INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES
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(1699, 4, '2016-04-08 06:15:05', '2016-04-08 13:15:05', '\"Vision Of Isis\".', 'Vision Of Isis', '', 'inherit', 'open', 'closed', '', 'vision-of-isis', '', '', '2016-04-08 06:15:05', '2016-04-08 13:15:05', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Vision-Of-Isis.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1700, 4, '2016-04-08 06:15:38', '2016-04-08 13:15:38', '\"Carnal Teacher\".', 'Carnal Teacher', '', 'inherit', 'open', 'closed', '', 'carnal-teacher', '', '', '2016-04-08 06:15:38', '2016-04-08 13:15:38', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Carnal-Teacher.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1701, 4, '2016-04-08 06:15:41', '2016-04-08 13:15:41', '\"Cast In Flesh\".', 'Cast In Flesh', '', 'inherit', 'open', 'closed', '', 'cast-in-flesh', '', '', '2016-04-08 06:15:41', '2016-04-08 13:15:41', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Cast-In-Flesh.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1702, 4, '2016-04-08 06:15:44', '2016-04-08 13:15:44', '\"Come The Sun Queen\".', 'Come The Sun Queen', '', 'inherit', 'open', 'closed', '', 'come-the-sun-queen', '', '', '2016-04-08 06:15:44', '2016-04-08 13:15:44', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Come-The-Sun-Queen.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1703, 4, '2016-04-08 06:15:49', '2016-04-08 13:15:49', '\"Emerald Montage\".', 'Emerald Montage', '', 'inherit', 'open', 'closed', '', 'emerald-montage', '', '', '2016-06-23 07:59:12', '2016-06-23 14:59:12', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Emerald-Montage.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1704, 4, '2016-04-08 06:15:52', '2016-04-08 13:15:52', '\"Experiment In Eros\".', 'Experiment In Eros', '', 'inherit', 'open', 'closed', '', 'experiment-in-eros', '', '', '2016-04-08 06:15:52', '2016-04-08 13:15:52', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Experiment-In-Eros.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1705, 4, '2016-04-08 06:15:58', '2016-04-08 13:15:58', '\"Fetish Fantasy\".', 'Fetish Fantasy', '', 'inherit', 'open', 'closed', '', 'fetish-fantasy', '', '', '2016-04-08 06:15:58', '2016-04-08 13:15:58', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Fetish-Fantasy.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1706, 4, '2016-04-08 06:16:00', '2016-04-08 13:16:00', '\"Province Of Never\".', 'Province Of Never', '', 'inherit', 'open', 'closed', '', 'province-of-never', '', '', '2016-04-08 06:16:00', '2016-04-08 13:16:00', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Province-Of-Never.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1707, 4, '2016-04-08 06:16:05', '2016-04-08 13:16:05', '\"Solo Flight\".', 'Solo Flight', '', 'inherit', 'open', 'closed', '', 'solo-flight', '', '', '2016-06-23 07:59:15', '2016-06-23 14:59:15', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Solo-Flight.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1708, 4, '2016-04-08 06:16:10', '2016-04-08 13:16:10', '\"Tempest At Dawn\".', 'Tempest At Dawn', '', 'inherit', 'open', 'closed', '', 'tempest-at-dawn', '', '', '2016-06-23 07:59:14', '2016-06-23 14:59:14', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Tempest-At-Dawn.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1709, 4, '2016-04-08 06:16:13', '2016-04-08 13:16:13', '\"The Forbidden Book\".', 'The Forbidden Book', '', 'inherit', 'open', 'closed', '', 'the-forbidden-book', '', '', '2016-04-08 06:16:13', '2016-04-08 13:16:13', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/The-Forbidden-Book.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1710, 4, '2016-04-08 06:16:26', '2016-04-08 13:16:26', '\"Aphrodite Awakes\".', 'Aphrodite Awakes', '', 'inherit', 'open', 'closed', '', 'aphrodite-awakes', '', '', '2016-06-23 07:55:36', '2016-06-23 14:55:36', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Aphrodite-Awakes.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1711, 4, '2016-04-08 06:16:29', '2016-04-08 13:16:29', '\"Aqua Deep\".', 'Aqua Deep', '', 'inherit', 'open', 'closed', '', 'aqua-deep', '', '', '2016-06-23 07:55:40', '2016-06-23 14:55:40', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Aqua-Deep.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1712, 4, '2016-04-08 06:16:34', '2016-04-08 13:16:34', '\"Confession Under Glass\".', 'Confession Under Glass', '', 'inherit', 'open', 'closed', '', 'confession-under-glass', '', '', '2016-06-23 07:55:38', '2016-06-23 14:55:38', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Confession-Under-Glass.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1713, 4, '2016-04-08 06:16:44', '2016-04-08 13:16:44', '\"Cycle Pump\".', 'Cycle Pump', '', 'inherit', 'open', 'closed', '', 'cycle-pump', '', '', '2016-04-08 06:16:44', '2016-04-08 13:16:44', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Cycle-Pump.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1714, 4, '2016-04-08 06:16:47', '2016-04-08 13:16:47', '\"Deux Femmes\".', 'Deux Femmes', '', 'inherit', 'open', 'closed', '', 'deux-femmes', '', '', '2016-04-08 06:16:47', '2016-04-08 13:16:47', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Deux-Femmes.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1715, 4, '2016-04-08 06:16:51', '2016-04-08 13:16:51', '\"Moment Of Arousal\".', 'Moment Of Arousal', '', 'inherit', 'open', 'closed', '', 'moment-of-arousal', '', '', '2016-04-08 06:16:51', '2016-04-08 13:16:51', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Moment-Of-Arousal.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1716, 4, '2016-04-08 06:16:54', '2016-04-08 13:16:54', '\"More Than Two Secrets\".', 'More Than Two Secrets', '', 'inherit', 'open', 'closed', '', 'more-than-two-secrets', '', '', '2016-04-08 06:16:54', '2016-04-08 13:16:54', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/More-Than-Two-Secrets.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1717, 4, '2016-04-08 06:16:58', '2016-04-08 13:16:58', '\"Out Of Breath\".', 'Out Of Breath', '', 'inherit', 'open', 'closed', '', 'out-of-breath', '', '', '2016-04-08 06:16:58', '2016-04-08 13:16:58', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Out-Of-Breath.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1718, 4, '2016-04-08 06:17:07', '2016-04-08 13:17:07', '\"Siren Dancer\".', 'Siren Dancer', '', 'inherit', 'open', 'closed', '', 'siren-dancer', '', '', '2016-04-08 06:17:07', '2016-04-08 13:17:07', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Siren-Dancer.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1719, 4, '2016-04-08 06:17:10', '2016-04-08 13:17:10', '\"Suggestive Looks\".', 'Suggestive Looks', '', 'inherit', 'open', 'closed', '', 'suggestive-looks', '', '', '2016-04-08 06:17:10', '2016-04-08 13:17:10', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Suggestive-Looks.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1720, 4, '2016-04-08 06:17:17', '2016-04-08 13:17:17', '\"After The Fire\".', 'After The Fire', '', 'inherit', 'open', 'closed', '', 'after-the-fire', '', '', '2016-04-08 06:17:17', '2016-04-08 13:17:17', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/After-The-Fire.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1721, 4, '2016-04-08 06:17:19', '2016-04-08 13:17:19', '\"Dark Seducer\".', 'Dark Seducer', '', 'inherit', 'open', 'closed', '', 'dark-seducer', '', '', '2016-04-08 06:17:19', '2016-04-08 13:17:19', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Dark-Seducer.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1722, 4, '2016-04-08 06:17:22', '2016-04-08 13:17:22', '\"Deep Umbra\".', 'Deep Umbra', '', 'inherit', 'open', 'closed', '', 'deep-umbra', '', '', '2016-04-11 12:41:21', '2016-04-11 19:41:21', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Deep-Umbra.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1723, 4, '2016-04-08 06:17:24', '2016-04-08 13:17:24', '\"Down On It\".', 'Down On It', '', 'inherit', 'open', 'closed', '', 'down-on-it', '', '', '2016-04-08 06:17:24', '2016-04-08 13:17:24', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Down-On-It.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1724, 4, '2016-04-08 06:17:26', '2016-04-08 13:17:26', '\"Fata Morgana\".', 'Fata Morgana', '', 'inherit', 'open', 'closed', '', 'fata-morgana', '', '', '2016-04-08 06:17:26', '2016-04-08 13:17:26', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Fata-Morgana.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1725, 4, '2016-04-08 06:17:28', '2016-04-08 13:17:28', '\"Flirtations By Candlelight\".', 'Flirtations By Candlelight', '', 'inherit', 'open', 'closed', '', 'flirtations-by-candlelight', '', '', '2016-04-08 06:17:28', '2016-04-08 13:17:28', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Flirtations-By-Candlelight.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1726, 4, '2016-04-08 06:17:31', '2016-04-08 13:17:31', '\"Gravity Unbound\".', 'Gravity Unbound', '', 'inherit', 'open', 'closed', '', 'gravity-unbound', '', '', '2016-04-08 06:17:31', '2016-04-08 13:17:31', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Gravity-Unbound.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1727, 4, '2016-04-08 06:17:35', '2016-04-08 13:17:35', '\"Inside The Divine Machine\".', 'Inside The Divine Machine', '', 'inherit', 'open', 'closed', '', 'inside-the-divine-machine', '', '', '2016-04-08 06:17:35', '2016-04-08 13:17:35', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Inside-The-Divine-Machine.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1728, 4, '2016-04-08 06:17:37', '2016-04-08 13:17:37', '\"Vortex Curl\".', 'Vortex Curl', '', 'inherit', 'open', 'closed', '', 'vortex-curl', '', '', '2016-04-11 12:41:08', '2016-04-11 19:41:08', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Vortex-Curl.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1729, 4, '2016-04-08 06:17:39', '2016-04-08 13:17:39', '\"Wild Cool\".', 'Wild Cool', '', 'inherit', 'open', 'closed', '', 'wild-cool', '', '', '2016-04-08 06:17:39', '2016-04-08 13:17:39', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Wild-Cool.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1730, 4, '2016-04-08 06:17:47', '2016-04-08 13:17:47', '\"Have You Ever-VOX*\".', 'Have You Ever-VOX*', '', 'inherit', 'open', 'closed', '', 'have-you-ever-vox', '', '', '2016-04-08 06:17:47', '2016-04-08 13:17:47', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Have-You-Ever.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1731, 4, '2016-04-08 06:17:50', '2016-04-08 13:17:50', '\"More Than Just Friends-Vox**\".', 'More Than Just Friends-Vox**', '', 'inherit', 'open', 'closed', '', 'more-than-just-friends-vox', '', '', '2016-04-08 06:17:50', '2016-04-08 13:17:50', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/More-Than-Just-Friends.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1732, 4, '2016-04-08 06:17:53', '2016-04-08 13:17:53', '\"Perfect World\".', 'Perfect World', '', 'inherit', 'open', 'closed', '', 'perfect-world', '', '', '2016-04-08 06:17:53', '2016-04-08 13:17:53', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Perfect-World.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1733, 4, '2016-04-08 06:17:56', '2016-04-08 13:17:56', '\"So Deep-Vox-Gain/EQ Fix**\".', 'So Deep-Vox-Gain/EQ Fix**', '', 'inherit', 'open', 'closed', '', 'so-deep-vox-gaineq-fix', '', '', '2016-04-08 06:17:56', '2016-04-08 13:17:56', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/So-Deep.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1734, 4, '2016-04-08 06:17:59', '2016-04-08 13:17:59', '\"Poetry Of Sex-Vox&Perrys-44*\".', 'Poetry Of Sex-Vox&Perrys-44*', '', 'inherit', 'open', 'closed', '', 'poetry-of-sex-voxperrys-44', '', '', '2016-04-08 06:17:59', '2016-04-08 13:17:59', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/The-Poetry-Of-Sex.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1735, 4, '2016-04-08 06:18:05', '2016-04-08 13:18:05', '\"Poetry Of Sex-DanceClub-VoxJAP*\".', 'Poetry Of Sex-DanceClub-VoxJAP*', '', 'inherit', 'open', 'closed', '', 'poetry-of-sex-danceclub-voxjap', '', '', '2016-04-08 06:18:05', '2016-04-08 13:18:05', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/The-Poetry-Of-Sex_DanceClub.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1736, 4, '2016-04-08 06:18:08', '2016-04-08 13:18:08', '\"Poetry Of Sex-EuroDance-VoxJap*\".', 'The Poetry Of Sex_EuroDance Remix', '', 'inherit', 'open', 'closed', '', 'poetry-of-sex-eurodance-voxjap', '', '', '2016-04-23 12:23:27', '2016-04-23 19:23:27', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/The-Poetry-Of-Sex_EuroDance.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1737, 4, '2016-04-08 06:18:12', '2016-04-08 13:18:12', '\"Vanilla Latte_English\".', 'Vanilla Latte', '', 'inherit', 'open', 'closed', '', 'vanilla-latte_english', '', '', '2016-04-23 12:09:27', '2016-04-23 19:09:27', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Vanilla-Latte_English.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1738, 4, '2016-04-08 06:18:15', '2016-04-08 13:18:15', '\"When I Look At You-VOX*\".', 'When I Look At You', '', 'inherit', 'open', 'closed', '', 'when-i-look-at-you-vox', '', '', '2016-04-23 12:09:31', '2016-04-23 19:09:31', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/When-I-Look-At-You.mp3', 0, 'attachment', 'audio/mpeg', 0),
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(1752, 4, '2016-04-08 06:24:54', '2016-04-08 13:24:54', '', 'Ambient-TripDub_remixes_cover_72dpi', '', 'inherit', 'open', 'closed', '', 'ambient-tripdub_remixes_cover_72dpi-2', '', '', '2016-04-08 06:24:54', '2016-04-08 13:24:54', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Ambient-TripDub_remixes_cover_72dpi.jpg', 0, 'attachment', 'image/jpeg', 0),
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(1760, 4, '2016-04-08 06:25:12', '2016-04-08 13:25:12', '', 'Tomo_The-Poetry-of-Sex', '', 'inherit', 'open', 'closed', '', 'tomo_the-poetry-of-sex', '', '', '2016-04-08 06:25:12', '2016-04-08 13:25:12', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Tomo_The-Poetry-of-Sex.jpg', 0, 'attachment', 'image/jpeg', 0),
(1762, 6, '2016-04-11 12:05:42', '2016-04-11 19:05:42', 'Emmy and Telly Award-winning songwriter and 424 member Paul Chiten has composed Nashville artist Melissa Ramski\'s latest single, “As Real As It Gets,” co-written with indie artist Heidi Swan. Melissa won the 2015 Indie Ville TV Artist of The Year award and has thousands of followers on Facebook, Reverb Nation and Spotify.\r\n\r\n[audio mp3=\"https://paulchiten.com/wp-content/uploads/2016/04/As-Real-As-It-Gets-Ramskis.mp3\"][/audio]', 'Featured Artist - Heidi Swan - As Real As It Gets', '', 'draft', 'open', 'closed', '', 'as-real-as-it-gets', '', '', '2016-09-09 22:27:25', '2016-09-10 05:27:25', '', 0, 'https://afm424.org/?p=1762', 0, 'post', '', 0),
(1763, 4, '2016-04-11 12:04:19', '2016-04-11 19:04:19', '', 'Melissa Ramski_As Real_cover 2_large', '', 'inherit', 'open', 'closed', '', 'melissa-ramski_as-real_cover-2_large', '', '', '2016-04-11 12:04:19', '2016-04-11 19:04:19', '', 1762, 'https://afm424.org/wp-content/uploads/2016/04/Melissa-Ramski_As-Real_cover-2_large.jpg', 0, 'attachment', 'image/jpeg', 0),
(1764, 4, '2016-04-11 12:04:43', '2016-04-11 19:04:43', '\"As Real As It Gets \" by Ramski\'s As Real As It Gets. Track 6 of 11.', 'As Real As It Gets', '', 'inherit', 'open', 'closed', '', 'as-real-as-it-gets-2', '', '', '2016-04-11 12:05:07', '2016-04-11 19:05:07', '', 1762, 'https://afm424.org/wp-content/uploads/2016/04/As-Real-As-It-Gets-Ramskis.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1765, 4, '2016-04-11 12:05:17', '2016-04-11 19:05:17', 'Emmy Award-winning songwriter and 424 member Paul Chiten has composed Nashville artist Melissa Ramski\'s the latest single, “As Real As It Gets” (co-written with Indie artist Heidi Swan). Melissa won the 2015 Indie Ville TV Artist of The Year award and has thousands of followers on Facebook, Reverb Nation and Spotify.\r\n\r\n[audio mp3=\"https://paulchiten.com/wp-content/uploads/2016/04/As-Real-As-It-Gets-Ramskis.mp3\"][/audio]', 'As Real As It Gets', '', 'inherit', 'closed', 'closed', '', '1762-revision-v1', '', '', '2016-04-11 12:05:17', '2016-04-11 19:05:17', '', 1762, 'https://afm424.org/1762-revision-v1/', 0, 'revision', '', 0),
(1766, 6, '2016-05-22 11:01:40', '2016-05-22 18:01:40', 'The next generation of ambient dub music. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. The rhythmic feel has an ethnic/reggae-influenced vibe. Ambient TripDub music has been used in a wide variety of forms; film, television, music video, commercials, art museum installations, modern dance and art films.\r\n\r\nAmbient TripDub is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play\r\n\r\nAmazon (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/Btqzopac4i5qtfeoktszluplqsq?utm_source=youtube&amp;utm_medium=buylink\">stream</a>)\r\n\r\n[playlist ids=\"1632,1628,1629\"]\r\n\r\n&nbsp;\r\n\r\n&nbsp;', 'Featured Arist - Ambient TripDub', 'The next generation of ambient dub music. The spontaneity of live performances mixed with the limitless possibilities of digital audio, coupled with a \"musique concrete” approach.', 'publish', 'open', 'closed', '', 'featured-artist-ambient-tripdub', '', '', '2016-05-22 22:57:59', '2016-05-23 05:57:59', '', 0, 'https://afm424.org/?p=1766', 0, 'post', '', 2),
(1767, 4, '2016-04-11 12:35:09', '2016-04-11 19:35:09', 'The next generation of ambient dub music. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. The rhythmic feel has an ethnic/reggae-influenced vibe. Ambient TripDub music has been used in a wide variety of forms; film, television, music video, commercials, art museum installations, modern dance and art films.\r\n\r\nAmbient TripDub is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play\r\n\r\nAmazon (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/Btqzopac4i5qtfeoktszluplqsq?utm_source=youtube&amp;utm_medium=buylink\">stream</a>)\r\n\r\n[audio mp3=\"https://paulchiten.com/wp-content/uploads/2016/04/Prophetic-Steps.mp3\"][/audio]\r\n\r\n[audio mp3=\"https://paulchiten.com/wp-content/uploads/2016/04/Blue-Jungle.mp3\"][/audio]\r\n\r\n[audio mp3=\"https://paulchiten.com/wp-content/uploads/2016/04/Night-Vision.mp3\"][/audio]', 'Ambient TripDub', '', 'inherit', 'closed', 'closed', '', '1766-revision-v1', '', '', '2016-04-11 12:35:09', '2016-04-11 19:35:09', '', 1766, 'https://afm424.org/1766-revision-v1/', 0, 'revision', '', 0),
(1768, 4, '2016-04-11 12:35:56', '2016-04-11 19:35:56', 'The next generation of ambient dub music. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. The rhythmic feel has an ethnic/reggae-influenced vibe. Ambient TripDub music has been used in a wide variety of forms; film, television, music video, commercials, art museum installations, modern dance and art films.\r\n\r\nAmbient TripDub is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play\r\n\r\nAmazon (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/Btqzopac4i5qtfeoktszluplqsq?utm_source=youtube&amp;utm_medium=buylink\">stream</a>)\r\n\r\n[playlist ids=\"1632,1628,1629\"]\r\n\r\n&nbsp;\r\n\r\n&nbsp;', 'Ambient TripDub', '', 'inherit', 'closed', 'closed', '', '1766-revision-v1', '', '', '2016-04-11 12:35:56', '2016-04-11 19:35:56', '', 1766, 'https://afm424.org/1766-revision-v1/', 0, 'revision', '', 0),
(1769, 4, '2016-04-11 12:36:40', '2016-04-11 19:36:40', 'The next generation of ambient dub music. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. The rhythmic feel has an ethnic/reggae-influenced vibe. Ambient TripDub music has been used in a wide variety of forms; film, television, music video, commercials, art museum installations, modern dance and art films.\r\n\r\nAmbient TripDub is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play\r\n\r\nAmazon (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/Btqzopac4i5qtfeoktszluplqsq?utm_source=youtube&amp;utm_medium=buylink\">stream</a>)\r\n\r\n[playlist ids=\"1632,1628,1629\"]\r\n\r\n&nbsp;\r\n\r\n&nbsp;', 'Ambient TripDub', 'The next generation of ambient dub music. The spontaneity of live performances mixed with the limitless possibilities of digital audio, coupled with a \"musique concrete” approach.', 'inherit', 'closed', 'closed', '', '1766-revision-v1', '', '', '2016-04-11 12:36:40', '2016-04-11 19:36:40', '', 1766, 'https://afm424.org/1766-revision-v1/', 0, 'revision', '', 0),
(1770, 6, '2016-04-11 12:39:10', '2016-04-11 19:39:10', 'Alternate, stripped down, more far-out mixes from the popular Ambient TripDub album. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. A rhythmic landscape with an ethnic/reggae-influenced vibe. Ambient TripDub ReMixes has been used in a wide variety of forms; film, television, music videos, commercials, art museum installations, modern dance performances and art films.\r\n\r\nDownload on iTunes and Amazon. Stream on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Ambient-TripDub-Remixes-Naked-Music/dp/B010C5DQNK/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454292794&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=ambient+tripdub+remixes\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub-remixes/id1011734710\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/B4aq7qtjticjgximfhj5dwbrhqq?preview=AE9vGKp4kJyUBla-jwGnYG4BHfHXMD1Q5tX_A8_kELVGau3pqQOW5ZGlFRIRUbHmeWGFtI5VVr7aaW0-KT5Wi9k2KmBERTIceGfClX35pDqlfw4crZgY5ko%3D\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1644,1640,1645\"]', 'Featured Artist - Ambient TripDub – ReMixes', 'Ambient TripDub––ReMixes. Alternate and stripped down mixes from the first Ambient Dub album. The spontaneity of live performances mixed with the limitless possibilities of digital audio, coupled with a \"musique concrete” approach. ', 'draft', 'open', 'closed', '', 'featured-artist-ambient-tripdub-remixes', '', '', '2016-07-27 23:57:52', '2016-07-28 06:57:52', '', 0, 'https://afm424.org/?p=1770', 0, 'post', '', 0),
(1771, 4, '2016-04-11 12:38:57', '2016-04-11 19:38:57', 'Ambient TripDub––ReMixes. Alternate, stripped down and more far-out mixes from the first Ambient Dub album. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. The rhythmic has an ethnic/reggae-influenced vibe. Ambient TripDub––ReMixes music has been used in a wide variety of forms; film, television, music video, commercials, art museum installations, modern dance and art films.\r\n\r\nAmbient TripDub––ReMixes is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Ambient-TripDub-Remixes-Naked-Music/dp/B010C5DQNK/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454292794&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=ambient+tripdub+remixes\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub-remixes/id1011734710\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/B4aq7qtjticjgximfhj5dwbrhqq?preview=AE9vGKp4kJyUBla-jwGnYG4BHfHXMD1Q5tX_A8_kELVGau3pqQOW5ZGlFRIRUbHmeWGFtI5VVr7aaW0-KT5Wi9k2KmBERTIceGfClX35pDqlfw4crZgY5ko%3D\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1644,1640,1645\"]', 'Ambient TripDub – ReMixes', 'Ambient TripDub––ReMixes. Alternate and stripped down mixes from the first Ambient Dub album. The spontaneity of live performances mixed with the limitless possibilities of digital audio, coupled with a \"musique concrete” approach. ', 'inherit', 'closed', 'closed', '', '1770-revision-v1', '', '', '2016-04-11 12:38:57', '2016-04-11 19:38:57', '', 1770, 'https://afm424.org/1770-revision-v1/', 0, 'revision', '', 0),
(1772, 4, '2016-04-11 12:39:10', '2016-04-11 19:39:10', 'Ambient TripDub––ReMixes. Alternate, stripped down and more far-out mixes from the first Ambient Dub album. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. The rhythmic has an ethnic/reggae-influenced vibe. Ambient TripDub––ReMixes music has been used in a wide variety of forms; film, television, music video, commercials, art museum installations, modern dance and art films.\r\n\r\nAmbient TripDub––ReMixes is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Ambient-TripDub-Remixes-Naked-Music/dp/B010C5DQNK/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454292794&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=ambient+tripdub+remixes\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub-remixes/id1011734710\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/B4aq7qtjticjgximfhj5dwbrhqq?preview=AE9vGKp4kJyUBla-jwGnYG4BHfHXMD1Q5tX_A8_kELVGau3pqQOW5ZGlFRIRUbHmeWGFtI5VVr7aaW0-KT5Wi9k2KmBERTIceGfClX35pDqlfw4crZgY5ko%3D\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1644,1640,1645\"]', 'Ambient TripDub – ReMixes', 'Ambient TripDub––ReMixes. Alternate and stripped down mixes from the first Ambient Dub album. The spontaneity of live performances mixed with the limitless possibilities of digital audio, coupled with a \"musique concrete” approach. ', 'inherit', 'closed', 'closed', '', '1770-revision-v1', '', '', '2016-04-11 12:39:10', '2016-04-11 19:39:10', '', 1770, 'https://afm424.org/1770-revision-v1/', 0, 'revision', '', 0),
(1773, 6, '2016-04-22 10:00:53', '2016-04-22 17:00:53', '<strong>ShagHead</strong> is dark, sensuous, sexual music. Performed with a live band mixed with wild synthesizer overdubs. <strong>ShagHead</strong> music has been featured in television, films, videos by Playboy and Penthouse and as soundtrack music for experimental films. <strong>ShagHead</strong> is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/gp/product/B010XN33QQ/191-8279318-4053063?ie=UTF8&amp;*Version*=1&amp;*entries*=0\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/shaghead/id1015758166\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_ShagHead?id=B37usf75ui65kb3g2klsi7eewta&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1802,1728,1722\"]', 'Featured Artist - ShagHead', 'ShagHead is dark, sensuous, sexual music. A blend of live musicians mixed with wild synthesizers.', 'publish', 'open', 'closed', '', 'featured-artist-shaghead', '', '', '2016-04-22 13:04:05', '2016-04-22 20:04:05', '', 0, 'https://afm424.org/?p=1773', 0, 'post', '', 0),
(1774, 4, '2016-04-11 12:42:35', '2016-04-11 19:42:35', '<strong>ShagHead</strong> is dark, sensuous, sexual music. Performed with a live band mixed with wild synthesizer overdubs. <strong>ShagHead</strong> music has been featured in television, films, videos by Playboy and Penthouse and as soundtrack music for experimental films. <strong>ShagHead</strong> is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/gp/product/B010XN33QQ/191-8279318-4053063?ie=UTF8&amp;*Version*=1&amp;*entries*=0\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/shaghead/id1015758166\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_ShagHead?id=B37usf75ui65kb3g2klsi7eewta&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1728,1722\"]', 'ShagHead', 'ShagHead is dark, sensuous, sexual music. A blend of live musicians mixed with wild synthesizers.', 'inherit', 'closed', 'closed', '', '1773-revision-v1', '', '', '2016-04-11 12:42:35', '2016-04-11 19:42:35', '', 1773, 'https://afm424.org/1773-revision-v1/', 0, 'revision', '', 0),
