607\" height=\"404\" /> <strong>Jewish Gangsters</strong>\r\nWilliam Forsythe – James Hayden – James Woods – Robert De Niro</h5>\r\nLeone’s theatrical edit came in at a whopping 6 hours. He intended to split it into two 3-hour films. But the studio had other plans. For the American release, they took editing rights away from him and chopped his masterwork to bits, concocting an incoherent, jumbled 2-hour version. Predictably, this butchered abomination met a quick demise at the box office.\r\n\r\nThis was Leone’s last film. He passed away in 1989 at age 60. The cause of death may have been listed as “heart attack,” but many of those close to him felt that he really died of a broken heart.\r\n\r\nLeone did make a 251-minute version, but it wasn’t until 2007 that this extended Director’s Cut became available. His film may have gotten massacred upon initial release, but it’s finally getting it’s moment in the sun.\r\n\r\nMorricone’s music has never fit a film more evocatively or more powerfully.\r\n<h4></h4>\r\n&nbsp;\r\n<h4>Once Upon A Time In America – \"Main Theme\" (1:58)</h4>\r\nAfter a mere 30 seconds, it’s apparent this is a memorable movie motif and a very emotional, even sentimental, tome to 1930s gangster America.\r\n\r\nThe slow, dreamlike tempo undulates with longing while the melody does some serious caressing of one’s core––immersing the listener in a tale of love, sadness, glory, and the deep loss of dreams dashed. Sometimes the pain of missing the brass ring can engender the most beautiful music of all.\r\n\r\nIn this scene, our small gang of young wannabe gangsters are fleeing from a menacing older rival with a gun. The featured instrument is the Romanian-style pan flute, is played by the extraordinary Gheorghe Zamfir.\r\n\r\nThe ethereal sound of pan flute is extremely effective at conveying a wide array of feelings, from the innocence of youth to imminent danger. The flowing string accompaniment underscores the struggles of a Depression-era New York Jewish ghetto. Sometimes it takes the hand of an outsider to show us aspects of ourselves that we cannot see.\r\n\r\nMorricone’s feel for melody, harmony and orchestration is masterful, coaxing sumptuously gorgeous, richly layered timbral palettes out of the symphonic fabric in a way that can rip your heart open. If you aren’t deeply moved by at least some passages of this score, then you’ve left your soul in the passenger seat of your last Uber ride.\r\n\r\nhttps://www.youtube.com/watch?v=WlqavRs6ffw&feature=youtu.be&t=2m21s\r\n<h4></h4>\r\n&nbsp;\r\n<h4>Once Upon A Time In America – \"Debora\'s Theme\" (4:22)</h4>\r\nThis cue has some of the most exquisitely touching and profoundly compelling cinematic music I’ve ever heard. The sound is rich, deep and spacious––built on a simmering low pedal tone while the simple, yet majestic melodies, arch over the top. This transports the listener into a higher realm, a different era, another life.\r\n\r\nThe music sublimely captures the magical sweetness of youth––as it buttresses up against the impending seriousness of adulthood. Morricone makes melancholy sound so achingly gorgeous.\r\n\r\nWhen you listen to this, you might want to have a box of Kleenex nearby.\r\n\r\nDon’t be surprised if you well up with tears.\r\n\r\nI usually do.\r\n\r\nhttps://www.youtube.com/watch?v=PuyYc0gINbU\r\n<h4></h4>\r\n&nbsp;\r\n<h4>Once Upon A Time In America – “Childhood / Poverty\" (2:46)</h4>\r\nA comic and charming scene of innocence. Young Patsy is attempting to buy his manhood from Peggy, a 16-year-old Jewish girl from the ‘hood, having procured her preferred currency: a <em>“5-cent Charlotte Russe…with lots of cream.”