(1775, 4, '2016-04-11 12:42:53', '2016-04-11 19:42:53', '<strong>ShagHead</strong> is dark, sensuous, sexual music. Performed with a live band mixed with wild synthesizer overdubs. <strong>ShagHead</strong> music has been featured in television, films, videos by Playboy and Penthouse and as soundtrack music for experimental films. <strong>ShagHead</strong> is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/gp/product/B010XN33QQ/191-8279318-4053063?ie=UTF8&amp;*Version*=1&amp;*entries*=0\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/shaghead/id1015758166\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_ShagHead?id=B37usf75ui65kb3g2klsi7eewta&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1728,1722\"]', 'ShagHead', 'ShagHead is dark, sensuous, sexual music. A blend of live musicians mixed with wild synthesizers.', 'inherit', 'closed', 'closed', '', '1773-revision-v1', '', '', '2016-04-11 12:42:53', '2016-04-11 19:42:53', '', 1773, 'https://afm424.org/1773-revision-v1/', 0, 'revision', '', 0),
(1777, 4, '2016-04-11 12:43:36', '2016-04-11 19:43:36', 'The next generation of ambient dub music. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. The rhythmic feel has an ethnic/reggae-influenced vibe. Ambient TripDub music has been used in a wide variety of forms; film, television, music video, commercials, art museum installations, modern dance and art films.\r\n\r\nAmbient TripDub is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play\r\n\r\nAmazon (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/Btqzopac4i5qtfeoktszluplqsq?utm_source=youtube&amp;utm_medium=buylink\">stream</a>)\r\n\r\n[playlist ids=\"1632,1628,1629\"]\r\n\r\n&nbsp;\r\n\r\n&nbsp;', 'Featured Arist - Ambient TripDub', 'The next generation of ambient dub music. The spontaneity of live performances mixed with the limitless possibilities of digital audio, coupled with a \"musique concrete” approach.', 'inherit', 'closed', 'closed', '', '1766-revision-v1', '', '', '2016-04-11 12:43:36', '2016-04-11 19:43:36', '', 1766, 'https://afm424.org/1766-revision-v1/', 0, 'revision', '', 0),
(1778, 4, '2016-04-11 12:43:48', '2016-04-11 19:43:48', 'Ambient TripDub––ReMixes. Alternate, stripped down and more far-out mixes from the first Ambient Dub album. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. The rhythmic has an ethnic/reggae-influenced vibe. Ambient TripDub––ReMixes music has been used in a wide variety of forms; film, television, music video, commercials, art museum installations, modern dance and art films.\r\n\r\nAmbient TripDub––ReMixes is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Ambient-TripDub-Remixes-Naked-Music/dp/B010C5DQNK/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454292794&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=ambient+tripdub+remixes\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub-remixes/id1011734710\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/B4aq7qtjticjgximfhj5dwbrhqq?preview=AE9vGKp4kJyUBla-jwGnYG4BHfHXMD1Q5tX_A8_kELVGau3pqQOW5ZGlFRIRUbHmeWGFtI5VVr7aaW0-KT5Wi9k2KmBERTIceGfClX35pDqlfw4crZgY5ko%3D\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1644,1640,1645\"]', 'Featured Artist - Ambient TripDub – ReMixes', 'Ambient TripDub––ReMixes. Alternate and stripped down mixes from the first Ambient Dub album. The spontaneity of live performances mixed with the limitless possibilities of digital audio, coupled with a \"musique concrete” approach. ', 'inherit', 'closed', 'closed', '', '1770-revision-v1', '', '', '2016-04-11 12:43:48', '2016-04-11 19:43:48', '', 1770, 'https://afm424.org/1770-revision-v1/', 0, 'revision', '', 0),
(1779, 4, '2016-04-11 12:43:58', '2016-04-11 19:43:58', '<strong>ShagHead</strong> is dark, sensuous, sexual music. Performed with a live band mixed with wild synthesizer overdubs. <strong>ShagHead</strong> music has been featured in television, films, videos by Playboy and Penthouse and as soundtrack music for experimental films. <strong>ShagHead</strong> is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/gp/product/B010XN33QQ/191-8279318-4053063?ie=UTF8&amp;*Version*=1&amp;*entries*=0\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/shaghead/id1015758166\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_ShagHead?id=B37usf75ui65kb3g2klsi7eewta&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1728,1722\"]', 'Featured Artist - ShagHead', 'ShagHead is dark, sensuous, sexual music. A blend of live musicians mixed with wild synthesizers.', 'inherit', 'closed', 'closed', '', '1773-revision-v1', '', '', '2016-04-11 12:43:58', '2016-04-11 19:43:58', '', 1773, 'https://afm424.org/1773-revision-v1/', 0, 'revision', '', 0),
(1780, 6, '2016-06-24 18:33:32', '2016-06-25 01:33:32', '21st-century dance musix. A mashup of dance rhythms, R&amp;B, rap &amp; pop. chromewench is popular in clubs in New York, LA, Europe and Asia. Download on iTunes &amp; Amazon. Stream on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove &amp; Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Chromewench-Naked-Prey-Music/dp/B013V7DX4I/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454294891&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=chromewench\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/chromewench/id1020913320\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Chromewench?id=Bkpzrwc4mhx25oczl3yaj4ptu54&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1649,1655,1650\"]', 'Featured Artist - chromewench', 'Dance musix for the 21st century. A mashup of techno, R&B, rap & pop. Check out samples from the album. ', 'publish', 'open', 'closed', '', 'featured-artist-chromewench', '', '', '2016-07-02 02:46:42', '2016-07-02 09:46:42', '', 0, 'https://afm424.org/?p=1780', 0, 'post', '', 0),
(1781, 4, '2016-04-11 12:46:16', '2016-04-11 19:46:16', '21st-century dance musix. A mashup of dance rhythms, R&amp;B, rap &amp; pop. chromewench is popular in clubs in New York, LA, Europe and Asia. Available for download on iTunes &amp; Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove &amp; Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Chromewench-Naked-Prey-Music/dp/B013V7DX4I/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454294891&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=chromewench\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/chromewench/id1020913320\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Chromewench?id=Bkpzrwc4mhx25oczl3yaj4ptu54&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1649,1655,1650\"]', 'Featured Artist - Chromewench', 'Dance musix for the 21st century. A mashup of techno, R&B, rap & pop. Check out samples from the album. ', 'inherit', 'closed', 'closed', '', '1780-revision-v1', '', '', '2016-04-11 12:46:16', '2016-04-11 19:46:16', '', 1780, 'https://afm424.org/1780-revision-v1/', 0, 'revision', '', 0),
(1782, 4, '2016-04-11 12:46:31', '2016-04-11 19:46:31', '21st-century dance musix. A mashup of dance rhythms, R&amp;B, rap &amp; pop. chromewench is popular in clubs in New York, LA, Europe and Asia. Available for download on iTunes &amp; Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove &amp; Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Chromewench-Naked-Prey-Music/dp/B013V7DX4I/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454294891&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=chromewench\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/chromewench/id1020913320\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Chromewench?id=Bkpzrwc4mhx25oczl3yaj4ptu54&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1649,1655,1650\"]', 'Featured Artist - Chromewench', 'Dance musix for the 21st century. A mashup of techno, R&B, rap & pop. Check out samples from the album. ', 'inherit', 'closed', 'closed', '', '1780-revision-v1', '', '', '2016-04-11 12:46:31', '2016-04-11 19:46:31', '', 1780, 'https://afm424.org/1780-revision-v1/', 0, 'revision', '', 0),
(1783, 6, '2016-04-11 12:53:36', '0000-00-00 00:00:00', 'Lion Featherz has few boundaries. Soundtrack music from hardcore dance to baroque strings to synth atmospheres. Check out samples from the current album. Available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Lion-Featherz-Naked-Prey-Music/dp/B011888G8K/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454295695&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=lion+featherz\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/lion-featherz/id1017417932\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Lion_Featherz?id=B5kucwlp5al6lli7wlkmcbrjpne&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1664,1671,1668\"]', 'Featured Artist - Lion Featherz', 'Lion Featherz has few boundaries. Soundtrack music from hardcore dance to baroque strings.  Check out samples from the current album. ', 'draft', 'open', 'closed', '', 'featured-artist-lion-featherz', '', '', '2016-04-11 12:53:36', '2016-04-11 19:53:36', '', 0, 'https://afm424.org/?p=1783', 0, 'post', '', 0),
(1784, 4, '2016-04-11 12:48:54', '2016-04-11 19:48:54', 'Lion Featherz has few boundaries. Soundtrack music from hardcore dance to baroque strings to synth atmospheres. Check out samples from the current album. Available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Lion-Featherz-Naked-Prey-Music/dp/B011888G8K/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454295695&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=lion+featherz\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/lion-featherz/id1017417932\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Lion_Featherz?id=B5kucwlp5al6lli7wlkmcbrjpne&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1664,1671,1668\"]', 'Featured Artist - Lion Featherz', 'Lion Featherz has few boundaries. Soundtrack music from hardcore dance to baroque strings.  Check out samples from the current album. ', 'inherit', 'closed', 'closed', '', '1783-revision-v1', '', '', '2016-04-11 12:48:54', '2016-04-11 19:48:54', '', 1783, 'https://afm424.org/1783-revision-v1/', 0, 'revision', '', 0),
(1785, 4, '2016-04-11 12:49:03', '2016-04-11 19:49:03', 'Lion Featherz has few boundaries. Soundtrack music from hardcore dance to baroque strings to synth atmospheres. Check out samples from the current album. Available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Lion-Featherz-Naked-Prey-Music/dp/B011888G8K/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454295695&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=lion+featherz\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/lion-featherz/id1017417932\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Lion_Featherz?id=B5kucwlp5al6lli7wlkmcbrjpne&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1664,1671,1668\"]', 'Featured Artist - Lion Featherz', 'Lion Featherz has few boundaries. Soundtrack music from hardcore dance to baroque strings.  Check out samples from the current album. ', 'inherit', 'closed', 'closed', '', '1783-revision-v1', '', '', '2016-04-11 12:49:03', '2016-04-11 19:49:03', '', 1783, 'https://afm424.org/1783-revision-v1/', 0, 'revision', '', 0),
(1786, 6, '2016-04-11 12:53:36', '0000-00-00 00:00:00', 'Naked Flowers––Contemporary tracks for fans of Japanese pop. Modern original songs––from dance remixes to ballads––that blend western beats and rhythms with Asian instruments and melodic influences. The lyrics combine English with Japanese. This is music with a novel approach to J-pop.\r\n\r\nNaked Flowers is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/gp/product/B0165FEQNK?ie=UTF8&amp;keywords=naked%20flowers%20naked%20prey%20music&amp;qid=1444187198&amp;ref_=sr_1_1&amp;sr=8-1\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/naked-flowers-ep/id1046378017\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Naked_Flowers?id=B3wry4fzpwlomcjpztjfnt7ad7u\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1737,1738,1736\"]', 'Featured Artist - Naked Flowers', 'Naked Flowers––Contemporary tracks for fans of Japanese pop music. ', 'draft', 'open', 'closed', '', 'featured-artist-naked-flowers', '', '', '2016-04-11 12:53:36', '2016-04-11 19:53:36', '', 0, 'https://afm424.org/?p=1786', 0, 'post', '', 0),
(1788, 4, '2016-04-11 12:51:17', '2016-04-11 19:51:17', '', 'Naked-Flowers_cover', '', 'inherit', 'open', 'closed', '', 'naked-flowers_cover', '', '', '2016-04-11 12:51:17', '2016-04-11 19:51:17', '', 1786, 'https://afm424.org/wp-content/uploads/2016/04/Naked-Flowers_cover.jpg', 0, 'attachment', 'image/jpeg', 0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES
(1789, 4, '2016-04-11 12:52:52', '2016-04-11 19:52:52', 'Naked Flowers––Contemporary tracks for fans of Japanese pop. Modern original songs––from dance remixes to ballads––that blend western beats and rhythms with Asian instruments and melodic influences. The lyrics combine English with Japanese. This is music with a novel approach to J-pop.\r\n\r\nNaked Flowers is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/gp/product/B0165FEQNK?ie=UTF8&amp;keywords=naked%20flowers%20naked%20prey%20music&amp;qid=1444187198&amp;ref_=sr_1_1&amp;sr=8-1\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/naked-flowers-ep/id1046378017\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Naked_Flowers?id=B3wry4fzpwlomcjpztjfnt7ad7u\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1737,1738,1736\"]', 'Featured Artist - Naked Flowers', 'Naked Flowers––Contemporary tracks for fans of Japanese pop music. ', 'inherit', 'closed', 'closed', '', '1786-revision-v1', '', '', '2016-04-11 12:52:52', '2016-04-11 19:52:52', '', 1786, 'https://afm424.org/1786-revision-v1/', 0, 'revision', '', 0),
(1790, 4, '2016-04-11 12:53:09', '2016-04-11 19:53:09', 'Naked Flowers––Contemporary tracks for fans of Japanese pop. Modern original songs––from dance remixes to ballads––that blend western beats and rhythms with Asian instruments and melodic influences. The lyrics combine English with Japanese. This is music with a novel approach to J-pop.\r\n\r\nNaked Flowers is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/gp/product/B0165FEQNK?ie=UTF8&amp;keywords=naked%20flowers%20naked%20prey%20music&amp;qid=1444187198&amp;ref_=sr_1_1&amp;sr=8-1\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/naked-flowers-ep/id1046378017\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Naked_Flowers?id=B3wry4fzpwlomcjpztjfnt7ad7u\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1737,1738,1736\"]', 'Featured Artist - Naked Flowers', 'Naked Flowers––Contemporary tracks for fans of Japanese pop music. ', 'inherit', 'closed', 'closed', '', '1786-revision-v1', '', '', '2016-04-11 12:53:09', '2016-04-11 19:53:09', '', 1786, 'https://afm424.org/1786-revision-v1/', 0, 'revision', '', 0),
(1791, 6, '2016-06-24 15:59:20', '0000-00-00 00:00:00', 'Singer/songwriter Heidi Swan fuses blues, country and pop into a personal sound.\r\n\r\nHeidi is an active performer. She played at the first ever Rockr Grrl Conference in Seattle along with Ann Wilson of Heart, Amy Ray of the Indigo Girls, Ronnie Spector, Jill Sobule &amp; Courtney Love. She was featured at the Winter Olympics at Winter Dome in Salt Lake City opposite of Macy Gray and was a headliner at the famed Mukiltio Lighthouse Festival in Washington state.\r\n\r\nHeidi Swan’s album “As Real As it Gets\" is available for download on iTunes and Amazon. Streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&amp;field-keywords=naked+prey+music+as+real+as+it+gets\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/us/album/as-real-as-it-gets/id1050002542\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/Bjk3adykz4g7jaudcg6svkaclqi?utm_source=youtube&amp;utm_medium=buylink\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1658,1659,1661\"]', 'Featured Artist - Heidi Swan', 'Heidi Swan––a singer/songwriter who fuses blues, country and pop into a new sound. ', 'draft', 'open', 'closed', '', 'featured-artist-heidi-swan', '', '', '2016-06-24 15:59:20', '2016-06-24 22:59:20', '', 0, 'https://afm424.org/?p=1791', 0, 'post', '', 0),
(1792, 4, '2016-04-11 14:11:16', '2016-04-11 21:11:16', 'Singer/songwriter Heidi Swan fuses blues, country and pop into a new sound.\r\n\r\nHeidi is an active performer. She played at the first ever Rockr Grrl Conference in Seattle along with Ann Wilson of Heart, Amy Ray of the Indigo Girls, Ronnie Spector, Jill Sobule &amp; Courtney Love––at Montana\'s annual Hard Rock Festival––at the 2002 Winter Olympics at the Winter Dome in Salt Lake City opposite of Macy Gray and at the famed Mukiltio Lighthouse Festival in Washington state.\r\n\r\nHeidi Swan’s album “As Real As it Gets\" is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&amp;field-keywords=naked+prey+music+as+real+as+it+gets\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/us/album/as-real-as-it-gets/id1050002542\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/Bjk3adykz4g7jaudcg6svkaclqi?utm_source=youtube&amp;utm_medium=buylink\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1658,1659,1661\"]', 'Featured Artist - Heidi Swan', 'Heidi Swan––a singer/songwriter who fuses blues, country and pop into a new sound. ', 'inherit', 'closed', 'closed', '', '1791-revision-v1', '', '', '2016-04-11 14:11:16', '2016-04-11 21:11:16', '', 1791, 'https://afm424.org/1791-revision-v1/', 0, 'revision', '', 0),
(1793, 4, '2016-04-11 14:11:35', '2016-04-11 21:11:35', 'Singer/songwriter Heidi Swan fuses blues, country and pop into a new sound.\r\n\r\nHeidi is an active performer. She played at the first ever Rockr Grrl Conference in Seattle along with Ann Wilson of Heart, Amy Ray of the Indigo Girls, Ronnie Spector, Jill Sobule &amp; Courtney Love––at Montana\'s annual Hard Rock Festival––at the 2002 Winter Olympics at the Winter Dome in Salt Lake City opposite of Macy Gray and at the famed Mukiltio Lighthouse Festival in Washington state.\r\n\r\nHeidi Swan’s album “As Real As it Gets\" is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&amp;field-keywords=naked+prey+music+as+real+as+it+gets\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/us/album/as-real-as-it-gets/id1050002542\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/Bjk3adykz4g7jaudcg6svkaclqi?utm_source=youtube&amp;utm_medium=buylink\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1658,1659,1661\"]', 'Featured Artist - Heidi Swan', 'Heidi Swan––a singer/songwriter who fuses blues, country and pop into a new sound. ', 'inherit', 'closed', 'closed', '', '1791-revision-v1', '', '', '2016-04-11 14:11:35', '2016-04-11 21:11:35', '', 1791, 'https://afm424.org/1791-revision-v1/', 0, 'revision', '', 0),
(1794, 4, '2016-04-11 14:12:52', '2016-04-11 21:12:52', '21st-century dance musix. A mashup of dance rhythms, R&amp;B, rap &amp; pop. chromewench is popular in clubs in New York, LA, Europe and Asia. Available for download on iTunes &amp; Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove &amp; Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/Chromewench-Naked-Prey-Music/dp/B013V7DX4I/ref=sr_1_1?s=dmusic&amp;ie=UTF8&amp;qid=1454294891&amp;sr=1-1-mp3-albums-bar-strip-0&amp;keywords=chromewench\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/chromewench/id1020913320\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Chromewench?id=Bkpzrwc4mhx25oczl3yaj4ptu54&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1649,1655,1650\"]', 'Featured Artist - chromewench', 'Dance musix for the 21st century. A mashup of techno, R&B, rap & pop. Check out samples from the album. ', 'inherit', 'closed', 'closed', '', '1780-revision-v1', '', '', '2016-04-11 14:12:52', '2016-04-11 21:12:52', '', 1780, 'https://afm424.org/1780-revision-v1/', 0, 'revision', '', 0),
(1795, 4, '2016-04-11 14:16:03', '2016-04-11 21:16:03', '', 'Transylvania 6-5000 by PAUL CHITEN.mp3', '', 'inherit', 'open', 'closed', '', 'transylvania-6-5000-by-paul-chiten-mp3', '', '', '2016-04-11 14:16:03', '2016-04-11 21:16:03', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Transylvania-6-5000-by-PAUL-CHITEN.mp3.zip', 0, 'attachment', 'application/zip', 0),
(1796, 4, '2016-04-11 14:16:27', '2016-04-11 21:16:27', '\"Love Don\'t Stand A Chance\" from PC SINGZ PC by Paul Chiten. Genre: Rock.', 'Love Don\'t Stand A Chance', '', 'inherit', 'open', 'closed', '', 'love-dont-stand-a-chance', '', '', '2016-04-25 06:31:58', '2016-04-25 13:31:58', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Love-Dont-Stand-A-Chance-by-PAUL-CHITEN.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1797, 4, '2016-04-11 14:16:27', '2016-04-11 21:16:27', '', '', '', 'inherit', 'open', 'closed', '', '1797', '', '', '2016-04-11 14:16:27', '2016-04-11 21:16:27', '', 0, 'https://afm424.org/1797/', 0, 'attachment', 'image/jpeg', 0),
(1798, 4, '2016-04-11 14:16:37', '2016-04-11 21:16:37', '\"Tea In The Garden-Vox tempo map-MASTER_8_10_14**\".', 'Tea In The Garden', '', 'inherit', 'open', 'closed', '', 'tea-in-the-garden-vox-tempo-map-master_8_10_14', '', '', '2016-04-25 06:31:53', '2016-04-25 13:31:53', '', 0, 'https://afm424.org/wp-content/uploads/2016/04/Tea-In-The-Garden-by-PAUL-CHITEN.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1799, 6, '2016-04-11 14:24:31', '0000-00-00 00:00:00', 'MOON by Naked Prey Music. Sensuous, atmospheric, ethereal, sexy. Featured in projects by Playboy and Penthouse was the soundtrack for the live show “eXotica\" in Las Vegas.\r\n\r\nAvailable for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Ddigital-music&amp;field-keywords=naked+prey+music+moon\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/moon/id1015245318\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Moon?id=Bu2tbbo2ixdiunvjaxwrlfpry7i&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1691,1693,1695\"]', 'Featured Artist - Moon', 'Moon is an album moody, sensual tracks from Naked Prey Music. Sample the current album.', 'draft', 'open', 'closed', '', 'featured-artist-moon', '', '', '2016-04-11 14:24:31', '2016-04-11 21:24:31', '', 0, 'https://afm424.org/?p=1799', 0, 'post', '', 0),
(1800, 4, '2016-04-11 14:23:28', '2016-04-11 21:23:28', 'MOON by Naked Prey Music. Sensuous, atmospheric, ethereal, sexy. Featured in projects by Playboy and Penthouse was the soundtrack for the live show “eXotica\" in Las Vegas.\r\n\r\nAvailable for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Ddigital-music&amp;field-keywords=naked+prey+music+moon\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/moon/id1015245318\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Moon?id=Bu2tbbo2ixdiunvjaxwrlfpry7i&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1691,1693,1695\"]', 'Featured Artist - Moon', 'Moon is an album moody, sensual tracks from Naked Prey Music. Sample the current album.', 'inherit', 'closed', 'closed', '', '1799-revision-v1', '', '', '2016-04-11 14:23:28', '2016-04-11 21:23:28', '', 1799, 'https://afm424.org/1799-revision-v1/', 0, 'revision', '', 0),
(1801, 4, '2016-04-11 14:23:43', '2016-04-11 21:23:43', 'MOON by Naked Prey Music. Sensuous, atmospheric, ethereal, sexy. Featured in projects by Playboy and Penthouse was the soundtrack for the live show “eXotica\" in Las Vegas.\r\n\r\nAvailable for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Ddigital-music&amp;field-keywords=naked+prey+music+moon\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/moon/id1015245318\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_Moon?id=Bu2tbbo2ixdiunvjaxwrlfpry7i&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1691,1693,1695\"]', 'Featured Artist - Moon', 'Moon is an album moody, sensual tracks from Naked Prey Music. Sample the current album.', 'inherit', 'closed', 'closed', '', '1799-revision-v1', '', '', '2016-04-11 14:23:43', '2016-04-11 21:23:43', '', 1799, 'https://afm424.org/1799-revision-v1/', 0, 'revision', '', 0),
(1802, 4, '2016-04-12 06:00:59', '2016-04-12 13:00:59', '\"Ritual Seduction\".', 'Ritual Seduction', '', 'inherit', 'open', 'closed', '', 'ritual-seduction', '', '', '2016-04-12 06:01:11', '2016-04-12 13:01:11', '', 1773, 'https://afm424.org/wp-content/uploads/2016/04/Ritual-Seduction.mp3', 0, 'attachment', 'audio/mpeg', 0),
(1803, 4, '2016-04-12 06:01:24', '2016-04-12 13:01:24', '<strong>ShagHead</strong> is dark, sensuous, sexual music. Performed with a live band mixed with wild synthesizer overdubs. <strong>ShagHead</strong> music has been featured in television, films, videos by Playboy and Penthouse and as soundtrack music for experimental films. <strong>ShagHead</strong> is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon (<a href=\"https://www.amazon.com/gp/product/B010XN33QQ/191-8279318-4053063?ie=UTF8&amp;*Version*=1&amp;*entries*=0\" target=\"_blank\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/shaghead/id1015758166\" target=\"_blank\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/store/music/album/Naked_Prey_Music_ShagHead?id=B37usf75ui65kb3g2klsi7eewta&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist ids=\"1802,1728,1722\"]', 'Featured Artist - ShagHead', 'ShagHead is dark, sensuous, sexual music. A blend of live musicians mixed with wild synthesizers.', 'inherit', 'closed', 'closed', '', '1773-revision-v1', '', '', '2016-04-12 06:01:24', '2016-04-12 13:01:24', '', 1773, 'https://afm424.org/1773-revision-v1/', 0, 'revision', '', 0),
(1805, 6, '2016-04-12 12:02:24', '2016-04-12 19:02:24', 'The next generation of ambient dub music. The spontaneity of live performance mixed with the virtually limitless possibilities of digital audio, coupled with a \"musique concrete” approach. The rhythmic feel has an ethnic/reggae-influenced vibe. Ambient TripDub music has been used in a wide variety of forms; film, television, music video, commercials, art museum installations, modern dance and art films.\r\n\r\nAmbient TripDub is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play\r\n\r\nAmazon (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\niTunes (<a href=\"https://itunes.apple.com/mz/album/ambient-tripdub/id1012124882\">download</a>)\r\n\r\nGoogle Play (<a href=\"https://play.google.com/music/preview/Btqzopac4i5qtfeoktszluplqsq?utm_source=youtube&amp;utm_medium=buylink\">stream</a>)\r\n\r\n[playlist ids=\"1632,1628,1629\"]\r\n\r\n&nbsp;\r\n\r\n&nbsp;', 'Featured Arist - Ambient TripDub', 'The next generation of ambient dub music. The spontaneity of live performances mixed with the limitless possibilities of digital audio, coupled with a \"musique concrete” approach.', 'inherit', 'closed', 'closed', '', '1766-autosave-v1', '', '', '2016-04-12 12:02:24', '2016-04-12 19:02:24', '', 1766, 'https://afm424.org/1766-autosave-v1/', 0, 'revision', '', 0),
(1806, 6, '2016-04-17 00:36:20', '2016-04-17 07:36:20', 'Emmy and Telly Award-winning songwriter and 424 member Paul Chiten has composed Nashville artist Melissa Ramski\'s latest single, “As Real As It Gets,” co-written with indie artist Heidi Swan. Melissa won the 2015 Indie Ville TV Artist of The Year award and has thousands of followers on Facebook, Reverb Nation and Spotify.\n\n[audio mp3=\"https://paulchiten.com/wp-content/uploads/2016/04/As-Real-As-It-Gets-Ramskis.mp3\"][/audio]', 'As Real As It Gets', '', 'inherit', 'closed', 'closed', '', '1762-autosave-v1', '', '', '2016-04-17 00:36:20', '2016-04-17 07:36:20', '', 1762, 'https://afm424.org/1762-autosave-v1/', 0, 'revision', '', 0),
(1807, 6, '2016-04-17 00:35:14', '2016-04-17 07:35:14', 'Emmy and Telly Award-winning songwriter and 424 member Paul Chiten has composed Nashville artist Melissa Ramski\'s the latest single, “As Real As It Gets” (co-written with Indie artist Heidi Swan). Melissa won the 2015 Indie Ville TV Artist of The Year award and has thousands of followers on Facebook, Reverb Nation and Spotify.\r\n\r\n[audio mp3=\"https://paulchiten.com/wp-content/uploads/2016/04/As-Real-As-It-Gets-Ramskis.mp3\"][/audio]', 'As Real As It Gets', '', 'inherit', 'closed', 'closed', '', '1762-revision-v1', '', '', '2016-04-17 00:35:14', '2016-04-17 07:35:14', '', 1762, 'https://afm424.org/1762-revision-v1/', 0, 'revision', '', 0),
(1808, 6, '2016-04-17 00:36:46', '2016-04-17 07:36:46', 'Emmy and Telly Award-winning songwriter and 424 member Paul Chiten has composed Nashville artist Melissa Ramski\'s latest single, “As Real As It Gets,” co-written with indie artist Heidi Swan. Melissa won the 2015 Indie Ville TV Artist of The Year award and has thousands of followers on Facebook, Reverb Nation and Spotify.\r\n\r\n[audio mp3=\"https://paulchiten.com/wp-content/uploads/2016/04/As-Real-As-It-Gets-Ramskis.mp3\"][/audio]', 'As Real As It Gets', '', 'inherit', 'closed', 'closed', '', '1762-revision-v1', '', '', '2016-04-17 00:36:46', '2016-04-17 07:36:46', '', 1762, 'https://afm424.org/1762-revision-v1/', 0, 'revision', '', 0),
(1816, 4, '2016-04-20 13:09:01', '2016-04-20 20:09:01', '<h1>Links</h1>\nHere you will find useful links regarding all aspects of the music business.\n<h3>Songwriting, Music Publishing &amp; Royalties:</h3>\n<ul>\n	<li><a href=\"http://www.ascap.com\" target=\"_blank\">ASCAP</a></li>\n	<li><a href=\"http://www.bmi.com\" target=\"_blank\">BMI</a></li>\n	<li><a href=\"http://www.sesac.com\" target=\"_blank\">SESAC</a></li>\n	<li><a href=\"https://www.harryfox.com\" target=\"_blank\">Harry Fox Agency</a></li>\n	<li><a href=\"http://www.soundexchange.com\" target=\"_blank\">Sound Exchange</a></li>\n</ul>\nLog onto ASCAP, BMI, SESAC, Harry Fox Agency or Sound Exchange to find info on Performing Rights Organizations––how to get your songs published, receive royalties, manage your music publishing, assemble your music catalog––and much more.\n<h3>Music Copyrighting</h3>\n<ul>\n	<li><a href=\"http://www.copyright.gov/forms/\" target=\"_blank\">Copyright Forms</a></li>\n	<li><a href=\"http://www.copyright.gov/eco/\" target=\"_blank\">Electronic Copyright Filing</a></li>\n</ul>\n<h3>Music Copyright Info</h3>\n<ul>\n	<li><a href=\"https://www.loc.gov/search/?in=&amp;q=music+copyrighting&amp;new=true&amp;st=\" target=\"_blank\">Library of Congress</a></li>\n</ul>\n<h3>Concert Calendar</h3>\n<ul>\n	<li><a href=\"http://www.livenation.com\" target=\"_blank\">Live Nation</a></li>\n	<li><a href=\"http://www.craneway.com\" target=\"_blank\">Craneway Pavilion</a></li>\n</ul>\n<h3>Gibson News Features</h3>\n<img class=\"wp-image-1817 size-full alignleft\" src=\"https://paulchiten.com/wp-content/uploads/2015/10/gibson.png\" alt=\"gibson\" width=\"279\" height=\"181\" />', 'Links', '', 'inherit', 'closed', 'closed', '', '1151-autosave-v1', '', '', '2016-04-20 13:09:01', '2016-04-20 20:09:01', '', 1151, 'https://afm424.org/1151-autosave-v1/', 0, 'revision', '', 0),
(1817, 4, '2016-04-20 12:58:11', '2016-04-20 19:58:11', '', 'gibson', '', 'inherit', 'open', 'closed', '', 'gibson', '', '', '2016-04-20 12:58:11', '2016-04-20 19:58:11', '', 1151, 'https://afm424.org/wp-content/uploads/2015/10/gibson.png', 0, 'attachment', 'image/png', 0),
(1818, 4, '2016-04-20 13:01:02', '2016-04-20 20:01:02', '<h1>Links</h1>\r\nHere you will find useful links regarding all aspects of the music business.\r\n<h3>Songwriting, Music Publishing &amp; Royalties:</h3>\r\n<ul>\r\n	<li><a href=\"http://www.ascap.com\" target=\"_blank\">ASCAP</a></li>\r\n	<li><a href=\"http://www.bmi.com\" target=\"_blank\">BMI</a></li>\r\n	<li><a href=\"http://www.sesac.com\" target=\"_blank\">SESAC</a></li>\r\n	<li><a href=\"https://www.harryfox.com\" target=\"_blank\">Harry Fox Agency</a></li>\r\n	<li><a href=\"http://www.soundexchange.com\" target=\"_blank\">Sound Exchange</a></li>\r\n</ul>\r\nLog onto ASCAP, BMI, SESAC, Harry Fox Agency or Sound Exchange to find info on Performing Rights Organizations––how to get your songs published, receive royalties, manage your music publishing, assemble your music catalog––and much more.\r\n<h3>Music Copyrighting</h3>\r\n<ul>\r\n	<li><a href=\"http://www.copyright.gov/forms/\" target=\"_blank\">Copyright Forms</a></li>\r\n	<li><a href=\"http://www.copyright.gov/eco/\" target=\"_blank\">Electronic Copyright Filing</a></li>\r\n</ul>\r\n<h3>Music Copyright Info</h3>\r\n<ul>\r\n	<li><a href=\"https://www.loc.gov/search/?in=&amp;q=music+copyrighting&amp;new=true&amp;st=\" target=\"_blank\">Library of Congress</a></li>\r\n</ul>\r\n<h3>Concert Calendar</h3>\r\n<ul>\r\n	<li><a href=\"http://www.livenation.com\" target=\"_blank\">Live Nation</a></li>\r\n	<li><a href=\"http://www.craneway.com\" target=\"_blank\">Craneway Pavilion</a></li>\r\n</ul>\r\n<h3>Gibson News Features</h3>\r\n<img class=\"alignnone wp-image-1817 size-full\" src=\"https://paulchiten.com/wp-content/uploads/2015/10/gibson.png\" alt=\"gibson\" width=\"279\" height=\"181\" />', 'Links', '', 'inherit', 'closed', 'closed', '', '1151-revision-v1', '', '', '2016-04-20 13:01:02', '2016-04-20 20:01:02', '', 1151, 'https://afm424.org/1151-revision-v1/', 0, 'revision', '', 0),
(1819, 4, '2016-04-20 13:09:04', '2016-04-20 20:09:04', '<h1>Links</h1>\r\nHere you will find useful links regarding all aspects of the music business.\r\n<h3>Songwriting, Music Publishing &amp; Royalties:</h3>\r\n<ul>\r\n	<li><a href=\"http://www.ascap.com\" target=\"_blank\">ASCAP</a></li>\r\n	<li><a href=\"http://www.bmi.com\" target=\"_blank\">BMI</a></li>\r\n	<li><a href=\"http://www.sesac.com\" target=\"_blank\">SESAC</a></li>\r\n	<li><a href=\"https://www.harryfox.com\" target=\"_blank\">Harry Fox Agency</a></li>\r\n	<li><a href=\"http://www.soundexchange.com\" target=\"_blank\">Sound Exchange</a></li>\r\n</ul>\r\nLog onto ASCAP, BMI, SESAC, Harry Fox Agency or Sound Exchange to find info on Performing Rights Organizations––how to get your songs published, receive royalties, manage your music publishing, assemble your music catalog––and much more.\r\n<h3>Music Copyrighting</h3>\r\n<ul>\r\n	<li><a href=\"http://www.copyright.gov/forms/\" target=\"_blank\">Copyright Forms</a></li>\r\n	<li><a href=\"http://www.copyright.gov/eco/\" target=\"_blank\">Electronic Copyright Filing</a></li>\r\n</ul>\r\n<h3>Music Copyright Info</h3>\r\n<ul>\r\n	<li><a href=\"https://www.loc.gov/search/?in=&amp;q=music+copyrighting&amp;new=true&amp;st=\" target=\"_blank\">Library of Congress</a></li>\r\n</ul>\r\n<h3>Concert Calendar</h3>\r\n<ul>\r\n	<li><a href=\"http://www.livenation.com\" target=\"_blank\">Live Nation</a></li>\r\n	<li><a href=\"http://www.craneway.com\" target=\"_blank\">Craneway Pavilion</a></li>\r\n</ul>\r\n<h3>Gibson News Features</h3>\r\n<img class=\"wp-image-1817 size-full alignleft\" src=\"https://paulchiten.com/wp-content/uploads/2015/10/gibson.png\" alt=\"gibson\" width=\"279\" height=\"181\" />', 'Links', '', 'inherit', 'closed', 'closed', '', '1151-revision-v1', '', '', '2016-04-20 13:09:04', '2016-04-20 20:09:04', '', 1151, 'https://afm424.org/1151-revision-v1/', 0, 'revision', '', 0),
(1820, 4, '2016-04-20 14:23:19', '2016-04-20 21:23:19', '<h1>Links</h1>\r\nHere you will find useful links regarding all aspects of the music business.\r\n<h3>Songwriting, Music Publishing &amp; Royalties:</h3>\r\n<ul>\r\n	<li><a href=\"http://www.ascap.com\" target=\"_blank\">ASCAP</a></li>\r\n	<li><a href=\"http://www.bmi.com\" target=\"_blank\">BMI</a></li>\r\n	<li><a href=\"http://www.sesac.com\" target=\"_blank\">SESAC</a></li>\r\n	<li><a href=\"https://www.harryfox.com\" target=\"_blank\">Harry Fox Agency</a></li>\r\n	<li><a href=\"http://www.soundexchange.com\" target=\"_blank\">Sound Exchange</a></li>\r\n</ul>\r\nLog onto ASCAP, BMI, SESAC, Harry Fox Agency or Sound Exchange to find info on Performing Rights Organizations––how to get your songs published, receive royalties, manage your music publishing, assemble your music catalog––and much more.\r\n<h3>Music Copyrighting</h3>\r\n<ul>\r\n	<li><a href=\"http://www.copyright.gov/forms/\" target=\"_blank\">Copyright Forms</a></li>\r\n	<li><a href=\"http://www.copyright.gov/eco/\" target=\"_blank\">Electronic Copyright Filing</a></li>\r\n</ul>\r\n<h3>Music Copyright Info</h3>\r\n<ul>\r\n	<li><a href=\"https://www.loc.gov/search/?in=&amp;q=music+copyrighting&amp;new=true&amp;st=\" target=\"_blank\">Library of Congress</a></li>\r\n</ul>\r\n<h3>Concert Calendar</h3>\r\n<ul>\r\n	<li><a href=\"http://www.livenation.com\" target=\"_blank\">Live Nation</a></li>\r\n	<li><a href=\"http://www.craneway.com\" target=\"_blank\">Craneway Pavilion</a></li>\r\n</ul>\r\n<h3>Gibson News Features</h3>\r\n<a href=\"http://www.gibson.com/News-Lifestyle.aspx \" target=\"_blank\"><img class=\"alignleft wp-image-1817 size-full\" src=\"https://paulchiten.com/wp-content/uploads/2015/10/gibson.png\" alt=\"gibson\" width=\"279\" height=\"181\" /></a>', 'Links', '', 'inherit', 'closed', 'closed', '', '1151-revision-v1', '', '', '2016-04-20 14:23:19', '2016-04-20 21:23:19', '', 1151, 'https://afm424.org/1151-revision-v1/', 0, 'revision', '', 0),
(1821, 4, '2016-04-22 06:23:38', '2016-04-22 13:23:38', '[vc_row][vc_column width=\"2/3\"][vc_column_text]\r\n<h1>Members Area</h1>\r\n<a href=\"http://local424.afmquartet.org/files/2010/12/424-2012-Bylaws.pdf\">424 2012 Bylaws</a>\r\n\r\n<a href=\"https://paulchiten.com/wp-content/uploads/2014/10/2013BylawsAFM-International1.pdf\">2013 Bylaws AFM International</a>\r\n<div>\r\n<div dir=\"ltr\"><a href=\"http://promusic47.org/allscales.html\" target=\"_blank\">Electronic Media Scale</a></div>\r\n</div>\r\n<div></div>\r\n[/vc_column_text][/vc_column][vc_column width=\"1/3\"][vc_column_text]You are currently logged in. <a href=\"https://afm424.org/member-dashboard/\">Member Dashboard</a>.[/vc_column_text][ihc-logout-link][/vc_column][/vc_row]', 'Members Area', '', 'inherit', 'closed', 'closed', '', '17-revision-v1', '', '', '2016-04-22 06:23:38', '2016-04-22 13:23:38', '', 17, 'https://afm424.org/17-revision-v1/', 0, 'revision', '', 0),
(1822, 6, '2016-04-22 13:56:57', '2016-04-22 20:56:57', 'ALLURE OF SOULS is a Gothic influenced alternative rock duo with a melodic and romantic overlay. They are based in Los Angeles. Lead singer Aina Olsen is a former Miss Norway. AOS music has been featured in films and television. They\'ve released two singles, “When The Angels Cry” and “Cold” which have become popular on digital media. The Allure of Souls album “X-O” is available for download on iTunes and Amazon––and streaming on Spotify, Apple Music, Tidal, Deezer, Beats/Media Net, YouTube, Muzoic, Microsoft Groove, and Google Play.\r\n\r\nAmazon: (<a href=\"https://www.amazon.com/gp/product/B0194NQDLI?ie=UTF8&amp;keywords=Allure%20of%20Souls&amp;qid=1454198349&amp;ref_=sr_1_3&amp;s=dmusic&amp;sr=1-3-mp3-albums-bar-strip-0\" target=\"_blank\">download</a>)\r\niTunes: (<a href=\"https://itunes.apple.com/in/album/x-o/id1066205916?app=itunes&amp;ign-mpt=uo%3D4\" target=\"_blank\">download</a>)\r\nGoogle Play: (<a href=\"https://play.google.com/store/music/album/Allure_of_Souls_X_O?id=Bi2d7kczdwtdzoxz3cr4wx3krby&amp;hl=en\" target=\"_blank\">stream</a>)\r\n\r\n[playlist artists=\"false\" ids=\"1456,1459,1449,1450\"]', 'Featured Artist - Allure of Souls', 'ALLURE OF SOULS is a compelling Gothic influenced alternative rock duo with a melodic and romantic overlay. A portion of their current album “X-O” can be listened to here.', 'inherit', 'closed', 'closed', '', '1436-revision-v1', '', '', '2016-04-22 13:56:57', '2016-04-22 20:56:57', '', 1436, 'https://afm424.org/1436-revision-v1/', 0, 'revision', '', 0);
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(1824, 4, '2016-04-23 08:41:55', '2016-04-23 15:41:55', '<div>\r\n<div>\r\n<div>PAUL CHITEN website home page:</div>\r\n<div><b><a href=\"http://www.sweethartproductions.com/\">sweethartproductions.com</a></b></div>\r\n<div>\r\n<div>\r\n<div>PAUL CHITEN website personal page:</div>\r\n<div><a href=\"http://sweethartproductions.com/PaulChiten.aspx\"><b>http://sweethartproductions.com/PaulChiten.aspx</b></a></div>\r\n</div>\r\n</div>\r\n</div>\r\n</div>\r\n<div>\r\n<div>PAUL CHITEN business email:\r\n<a href=\"mailto:pc@sweethartproductions.com\"><b>pc@sweethartproductions.com</b></a></div>\r\n<div></div>\r\n</div>\r\n&nbsp;\r\n\r\n<strong>Music &amp; Technology Talents</strong>\r\n\r\n• Composer • Arranger • Producer • Songwriter • Performer • Conductor • Musician\r\n• Vocalist • MIDI Programmer • Sound Designer • Computer Consultant\r\n• Primary Instruments: Piano &amp; Synthesizers\r\n• Other Instruments: Electric Guitar, Acoustic Guitar, Bass, Flute, Organ, Harmonica,\r\nVibes, Harpsichord, Recorder, Harmonium, Drums, Marimba, Percussion, Didgeridoo\r\n\r\n[playlist ids=\"1796,1798,1825\"]\r\n\r\n<strong>A Few Highlights</strong>\r\n<ul>\r\n	<li>Composer/Arranger/Performer/Musical Director for EMC World show, Las Vegas, 2014-2015</li>\r\n	<li>Music for “The Carrie Diaries,” CW Network, 2013-2014</li>\r\n	<li>Won a 2008 Daytime Emmy for Nickelodeon’s top-rated show, “The Wonder Pets!” for Outstanding  Achievement in Music Direction and Composition.</li>\r\n	<li>Winner of two 2008 Telly Awards for Outstanding Achievement in Music</li>\r\n	<li>Composed, Performed &amp; Produced music for the new video game “Spy Bots” from Bionic Games</li>\r\n	<li>Winner of three 2005 Telly Awards for Best Television Commercial</li>\r\n	<li>Winner of 2005 Aurora Platinum Award for Best Commercial</li>\r\n	<li>Arranged &amp; Performed the Main Title music for the CBS Movie,  “Helter Skelter” Co-produced with “X-Files” composer  Mark Snow. Music for the show was nominated for an Emmy Award</li>\r\n	<li>Producer/Performer/Co-Composer for Sony/Showtime television series, “Street Time.”</li>\r\n	<li>Music Director, Arranger and Performer for Cisco Systems Show, Las Vegas</li>\r\n	<li>Composed and Produced the theme music that daily opens and closes “The Tokyo Stock Exchange”</li>\r\n	<li>Musical Director and Performer, “Crystal Palace,” Tokyo, Japan</li>\r\n	<li>Musical Director for featured show at “Windows Of The World” Amphitheatre, China</li>\r\n	<li>Music Publishing deal with Fuji Pacific</li>\r\n	<li>Worked with composer Mike Stoller on the definitive music arrangements for the “Elvis Presley Sings Lieber &amp;  Stoller Songbook”</li>\r\n	<li>South American tour with Donna Summer, Keyboards and Vocals</li>\r\n	<li>European tour with Donna Summer, Keyboards and Vocals</li>\r\n	<li>African tours with my band, “Angel City”</li>\r\n	<li>Music Publishing deal with Paramount/Famous Music</li>\r\n	<li>Member of the Songwriter’s Summit excursion to Russia with  “Music Speaks Louder Than Words” project. Album on Epic Records</li>\r\n	<li>Featured in the television mini-series “Makin’ Music,” which won an Emmy Award</li>\r\n</ul>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"123\"><strong>Film &amp; Television</strong>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"203\"><strong>The Carrie Diaries</strong></td>\r\n<td width=\"211\">CW Network</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Street Time</strong></td>\r\n<td width=\"211\">Sony/Showtime</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Dawson’s Creek</strong></td>\r\n<td width=\"211\">Columbia/Tri-Star/Warner Brothers</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Helter Skelter </strong>(main title)</td>\r\n<td width=\"211\">CBS Movie</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Law &amp; Order</strong></td>\r\n<td width=\"211\">NBC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Wonder Pets</strong></td>\r\n<td width=\"211\">Nickelodeon</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Saving Milly</strong></td>\r\n<td width=\"211\">CBS Movie Of The Week</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Tokyo Stock Exchange</strong></td>\r\n<td width=\"211\">Music for Nikkei Exchange</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Software AG Show</strong></td>\r\n<td width=\"211\">Music Director, Arranger and Performer</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Spring Break Shark Attack</strong></td>\r\n<td width=\"211\">CBS Movie Of The Week</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Coming To America</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Beyond Chance</strong></td>\r\n<td width=\"211\">Lifetime</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Witness</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Queen’s Logic</strong></td>\r\n<td width=\"211\">Universal</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>True Colors</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Santa Barbara</strong></td>\r\n<td width=\"211\">NBC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>The Jew In The Lotus</strong>(score)</td>\r\n<td width=\"211\">Blind Dog Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>New Attitude</strong></td>\r\n<td width=\"211\">ABC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Distant Thunder</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Woman On The Run</strong></td>\r\n<td width=\"211\">NBC Mini-Series</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Lame Ducks</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Hollywood Beat</strong></td>\r\n<td width=\"211\">Aaron Spelling/ABC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Transylvania 6-5000</strong></td>\r\n<td width=\"211\">New World</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Bad Guys</strong></td>\r\n<td width=\"211\">Tomorrow Entertainment</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Street Smart</strong></td>\r\n<td width=\"211\">Cannon</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Sweet Poison</strong> (score)</td>\r\n<td width=\"211\">Universal</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Los Angeles Olympics</strong>(score)</td>\r\n<td width=\"211\">Master Arts</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Fantasy Chamber </strong>(score)</td>\r\n<td width=\"211\">Ultimate</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Intellidex </strong>(LaserDisc score)</td>\r\n<td width=\"211\">Post Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Erotic Visions </strong>(score)</td>\r\n<td width=\"211\">Ultimate</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Pulsebeat </strong>(score)</td>\r\n<td width=\"211\">Calla Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Intersil </strong>(score)</td>\r\n<td width=\"211\">General Electric</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Technics </strong>(score)</td>\r\n<td width=\"211\">Technics Ltd.</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Marbella </strong>(score)</td>\r\n<td width=\"211\">Calla Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Fame</strong></td>\r\n<td width=\"211\">ABC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"></td>\r\n<td width=\"211\"></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Trailers</strong>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"241\"><strong>Slingblade</strong></td>\r\n<td width=\"172\">Miramax</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Let The Devil Wear Black</strong></td>\r\n<td width=\"172\">Trimark</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Joe The King</strong></td>\r\n<td width=\"172\">Trimark</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>The Cape</strong></td>\r\n<td width=\"172\">MTM Television</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>The Blood Oranges</strong></td>\r\n<td width=\"172\">Trimark Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Witness</strong></td>\r\n<td width=\"172\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Mona Lisa</strong></td>\r\n<td width=\"172\">Island Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>River’s Edge</strong></td>\r\n<td width=\"172\">New World</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Jimmy Reardon</strong></td>\r\n<td width=\"172\">Island Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Sweet Lies</strong></td>\r\n<td width=\"172\">Island Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Rocky IV</strong></td>\r\n<td width=\"172\">CBS/Fox</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Pope of Greenwich Village</strong></td>\r\n<td width=\"172\">United Artists</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Commercials</strong>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"241\"><strong>Armani Olympiad</strong></td>\r\n<td width=\"172\">Giorgio Armani</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Relax</strong></td>\r\n<td width=\"172\">Ford</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Countrywide</strong></td>\r\n<td width=\"172\">Countrywide</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Port Of Los Angeles</strong></td>\r\n<td width=\"172\">M-Creative</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>The Bus Ride</strong></td>\r\n<td width=\"172\">Big Star Jeans</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Just Can’t Wait</strong></td>\r\n<td width=\"172\">Toyota</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Metro Parks</strong></td>\r\n<td width=\"172\">Ohio State Parks</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Island Presents</strong></td>\r\n<td width=\"172\">Island Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Season Theme</strong></td>\r\n<td width=\"172\">Oakland A’s</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Attitude</strong></td>\r\n<td width=\"172\">Gotcha Jeans</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Prom Fantasy</strong></td>\r\n<td width=\"172\">Elektra Casadei Designs</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Logo Theme</strong></td>\r\n<td width=\"172\">Pathe</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Video</strong>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"261\"><strong>Spy Bots</strong> (video game)</td>\r\n<td width=\"152\">Bionic Games</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Fighter Squadron</strong> (video game)</td>\r\n<td width=\"152\">Activision</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Faster Faster</strong></td>\r\n<td width=\"152\">MTV</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Girls Of Radio</strong> •Talk,Rock &amp; Shock</td>\r\n<td width=\"152\">Playboy Entertainment</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>London Nights</strong></td>\r\n<td width=\"152\">Trikilis Productions</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>On Campus</strong> (score)</td>\r\n<td width=\"152\">Warner Vision</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Beyond Vaudeville</strong></td>\r\n<td width=\"152\">Exotic World</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Art of Massage</strong> (score)</td>\r\n<td width=\"152\">Warner Vision</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Bump &amp; Grind</strong> • History of Burlesque</td>\r\n<td width=\"152\">Sheba Productions</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Poison Letter</strong></td>\r\n<td width=\"152\">MTV</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Paris Lights</strong></td>\r\n<td width=\"152\">Trikilis Productions</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<strong> </strong>\r\n\r\n<strong>Studio &amp; Production</strong>\r\n\r\n<em>Composed, Arranged, Produced, Performed, Programmed or Sound Designed for:</em>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"128\">Michael Jackson</td>\r\n<td width=\"120\">Natalie Cole</td>\r\n<td width=\"149\">Anita Baker</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Tina Turner</td>\r\n<td width=\"120\">Alice Cooper</td>\r\n<td width=\"149\">Brenda Russell</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Donna Summer</td>\r\n<td width=\"120\">Cyndi Lauper</td>\r\n<td width=\"149\">LA Law</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Pointer Sisters</td>\r\n<td width=\"120\">The Breakfast Club</td>\r\n<td width=\"149\">Vince Neil (Motley Crue)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Commodores</td>\r\n<td width=\"120\">Kokopop</td>\r\n<td width=\"149\">Skin Deep</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Lou Rawls, Jr</td>\r\n<td width=\"120\">Marvin Gaye, Jr.</td>\r\n<td width=\"149\">Alisha</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Glass</td>\r\n<td width=\"120\">Phil Perry</td>\r\n<td width=\"149\">Santa Barbera</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Five Star</td>\r\n<td width=\"120\">Julian Lennon</td>\r\n<td width=\"149\">Fame</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">NBC</td>\r\n<td width=\"120\">Solid Gold</td>\r\n<td width=\"149\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">B.D. Fox &amp; Friends</td>\r\n<td width=\"120\">ABC</td>\r\n<td width=\"149\">Court TV</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Warner Brothers</td>\r\n<td width=\"120\">Fox Television</td>\r\n<td width=\"149\">Propaganda Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Universal</td>\r\n<td width=\"120\">Cucoloris Films</td>\r\n<td width=\"149\">McClatchy Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Phil Perry</td>\r\n<td width=\"120\">Flicker Films</td>\r\n<td width=\"149\">Lifetime</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Herbie Hancock</td>\r\n<td width=\"120\">History Channel</td>\r\n<td width=\"149\">Andre Fisher</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Phil Ramone</td>\r\n<td width=\"120\">KPIX</td>\r\n<td width=\"149\">Saatchi &amp; Saatchi</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Jimmy Iovine</td>\r\n<td width=\"120\">Young &amp; Rubicam</td>\r\n<td width=\"149\"></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Musical Director</strong>\r\n\r\n•   EMC World show, Las Vegas\r\n\r\n•   Television series “Makin’ Music,” which won an Emmy Award.