</em>\r\n\r\nAs Patsy waits on the stairs for her to emerge from the family’s tenement apartment, he can’t resist tasting just one finger full of whipped cream––then another––and then another. Tired of waiting for his virginity to be addressed, he gives in and, with unbridled joy, unwraps the whole deal, lustily consuming his entire payment for Peggy.\r\n\r\nWhen she finally appears and asks what he wants, his reaction is priceless.\r\n\r\nA scene with virtually no dialog, the score has plenty of space to weave a gentle, deeply moving tapestry filled with exquisitely crafted melodies that flow around a rich, evocative sound canvas.\r\n\r\nhttps://youtu.be/xfo31KV3W7k?t=1m\r\n<h3></h3>\r\n<h3></h3>\r\n&nbsp;\r\n<h2>SIMPLE THEMES, DEEP FEELINGS</h2>\r\nMorricone’s musical output over his long career is staggering. His work runs the gamut from classic orchestral film music to scores embodying funk, R&amp;B and avant-gard electronics. His music also has a high rate of reuse. Staying power is a mark of great art.\r\n\r\nIf you have ambitions about being a film composer or just like listening to breathtaking film music, then you\'ve found a treasure trove in this music and in Ennio Morricone. From the moment I first heard it, this score has haunted me in the best way.\r\n\r\nAs a piano player myself, I’ve been inspired to learn various Morricone compositions. Every time I explore a new piece, I discover  additional layers of his gorgeous and wondrous musical designs.\r\n\r\nMorricone is prideful that he never considered moving to Hollywood, and that he never learned English. This was his way of ensuring that his Italian essence remained uncontaminated––staying strictly his own.\r\n<h4>Morricone Talks Music (1:48)</h4>\r\nhttps://youtu.be/9KeSV-yVTRY?t=5m55s\r\n<h2></h2>\r\n&nbsp;\r\n<h2>NO OSCARS?</h2>\r\nEnnio Morricone is considered by many to be the greatest living film composer. The audience clearly agrees. His music has sold over 70 million records.\r\n\r\nBut as unbelievable as it seems, he has never won as Oscar, despite being nominated 5 times for Best Original Score. It seems that the Motion Picture Academy realized this horrible oversight; he was finally honored with a Lifetime Achievement Award in 2007 ––\r\n\r\n<img class=\"size-full wp-image-1945 aligncenter\" src=\"https://afm424.org/wp-content/uploads/2016/06/Whats-The-Score_Ennio-Morricone-10.jpg\" alt=\"What\'s-The-Score_Ennio-Morricone-10\" width=\"300\" height=\"403\" />\r\n<p style=\"text-align: center;\">–– and a star on the Hollywood Walk of Fame in 2016.</p>\r\n\r\n<h3><img class=\"wp-image-1946 aligncenter\" src=\"https://afm424.org/wp-content/uploads/2016/06/Whats-The-Score_Ennio-Morricone-11.jpg\" alt=\"What\'s-The-Score_Ennio-Morricone-11\" width=\"243\" height=\"182\" /></h3>\r\n<h2></h2>\r\n<h2></h2>\r\n&nbsp;\r\n<h2>. . . AND HE’S STILL GOING</h2>\r\nAt 88, Morricone continues to compose and perform, conducting orchestras in live concerts of his popular film scores. His entire body of work is finally being recognized for how truly astounding it is.\r\n\r\nFor instance, his 1970 album “<a href=\"https://www.youtube.com/watch?v=9jlpOqg6zsI\" target=\"_blank\">The Feed~Back</a>” combines free jazz along with avant-gard, classical and funk. The recording is frequently sampled by today’s hip-hop DJs. It’s considered to be one of the most collectible records in existence, selling for over $1000 at auction. Yeah...this guy definitely qualifies as a <em>living legend. </em>\r\n<h5 style=\"text-align: center;\">If God decided to go into the picture business, and needed a composer ––</h5>\r\n<h5 style=\"text-align: center;\">Ennio Morricone just might be the first call.