\r\n\r\n•   Cisco Annual Corporate Show, Las Vegas\r\n\r\n•   Sweethart Productions\r\n\r\n•   The Commodores, conductor &amp; arranger\r\n\r\n•   Software AG Annual Corporate Show, Orlando\r\n\r\n•   Headline show at “Windows Of The World” Amphitheater, China\r\n\r\n•   Oracle Show at the Los Angeles Convention Center\r\n\r\n•   Deltek Annual Corporate Show, Nashville\r\n\r\n•   The band “Angel City,” multiple tours of Africa\r\n\r\n•   The band “PC2000,” launching MTV’s “Basement Tapes” series.\r\n\r\n•   Television series “Zoom,” WGBH\r\n\r\n•   Production company “Hot Spoons Productions”\r\n\r\n•   Los Angeles Olympics Master Arts Show\r\n\r\n<strong>\r\nSongs</strong>\r\n\r\nMaster Produced (*) by Paul Chiten\r\nMaster co-Produced (**) by Paul Chiten\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"123\"><strong>Title</strong></td>\r\n<td width=\"115\"><strong>Artist</strong></td>\r\n<td width=\"156\"><strong>Label</strong></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Can’t Wait Another Minute</strong></td>\r\n<td width=\"115\">Five Star</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Lewis Sisters</td>\r\n<td width=\"156\">Riva</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Aina</td>\r\n<td width=\"156\">Polydor</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Ain’t Crack</td>\r\n<td width=\"156\">Disney</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Patti Brooks</td>\r\n<td width=\"156\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Dance Chart</td>\r\n<td width=\"156\">Telstar</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Five Star’s Greatest Hits</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Now Dance</td>\r\n<td width=\"156\">EMI/Virgin</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Drive My Car (Til Sunset)</strong></td>\r\n<td width=\"115\">Brenda Russell</td>\r\n<td width=\"156\">A&amp;M</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Come Into My Life</strong></td>\r\n<td width=\"115\">Laura Branigan</td>\r\n<td width=\"156\">Atco</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">The Imperials</td>\r\n<td width=\"156\">Starsong</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Chikaco Sawada</td>\r\n<td width=\"156\">Taurus</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Dancing With A Stranger</strong></td>\r\n<td width=\"115\">Cyndi Lauper</td>\r\n<td width=\"156\">Epic</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Real Life</strong></td>\r\n<td width=\"115\">Pointer Sisters</td>\r\n<td width=\"156\">Motown</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Get Ethnic</strong></td>\r\n<td width=\"115\">Donna Summer</td>\r\n<td width=\"156\">Atlantic</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Hollywood Beat</strong></td>\r\n<td width=\"115\">Natalie Cole</td>\r\n<td width=\"156\">ABC/Aaron Spelling</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>One Step Closer</strong></td>\r\n<td width=\"115\">Starpoint</td>\r\n<td width=\"156\">Elecktra</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Together</strong></td>\r\n<td width=\"115\">Mickey Thomas (Starship)</td>\r\n<td width=\"156\">Epic</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Seduction</strong></td>\r\n<td width=\"115\">Sam Riney</td>\r\n<td width=\"156\">Spindletop</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Are My Angel</strong></td>\r\n<td width=\"115\">Myrah Kay</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Party-2-Go</strong></td>\r\n<td width=\"115\">Ram Jam**</td>\r\n<td width=\"156\">Universal</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Show Me</strong></td>\r\n<td width=\"115\">Glass*</td>\r\n<td width=\"156\">BMG</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Minako Tanaka</td>\r\n<td width=\"156\">Japan Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Tango</strong></td>\r\n<td width=\"115\">Laima</td>\r\n<td width=\"156\">MCA / GRP</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Transylvania 6-5000</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">New World</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Snap Dance</strong></td>\r\n<td width=\"115\">New Fifth Dimension</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Hand Tools*</td>\r\n<td width=\"156\">Casablanca</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>For Members</strong><strong>Only</strong></td>\r\n<td width=\"115\">Imagination</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Love Will Talk</strong></td>\r\n<td width=\"115\">Alisha</td>\r\n<td width=\"156\">MCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Solveg Angelic</td>\r\n<td width=\"156\">Intermediate</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>All Over Again</strong></td>\r\n<td width=\"115\">Jose Feliciano*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>First In Line</strong></td>\r\n<td width=\"115\">Jaki Graham</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Fame*</td>\r\n<td width=\"156\">ABC</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>It’s A Wild World</strong></td>\r\n<td width=\"115\">Tonio K.</td>\r\n<td width=\"156\">Warner Brothers</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Shocking Behavior</strong></td>\r\n<td width=\"115\">Hand Tools*</td>\r\n<td width=\"156\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Suzi Quatro*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Target Practice</strong></td>\r\n<td width=\"115\">Aina</td>\r\n<td width=\"156\">Polydor</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Courting Disaster</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">Casablanca</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Patterns In Peru</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>I’ll Move The World</strong></td>\r\n<td width=\"115\">Gennaro*</td>\r\n<td width=\"156\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Girls Don’t Lie</strong></td>\r\n<td width=\"115\">Alisha</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">George McCrae</td>\r\n<td width=\"156\">Ariola</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Only In Your Arms</strong></td>\r\n<td width=\"115\">DeVere*</td>\r\n<td width=\"156\">Cannon</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>I’ve Got Your Number</strong></td>\r\n<td width=\"115\">Ondrea**</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Move Over, I’m Driving</strong></td>\r\n<td width=\"115\">Jane Edwards</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>The Melting Point</strong></td>\r\n<td width=\"115\">Lewis Sisters</td>\r\n<td width=\"156\">Riva</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Yoko Oginome</td>\r\n<td width=\"156\">VIctor</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Mocha*</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Somebody Wants You</strong></td>\r\n<td width=\"115\">Mendy Lee</td>\r\n<td width=\"156\">Jacksons Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Man On The Street</strong></td>\r\n<td width=\"115\">PC2000*</td>\r\n<td width=\"156\">HSRecords</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Mike Hegedus*</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Every Time We Kiss</strong></td>\r\n<td width=\"115\">Sam Riney</td>\r\n<td width=\"156\">Spindletop</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Over The Top</strong></td>\r\n<td width=\"115\">Mocha*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Tell Me How You </strong><strong>Like It </strong></td>\r\n<td width=\"115\">Minako Tanaka</td>\r\n<td width=\"156\">Japan Records</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Vivien</td>\r\n<td width=\"156\">Funhouse</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Whatcha Gonna Do</strong><strong>About It</strong></td>\r\n<td width=\"115\">Yvonne Jackson</td>\r\n<td width=\"156\">Ichiban</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Suzette Charles**</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Before It Rains Again</strong></td>\r\n<td width=\"115\">Patrick DuPont</td>\r\n<td width=\"156\">Off The Wall</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Weekend Pain</strong></td>\r\n<td width=\"115\">Minako Tanaka</td>\r\n<td width=\"156\">Japan Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Some Day</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">ABC</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>The Truth About Angel</strong></td>\r\n<td width=\"115\">Suzi Quatro*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Sleeping In The Moon</strong></td>\r\n<td width=\"115\">Hiromi Asai</td>\r\n<td width=\"156\">Funhouse</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>The Truth About Angel</strong></td>\r\n<td width=\"115\">Suzi Quatro*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Too Far Too Fast</strong></td>\r\n<td width=\"115\">The Heat</td>\r\n<td width=\"156\">MDM</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Set Me In Motion</strong></td>\r\n<td width=\"115\">Tricia Burton</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Old Enough To</strong><strong>Know Better</strong></td>\r\n<td width=\"115\">Jacqui Berne</td>\r\n<td width=\"156\">Rick Wake Productions</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Patti Day</td>\r\n<td width=\"156\">Starway</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Got My Attention</strong></td>\r\n<td width=\"115\">Angie Gold</td>\r\n<td width=\"156\">Alfa</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Witch’s Trap</strong></td>\r\n<td width=\"115\">Akemi Ishi</td>\r\n<td width=\"156\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Have You Ever</strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>When I Look At You</strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>The Poetry Of Sex</strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Vanilla Latte</strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>So Deep </strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Perfect World  </strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>More Than Just Friends </strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Mindworker</strong></td>\r\n<td width=\"115\">Paul August*</td>\r\n<td width=\"156\">John Paul Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Emergency</strong></td>\r\n<td width=\"115\">PC2000*</td>\r\n<td width=\"156\">Jump Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>There Must Be A God</strong></td>\r\n<td width=\"115\">Rhetta Hughs</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Erotic Visions (album)</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">Playfull</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Poet For The Moonlight</strong></td>\r\n<td width=\"115\">Jose Feliciano*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Fantasy Chamber (album)</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">Playfull</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>A Woman Like Me</strong></td>\r\n<td width=\"115\">Soul Tarot*</td>\r\n<td width=\"156\">B Street</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Seditious Philosophies (album)</strong></td>\r\n<td width=\"115\">Steve Dolmer*</td>\r\n<td width=\"156\">Sony</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Are My Angel</strong></td>\r\n<td width=\"115\">Andrea Robinson*</td>\r\n<td width=\"156\">LDH Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>What Is Sex</strong></td>\r\n<td width=\"115\">Tahlia Loren*</td>\r\n<td width=\"156\">LS Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>So Crazy In Love</strong></td>\r\n<td width=\"115\">Robin Taylor*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Whatever It Takes</strong></td>\r\n<td width=\"115\">Robin Taylor*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Sedative</strong></td>\r\n<td width=\"115\">Robin Taylor*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Hearts Under Fire</strong></td>\r\n<td width=\"115\">Gennaro*</td>\r\n<td width=\"156\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>I’ll Move The World</strong></td>\r\n<td width=\"115\">Gennaro*</td>\r\n<td width=\"156\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Are My Angel </strong></td>\r\n<td width=\"115\">Myrah Kay</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Take It All  </strong></td>\r\n<td width=\"115\">Heidi Swan</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>As Real As It Gets</strong></td>\r\n<td width=\"115\">Heidi Swan</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>No More Borken Dreams</strong></td>\r\n<td width=\"115\">Heidi Swan</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>It Takes A Lot To Love </strong></td>\r\n<td width=\"115\">Heidi Swan</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Are my Angel</strong></td>\r\n<td width=\"115\">Myrah Kay</td>\r\n<td width=\"156\">Avex</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Education</strong>\r\n•  Mills College, Masters Degree in Music Composition\r\n•  Brown University, Bachelor’s Degree\r\n•  Harvard University, Special Arts Program\r\n•   University Of California at San Diego\r\n•  New England Conservatory Of Music\r\n•  Berklee School Of Music\r\n•   Private Piano &amp; Composition Study\r\n\r\n<strong>\r\nLecturing &amp; Publications</strong>\r\n\r\n• <strong>UCLA </strong>\r\nTopic: Music For Visuals\r\n\r\n•<strong> Musician’s Institute </strong>\r\nTopic: Music Composition Using MIDI &amp; Computers\r\n\r\n•<strong> National Academy of Songwriters</strong>\r\nTopic: Record Deals For New Artists\r\n\r\n•<strong> Mix Magazine</strong>\r\nTopic: The Importance Of Pre-Production\r\n\r\n•<strong> Songwriter’s Expo</strong>\r\nTopic: The Promotion &amp; Marketing of New Music\r\n\r\n• <strong>San Luis Obispo Dept. of Corrections Outreach Program </strong>\r\nTopic: World Music\r\n\r\n• <strong>Los Angeles Songwriters Showcase </strong>\r\nTopic: Modern Songwriting\r\n\r\n• <strong>South By Southwest Music Conference – BMI Guest Speaker </strong>\r\nTopic: Music Composition For Different Genres\r\n\r\n• <strong>N.A.M.M Show</strong>\r\nTopic: Producing New Artists\r\n\r\n•<strong> A.E.S Show</strong>\r\nTopic: Music &amp; The Internet\r\n\r\n• <strong>Digital Living Room High Technology Convention </strong>\r\nTopic: Music &amp; Technology\r\n\r\n• <strong>National Music Educators Convention – Keynote Speaker</strong>\r\nTopic: The Future of Music\r\n<div></div>\r\n<div>PAUL CHITEN website home page:</div>\r\n<div><b><a href=\"http://sweethartproductions.com/\" target=\"_blank\">sweethartproductions.com</a></b></div>\r\n<div>PAUL CHITEN website personal page:</div>\r\n<div><b>http://sweethartproductions.com/PaulChiten.aspx</b></div>\r\n<div>PAUL CHITEN business email:\r\n<a href=\"mailto:pc@sweethartproductions.com\"><b>pc@sweethartproductions.com</b></a></div></td>\r\n</tr>\r\n</tbody>\r\n</table>', 'Featured Artist – Paul Chiten', 'Paul Chiten is a Los Angeles-based songwriter, composer, producer, musician, singer and artist. His songs have gone platinum and gold. His compositions and productions have won Telly, Aurora and Emmy Awards. He has worked with Michael Jackson, Anita Baker, Tina Turner, Donna Summer, Cyndi Lauper and countless others.', 'inherit', 'closed', 'closed', '', '813-autosave-v1', '', '', '2016-04-23 08:41:55', '2016-04-23 15:41:55', '', 813, 'https://afm424.org/813-autosave-v1/', 0, 'revision', '', 0),
(1825, 4, '2016-04-23 08:41:21', '2016-04-23 15:41:21', '\"Transylvania 6-5000\" from PC SINGZ PC by Paul Chiten. Genre: Rock.', 'Transylvania 6-5000', '', 'inherit', 'open', 'closed', '', 'transylvania-6-5000', '', '', '2016-04-23 08:41:28', '2016-04-23 15:41:28', '', 813, 'https://afm424.org/wp-content/uploads/2015/09/Transylvania-6-5000-by-PAUL-CHITEN.mp3', 0, 'attachment', 'audio/mpeg', 0);
INSERT INTO `wp_posts` (`ID`, `post_author`, `post_date`, `post_date_gmt`, `post_content`, `post_title`, `post_excerpt`, `post_status`, `comment_status`, `ping_status`, `post_password`, `post_name`, `to_ping`, `pinged`, `post_modified`, `post_modified_gmt`, `post_content_filtered`, `post_parent`, `guid`, `menu_order`, `post_type`, `post_mime_type`, `comment_count`) VALUES
(1826, 4, '2016-04-23 08:42:12', '2016-04-23 15:42:12', '<div>\r\n<div>\r\n<div>PAUL CHITEN website home page:</div>\r\n<div><b><a href=\"http://www.sweethartproductions.com/\">sweethartproductions.com</a></b></div>\r\n<div>\r\n<div>\r\n<div>PAUL CHITEN website personal page:</div>\r\n<div><a href=\"http://sweethartproductions.com/PaulChiten.aspx\"><b>http://sweethartproductions.com/PaulChiten.aspx</b></a></div>\r\n</div>\r\n</div>\r\n</div>\r\n</div>\r\n<div>\r\n<div>PAUL CHITEN business email:\r\n<a href=\"mailto:pc@sweethartproductions.com\"><b>pc@sweethartproductions.com</b></a></div>\r\n<div></div>\r\n</div>\r\n&nbsp;\r\n\r\n<strong>Music &amp; Technology Talents</strong>\r\n\r\n• Composer • Arranger • Producer • Songwriter • Performer • Conductor • Musician\r\n• Vocalist • MIDI Programmer • Sound Designer • Computer Consultant\r\n• Primary Instruments: Piano &amp; Synthesizers\r\n• Other Instruments: Electric Guitar, Acoustic Guitar, Bass, Flute, Organ, Harmonica,\r\nVibes, Harpsichord, Recorder, Harmonium, Drums, Marimba, Percussion, Didgeridoo\r\n\r\n[playlist ids=\"1796,1798,1825\"]\r\n\r\n<strong>A Few Highlights</strong>\r\n<ul>\r\n	<li>Composer/Arranger/Performer/Musical Director for EMC World show, Las Vegas, 2014-2015</li>\r\n	<li>Music for “The Carrie Diaries,” CW Network, 2013-2014</li>\r\n	<li>Won a 2008 Daytime Emmy for Nickelodeon’s top-rated show, “The Wonder Pets!” for Outstanding  Achievement in Music Direction and Composition.</li>\r\n	<li>Winner of two 2008 Telly Awards for Outstanding Achievement in Music</li>\r\n	<li>Composed, Performed &amp; Produced music for the new video game “Spy Bots” from Bionic Games</li>\r\n	<li>Winner of three 2005 Telly Awards for Best Television Commercial</li>\r\n	<li>Winner of 2005 Aurora Platinum Award for Best Commercial</li>\r\n	<li>Arranged &amp; Performed the Main Title music for the CBS Movie,  “Helter Skelter” Co-produced with “X-Files” composer  Mark Snow. Music for the show was nominated for an Emmy Award</li>\r\n	<li>Producer/Performer/Co-Composer for Sony/Showtime television series, “Street Time.”</li>\r\n	<li>Music Director, Arranger and Performer for Cisco Systems Show, Las Vegas</li>\r\n	<li>Composed and Produced the theme music that daily opens and closes “The Tokyo Stock Exchange”</li>\r\n	<li>Musical Director and Performer, “Crystal Palace,” Tokyo, Japan</li>\r\n	<li>Musical Director for featured show at “Windows Of The World” Amphitheatre, China</li>\r\n	<li>Music Publishing deal with Fuji Pacific</li>\r\n	<li>Worked with composer Mike Stoller on the definitive music arrangements for the “Elvis Presley Sings Lieber &amp;  Stoller Songbook”</li>\r\n	<li>South American tour with Donna Summer, Keyboards and Vocals</li>\r\n	<li>European tour with Donna Summer, Keyboards and Vocals</li>\r\n	<li>African tours with my band, “Angel City”</li>\r\n	<li>Music Publishing deal with Paramount/Famous Music</li>\r\n	<li>Member of the Songwriter’s Summit excursion to Russia with  “Music Speaks Louder Than Words” project. Album on Epic Records</li>\r\n	<li>Featured in the television mini-series “Makin’ Music,” which won an Emmy Award</li>\r\n</ul>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"123\"><strong>Film &amp; Television</strong>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"203\"><strong>The Carrie Diaries</strong></td>\r\n<td width=\"211\">CW Network</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Street Time</strong></td>\r\n<td width=\"211\">Sony/Showtime</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Dawson’s Creek</strong></td>\r\n<td width=\"211\">Columbia/Tri-Star/Warner Brothers</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Helter Skelter </strong>(main title)</td>\r\n<td width=\"211\">CBS Movie</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Law &amp; Order</strong></td>\r\n<td width=\"211\">NBC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Wonder Pets</strong></td>\r\n<td width=\"211\">Nickelodeon</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Saving Milly</strong></td>\r\n<td width=\"211\">CBS Movie Of The Week</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Tokyo Stock Exchange</strong></td>\r\n<td width=\"211\">Music for Nikkei Exchange</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Software AG Show</strong></td>\r\n<td width=\"211\">Music Director, Arranger and Performer</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Spring Break Shark Attack</strong></td>\r\n<td width=\"211\">CBS Movie Of The Week</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Coming To America</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Beyond Chance</strong></td>\r\n<td width=\"211\">Lifetime</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Witness</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Queen’s Logic</strong></td>\r\n<td width=\"211\">Universal</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>True Colors</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Santa Barbara</strong></td>\r\n<td width=\"211\">NBC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>The Jew In The Lotus</strong>(score)</td>\r\n<td width=\"211\">Blind Dog Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>New Attitude</strong></td>\r\n<td width=\"211\">ABC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Distant Thunder</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Woman On The Run</strong></td>\r\n<td width=\"211\">NBC Mini-Series</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Lame Ducks</strong></td>\r\n<td width=\"211\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Hollywood Beat</strong></td>\r\n<td width=\"211\">Aaron Spelling/ABC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Transylvania 6-5000</strong></td>\r\n<td width=\"211\">New World</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Bad Guys</strong></td>\r\n<td width=\"211\">Tomorrow Entertainment</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Street Smart</strong></td>\r\n<td width=\"211\">Cannon</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Sweet Poison</strong> (score)</td>\r\n<td width=\"211\">Universal</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Los Angeles Olympics</strong>(score)</td>\r\n<td width=\"211\">Master Arts</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Fantasy Chamber </strong>(score)</td>\r\n<td width=\"211\">Ultimate</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Intellidex </strong>(LaserDisc score)</td>\r\n<td width=\"211\">Post Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Erotic Visions </strong>(score)</td>\r\n<td width=\"211\">Ultimate</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Pulsebeat </strong>(score)</td>\r\n<td width=\"211\">Calla Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Intersil </strong>(score)</td>\r\n<td width=\"211\">General Electric</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Technics </strong>(score)</td>\r\n<td width=\"211\">Technics Ltd.</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Marbella </strong>(score)</td>\r\n<td width=\"211\">Calla Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"><strong>Fame</strong></td>\r\n<td width=\"211\">ABC</td>\r\n</tr>\r\n<tr>\r\n<td width=\"203\"></td>\r\n<td width=\"211\"></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Trailers</strong>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"241\"><strong>Slingblade</strong></td>\r\n<td width=\"172\">Miramax</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Let The Devil Wear Black</strong></td>\r\n<td width=\"172\">Trimark</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Joe The King</strong></td>\r\n<td width=\"172\">Trimark</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>The Cape</strong></td>\r\n<td width=\"172\">MTM Television</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>The Blood Oranges</strong></td>\r\n<td width=\"172\">Trimark Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Witness</strong></td>\r\n<td width=\"172\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Mona Lisa</strong></td>\r\n<td width=\"172\">Island Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>River’s Edge</strong></td>\r\n<td width=\"172\">New World</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Jimmy Reardon</strong></td>\r\n<td width=\"172\">Island Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Sweet Lies</strong></td>\r\n<td width=\"172\">Island Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Rocky IV</strong></td>\r\n<td width=\"172\">CBS/Fox</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Pope of Greenwich Village</strong></td>\r\n<td width=\"172\">United Artists</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Commercials</strong>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"241\"><strong>Armani Olympiad</strong></td>\r\n<td width=\"172\">Giorgio Armani</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Relax</strong></td>\r\n<td width=\"172\">Ford</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Countrywide</strong></td>\r\n<td width=\"172\">Countrywide</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Port Of Los Angeles</strong></td>\r\n<td width=\"172\">M-Creative</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>The Bus Ride</strong></td>\r\n<td width=\"172\">Big Star Jeans</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Just Can’t Wait</strong></td>\r\n<td width=\"172\">Toyota</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Metro Parks</strong></td>\r\n<td width=\"172\">Ohio State Parks</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Island Presents</strong></td>\r\n<td width=\"172\">Island Pictures</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Season Theme</strong></td>\r\n<td width=\"172\">Oakland A’s</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Attitude</strong></td>\r\n<td width=\"172\">Gotcha Jeans</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Prom Fantasy</strong></td>\r\n<td width=\"172\">Elektra Casadei Designs</td>\r\n</tr>\r\n<tr>\r\n<td width=\"241\"><strong>Logo Theme</strong></td>\r\n<td width=\"172\">Pathe</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Video</strong>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"261\"><strong>Spy Bots</strong> (video game)</td>\r\n<td width=\"152\">Bionic Games</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Fighter Squadron</strong> (video game)</td>\r\n<td width=\"152\">Activision</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Faster Faster</strong></td>\r\n<td width=\"152\">MTV</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Girls Of Radio</strong> •Talk,Rock &amp; Shock</td>\r\n<td width=\"152\">Playboy Entertainment</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>London Nights</strong></td>\r\n<td width=\"152\">Trikilis Productions</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>On Campus</strong> (score)</td>\r\n<td width=\"152\">Warner Vision</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Beyond Vaudeville</strong></td>\r\n<td width=\"152\">Exotic World</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Art of Massage</strong> (score)</td>\r\n<td width=\"152\">Warner Vision</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Bump &amp; Grind</strong> • History of Burlesque</td>\r\n<td width=\"152\">Sheba Productions</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Poison Letter</strong></td>\r\n<td width=\"152\">MTV</td>\r\n</tr>\r\n<tr>\r\n<td width=\"261\"><strong>Paris Lights</strong></td>\r\n<td width=\"152\">Trikilis Productions</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<strong> </strong>\r\n\r\n<strong>Studio &amp; Production</strong>\r\n\r\n<em>Composed, Arranged, Produced, Performed, Programmed or Sound Designed for:</em>\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"128\">Michael Jackson</td>\r\n<td width=\"120\">Natalie Cole</td>\r\n<td width=\"149\">Anita Baker</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Tina Turner</td>\r\n<td width=\"120\">Alice Cooper</td>\r\n<td width=\"149\">Brenda Russell</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Donna Summer</td>\r\n<td width=\"120\">Cyndi Lauper</td>\r\n<td width=\"149\">LA Law</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Pointer Sisters</td>\r\n<td width=\"120\">The Breakfast Club</td>\r\n<td width=\"149\">Vince Neil (Motley Crue)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Commodores</td>\r\n<td width=\"120\">Kokopop</td>\r\n<td width=\"149\">Skin Deep</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Lou Rawls, Jr</td>\r\n<td width=\"120\">Marvin Gaye, Jr.</td>\r\n<td width=\"149\">Alisha</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Glass</td>\r\n<td width=\"120\">Phil Perry</td>\r\n<td width=\"149\">Santa Barbera</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Five Star</td>\r\n<td width=\"120\">Julian Lennon</td>\r\n<td width=\"149\">Fame</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">NBC</td>\r\n<td width=\"120\">Solid Gold</td>\r\n<td width=\"149\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">B.D. Fox &amp; Friends</td>\r\n<td width=\"120\">ABC</td>\r\n<td width=\"149\">Court TV</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Warner Brothers</td>\r\n<td width=\"120\">Fox Television</td>\r\n<td width=\"149\">Propaganda Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Universal</td>\r\n<td width=\"120\">Cucoloris Films</td>\r\n<td width=\"149\">McClatchy Films</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Phil Perry</td>\r\n<td width=\"120\">Flicker Films</td>\r\n<td width=\"149\">Lifetime</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Herbie Hancock</td>\r\n<td width=\"120\">History Channel</td>\r\n<td width=\"149\">Andre Fisher</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Phil Ramone</td>\r\n<td width=\"120\">KPIX</td>\r\n<td width=\"149\">Saatchi &amp; Saatchi</td>\r\n</tr>\r\n<tr>\r\n<td width=\"128\">Jimmy Iovine</td>\r\n<td width=\"120\">Young &amp; Rubicam</td>\r\n<td width=\"149\"></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Musical Director</strong>\r\n\r\n•   EMC World show, Las Vegas\r\n\r\n•   Television series “Makin’ Music,” which won an Emmy Award.\r\n\r\n•   Cisco Annual Corporate Show, Las Vegas\r\n\r\n•   Sweethart Productions\r\n\r\n•   The Commodores, conductor &amp; arranger\r\n\r\n•   Software AG Annual Corporate Show, Orlando\r\n\r\n•   Headline show at “Windows Of The World” Amphitheater, China\r\n\r\n•   Oracle Show at the Los Angeles Convention Center\r\n\r\n•   Deltek Annual Corporate Show, Nashville\r\n\r\n•   The band “Angel City,” multiple tours of Africa\r\n\r\n•   The band “PC2000,” launching MTV’s “Basement Tapes” series.\r\n\r\n•   Television series “Zoom,” WGBH\r\n\r\n•   Production company “Hot Spoons Productions”\r\n\r\n•   Los Angeles Olympics Master Arts Show\r\n\r\n<strong>\r\nSongs</strong>\r\n\r\nMaster Produced (*) by Paul Chiten\r\nMaster co-Produced (**) by Paul Chiten\r\n<table width=\"413\">\r\n<tbody>\r\n<tr>\r\n<td width=\"123\"><strong>Title</strong></td>\r\n<td width=\"115\"><strong>Artist</strong></td>\r\n<td width=\"156\"><strong>Label</strong></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Can’t Wait Another Minute</strong></td>\r\n<td width=\"115\">Five Star</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Lewis Sisters</td>\r\n<td width=\"156\">Riva</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Aina</td>\r\n<td width=\"156\">Polydor</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Ain’t Crack</td>\r\n<td width=\"156\">Disney</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Patti Brooks</td>\r\n<td width=\"156\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Dance Chart</td>\r\n<td width=\"156\">Telstar</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Five Star’s Greatest Hits</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Now Dance</td>\r\n<td width=\"156\">EMI/Virgin</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Drive My Car (Til Sunset)</strong></td>\r\n<td width=\"115\">Brenda Russell</td>\r\n<td width=\"156\">A&amp;M</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Come Into My Life</strong></td>\r\n<td width=\"115\">Laura Branigan</td>\r\n<td width=\"156\">Atco</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">The Imperials</td>\r\n<td width=\"156\">Starsong</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Chikaco Sawada</td>\r\n<td width=\"156\">Taurus</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Dancing With A Stranger</strong></td>\r\n<td width=\"115\">Cyndi Lauper</td>\r\n<td width=\"156\">Epic</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Real Life</strong></td>\r\n<td width=\"115\">Pointer Sisters</td>\r\n<td width=\"156\">Motown</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Get Ethnic</strong></td>\r\n<td width=\"115\">Donna Summer</td>\r\n<td width=\"156\">Atlantic</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Hollywood Beat</strong></td>\r\n<td width=\"115\">Natalie Cole</td>\r\n<td width=\"156\">ABC/Aaron Spelling</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>One Step Closer</strong></td>\r\n<td width=\"115\">Starpoint</td>\r\n<td width=\"156\">Elecktra</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Together</strong></td>\r\n<td width=\"115\">Mickey Thomas (Starship)</td>\r\n<td width=\"156\">Epic</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Seduction</strong></td>\r\n<td width=\"115\">Sam Riney</td>\r\n<td width=\"156\">Spindletop</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Are My Angel</strong></td>\r\n<td width=\"115\">Myrah Kay</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Party-2-Go</strong></td>\r\n<td width=\"115\">Ram Jam**</td>\r\n<td width=\"156\">Universal</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Show Me</strong></td>\r\n<td width=\"115\">Glass*</td>\r\n<td width=\"156\">BMG</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Minako Tanaka</td>\r\n<td width=\"156\">Japan Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Tango</strong></td>\r\n<td width=\"115\">Laima</td>\r\n<td width=\"156\">MCA / GRP</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Transylvania 6-5000</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">New World</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Snap Dance</strong></td>\r\n<td width=\"115\">New Fifth Dimension</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Hand Tools*</td>\r\n<td width=\"156\">Casablanca</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>For Members</strong><strong>Only</strong></td>\r\n<td width=\"115\">Imagination</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Love Will Talk</strong></td>\r\n<td width=\"115\">Alisha</td>\r\n<td width=\"156\">MCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Solveg Angelic</td>\r\n<td width=\"156\">Intermediate</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>All Over Again</strong></td>\r\n<td width=\"115\">Jose Feliciano*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>First In Line</strong></td>\r\n<td width=\"115\">Jaki Graham</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Fame*</td>\r\n<td width=\"156\">ABC</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>It’s A Wild World</strong></td>\r\n<td width=\"115\">Tonio K.</td>\r\n<td width=\"156\">Warner Brothers</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Shocking Behavior</strong></td>\r\n<td width=\"115\">Hand Tools*</td>\r\n<td width=\"156\">Paramount</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Suzi Quatro*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Target Practice</strong></td>\r\n<td width=\"115\">Aina</td>\r\n<td width=\"156\">Polydor</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Courting Disaster</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">Casablanca</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Patterns In Peru</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>I’ll Move The World</strong></td>\r\n<td width=\"115\">Gennaro*</td>\r\n<td width=\"156\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Girls Don’t Lie</strong></td>\r\n<td width=\"115\">Alisha</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">George McCrae</td>\r\n<td width=\"156\">Ariola</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Only In Your Arms</strong></td>\r\n<td width=\"115\">DeVere*</td>\r\n<td width=\"156\">Cannon</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>I’ve Got Your Number</strong></td>\r\n<td width=\"115\">Ondrea**</td>\r\n<td width=\"156\">RCA</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Move Over, I’m Driving</strong></td>\r\n<td width=\"115\">Jane Edwards</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>The Melting Point</strong></td>\r\n<td width=\"115\">Lewis Sisters</td>\r\n<td width=\"156\">Riva</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Yoko Oginome</td>\r\n<td width=\"156\">VIctor</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Mocha*</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Somebody Wants You</strong></td>\r\n<td width=\"115\">Mendy Lee</td>\r\n<td width=\"156\">Jacksons Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Man On The Street</strong></td>\r\n<td width=\"115\">PC2000*</td>\r\n<td width=\"156\">HSRecords</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Mike Hegedus*</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Every Time We Kiss</strong></td>\r\n<td width=\"115\">Sam Riney</td>\r\n<td width=\"156\">Spindletop</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Over The Top</strong></td>\r\n<td width=\"115\">Mocha*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Tell Me How You </strong><strong>Like It </strong></td>\r\n<td width=\"115\">Minako Tanaka</td>\r\n<td width=\"156\">Japan Records</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Vivien</td>\r\n<td width=\"156\">Funhouse</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Whatcha Gonna Do</strong><strong>About It</strong></td>\r\n<td width=\"115\">Yvonne Jackson</td>\r\n<td width=\"156\">Ichiban</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Suzette Charles**</td>\r\n<td width=\"156\"></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Before It Rains Again</strong></td>\r\n<td width=\"115\">Patrick DuPont</td>\r\n<td width=\"156\">Off The Wall</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Weekend Pain</strong></td>\r\n<td width=\"115\">Minako Tanaka</td>\r\n<td width=\"156\">Japan Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Some Day</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">ABC</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>The Truth About Angel</strong></td>\r\n<td width=\"115\">Suzi Quatro*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Sleeping In The Moon</strong></td>\r\n<td width=\"115\">Hiromi Asai</td>\r\n<td width=\"156\">Funhouse</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>The Truth About Angel</strong></td>\r\n<td width=\"115\">Suzi Quatro*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Too Far Too Fast</strong></td>\r\n<td width=\"115\">The Heat</td>\r\n<td width=\"156\">MDM</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Set Me In Motion</strong></td>\r\n<td width=\"115\">Tricia Burton</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Old Enough To</strong><strong>Know Better</strong></td>\r\n<td width=\"115\">Jacqui Berne</td>\r\n<td width=\"156\">Rick Wake Productions</td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"></td>\r\n<td width=\"115\">Patti Day</td>\r\n<td width=\"156\">Starway</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Got My Attention</strong></td>\r\n<td width=\"115\">Angie Gold</td>\r\n<td width=\"156\">Alfa</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Witch’s Trap</strong></td>\r\n<td width=\"115\">Akemi Ishi</td>\r\n<td width=\"156\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Have You Ever</strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>When I Look At You</strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>The Poetry Of Sex</strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Vanilla Latte</strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>So Deep </strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Perfect World  </strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>More Than Just Friends </strong></td>\r\n<td width=\"115\">Tomo</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Mindworker</strong></td>\r\n<td width=\"115\">Paul August*</td>\r\n<td width=\"156\">John Paul Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Emergency</strong></td>\r\n<td width=\"115\">PC2000*</td>\r\n<td width=\"156\">Jump Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>There Must Be A God</strong></td>\r\n<td width=\"115\">Rhetta Hughs</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Erotic Visions (album)</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">Playfull</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Poet For The Moonlight</strong></td>\r\n<td width=\"115\">Jose Feliciano*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Fantasy Chamber (album)</strong></td>\r\n<td width=\"115\">Paul Chiten*</td>\r\n<td width=\"156\">Playfull</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>A Woman Like Me</strong></td>\r\n<td width=\"115\">Soul Tarot*</td>\r\n<td width=\"156\">B Street</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Seditious Philosophies (album)</strong></td>\r\n<td width=\"115\">Steve Dolmer*</td>\r\n<td width=\"156\">Sony</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Are My Angel</strong></td>\r\n<td width=\"115\">Andrea Robinson*</td>\r\n<td width=\"156\">LDH Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>What Is Sex</strong></td>\r\n<td width=\"115\">Tahlia Loren*</td>\r\n<td width=\"156\">LS Records</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>So Crazy In Love</strong></td>\r\n<td width=\"115\">Robin Taylor*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Whatever It Takes</strong></td>\r\n<td width=\"115\">Robin Taylor*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Sedative</strong></td>\r\n<td width=\"115\">Robin Taylor*</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Hearts Under Fire</strong></td>\r\n<td width=\"115\">Gennaro*</td>\r\n<td width=\"156\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>I’ll Move The World</strong></td>\r\n<td width=\"115\">Gennaro*</td>\r\n<td width=\"156\">CBS</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Are My Angel </strong></td>\r\n<td width=\"115\">Myrah Kay</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>Take It All  </strong></td>\r\n<td width=\"115\">Heidi Swan</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>As Real As It Gets</strong></td>\r\n<td width=\"115\">Heidi Swan</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>No More Borken Dreams</strong></td>\r\n<td width=\"115\">Heidi Swan</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>It Takes A Lot To Love </strong></td>\r\n<td width=\"115\">Heidi Swan</td>\r\n<td width=\"156\">Independent</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\" width=\"404\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"123\"><strong>You Are my Angel</strong></td>\r\n<td width=\"115\">Myrah Kay</td>\r\n<td width=\"156\">Avex</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<strong>Education</strong>\r\n•  Mills College, Masters Degree in Music Composition\r\n•  Brown University, Bachelor’s Degree\r\n•  Harvard University, Special Arts Program\r\n•   University Of California at San Diego\r\n•  New England Conservatory Of Music\r\n•  Berklee School Of Music\r\n•   Private Piano &amp; Composition Study\r\n\r\n<strong>\r\nLecturing &amp; Publications</strong>\r\n\r\n• <strong>UCLA </strong>\r\nTopic: Music For Visuals\r\n\r\n•<strong> Musician’s Institute </strong>\r\nTopic: Music Composition Using MIDI &amp; Computers\r\n\r\n•<strong> National Academy of Songwriters</strong>\r\nTopic: Record Deals For New Artists\r\n\r\n•<strong> Mix Magazine</strong>\r\nTopic: The Importance Of Pre-Production\r\n\r\n•<strong> Songwriter’s Expo</strong>\r\nTopic: The Promotion &amp; Marketing of New Music\r\n\r\n• <strong>San Luis Obispo Dept. of Corrections Outreach Program </strong>\r\nTopic: World Music\r\n\r\n• <strong>Los Angeles Songwriters Showcase </strong>\r\nTopic: Modern Songwriting\r\n\r\n• <strong>South By Southwest Music Conference – BMI Guest Speaker </strong>\r\nTopic: Music Composition For Different Genres\r\n\r\n• <strong>N.A.M.M Show</strong>\r\nTopic: Producing New Artists\r\n\r\n•<strong> A.E.S Show</strong>\r\nTopic: Music &amp; The Internet\r\n\r\n• <strong>Digital Living Room High Technology Convention </strong>\r\nTopic: Music &amp; Technology\r\n\r\n• <strong>National Music Educators Convention – Keynote Speaker</strong>\r\nTopic: The Future of Music\r\n<div></div>\r\n<div>PAUL CHITEN website home page:</div>\r\n<div><b><a href=\"http://sweethartproductions.com/\" target=\"_blank\">sweethartproductions.com</a></b></div>\r\n<div>PAUL CHITEN website personal page:</div>\r\n<div><b>http://sweethartproductions.com/PaulChiten.aspx</b></div>\r\n<div>PAUL CHITEN business email:\r\n<a href=\"mailto:pc@sweethartproductions.com\"><b>pc@sweethartproductions.com</b></a></div></td>\r\n</tr>\r\n</tbody>\r\n</table>', 'Featured Artist – Paul Chiten', 'Paul Chiten is a Los Angeles-based songwriter, composer, producer, musician, singer and artist. His songs have gone platinum and gold. His compositions and productions have won Telly, Aurora and Emmy Awards. He has worked with Michael Jackson, Anita Baker, Tina Turner, Donna Summer, Cyndi Lauper and countless others.', 'inherit', 'closed', 'closed', '', '813-revision-v1', '', '', '2016-04-23 08:42:12', '2016-04-23 15:42:12', '', 813, 'https://afm424.org/813-revision-v1/', 0, 'revision', '', 0),
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(1851, 4, '2016-05-23 05:53:32', '2016-05-23 12:53:32', '[vc_row][vc_column width=\"2/3\"][vc_column_text]\r\n<h1>Local 424 AFM</h1>\r\n<em><strong>Welcome to the new AFM Local 424 website.</strong></em>\r\n\r\nThe American Federation of Musicians (AFM) is the largest organization in the world dedicated to representing the interests of musicians, singers, songwriters, composers, arrangers and DJs.\r\n\r\nThe AFM has well over 90,000 members nationwide. We represent all styles of music—rock, alternative, classical, jazz, pop, country, folk, bluegrass, funk, R&amp;B, gospel, J-Pop, K-Pop, world beat, singer/songwriter, Latin, contemporary Christian, big band, reggae and more.\r\n\r\nWith such active members as Bruce Springsteen, Metallica, Counting Crows, Roberta Flack, Santana, Yo-Yo Ma, Sheila E, Suzanne Vega, The Goo Goo Dolls, Willie Nelson and Branford Marsalis, the AFM has strong representation in all areas of popular music.\r\n\r\n<hr />\r\n\r\n<h4 style=\"text-align: center;\"><span style=\"color: #3399dd;\">The AFM has been promoting and protecting musicians for over 110 years.</span></h4>\r\n\r\n<hr />\r\n\r\nLocal 424 is committed to bringing the AFM into the 21st century––embracing all the latest technological developments in popular entertainment.\r\n\r\nLocal 424 is here to serve those whose passion is music and help them realize their dreams.[/vc_column_text][/vc_column][vc_column width=\"1/3\"][vc_cta h2=\"Become an AFM Member!\" h4=\"Join our ever-growing community of artists.\" txt_align=\"center\" shape=\"square\" add_button=\"bottom\" btn_title=\"Join AFM\" btn_shape=\"square\" btn_color=\"primary\" btn_align=\"center\" add_icon=\"top\" i_icon_fontawesome=\"fa fa-users\" i_background_style=\"rounded\" i_background_color=\"white\" i_on_border=\"true\" btn_link=\"url:http%3A%2F%2Fafm424.org%2Fjoin%2F||\"][/vc_cta][vc_cta h2=\"International Musician\" txt_align=\"center\" shape=\"square\" add_button=\"bottom\" btn_title=\"Current Issue\" btn_style=\"flat\" btn_shape=\"square\" btn_color=\"danger\" btn_align=\"center\" add_icon=\"top\" i_icon_fontawesome=\"fa fa-book\" i_background_style=\"rounded\" i_background_color=\"white\" i_on_border=\"true\" btn_link=\"url:http%3A%2F%2Finternationalmusician.org||target:%20_blank\"][/vc_cta][/vc_column][/vc_row][vc_row][vc_column][vc_separator][vc_column_text]\r\n<h2>Latest News</h2>\r\n[/vc_column_text][vc_row_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464007751641-9713825c-db2c-7\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464007902250-8cf2a230-1e1c-8\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464007905771-4d88ff64-9592-5\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464007910614-c37f7682-145a-1\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]', 'Home', '', 'inherit', 'closed', 'closed', '', '5-revision-v1', '', '', '2016-05-23 05:53:32', '2016-05-23 12:53:32', '', 5, 'https://afm424.org/5-revision-v1/', 0, 'revision', '', 0),
(1852, 4, '2016-05-23 05:54:55', '2016-05-23 12:54:55', '[vc_row][vc_column width=\"2/3\"][vc_column_text]\n<h1>Local 424 AFM</h1>\n<em><strong>Welcome to the new AFM Local 424 website.</strong></em>\n\nThe American Federation of Musicians (AFM) is the largest organization in the world dedicated to representing the interests of musicians, singers, songwriters, composers, arrangers and DJs.\n\nThe AFM has well over 90,000 members nationwide. We represent all styles of music—rock, alternative, classical, jazz, pop, country, folk, bluegrass, funk, R&amp;B, gospel, J-Pop, K-Pop, world beat, singer/songwriter, Latin, contemporary Christian, big band, reggae and more.\n\nWith such active members as Bruce Springsteen, Metallica, Counting Crows, Roberta Flack, Santana, Yo-Yo Ma, Sheila E, Suzanne Vega, The Goo Goo Dolls, Willie Nelson and Branford Marsalis, the AFM has strong representation in all areas of popular music.\n\n<hr />\n\n<h4 style=\"text-align: center;\"><span style=\"color: #3399dd;\">The AFM has been promoting and protecting musicians for over 110 years.</span></h4>\n\n<hr />\n\nLocal 424 is committed to bringing the AFM into the 21st century––embracing all the latest technological developments in popular entertainment.\n\nLocal 424 is here to serve those whose passion is music and help them realize their dreams.[/vc_column_text][/vc_column][vc_column width=\"1/3\"][vc_cta h2=\"Become an AFM Member!\" h4=\"Join our ever-growing community of artists.\" txt_align=\"center\" shape=\"square\" add_button=\"bottom\" btn_title=\"Join AFM\" btn_shape=\"square\" btn_color=\"primary\" btn_align=\"center\" add_icon=\"top\" i_icon_fontawesome=\"fa fa-users\" i_background_style=\"rounded\" i_background_color=\"white\" i_on_border=\"true\" btn_link=\"url:http%3A%2F%2Fafm424.org%2Fjoin%2F||\"][/vc_cta][vc_cta h2=\"International Musician\" txt_align=\"center\" shape=\"square\" add_button=\"bottom\" btn_title=\"Current Issue\" btn_style=\"flat\" btn_shape=\"square\" btn_color=\"danger\" btn_align=\"center\" add_icon=\"top\" i_icon_fontawesome=\"fa fa-book\" i_background_style=\"rounded\" i_background_color=\"white\" i_on_border=\"true\" btn_link=\"url:http%3A%2F%2Finternationalmusician.org||target:%20_blank\"][/vc_cta][/vc_column][/vc_row][vc_row][vc_column][vc_separator][vc_column_text]\n<h2>Latest News</h2>\n[/vc_column_text][vc_row_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464008044669-85141e504ee37504640b307264421487-9\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464008044749-2b16d2e2aad01569f368d16f49bc537c-10\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464008044808-715c640279fccd44981912aeca1e4f12-9\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464008044874-594e6d226b6db4b2dfcd5704825b1877-1\" taxonomies=\"5, 7, 18, 11, 8, 25, 22\"][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]', 'Home', '', 'inherit', 'closed', 'closed', '', '5-revision-v1', '', '', '2016-05-23 05:54:55', '2016-05-23 12:54:55', '', 5, 'https://afm424.org/5-revision-v1/', 0, 'revision', '', 0),