</h5>\r\n<h4><img class=\"wp-image-1944 aligncenter\" src=\"https://afm424.org/wp-content/uploads/2016/06/Whats-The-Score_Ennio-Morricone-9-246x300.jpg\" alt=\"What\'s-The-Score_Ennio-Morricone-9\" width=\"248\" height=\"303\" /></h4>\r\n<h4></h4>\r\n<h4></h4>\r\n&nbsp;\r\n<h4>ACKNOWLEDGEMENTS:</h4>\r\nSource material compiled from: Front Row Reviews UK, BBC Ennio Morricone Documentary, Maestro Ennio Morricone Facebook, enniomorricone.org, YouTube, IMDb, Wikipedia, Expression of Emotion in the Film Music of Ennio Morricone by Juan Vega, The Quietus.com, and Internet Music Archive.\r\n<h3></h3>\r\n<h3></h3>\r\n&nbsp;\r\n<h3>WANT SOME LIVE ENNIO?</h3>\r\n<strong>Morricone Conducts Morricone</strong> - Once Upon A Time In America Suite (7:05)\r\n\r\nhttps://www.youtube.com/watch?v=D4W17gTumi8\r\n\r\nLINKS:\r\n<ul>\r\n 	<li><a href=\"https://www.facebook.com/maestroenniomorricone\" target=\"_blank\">Facebook</a></li>\r\n 	<li><a href=\"http://www.enniomorricone.org/\" target=\"_blank\">Website</a></li>\r\n 	<li>CD (Amazon)\r\n<ul>\r\n 	<li><a href=\"https://www.amazon.com/Once-Upon-America-Ennio-Morricone/dp/B00008MJ8H/189-1532000-0900924?ie=UTF8&amp;*Version*=1&amp;*entries*=0\" target=\"_blank\">Once Upon A Time In America Soundtrack</a></li>\r\n 	<li><a href=\"https://www.amazon.com/Very-Best-Ennio-Morricone/dp/B00004YTXH?ie=UTF8&amp;*Version*=1&amp;*entries*=0\" target=\"_blank\">Best of Ennio Morricone</a></li>\r\n</ul>\r\n</li>\r\n 	<li><a href=\"https://archive.org/search.php?query=subject%3A%22Ennio%20Morricone%22\" target=\"_blank\">Internet Music Archive</a></li>\r\n</ul>\r\n<strong><a href=\"mailto:pchiten424@gmail.com\" target=\"_blank\">Contact</a> <a style=\"line-height: 1.5;\" href=\"mailto:pchiten424@gmail.com\" target=\"_blank\">Paul Chiten</a></strong>\r\n\r\n<img class=\"alignleft size-thumbnail wp-image-601\" src=\"https://afm424.org/wp-content/uploads/2015/05/Paul-Chiten-150x150.jpg\" alt=\"Paul-Chiten\" width=\"150\" height=\"150\" /><strong>Paul Chiten</strong> is a Los Angeles-based songwriter, film composer, producer, musician, singer and artist. His songs have earned him multi-platinum and gold records. His compositions and productions have won Telly, Aurora and Emmy Awards. He’s worked with Michael Jackson, Anita Baker, Tina Turner, Donna Summer, Cyndi Lauper and countless others.\r\n\r\nChiten has written and produced the music for numerous television shows and feature films. He co-composed the score for the gritty Sony/Showtime cult series, “Street Time” starring Rob Morrow and Scott Cohen.\r\n\r\nRecent credits include a 2015 music publishing deal and Music Director/Orchestrator/Arranger/Performer for the 2015 and 2016 EMC World events in Las Vegas and Austin.\r\n\r\nChiten has made a significant portion of his music library available on the Internet in the major online stores: iTunes, Amazon, Spotify, Apple Music, Deezer, Microsoft Groove, Tidal, YouTube &amp; Google Play––with lyrics published on Musixmatch, the world’s largest online lyric database.\r\n\r\n<a href=\"http://sweethartproductions.com/PaulChiten.aspx\" target=\"_blank\">Sweethart Productions</a>\r\n\r\n<a href=\"https://afm424.org/featured-artist-paul-chiten/\" target=\"_blank\">bio</a>[/vc_column_text][/vc_column][/vc_row]', 'WHAT\'S THE SCORE?<br />Ennio Morricone - The Composer’s Composer', '', 'publish', 'open', 'closed', '', 'whats-the-score', '', '', '2016-07-28 16:27:57', '2016-07-28 23:27:57', '', 0, 'https://afm424.org/?p=1934', 0, 'post', '', 1),
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