(1853, 4, '2016-05-23 06:02:02', '2016-05-23 13:02:02', '[vc_row][vc_column width=\"2/3\"][vc_column_text]\n<h1>Local 424 AFM</h1>\n<em><strong>Welcome to the new AFM Local 424 website.</strong></em>\n\nThe American Federation of Musicians (AFM) is the largest organization in the world dedicated to representing the interests of musicians, singers, songwriters, composers, arrangers and DJs.\n\nThe AFM has well over 90,000 members nationwide. We represent all styles of music—rock, alternative, classical, jazz, pop, country, folk, bluegrass, funk, R&amp;B, gospel, J-Pop, K-Pop, world beat, singer/songwriter, Latin, contemporary Christian, big band, reggae and more.\n\nWith such active members as Bruce Springsteen, Metallica, Counting Crows, Roberta Flack, Santana, Yo-Yo Ma, Sheila E, Suzanne Vega, The Goo Goo Dolls, Willie Nelson and Branford Marsalis, the AFM has strong representation in all areas of popular music.\n\n<hr />\n\n<h4 style=\"text-align: center;\"><span style=\"color: #3399dd;\">The AFM has been promoting and protecting musicians for over 110 years.</span></h4>\n\n<hr />\n\nLocal 424 is committed to bringing the AFM into the 21st century––embracing all the latest technological developments in popular entertainment.\n\nLocal 424 is here to serve those whose passion is music and help them realize their dreams.[/vc_column_text][/vc_column][vc_column width=\"1/3\"][vc_cta h2=\"Become an AFM Member!\" h4=\"Join our ever-growing community of artists.\" txt_align=\"center\" shape=\"square\" add_button=\"bottom\" btn_title=\"Join AFM\" btn_shape=\"square\" btn_color=\"primary\" btn_align=\"center\" add_icon=\"top\" i_icon_fontawesome=\"fa fa-users\" i_background_style=\"rounded\" i_background_color=\"white\" i_on_border=\"true\" btn_link=\"url:http%3A%2F%2Fafm424.org%2Fjoin%2F||\"][/vc_cta][vc_cta h2=\"International Musician\" txt_align=\"center\" shape=\"square\" add_button=\"bottom\" btn_title=\"Current Issue\" btn_style=\"flat\" btn_shape=\"square\" btn_color=\"danger\" btn_align=\"center\" add_icon=\"top\" i_icon_fontawesome=\"fa fa-book\" i_background_style=\"rounded\" i_background_color=\"white\" i_on_border=\"true\" btn_link=\"url:http%3A%2F%2Finternationalmusician.org||target:%20_blank\"][/vc_cta][/vc_column][/vc_row][vc_row][vc_column][vc_separator][vc_column_text]\n<h2>Latest News</h2>\n[/vc_column_text][vc_row_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464008515262-154cfe44-478c-4\" taxonomies=\"5\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464008368370-6c808090-f273-6\" taxonomies=\"18\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464008402506-fcfed35b-b60a-3\" taxonomies=\"22\"][/vc_column_inner][vc_column_inner width=\"1/4\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464008472652-ad036203-af2d-9\" taxonomies=\"7, 11, 8, 25\"][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]', 'Home', '', 'inherit', 'closed', 'closed', '', '5-revision-v1', '', '', '2016-05-23 06:02:02', '2016-05-23 13:02:02', '', 5, 'https://afm424.org/5-revision-v1/', 0, 'revision', '', 0);
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(1861, 4, '2016-05-25 05:54:26', '2016-05-25 12:54:26', '[vc_row][vc_column width=\"2/3\"][vc_column_text]\r\n<h1>Latest Local 424 AFM News</h1>\r\n[/vc_column_text][vc_row_inner][vc_column_inner width=\"1/2\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" grid_id=\"vc_gid:1464180712886-83daca9a-71ad-9\" taxonomies=\"5\"][/vc_column_inner][vc_column_inner width=\"1/2\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" grid_id=\"vc_gid:1464180726424-126c7f26-c17d-9\" taxonomies=\"18\"][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=\"1/2\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" grid_id=\"vc_gid:1464180744324-a4184f67-da5a-10\" taxonomies=\"22\"][/vc_column_inner][vc_column_inner width=\"1/2\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" grid_id=\"vc_gid:1464180759673-5faa2599-2f8a-3\" taxonomies=\"7, 11, 8, 25\"][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=\"1/2\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464180821116-100ec8e6-f854-1\"][/vc_column_inner][vc_column_inner width=\"1/2\"][/vc_column_inner][/vc_row_inner][/vc_column][vc_column width=\"1/3\"][vc_wp_search title=\"Search\"][vc_widget_sidebar sidebar_id=\"sidebar-4\"][/vc_column][/vc_row]', 'News', '', 'inherit', 'closed', 'closed', '', '51-revision-v1', '', '', '2016-05-25 05:54:26', '2016-05-25 12:54:26', '', 51, 'https://afm424.org/51-revision-v1/', 0, 'revision', '', 0),
(1862, 4, '2016-05-25 05:57:51', '2016-05-25 12:57:51', '[vc_row][vc_column width=\"2/3\"][vc_column_text]\n<h1>Latest Local 424 AFM News</h1>\n[/vc_column_text][vc_row_inner][vc_column_inner width=\"1/2\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" grid_id=\"vc_gid:1464180896783-cfbc047fd20dc9cad4cf9f17d0bbf765-3\" taxonomies=\"5\"][/vc_column_inner][vc_column_inner width=\"1/2\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" grid_id=\"vc_gid:1464180896876-d1c3671a773a8fec426771986be70f82-3\" taxonomies=\"18\"][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=\"1/2\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" grid_id=\"vc_gid:1464180897016-3a9e216a0c9634dfa9348bdfdbb541f0-9\" taxonomies=\"22\"][/vc_column_inner][vc_column_inner width=\"1/2\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" grid_id=\"vc_gid:1464181038028-d8a67a95-6972-6\" taxonomies=\"25\"][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=\"1/2\"][vc_basic_grid post_type=\"post\" max_items=\"1\" element_width=\"12\" item=\"1562\" grid_id=\"vc_gid:1464180897313-f1ef21c897650fba8ad0cc549715ae48-10\" taxonomies=\"25\" offset=\"1\"][/vc_column_inner][vc_column_inner width=\"1/2\"][/vc_column_inner][/vc_row_inner][/vc_column][vc_column width=\"1/3\"][vc_wp_search title=\"Search\"][vc_widget_sidebar sidebar_id=\"sidebar-4\"][/vc_column][/vc_row]', 'News', '', 'inherit', 'closed', 'closed', '', '51-revision-v1', '', '', '2016-05-25 05:57:51', '2016-05-25 12:57:51', '', 51, 'https://afm424.org/51-revision-v1/', 0, 'revision', '', 0),
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(1864, 4, '2016-05-26 05:42:37', '2016-05-26 12:42:37', '', 'violin against the door', 'lifesized toy violin found leaning against an old door along an alley', 'inherit', 'open', 'closed', '', 'violin-against-the-door', '', '', '2016-05-26 05:42:37', '2016-05-26 12:42:37', '', 0, 'https://afm424.org/wp-content/uploads/2016/05/dreamstimefree_274247.jpg', 0, 'attachment', 'image/jpeg', 0),
(1865, 4, '2016-05-26 05:42:39', '2016-05-26 12:42:39', '', 'dreamstimefree_75442', '', 'inherit', 'open', 'closed', '', 'dreamstimefree_75442', '', '', '2016-05-26 05:42:39', '2016-05-26 12:42:39', '', 0, 'https://afm424.org/wp-content/uploads/2016/05/dreamstimefree_75442.jpg', 0, 'attachment', 'image/jpeg', 0),
(1866, 4, '2016-05-26 05:42:41', '2016-05-26 12:42:41', '', 'Internet Killed The Video Star', '', 'inherit', 'open', 'closed', '', 'skeletal-hands', '', '', '2016-05-30 05:15:26', '2016-05-30 12:15:26', '', 0, 'https://afm424.org/wp-content/uploads/2016/05/dreamstimefree_82755.jpg', 0, 'attachment', 'image/jpeg', 0),
(1867, 4, '2016-05-26 05:42:44', '2016-05-26 12:42:44', '', 'dreamstimefree_91584', '', 'inherit', 'open', 'closed', '', 'dreamstimefree_91584', '', '', '2016-05-26 05:42:44', '2016-05-26 12:42:44', '', 0, 'https://afm424.org/wp-content/uploads/2016/05/dreamstimefree_91584.jpg', 0, 'attachment', 'image/jpeg', 0),
(1868, 4, '2016-05-26 05:42:46', '2016-05-26 12:42:46', '', 'dreamstimefree_226434', '', 'inherit', 'open', 'closed', '', 'dreamstimefree_226434', '', '', '2016-05-26 05:42:46', '2016-05-26 12:42:46', '', 0, 'https://afm424.org/wp-content/uploads/2016/05/dreamstimefree_226434.jpg', 0, 'attachment', 'image/jpeg', 0),
(1869, 4, '2016-05-26 05:42:47', '2016-05-26 12:42:47', '', 'dreamstimefree_118627', '', 'inherit', 'open', 'closed', '', 'dreamstimefree_118627', '', '', '2016-05-26 05:42:47', '2016-05-26 12:42:47', '', 0, 'https://afm424.org/wp-content/uploads/2016/05/dreamstimefree_118627.jpg', 0, 'attachment', 'image/jpeg', 0),
(1870, 4, '2016-05-26 05:44:11', '2016-05-26 12:44:11', '', 'dreamstimefree_109935', '', 'inherit', 'open', 'closed', '', 'dreamstimefree_109935-2', '', '', '2016-05-26 05:44:11', '2016-05-26 12:44:11', '', 0, 'https://afm424.org/wp-content/uploads/2016/05/dreamstimefree_109935.jpg', 0, 'attachment', 'image/jpeg', 0),
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(1872, 4, '2016-05-26 05:44:15', '2016-05-26 12:44:15', '', 'dreamstimefree_236880', '', 'inherit', 'open', 'closed', '', 'dreamstimefree_236880-2', '', '', '2016-05-26 05:44:15', '2016-05-26 12:44:15', '', 0, 'https://afm424.org/wp-content/uploads/2016/05/dreamstimefree_236880.jpg', 0, 'attachment', 'image/jpeg', 0),
(1873, 4, '2016-05-26 05:44:17', '2016-05-26 12:44:17', '', 'dreamstimefree_250123', '', 'inherit', 'open', 'closed', '', 'dreamstimefree_250123', '', '', '2016-05-26 05:44:17', '2016-05-26 12:44:17', '', 0, 'https://afm424.org/wp-content/uploads/2016/05/dreamstimefree_250123.jpg', 0, 'attachment', 'image/jpeg', 0),
(1874, 4, '2016-05-26 05:44:19', '2016-05-26 12:44:19', '', 'Tuner', 'OLYMPUS DIGITAL CAMERA', 'inherit', 'open', 'closed', '', 'tuner', '', '', '2016-05-26 05:44:19', '2016-05-26 12:44:19', '', 0, 'https://afm424.org/wp-content/uploads/2016/05/dreamstimefree_55078.jpg', 0, 'attachment', 'image/jpeg', 0),
(1878, 6, '2016-06-06 14:00:35', '2016-06-06 21:00:35', 'Video Killed the Radio Star – this song was among the first wave of music videos featured on MTV when it was launched in 1981. Fast forward to 2016, MTV, as many would agree, is almost dying. While it used to be the go-to channel for listening to music and watching videos, times have changed. In a digitally-connected world and in a society that is shaped by the internet, people have found MTV alternatives.\r\n\r\nWith this, there is no doubt that the management is currently struggling. They have made major moves to reinvent themselves in the past, but still, none of the efforts seemed to have sufficed. They still exhibit dismal performance, prompting the creative minds behind the channel to keep on being inventive.\r\n\r\nTo remain relevant in modern times, MTV plans an aggressive move – <a href=\"http://www.inlander.com/spokane/internet-killed-the-video-star/Content?oid=2759590\" target=\"_blank\">to do  away with music videos</a>. Their <em>Music Feed</em> program is going to be limited to 1am to 6am during weekdays.  This is the only time wherein you can watch music videos. Instead of playing music videos during day and nighttime programming, the management wishes to concentrate on music-related shows.\r\n\r\n<em>Unplugged</em>, a previous show is planned to be brought back but with an updated look. <em>Wonderland</em>, a competition featuring aspiring hip-hop artists, is also in the works. Justin Bieber will also produce a show wherein contestants will undergo a 24-hour song writing competition. The channel intends to focus on these types of shows, which not only offer entertainment value, but  can trigger a higher level of engagement compared to music videos that are played repeatedly.\r\n\r\nWhy is MTV taking this route? According to Sean Atkins, MTV President, they plan to go back into music. This is in line with the belief that internet has killed the video star. By going back to music, however, it does not mean that they will be showing music videos like before. Instead, it will be centered in music programming. This is going to be a music-intensive channel without the need to concentrate on music videos.\r\n\r\nIf you want to watch videos, you do not need MTV. Why would you still bother tuning in to MTV when music videos are easily accessible even through your mobile phone? Websites like YouTube and Vimeo are some of the reasons why MTV has slowly lost its share. Through music streaming websites or YouTube channels, music videos can be viewed anytime––you do not have to wait for them to be played on your TV. Even if MTV stops playing music videos, it doesn\'t mean that music videos are dead. Artists and producers will always find ways to promote their songs. However, they have to look at other more effective channels than MTV.', 'The Death of Music Videos: Are We Near The End of an Era?', '', 'publish', 'open', 'closed', '', 'death-of-music-videos-are-we-near-the-end-era', '', '', '2016-06-06 10:46:38', '2016-06-06 17:46:38', '', 0, 'https://afm424.org/?p=1878', 0, 'post', '', 2),
(1880, 6, '2016-06-10 10:00:11', '2016-06-10 17:00:11', 'If millennials are the “me” generation — complacent narcissists raised by TV, video games, and hardworking baby boomer parents with extra money to spend — then generation Z is surely the “meta-me” generation.\r\n\r\nMillennials are indeed, as a group, self-obsessed. We went through our teenage years and early adulthood with things like MySpace or Facebook, a means by which we could present ourselves to the world, to feel important about the minutia of our days, and sharing photos that make our lives look like an endless series of parties, sunsets and blackout nights in bars.\r\n\r\nWhile this can all be rather annoying, this existed, for the most part, as a way for us to sit down behind our family computer — or laptop, if they were lucky — and search out our friends’ social media pages. When I first created a Facebook page, I didn’t even own a cell phone. I finally bought a flip phone that I used for texts, calls, and playing that snake game.\r\n\r\nWhat the current young generation is experiencing is a perfect storm of smartphone technology: internet access, and the rise of the popularity of apps that let you instantly create and share relatively useless content with friends and followers.\r\n\r\nThe latest of these apps to catch fire is Musical.ly, a lip-syncing, video sharing platform that was recently valued at $500 million. Some are wondering if it’s <a href=\"https://medium.com/cuepoint/is-musical-ly-the-next-snapchat-160190ff8bef#.y01lwcuzm\" target=\"_blank\">the next Snapchat</a>,–– and with customizable videos that young users go crazy for, it’s hard to disagree.\r\n\r\nWhere Musical.ly diverges from Snapchat is in user challenges. This makes it arguably a more interactive app, existing as a platform for users to send photos and short videos meant for a single viewing. While Musical.ly currently boasts more bells and whistles, Snapchat seems to suggest more staying power because of the everyday nature — and R rated underbelly — of users\' posts.\r\n\r\nAt this point in time, every app is <em>the next big app</em>…until it’s not.\r\n\r\nImpressive user numbers and valuations don’t necessarily equal staying power. Previous “it” app Vine is losing users to Snapchat. While Dubsmash’s 15 minutes of fame are over thanks to Musical.ly.\r\n\r\nIt’s a harsh world where technologies are rapidly evolving and user loyalty is almost nonexistent.\r\n\r\nWhile it’s true that any app could potentially be the next Facebook — a social media platform that found its footing among college students and went on to be one of the most popular websites in the world — it’s more likely that a new platform that becomes popular will be on the level of a Vine, Dubsmash, or MySpace.\r\n\r\nThe difference with Facebook is that it brought something previously unseen, and useful, into people’s lives. While Musical.ly may be offering up something slightly novel, it’s staying power will likely be as long-lasting as the attention of the generation currently enamoured by it.', 'The Problem With Musical.ly', '', 'publish', 'open', 'closed', '', 'the-problem-with-musical-ly', '', '', '2016-07-24 13:39:09', '2016-07-24 20:39:09', '', 0, 'https://afm424.org/?p=1880', 0, 'post', '', 0),
(1881, 4, '2016-05-30 05:20:44', '2016-05-30 12:20:44', 'If millennials are the “me” generation — complacent narcissists raised by TV, video games, and hardworking baby boomer parents with extra money to spend — then generation Z is surely the “meta-me” generation. Millennials are indeed, as a group, self-obsessed. We went through our teenage years and early adulthood with things like MySpace or Facebook, a means by which we could present ourselves to the world, to feel important about the minutia of our days, or to share photos that make our lives look like an endless series of parties and sunsets and blackout nights in bars.\r\n\r\nWhile this is all very annoying, it existed for the most part in a way that our friends had to sit down behind their family computer — or laptop if they were lucky — and search out their friends’ social media pages. When I first created a Facebook page, I didn’t even own a cell phone, and the one that I finally bought was a flip phone that I used for texts, calls, and playing that snake game. \r\n\r\nWhat the current young generation is experiencing is the perfect storm of smartphone technology, internet access, and the rise of the popularity of apps that let you instantly create and share relatively useless content with friends and followers. The latest of these apps to catch fire is Musical.ly, a lip-syncing, video sharing platform that was recently valued at $500 million. Some are wondering if it’s the next Snapchat, and with customizable videos young users go crazy for, it’s hard to disagree. Where Musical.ly diverges from Snapchat is in user challenges that arguably make it a more interactive app, that basically exists as a platform for users to send photos and short videos meant for a single viewing. While Musical.ly currently boasts more bells and whistles, Snapchat seems to suggest more staying power because of the everyday nature — and R rated underbelly — of users posts.\r\n\r\nAt this point in time, every app is the next app… until it’s not. Impressive user numbers and valuations don’t necessarily equal staying power. Previous “it” app Vine is losing users to Snapchat, while Dubsmash’s fifteen minutes of popularity are over thanks to Musical.ly. It’s a harsh world where technologies are constantly evolving and user loyalty is almost nonexistent. 		It’s true that any app could be the next Facebook — a social media platform that found its footing among college students and went on to be one of the most popular websites in the world — but it’s much more likely that any popular platform will turn into the next Vine, Dubsmash, or MySpace. The difference with Facebook is that it brought something previously unseen, and useful, into people’s lives. While Musical.ly may be offering up something slightly novel, it’s staying power is likely going to be as long lasting as the attention of the generation currently so enamoured by it.', 'The Problem With Musical.ly', '', 'inherit', 'closed', 'closed', '', '1880-revision-v1', '', '', '2016-05-30 05:20:44', '2016-05-30 12:20:44', '', 1880, 'https://afm424.org/1880-revision-v1/', 0, 'revision', '', 0),
(1882, 4, '2016-05-30 05:27:52', '2016-05-30 12:27:52', 'Video Killed the Radio Star – this is the first music video that has been played when MTV was launched in 1981. Fast forward to 2016, MTV, as many would agree, is almost dying. While it used to be the go-to channel for listening to music and watching videos, times have changed. In a digitally-connected world and in a society that is shaped by the internet, people have found MTV alternatives. \r\n\r\nWith this, there is no doubt that the management is currently struggling. They have made major moves to reinvent themselves in the past, but still, none of the efforts seemed to have sufficed. They still exhibit dismal performance, prompting the creative minds behind the channel to keep on being inventive. \r\n\r\nTo remain relevant in modern times, MTV plans to do one aggressive move – to do away with music videos. The music feed program is going to be limited during midnight. This is the only time wherein you can watch music videos. Instead of playing music videos during day and nighttime programming, the management wishes to concentrate on music-related shows. \r\n\r\nUnplugged, a previous show is planned to be brought back but with an updated look. Wonderland, a competition featuring aspiring hip-hop artists, is also in the works. Justin Bieber will also produce a show wherein contestants will undergo a 24-hour song writing competition. The channel intends to focus on these types of shows, which can offer entertainment value and can trigger a higher level of engagement compared to music videos that are played repeatedly. \r\n\r\nWhy is MTV taking this route? According to Sean Atkins, MTV President, they plan to go back into music. This is in line with the belief that internet has killed the video star. By going back to music, however, it does not mean that they will be showing music videos like before. Instead, it will be centered in music programming. This is going to be a music-intensive channel without the need to concentrate on music videos. \r\n\r\nIf you want to watch videos, you do not need MTV. Why would you still bother tuning in to MTV when music videos are easily accessible even through your mobile phone? Websites like YouTube and Vimeo are some of the reasons why MTV has slowly lost its share. Through music streaming websites or YouTube channels, music videos can be viewed anytime, and you do not have to wait for them to be played on your TV. Even if MTV will stop playing music videos, it does not mean that music videos are dead. Of course, artists and producers will always find a way to promote their songs. However, they have to look at other more effective channels than MTV.', 'The Death of Music Videos: Are We Near The End of an Era?', '', 'inherit', 'closed', 'closed', '', '1878-revision-v1', '', '', '2016-05-30 05:27:52', '2016-05-30 12:27:52', '', 1878, 'https://afm424.org/1878-revision-v1/', 0, 'revision', '', 0),
(1883, 4, '2016-05-31 07:27:10', '2016-05-31 14:27:10', '<h3>Local and Federation sponsored booking/referral services:</h3>\r\nLocal 424 assists potential live music purchasers in the Contra Costa County area to find the right artist or group for their party, wedding, festival, corporate function or any other event that requires live music. In addition, the AFM provides an international on-line referral service (free of charge to all members and potential purchasers) that is quickly becoming one of the largest Internet resources of its kind.\r\n<h3>Signatory Booking Agents:</h3>\r\nThe AFM maintains an on-line list of franchised booking agents for the US and Canada. It is also available in booklet form by contacting Local 424 or the AFM. These agents are signatories to the AFM\'s Booking Agent Agreement which sets standards for legally enforceable contracts specifying negotiated fees, working conditions, and commissions.\r\n<h3>Exclusive Member Services:</h3>\r\n<ul>\r\n	<li>AFM <a href=\"http://gopromusic.com\">GoPro Music</a> - Your Single Source For Live Music</li>\r\n	<li>AFM <a href=\"http://goprolessons.com\">GoPro Lessons</a> - Learn From a Pro - Play Like a Pro</li>\r\n	<li>AFM <a href=\"http://goprohosting.com\">GoPro Hosting</a> - Professional Web Hosting Services</li>\r\n</ul>\r\n<h3>Immigration Assistance:</h3>\r\nThe AFM is an international union representing professional musicians in both the United States and Canada. On behalf of its members who accept gigs across the border, the Federation works with the governments of both countries to cut through the hassle of \"red tape\" usually associated with obtaining work visas in either location. This assistance is available for both US and Canadian musicians. There are specialized Canadian and US forms, both formats conform to the laws of the individual countries, are easy to complete, and provide comprehensive legal protection for either single engagement or touring dates.\r\n<h3>Claims on Default:</h3>\r\nIn the event a purchaser defaults on payment to members for a contracted engagement, Local 424 and/or the AFM will work to resolve the dispute between the parties administratively. Should this prove unsuccessful the Local and/or Federation will pursue the claim through a variety of legal methods.\r\n<h3>Pension Fund:</h3>\r\nMembers have the option of having the employer make contributions to the Pension fund of up to 15% of wages paid on their behalf. Please contact the office for more information.\r\n<h3>Negotiated Agreements:</h3>\r\nInternational, national and local agreements covering all types of musical work ensure fair and timely payments as well as benefits and royalties (where applicable) for the reuse and new use of music recorded under these agreements.\r\n<h3>Legal Contracts:</h3>\r\nA signed AFM contract offers you protection for individual engagements, steady engagements, and traveling work. The AFM has a standard form contract that all members are entitled to use. It contains the AFM seal and when properly filled out and filed with the Local, it allows the local officer to help collect payments in the case of a default. Forms are available for download from the AFM\'s website, or at our office.\r\n<h3>A.F.M. Mastercard:</h3>\r\nThe A.F.M. Mastercard offers special rates, travel insurance benefits, and a special payment provision. Contact Local 424 AFM office, 5531 Alameda Avenue, Richmond CA. 94804 or call (510)758.3011 for details.\r\n<h3>Legislative Representation:</h3>\r\nThe AFM is actively involved at the national, state and local levels, advocating and lobbying for legislation that benefits the lives of working musicians including public funding for the arts.\r\n<h3>International Musician Free Subscription:</h3>\r\nThe International Musician is the official journal of the AFM. Published monthly and sent to all members, this informative newspaper delivers articles of current interest to professional musicians, such as educational resources, labor news, as well as audition notices and help wanted ads. The International Musician is also available online, beginning the first of each month, in the private members area of the AFM website. Members may also search online through past issues in the International Musician archives.\r\n<h3>Equipment Insurance:</h3>\r\nOnly you know the value of your instruments and equipment. Just think of the amount of money it would take to replace them. Most homeowner\'s and renter\'s insurance is not enough to protect you from loss, theft, or damage on location. The AFM provides access to an \"All-Risk\" Musical Instrument and Equipment Insurance Plan. Your instruments and music-related equipment are protected from vandalism, breakage, water, fire, lightning, and theft up to the full replacement value. If you are employed full-time, freelance, work out of your home, or are self-employed, this insurance protects the large investment you\'ve made in your equipment.\r\n\r\n<strong>A Collective Voice:</strong>\r\n\r\nIt is only through the combined efforts of members that Local 424 and the AFM are able to better the position of musicians in our society. As a collective unit, we not only have a strong voice in collective bargaining and government lobbying, but anywhere that musicians work. As a member, you will have a voice in deciding our collective future.', 'Benefits', '', 'inherit', 'closed', 'closed', '', '7-revision-v1', '', '', '2016-05-31 07:27:10', '2016-05-31 14:27:10', '', 7, 'https://afm424.org/7-revision-v1/', 0, 'revision', '', 0),
(1884, 4, '2016-05-31 07:35:59', '2016-05-31 14:35:59', '<h3>Local and Federation sponsored booking/referral services:</h3>\r\nLocal 424 assists potential live music purchasers in the Contra Costa County area to find the right artist or group for their party, wedding, festival, corporate function or any other event that requires live music. In addition, the AFM provides an international on-line referral service (free of charge to all members and potential purchasers) that is quickly becoming one of the largest Internet resources of its kind.\r\n<h3>Signatory Booking Agents:</h3>\r\nThe AFM maintains an on-line list of franchised booking agents for the US and Canada. It is also available in booklet form by contacting Local 424 or the AFM. These agents are signatories to the AFM\'s Booking Agent Agreement which sets standards for legally enforceable contracts specifying negotiated fees, working conditions, and commissions.\r\n<h3>Exclusive Member Services:</h3>\r\n<ul>\r\n 	<li>AFM <a href=\"http://gopromusic.com\">GoPro Music</a> - Your Single Source For Live Music</li>\r\n 	<li>AFM <a href=\"http://goprolessons.com\">GoPro Lessons</a> - Learn From a Pro - Play Like a Pro</li>\r\n 	<li>AFM <a href=\"http://goprohosting.com\">GoPro Hosting</a> - Professional Web Hosting Services</li>\r\n</ul>\r\n<h3>Immigration Assistance:</h3>\r\nThe AFM is an international union representing professional musicians in both the United States and Canada. On behalf of its members who accept gigs across the border, the Federation works with the governments of both countries to cut through the hassle of \"red tape\" usually associated with obtaining work visas in either location. This assistance is available for both US and Canadian musicians. There are specialized Canadian and US forms, both formats conform to the laws of the individual countries, are easy to complete, and provide comprehensive legal protection for either single engagement or touring dates.\r\n<h3>Claims on Default:</h3>\r\nIn the event a purchaser defaults on payment to members for a contracted engagement, Local 424 and/or the AFM will work to resolve the dispute between the parties administratively. Should this prove unsuccessful the Local and/or Federation will pursue the claim through a variety of legal methods.\r\n<h3>Pension Fund:</h3>\r\nMembers have the option of having the employer make contributions to the Pension fund of up to 15% of wages paid on their behalf. Please contact the office for more information.\r\n<h3>Negotiated Agreements:</h3>\r\nInternational, national and local agreements covering all types of musical work ensure fair and timely payments as well as benefits and royalties (where applicable) for the reuse and new use of music recorded under these agreements.\r\n<h3>Legal Contracts:</h3>\r\nA signed AFM contract offers you protection for individual engagements, steady engagements, and traveling work. The AFM has a standard form contract that all members are entitled to use. It contains the AFM seal and when properly filled out and filed with the Local, it allows the local officer to help collect payments in the case of a default. Forms are available for download from the AFM\'s website, or at our office.\r\n<h3>A.F.M. Mastercard:</h3>\r\nThe A.F.M. Mastercard offers special rates, travel insurance benefits, and a special payment provision. Contact Local 424 AFM office, 5531 Alameda Avenue, Richmond CA. 94804 or call (510)758.3011 for details.\r\n<h3>Legislative Representation:</h3>\r\nThe AFM is actively involved at the national, state and local levels, advocating and lobbying for legislation that benefits the lives of working musicians including public funding for the arts.\r\n<h3>International Musician Free Subscription:</h3>\r\nThe International Musician is the official journal of the AFM. Published monthly and sent to all members, this informative newspaper delivers articles of current interest to professional musicians, such as educational resources, labor news, as well as audition notices and help wanted ads. The International Musician is also available online, beginning the first of each month, in the private members area of the AFM website. Members may also search online through past issues in the International Musician archives.\r\n<h3>Equipment Insurance:</h3>\r\nOnly you know the value of your instruments and equipment. Just think of the amount of money it would take to replace them. Most homeowner\'s and renter\'s insurance is not enough to protect you from loss, theft, or damage on location. The AFM provides access to an \"All-Risk\" Musical Instrument and Equipment Insurance Plan. Your instruments and music-related equipment are protected from vandalism, breakage, water, fire, lightning, and theft up to the full replacement value. If you are employed full-time, freelance, work out of your home, or are self-employed, this insurance protects the large investment you\'ve made in your equipment.\r\n\r\n<strong>A Collective Voice:</strong>\r\n\r\nIt is only through the combined efforts of members that Local 424 and the AFM are able to better the position of musicians in our society. As a collective unit, we not only have a strong voice in collective bargaining and government lobbying, but anywhere that musicians work. As a member, you will have a voice in deciding our collective future.', 'Benefits', '', 'inherit', 'closed', 'closed', '', '7-autosave-v1', '', '', '2016-05-31 07:35:59', '2016-05-31 14:35:59', '', 7, 'https://afm424.org/7-autosave-v1/', 0, 'revision', '', 0),
(1885, 4, '2016-05-31 07:38:22', '2016-05-31 14:38:22', '[vc_row][vc_column][vc_column_text]<strong><em>An American Federation of International Musicians    </em></strong><strong><em>         </em></strong>\r\n\r\n<strong>Local 424 Musician’s Union of Contra Costa County is having an afternoon of Freelance Fun! </strong>Where rolling music meets the joy of rural landscape Martinez. In that golden back country behind barbwired funk. Where horses are real and cars are a piece of highway. Where fruit trees grow. Watch an eagle soar to the sound of a young Bluegrass fiddler playing to a vintage mandolin.\r\n\r\n<strong>Saturday October 10th, 2015 at Noon to 5 PM. </strong><strong>Pot Luck</strong>(<strong>BYOB</strong>).  Please coordinate with Michael Sasaki what food, drink you are bringing.\r\nFood List:\r\n\r\nFood: _______________________  person’s name.\r\n\r\nFood :_______________________  person’s name.\r\n\r\nDrink:_______________________ person’s name.\r\n\r\nDrink:_______________________ person’s name.\r\n\r\n&nbsp;\r\n\r\nImpromptu music performances. Have a desire to perform that afternoon? We are taking sign ups from September 28<sup>th</sup>. 10 minute time slots are available. Can perform in multiple time slots.\r\n\r\nPerformer_________________ time:\r\n\r\nPerformer_________________ time:\r\n\r\nPerformer_________________ time.\r\n\r\nPerformer_________________ time.\r\n\r\n&nbsp;\r\n\r\n<strong>Special guest musicians; Featuring Jazz guitarist, Hideo Date from Toyama &amp; Keiji Oshita on acoustic bass. Please stop by Keiji</strong><strong>’</strong><strong>s store, Zipang in </strong><strong>El Cerrito</strong><strong>.  I feel like a  </strong><strong>Bingo game.I-19? Bingo!</strong>\r\n\r\nHave a song to sing? Have a thing to say? Come on down and start a brawl. Tell a joke. See who cares? Do you have that one riff that you want to play? Verses without a hook? No bridge? Need your horn fixed? Who has the best honey? Who makes the best apple pie? How fast can you fillet a salmon? Talk about organizing a neighborhood veggie garden. Home remedies. Massages. Rediscover Epsom Salt &amp; Baking Soda.\r\n\r\nCome and be a part of your past. These will be your good ole days. Come see yourself on You Tube in the future. Be a sound bite biting back. Scratch that itch! Toto! Toto?\r\n\r\n<strong>RSVP coming</strong>; 510.758.3011 or text. local424@afm.org. Attention: Action Coordinator.\r\n\r\n<strong>Blues Internet Broadcaster out of KVMR 89.5 FM  Grass Valley, Sierra Blues Society Founder, Thom Myers may be hanging out amongst us.</strong>\r\n\r\n<strong>Location</strong>: 1071 Pereira Road. Martinez, California 94553. local424@afm.org attention: President Eliot Kenin\r\n\r\nAuthor, lovely Lynn Danielle Sugayan and Local 424 AFM President Eliot Kenin will be walking amongst us too. Eliot said there is parking available on the road coming in. For more information; local424@afm.org.  Attention: Parking Map. New 424 website where you can submit your annual dues by credit card. $114 Regular. $68 Life.  Change your own contact information at <a href=\"http://www.afm424.org/\">www.afm424.org</a>.  is about to go LIVE.\r\n\r\n&nbsp;\r\n\r\nThank you Eliot &amp; <em>Lynn</em> for having us over.[/vc_column_text][vc_gallery type=\"nivo\" interval=\"3\" images=\"1009,1010,1011,1012,1013,1014,1015,1016,1017,1018,1019,1020,1021,1022\" img_size=\"675x380\"][/vc_column][/vc_row]', 'Freelance Fun', '', 'inherit', 'closed', 'closed', '', '1007-autosave-v1', '', '', '2016-05-31 07:38:22', '2016-05-31 14:38:22', '', 1007, 'https://afm424.org/1007-autosave-v1/', 0, 'revision', '', 0),
(1886, 4, '2016-05-31 09:22:57', '2016-05-31 16:22:57', 'If millennials are the “me” generation — complacent narcissists raised by TV, video games, and hardworking baby boomer parents with extra money to spend — then generation Z is surely the “meta-me” generation. Millennials are indeed, as a group, self-obsessed. We went through our teenage years and early adulthood with things like MySpace or Facebook, a means by which we could present ourselves to the world, to feel important about the minutia of our days, or to share photos that make our lives look like an endless series of parties and sunsets and blackout nights in bars.\r\n\r\nWhile this is all very annoying, it existed for the most part in a way that our friends had to sit down behind their family computer — or laptop if they were lucky — and search out their friends’ social media pages. When I first created a Facebook page, I didn’t even own a cell phone, and the one that I finally bought was a flip phone that I used for texts, calls, and playing that snake game.\r\n\r\nWhat the current young generation is experiencing is the perfect storm of smartphone technology, internet access, and the rise of the popularity of apps that let you instantly create and share relatively useless content with friends and followers. The latest of these apps to catch fire is Musical.ly, a lip-syncing, video sharing platform that was recently valued at $500 million. Some are wondering if it’s <a href=\"https://medium.com/cuepoint/is-musical-ly-the-next-snapchat-160190ff8bef#.y01lwcuzm\" target=\"_blank\">the next Snapchat</a>, and with customizable videos young users go crazy for, it’s hard to disagree. Where Musical.ly diverges from Snapchat is in user challenges that arguably make it a more interactive app, that basically exists as a platform for users to send photos and short videos meant for a single viewing. While Musical.ly currently boasts more bells and whistles, Snapchat seems to suggest more staying power because of the everyday nature — and R rated underbelly — of users posts.\r\n\r\nAt this point in time, every app is the next app… until it’s not. Impressive user numbers and valuations don’t necessarily equal staying power. Previous “it” app Vine is losing users to Snapchat, while Dubsmash’s fifteen minutes of popularity are over thanks to Musical.ly. It’s a harsh world where technologies are constantly evolving and user loyalty is almost nonexistent. It’s true that any app could be the next Facebook — a social media platform that found its footing among college students and went on to be one of the most popular websites in the world — but it’s much more likely that any popular platform will turn into the next Vine, Dubsmash, or MySpace. The difference with Facebook is that it brought something previously unseen, and useful, into people’s lives. While Musical.ly may be offering up something slightly novel, it’s staying power is likely going to be as long lasting as the attention of the generation currently so enamoured by it.', 'The Problem With Musical.ly', '', 'inherit', 'closed', 'closed', '', '1880-revision-v1', '', '', '2016-05-31 09:22:57', '2016-05-31 16:22:57', '', 1880, 'https://afm424.org/1880-revision-v1/', 0, 'revision', '', 0);
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(1887, 4, '2016-05-31 09:23:52', '2016-05-31 16:23:52', 'Video Killed the Radio Star – this is the first music video that has been played when MTV was launched in 1981. Fast forward to 2016, MTV, as many would agree, is almost dying. While it used to be the go-to channel for listening to music and watching videos, times have changed. In a digitally-connected world and in a society that is shaped by the internet, people have found MTV alternatives.\r\n\r\nWith this, there is no doubt that the management is currently struggling. They have made major moves to reinvent themselves in the past, but still, none of the efforts seemed to have sufficed. They still exhibit dismal performance, prompting the creative minds behind the channel to keep on being inventive.\r\n\r\nTo remain relevant in modern times, MTV plans to do one aggressive move – <a href=\"http://www.inlander.com/spokane/internet-killed-the-video-star/Content?oid=2759590\" target=\"_blank\">to do away with music videos</a>. The music feed program is going to be limited during midnight. This is the only time wherein you can watch music videos. Instead of playing music videos during day and nighttime programming, the management wishes to concentrate on music-related shows.\r\n\r\nUnplugged, a previous show is planned to be brought back but with an updated look. Wonderland, a competition featuring aspiring hip-hop artists, is also in the works. Justin Bieber will also produce a show wherein contestants will undergo a 24-hour song writing competition. The channel intends to focus on these types of shows, which can offer entertainment value and can trigger a higher level of engagement compared to music videos that are played repeatedly.\r\n\r\nWhy is MTV taking this route? According to Sean Atkins, MTV President, they plan to go back into music. This is in line with the belief that internet has killed the video star. By going back to music, however, it does not mean that they will be showing music videos like before. Instead, it will be centered in music programming. This is going to be a music-intensive channel without the need to concentrate on music videos.\r\n\r\nIf you want to watch videos, you do not need MTV. Why would you still bother tuning in to MTV when music videos are easily accessible even through your mobile phone? Websites like YouTube and Vimeo are some of the reasons why MTV has slowly lost its share. Through music streaming websites or YouTube channels, music videos can be viewed anytime, and you do not have to wait for them to be played on your TV. Even if MTV will stop playing music videos, it does not mean that music videos are dead. Of course, artists and producers will always find a way to promote their songs. However, they have to look at other more effective channels than MTV.', 'The Death of Music Videos: Are We Near The End of an Era?', '', 'inherit', 'closed', 'closed', '', '1878-revision-v1', '', '', '2016-05-31 09:23:52', '2016-05-31 16:23:52', '', 1878, 'https://afm424.org/1878-revision-v1/', 0, 'revision', '', 0),
(1888, 6, '2016-05-31 16:22:52', '2016-05-31 23:22:52', 'Video Killed the Radio Star – this song was among the first wave of music videos featured on MTV when it was launched in 1981. Fast forward to 2016, MTV, as many would agree, is almost dying. While it used to be the go-to channel for listening to music and watching videos, times have changed. In a digitally-connected world and in a society that is shaped by the internet, people have found MTV alternatives.\n\nWith this, there is no doubt that the management is currently struggling. They have made major moves to reinvent themselves in the past, but still, none of the efforts seemed to have sufficed. They still exhibit dismal performance, prompting the creative minds behind the channel to keep on being inventive.\n\nTo remain relevant in modern times, MTV plans an aggressive move – <a href=\"http://www.inlander.com/spokane/internet-killed-the-video-star/Content?oid=2759590\" target=\"_blank\">to do  away with music videos</a>. Their <em>Music Feed</em> program is going to be limited to 1am to 6am during weekdays.  This is the only time wherein you can watch music videos. Instead of playing music videos during day and nighttime programming, the management wishes to concentrate on music-related shows.\n\n<em>Unplugged</em>, a previous show is planned to be brought back but with an updated look. <em>Wonderland</em>, a competition featuring aspiring hip-hop artists, is also in the works. Justin Bieber will also produce a show wherein contestants will undergo a 24-hour song writing competition. The channel intends to focus on these types of shows, which not only offer entertainment value, but  can trigger a higher level of engagement compared to music videos that are played repeatedly.\n\nWhy is MTV taking this route? According to Sean Atkins, MTV President, they plan to go back into music. This is in line with the belief that internet has killed the video star. By going back to music, however, it does not mean that they will be showing music videos like before. Instead, it will be centered in music programming. This is going to be a music-intensive channel without the need to concentrate on music videos.\n\nIf you want to watch videos, you do not need MTV. Why would you still bother tuning in to MTV when music videos are easily accessible even through your mobile phone? Websites like YouTube and Vimeo are some of the reasons why MTV has slowly lost its share. Through music streaming websites or YouTube channels, music videos can be viewed anytime––you do not have to wait for them to be played on your TV. Even if MTV stops playing music videos, it doesn\'t mean that music videos are dead. Artists and producers will always find ways to promote their songs. However, they have to look at other more effective channels than MTV.', 'The Death of Music Videos: Are We Near The End of an Era?', '', 'inherit', 'closed', 'closed', '', '1878-autosave-v1', '', '', '2016-05-31 16:22:52', '2016-05-31 23:22:52', '', 1878, 'https://afm424.org/1878-autosave-v1/', 0, 'revision', '', 0),
(1889, 6, '2016-05-31 12:06:07', '2016-05-31 19:06:07', 'Video Killed the Radio Star – this song was among the first wave music videos featured on MTV when it was launched in 1981. Fast forward to 2016, MTV, as many would agree, is almost dying. While it used to be the go-to channel for listening to music and watching videos, times have changed. In a digitally-connected world and in a society that is shaped by the internet, people have found MTV alternatives.\r\n\r\nWith this, there is no doubt that the management is currently struggling. They have made major moves to reinvent themselves in the past, but still, none of the efforts seemed to have sufficed. They still exhibit dismal performance, prompting the creative minds behind the channel to keep on being inventive.\r\n\r\nTo remain relevant in modern times, MTV plans an aggressive move – <a href=\"http://www.inlander.com/spokane/internet-killed-the-video-star/Content?oid=2759590\" target=\"_blank\">to do  away with music videos</a>. Their Music Feed program is going to be limited to 1am to 6am during the weekdays.  This is the only time wherein you can watch music videos. Instead of playing music videos during day and nighttime programming, the management wishes to concentrate on music-related shows.\r\n\r\nUnplugged, a previous show is planned to be brought back but with an updated look. Wonderland, a competition featuring aspiring hip-hop artists, is also in the works. Justin Bieber will also produce a show wherein contestants will undergo a 24-hour song writing competition. The channel intends to focus on these types of shows, which can offer entertainment value and can trigger a higher level of engagement compared to music videos that are played repeatedly.\r\n\r\nWhy is MTV taking this route? According to Sean Atkins, MTV President, they plan to go back into music. This is in line with the belief that internet has killed the video star. By going back to music, however, it does not mean that they will be showing music videos like before. Instead, it will be centered in music programming. This is going to be a music-intensive channel without the need to concentrate on music videos.\r\n\r\nIf you want to watch videos, you do not need MTV. Why would you still bother tuning in to MTV when music videos are easily accessible even through your mobile phone? Websites like YouTube and Vimeo are some of the reasons why MTV has slowly lost its share. Through music streaming websites or YouTube channels, music videos can be viewed anytime, and you do not have to wait for them to be played on your TV. Even if MTV will stop playing music videos, it does not mean that music videos are dead. Of course, artists and producers will always find a way to promote their songs. However, they have to look at other more effective channels than MTV.', 'The Death of Music Videos: Are We Near The End of an Era?', '', 'inherit', 'closed', 'closed', '', '1878-revision-v1', '', '', '2016-05-31 12:06:07', '2016-05-31 19:06:07', '', 1878, 'https://afm424.org/1878-revision-v1/', 0, 'revision', '', 0),
(1890, 6, '2016-05-31 12:21:39', '2016-05-31 19:21:39', 'Video Killed the Radio Star – this song was among the first wave of music videos featured on MTV when it was launched in 1981. Fast forward to 2016, MTV, as many would agree, is almost dying. While it used to be the go-to channel for listening to music and watching videos, times have changed. In a digitally-connected world and in a society that is shaped by the internet, people have found MTV alternatives.\r\n\r\nWith this, there is no doubt that the management is currently struggling. They have made major moves to reinvent themselves in the past, but still, none of the efforts seemed to have sufficed. They still exhibit dismal performance, prompting the creative minds behind the channel to keep on being inventive.\r\n\r\nTo remain relevant in modern times, MTV plans an aggressive move – <a href=\"http://www.inlander.com/spokane/internet-killed-the-video-star/Content?oid=2759590\" target=\"_blank\">to do  away with music videos</a>. Their Music Feed program is going to be limited to 1am to 6am during weekdays.  This is the only time wherein you can watch music videos. Instead of playing music videos during day and nighttime programming, the management wishes to concentrate on music-related shows.\r\n\r\nUnplugged, a previous show is planned to be brought back but with an updated look. Wonderland, a competition featuring aspiring hip-hop artists, is also in the works. Justin Bieber will also produce a show wherein contestants will undergo a 24-hour song writing competition. The channel intends to focus on these types of shows, which can offer entertainment value and can trigger a higher level of engagement compared to music videos that are played repeatedly.\r\n\r\nWhy is MTV taking this route? According to Sean Atkins, MTV President, they plan to go back into music. This is in line with the belief that internet has killed the video star. By going back to music, however, it does not mean that they will be showing music videos like before. Instead, it will be centered in music programming. This is going to be a music-intensive channel without the need to concentrate on music videos.\r\n\r\nIf you want to watch videos, you do not need MTV. Why would you still bother tuning in to MTV when music videos are easily accessible even through your mobile phone? Websites like YouTube and Vimeo are some of the reasons why MTV has slowly lost its share. Through music streaming websites or YouTube channels, music videos can be viewed anytime, and you do not have to wait for them to be played on your TV. Even if MTV will stop playing music videos, it does not mean that music videos are dead. Of course, artists and producers will always find a way to promote their songs. However, they have to look at other more effective channels than MTV.', 'The Death of Music Videos: Are We Near The End of an Era?', '', 'inherit', 'closed', 'closed', '', '1878-revision-v1', '', '', '2016-05-31 12:21:39', '2016-05-31 19:21:39', '', 1878, 'https://afm424.org/1878-revision-v1/', 0, 'revision', '', 0),
(1891, 6, '2016-05-31 16:24:35', '2016-05-31 23:24:35', 'Video Killed the Radio Star – this song was among the first wave of music videos featured on MTV when it was launched in 1981. Fast forward to 2016, MTV, as many would agree, is almost dying. While it used to be the go-to channel for listening to music and watching videos, times have changed. In a digitally-connected world and in a society that is shaped by the internet, people have found MTV alternatives.\r\n\r\nWith this, there is no doubt that the management is currently struggling. They have made major moves to reinvent themselves in the past, but still, none of the efforts seemed to have sufficed. They still exhibit dismal performance, prompting the creative minds behind the channel to keep on being inventive.\r\n\r\nTo remain relevant in modern times, MTV plans an aggressive move – <a href=\"http://www.inlander.com/spokane/internet-killed-the-video-star/Content?oid=2759590\" target=\"_blank\">to do  away with music videos</a>. Their <em>Music Feed</em> program is going to be limited to 1am to 6am during weekdays.  This is the only time wherein you can watch music videos. Instead of playing music videos during day and nighttime programming, the management wishes to concentrate on music-related shows.\r\n\r\n<em>Unplugged</em>, a previous show is planned to be brought back but with an updated look. <em>Wonderland</em>, a competition featuring aspiring hip-hop artists, is also in the works. Justin Bieber will also produce a show wherein contestants will undergo a 24-hour song writing competition. The channel intends to focus on these types of shows, which not only offer entertainment value, but  can trigger a higher level of engagement compared to music videos that are played repeatedly.\r\n\r\nWhy is MTV taking this route? According to Sean Atkins, MTV President, they plan to go back into music. This is in line with the belief that internet has killed the video star. By going back to music, however, it does not mean that they will be showing music videos like before. Instead, it will be centered in music programming. This is going to be a music-intensive channel without the need to concentrate on music videos.\r\n\r\nIf you want to watch videos, you do not need MTV. Why would you still bother tuning in to MTV when music videos are easily accessible even through your mobile phone? Websites like YouTube and Vimeo are some of the reasons why MTV has slowly lost its share. Through music streaming websites or YouTube channels, music videos can be viewed anytime––you do not have to wait for them to be played on your TV. Even if MTV stops playing music videos, it doesn\'t mean that music videos are dead. Artists and producers will always find ways to promote their songs. However, they have to look at other more effective channels than MTV.', 'The Death of Music Videos: Are We Near The End of an Era?', '', 'inherit', 'closed', 'closed', '', '1878-revision-v1', '', '', '2016-05-31 16:24:35', '2016-05-31 23:24:35', '', 1878, 'https://afm424.org/1878-revision-v1/', 0, 'revision', '', 0),
(1892, 6, '2016-07-24 13:38:01', '2016-07-24 20:38:01', 'If millennials are the “me” generation — complacent narcissists raised by TV, video games, and hardworking baby boomer parents with extra money to spend — then generation Z is surely the “meta-me” generation.\n\nMillennials are indeed, as a group, self-obsessed. We went through our teenage years and early adulthood with things like MySpace or Facebook, a means by which we could present ourselves to the world, to feel important about the minutia of our days, and sharing photos that make our lives look like an endless series of parties, sunsets and blackout nights in bars.\n\nWhile this can all be rather annoying, this existed, for the most part, as a way for us to sit down behind our family computer — or laptop, if they were lucky — and search out our friends’ social media pages. When I first created a Facebook page, I didn’t even own a cell phone. I finally bought a flip phone that I used for texts, calls, and playing that snake game.\n\nWhat the current young generation is experiencing is a perfect storm of smartphone technology: internet access, and the rise of the popularity of apps that let you instantly create and share relatively useless content with friends and followers.\n\nThe latest of these apps to catch fire is Musical.ly, a lip-syncing, video sharing platform that was recently valued at $500 million. Some are wondering if it’s <a href=\"https://medium.com/cuepoint/is-musical-ly-the-next-snapchat-160190ff8bef#.y01lwcuzm\" target=\"_blank\">the next Snapchat</a>,–– and with customizable videos that young users go crazy for, it’s hard to disagree.\n\nWhere Musical.ly diverges from Snapchat is in user challenges. This makes it arguably a more interactive app, existing as a platform for users to send photos and short videos meant for a single viewing. While Musical.ly currently boasts more bells and whistles, Snapchat seems to suggest more staying power because of the everyday nature — and R rated underbelly — of users\' posts.\n\nAt this point in time, every app is <em>the next big app</em>…until it’s not.\n\nImpressive user numbers and valuations don’t necessarily equal staying power. Previous “it” app Vine is losing users to Snapchat. While Dubsmash’s 15 minutes of fame are over thanks to Musical.ly.\n\nIt’s a harsh world where technologies are rapidly evolving and user loyalty is almost nonexistent.\n\nWhile it’s true that any app could potentially be the next Facebook — a social media platform that found its footing among college students and went on to be one of the most popular websites in the world — it’s more likely that a new platform that popular platform will turn into the next Vine, Dubsmash, or MySpace. The difference with Facebook is that it brought something previously unseen, and useful, into people’s lives. While Musical.ly may be offering up something slightly novel, it’s staying power is likely going to be as long lasting as the attention of the generation currently so enamoured by it.', 'The Problem With Musical.ly', '', 'inherit', 'closed', 'closed', '', '1880-autosave-v1', '', '', '2016-07-24 13:38:01', '2016-07-24 20:38:01', '', 1880, 'https://afm424.org/1880-autosave-v1/', 0, 'revision', '', 0),
(1893, 6, '2016-05-31 16:39:11', '2016-05-31 23:39:11', 'If millennials are the “me” generation — complacent narcissists raised by TV, video games, and hardworking baby boomer parents with extra money to spend — then generation Z is surely the “meta-me” generation. Millennials are indeed, as a group, self-obsessed. We went through our teenage years and early adulthood with things like MySpace or Facebook, a means by which we could present ourselves to the world, to feel important about the minutia of our days, or to share photos that make our lives look like an endless series of parties, sunsets and blackout nights in bars.\r\n\r\nWhile this is all very annoying, it existed for the most part in a way that our friends had to sit down behind their family computer — or laptop, if they were lucky — and search out their friends’ social media pages. When I first created a Facebook page, I didn’t even own a cell phone. The one that I finally bought was a flip phone that I used for texts, calls, and playing that snake game.\r\n\r\nWhat the current young generation is experiencing is the perfect storm of smartphone technology, internet access, and the rise of the popularity of apps that let you instantly create and share relatively useless content with friends and followers. The latest of these apps to catch fire is Musical.ly, a lip-syncing, video sharing platform that was recently valued at $500 million. Some are wondering if it’s <a href=\"https://medium.com/cuepoint/is-musical-ly-the-next-snapchat-160190ff8bef#.y01lwcuzm\" target=\"_blank\">the next Snapchat</a>, and with customizable videos young users go crazy for, it’s hard to disagree. Where Musical.ly diverges from Snapchat is in user challenges. This makes it arguably a more interactive app, basically existing as a platform for users to send photos and short videos meant for a single viewing. While Musical.ly currently boasts more bells and whistles, Snapchat seems to suggest more staying power because of the everyday nature — and R rated underbelly — of users posts.\r\n\r\nAt this point in time, every app is the next app…until it’s not. Impressive user numbers and valuations don’t necessarily equal staying power. Previous “it” app Vine is losing users to Snapchat, while Dubsmash’s fifteen minutes of popularity are over thanks to Musical.ly. It’s a harsh world where technologies are constantly evolving and user loyalty is almost nonexistent. It’s true that any app could be the next Facebook — a social media platform that found its footing among college students and went on to be one of the most popular websites in the world — but it’s much more likely that any popular platform will turn into the next Vine, Dubsmash, or MySpace. The difference with Facebook is that it brought something previously unseen, and useful, into people’s lives. While Musical.ly may be offering up something slightly novel, it’s staying power is likely going to be as long lasting as the attention of the generation currently so enamoured by it.', 'The Problem With Musical.ly', '', 'inherit', 'closed', 'closed', '', '1880-revision-v1', '', '', '2016-05-31 16:39:11', '2016-05-31 23:39:11', '', 1880, 'https://afm424.org/1880-revision-v1/', 0, 'revision', '', 0),
(1894, 6, '2016-06-08 10:00:38', '2016-06-08 17:00:38', 'I recently read <a href=\"http://www.huckmagazine.com/perspectives/how-music-dies/\">this</a> article and man it gave me a lot of food for thought. This guy has it nailed, music used to be about passion and about feelings, a way of expressing deep seated emotions, horrors that we saw or that we lived through. It didn’t matter who you were, you had this medium to say what you needed to say, to raise a finger to the man. Like everything else in this world rich people have to take over and monetize it.\r\n\r\nDon’t get me wrong, the music business has always been about making money, but there was true talent coming through and rising to the top. Elvis revolutionized music, then came the Beatles and the Rolling Stones, Bob Dylan isn’t a great singer but he’s an artist, Eminem isn’t a shiny popstar he came up rough. In fact, none of these people had polished upbringings. There is something special about someone coming from nothing with a great talent and bursting onto the scene to share their pain and ecstasy with the listening public.\r\n\r\nAn expression of anger, love, feeling, emotions that are passion fueled, not auto-tuned nonsense that we are drip fed- that’s what music used to be. I listen to current music, in fact, if you were to scroll through my music right now you would probably back away slowly. If you were to troll through my hundreds of CD’s I might get some cred back, but there isn’t much in the way of hard luck stories in music these days.\r\n\r\nWhy is that? Well, apart from the fact that the arts are being removed from public schools everywhere as funds are slashed again and again, there is that pesky problem of nepotism. It’s been permeating every other industry since the dawn of time, it might as well infest music. If your face fits you’re golden and if it doesn’t then girl, bye!\r\n\r\nParents are paying half a month’s salary to hook their kids up with tickets for the latest tour of the latest passing artist and then paying double that just for a meet and greet that likely involves taking pictures with a cardboard cutout, because the artist is too exhausted to be seen. For the older generation you can still go and see the stalwarts of rock but you’re going to pay a fortune to watch something that is nothing like what they sounded like in their day.\r\n\r\nThe days of letting it all hang out on stage, letting it all go in the booth don’t mean the same thing now as they did then. Now it’s a planned wardrobe malfunction, or a public relations relationship to boost fan base.\r\n\r\nWhen Elvis arrived on scene he was a rebel with those snake hips, when Johnny Rotten emerged he was a livewire who didn’t give a shit about what people thought, and rock music and rap music followed and they brought a rebellion for a misunderstood youth. Now our youth are falling in line with doctored tunes produced by well-groomed <span style=\"text-decoration: line-through;\">robots</span> artists, and there is no love there at all.', 'The Man Is Bringing Us Down', '', 'publish', 'open', 'closed', '', 'the-man-is-bringing-us-down', '', '', '2016-06-06 10:49:48', '2016-06-06 17:49:48', '', 0, 'https://afm424.org/?p=1894', 0, 'post', '', 0),
(1895, 4, '2016-06-06 09:53:38', '2016-06-06 16:53:38', 'I recently read <a href=\"http://www.huckmagazine.com/perspectives/how-music-dies/\">this</a> article and man it gave me a lot of food for thought. This guy has it nailed, music used to be about passion and about feelings, a way of expressing deep seated emotions, horrors that we saw or that we lived through. It didn’t matter who you were, you had this medium to say what you needed to say, to raise a finger to the man. Like everything else in this world rich people have to take over and monetize it.\r\n\r\nDon’t get me wrong, the music business has always been about making money, but there was true talent coming through and rising to the top. Elvis revolutionized music, then came the Beatles and the Rolling Stones, Bob Dylan isn’t a great singer but he’s an artist, Eminem isn’t a shiny popstar he came up rough. In fact, none of these people had polished upbringings. There is something special about someone coming from nothing with a great talent and bursting onto the scene to share their pain and ecstasy with the listening public.\r\n\r\nAn expression of anger, love, feeling, emotions that are passion fueled, not auto-tuned nonsense that we are drip fed- that’s what music used to be. I listen to current music, in fact, if you were to scroll through my music right now you would probably back away slowly. If you were to troll through my hundreds of CD’s I might get some cred back, but there isn’t much in the way of hard luck stories in music these days.\r\n\r\nWhy is that? Well, apart from the fact that the arts are being removed from public schools everywhere as funds are slashed again and again, there is that pesky problem of nepotism. It’s been permeating every other industry since the dawn of time, it might as well infest music. If your face fits you’re golden and if it doesn’t then girl, bye!\r\n\r\nParents are paying half a month’s salary to hook their kids up with tickets for the latest tour of the latest passing artist and then paying double that just for a meet and greet that likely involves taking pictures with a cardboard cutout, because the artist is too exhausted to be seen. For the older generation you can still go and see the stalwarts of rock but you’re going to pay a fortune to watch something that is nothing like what they sounded like in their day.\r\n\r\nThe days of letting it all hang out on stage, letting it all go in the booth don’t mean the same thing now as they did then. Now it’s a planned wardrobe malfunction, or a public relations relationship to boost fan base.\r\n\r\nWhen Elvis arrived on scene he was a rebel with those snake hips, when Johnny Rotten emerged he was a livewire who didn’t give a shit about what people thought, and rock music and rap music followed and they brought a rebellion for a misunderstood youth. Now our youth are falling in line with doctored tunes produced by well-groomed <span style=\"text-decoration: line-through;\">robots</span> artists, and there is no love there at all.', 'The Man Is Bringing Us Down', '', 'inherit', 'closed', 'closed', '', '1894-revision-v1', '', '', '2016-06-06 09:53:38', '2016-06-06 16:53:38', '', 1894, 'https://afm424.org/1894-revision-v1/', 0, 'revision', '', 0),
(1898, 4, '2016-06-06 15:13:05', '2016-06-06 22:13:05', '[vc_row][vc_column width=\"2/3\"][vc_column_text]\r\n<h1>Local 424 AFM Blog</h1>\r\n[/vc_column_text][vc_basic_grid post_type=\"post\" max_items=\"-1\" style=\"lazy\" element_width=\"6\" item=\"1562\" grid_id=\"vc_gid:1465251110477-6d2058bd-ae03-3\" taxonomies=\"27\"][/vc_column][vc_column width=\"1/3\"][vc_wp_search title=\"Search\"][vc_column_text]\r\n<h3>Blog Archives</h3>\r\n[/vc_column_text][vc_widget_sidebar sidebar_id=\"sidebar-12\"][/vc_column][/vc_row]', 'Blog', '', 'inherit', 'closed', 'closed', '', '1829-revision-v1', '', '', '2016-06-06 15:13:05', '2016-06-06 22:13:05', '', 1829, 'https://afm424.org/1829-revision-v1/', 0, 'revision', '', 0),
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(1913, 6, '2016-06-13 10:20:18', '2016-06-13 17:20:18', '<p id=\"E12\" class=\"qowt-stl-Title\">YouTube has taken the world by storm. There is no denying it. But YouTube is not just a bunch of funny videos of people falling over or babies laughing. There is a <a href=\"http://www.vocativ.com/320984/youtube-users-are-reinventing-the-way-we-classify-music/\" target=\"_blank\">whole world of music videos</a> on YouTube that has changed the way we hear and classify music.</p>\r\n<p id=\"E18\"><span id=\"E19\">For a long time, we’ve had the same old genres of pop, hip hop, rock etc. Once in a while a new genre would pop up, but that wasn’t an everyday occurrence. Things have changed with the advent of YouTube. Though music videos still have tags of the traditional genres like R&amp;B, country and rock n’ roll, </span><span id=\"E21\">there </span><span id=\"E22\">are</span><span id=\"E23\"> new ways of classifying music now. These classifications are based on moods, habits, situations. The traditional methods of defining music––the style of music and who the artist is––have taken a backseat, making room for a new approach. </span></p>\r\n<p id=\"E24\"><span id=\"E25\">People now want music that </span><span id=\"E26\">has </span><span id=\"E27\">functional or practical purposes</span><span id=\"E28\">. For example, they might want music for an office party</span><span id=\"E29\">,</span><span id=\"E30\"> </span><span id=\"E31\">o</span><span id=\"E32\">r music that puts their bab</span><span id=\"E33\">y to sleep, or </span><span id=\"E34\">music with waves in the background. The result is that these new classifications </span><span id=\"E35\">have melted</span><span id=\"E36\"> the barriers between styles. Now there are new categories that are not as clear-cut as the tra</span><span id=\"E37\">ditional genres used to be. </span></p>\r\n<p id=\"E40\"><span id=\"E41\">So why these new classifications?</span></p>\r\n<p id=\"E42\"><span id=\"E43\">YouTube has videos from all over the planet, even from the smallest far flung areas of the world where internet is still a rare phenomenon.</span><span id=\"E45\"> It is the go-to video platform. When you have music videos from literally everywhere, it’s not just the physical barriers that dissolve, it\'s also affecting how we view music categories. </span></p>\r\n<span id=\"E48\">People can easily download music from two vastly different corners of the world, and mix them up––making a new kind of music. T</span><span id=\"E50\">here are also those who don’t adhere to the traditional genres. Everyone has their own playlist; </span><span id=\"E50\">one for getting ready in the morning, one for jogging, one for sleeping, etc. When they upload these preferences to YouTube, word spreads. This influences other people to start looking at music in a diffe</span><span id=\"E51\">rent manner, and they focus on its functional purposes. </span>\r\n<p id=\"E52\"><span id=\"E53\">A study conducted by Massimo </span><span id=\"E55\">Airoldi</span><span id=\"E57\">, </span><span id=\"E59\">Davide B</span><span id=\"E60\">eraldo</span><span id=\"E62\"> and Alessandro </span><span id=\"E64\">Gandini, </span><span id=\"E67\">appeared in the journal “Poetics,” called this phenomenon “crowd-generated music categories.” </span></p>\r\nWe live in a world that is constantly in motion. Why should music classifications stand still?', 'The New Era of YouTube Music Classification', '', 'publish', 'open', 'closed', '', 'new-era-youtube-music-classification', '', '', '2016-06-20 07:58:00', '2016-06-20 14:58:00', '', 0, 'https://afm424.org/?p=1913', 0, 'post', '', 0),
(1914, 4, '2016-06-09 15:22:48', '2016-06-09 22:22:48', '<p id=\"E12\" class=\"qowt-stl-Title\">YouTube has taken the world by storm, there is no denying it. But YouTube is not just a bunch of funny videos of people falling over or babies laughing. There is a <a href=\"http://www.vocativ.com/320984/youtube-users-are-reinventing-the-way-we-classify-music/\" target=\"_blank\">whole world of music videos</a> on YouTube and that too has changed the way we hear and classify music.</p>\r\n<p id=\"E16\"><span id=\"E17\">Classification of music</span></p>\r\n<p id=\"E18\"><span id=\"E19\">For a long time, we’ve had the same old genres of pop, hip hop, rock etc. Once in a while a new genre would pop up but that wasn’t an everyday occurrence. But things have changed with the advent of YouTube into the world. Music videos still have tags of the traditional genres like R and B, rock n’ roll</span><span id=\"E20\">!</span><span id=\"E21\"> But there </span><span id=\"E22\">are</span><span id=\"E23\"> ways of classifying music now. These classifications are based on moods, habits, situations. The type of music and who the artist is; these are classification that have taken a backseat to make room for the new ones. </span></p>\r\n<p id=\"E24\"><span id=\"E25\">People now want music that </span><span id=\"E26\">has </span><span id=\"E27\">functional or practical purposes</span><span id=\"E28\">. For example, they might want music for an office party</span><span id=\"E29\">,</span><span id=\"E30\"> </span><span id=\"E31\">o</span><span id=\"E32\">r music that puts their bab</span><span id=\"E33\">y to sleep, or the</span><span id=\"E34\"> music with waves in the background. The result is that these new classifications </span><span id=\"E35\">have melted</span><span id=\"E36\"> the barriers between genres. Now there are new categories that are not as clear cut as the tra</span><span id=\"E37\">ditional genres classification. </span></p>\r\n<p id=\"E40\"><span id=\"E41\">Why the new classifications?</span></p>\r\n<p id=\"E42\"><span id=\"E43\">YouTube has videos from all over the world, even from the smallest far flung areas of the world where internet is still a rare phenomenon</span><span id=\"E44\">!</span><span id=\"E45\"> It is the go-to video platform. So when you have music videos form literally all over the world, it’s not just the physical barriers that melt, but also those of</span><span id=\"E46\"> </span><span id=\"E47\">musical genres</span><span id=\"E48\">. People can easily download music from two different corners of world and mix them up, making a new kind of music. </span><span id=\"E49\">Also,</span><span id=\"E50\"> there are people who don’t adhere to the traditional genres of music. Everyone has their own playlist. They have a different from when they get ready in the morning, a different one for their jog and a different one for sleeping. When they upload these preferences on YouTube, word spreads. Other people also start looking at music in a diffe</span><span id=\"E51\">rent manner, and they start focusing on its functional purposes. </span></p>\r\n<p id=\"E52\"><span id=\"E53\">A study—conducted by Massimo </span><span id=\"E55\">Airoldi</span><span id=\"E57\">, </span><span id=\"E59\">DavideB</span><span id=\"E60\">eraldo</span><span id=\"E62\">, and Alessandro </span><span id=\"E64\">Gandini</span><span id=\"E66\"> </span><span id=\"E67\">appearing in the journal “Poetics”, call this phenomenon “crowd-generated music categories.” This article further explain</span><span id=\"E68\">s</span><span id=\"E69\"> this phenomenon. </span></p>', 'The New Era of YouTube Music Classification', '', 'inherit', 'closed', 'closed', '', '1913-revision-v1', '', '', '2016-06-09 15:22:48', '2016-06-09 22:22:48', '', 1913, 'https://afm424.org/1913-revision-v1/', 0, 'revision', '', 0),
(1915, 6, '2016-06-15 10:26:12', '2016-06-15 17:26:12', 'The punk movement of the 70s influenced not just the music scene, but also the visual worlds of art and graphic design. The art featured a do-it-yourself approach, reflecting the anti-establishment sentiments of the rough, unrefined rock music popular at that time. These designs exude a sense of rawness in the overall look or in the means of the production.\r\n\r\nSome designers during the Punk era did go to art school. Notables are Jamie Reid and Malcolm McLaren. However, the majority of the artists didn’t have any formal training in graphic design. The practitioners did have a few things in common: a passion for music, a camera, a pen and a pair of scissors. Just like the bands they followed, these visual artists used cheap instruments to create their art. The finish products were often described as edgy, indecent and rude.\r\n\r\nDuring the Punk period, the most popular forms of music art were fanzines and album covers. Bands created music with inexpensive instruments and pressed their own records. They churned out fanzines reproduced on photocopiers. Their albums were sold at gigs and independent stores, and often featured hand printed covers. The artists were given the freedom to create whatever they like. That’s why Punk cover art was considered provocative and crass––or the combination of the two.\r\n\r\nIf you ever find yourself in London, head over to the British Library and check out the exhibit highlighting visual media from the punk period. The exhibit is part of Punk London Festival––a year-long series of exhibitions and events celebrating the creativity of that era. It runs from January 2016 to January 2017.\r\n\r\nThere\'s a dazzling wall of album covers, ranging from the Sex Pistol\'s \"Anarchy in the UK\" to Stretcher Case Baby\'s \"The Damned.\" This is an incredible exhibition for Generation X-ers who want to relive their punk years, or for Millennials who want to know more about that scene.\r\n\r\nIf you can’t go to the exhibition, you can <a href=\"http://www.digitalartsonline.co.uk/news/graphic-design/how-punk-changed-design/\" target=\"_blank\">head here</a> to view the popular album covers and fanzine art from that notorious era.', 'The Influence of Punk on Music Art and Graphic Design', '', 'publish', 'open', 'closed', '', 'influence-of-punk-to-music-art', '', '', '2016-06-20 07:58:11', '2016-06-20 14:58:11', '', 0, 'https://afm424.org/?p=1915', 0, 'post', '', 0),
(1916, 4, '2016-06-09 15:29:19', '2016-06-09 22:29:19', 'The punk movement of the 70s has influenced not just the music scene, but also the graphic design and art scene. The art of that time also featured the do-it-yourself approach and anti-establishment sentiments of the raw rock music popular during that era. The designs exude a sense of rawness, whether it is the overall design or the means of the production.\r\n\r\nThere are some designers during the Punk era who went to art school. Some of the notable ones were Jamie Reid and Malcolm McLaren. However, majority of the artists during that time didn’t have any formal training in graphic design. Some of the common things that practitioners had were a passion for music, a camera, pen and a pair of scissors. Just like the bands that they follow, they used cheap instruments to create their art. And their finish products were often described as edgy and rough.\r\n\r\nDuring the Punk period, the most popular forms of music art were fanzines and album covers. Bands created music with cheap instruments and pressed their own records. They also churned out fanzines reproduced through photocopiers. Their albums were sold during gigs and at independent stores. These albums featured covers that were hand printed. The artists were given the freedom to create whatever they like, and that’s why album covers produced that time were provocative, crass, or the combination of the two.\r\n\r\nIf you are in London, you can head to the British Library to see an exhibit on the visual media from the punk scene. The exhibit is part of Punk London Festival, which is a series of exhibitions and events to celebrate the creativity of that era.\r\n\r\nThe exhibit featured a wall of album covers ranging from Anarchy in the UK of the Sex Pistols to Stretcher Case Baby of The Damned. People who want to relive their punk years and millenials who want to know more about that era can head to the British Library to view the exhibit. But if you can’t go to the library, you can <a href=\"http://www.digitalartsonline.co.uk/news/graphic-design/how-punk-changed-design/\" target=\"_blank\">head here</a> to view the popular album covers and fanzine arts during the Punk era.', 'The Influence of Punk to Music Art and Graphic Design', '', 'inherit', 'closed', 'closed', '', '1915-revision-v1', '', '', '2016-06-09 15:29:19', '2016-06-09 22:29:19', '', 1915, 'https://afm424.org/1915-revision-v1/', 0, 'revision', '', 0),
(1917, 6, '2016-06-17 15:29:45', '2016-06-17 22:29:45', 'Los Angeles is an excellent city to live in, especially if you are an artist, as there are plenty of amazing opportunities. However, many musicians often struggle a lot when they move to this big city. Breaking into any new scene is quite challenging and often intimidating. The following is a few smart tips for any musician seeking to move to LA and have a successful career.\r\n\r\nDon’t set unrealistic expectations – A common mistake amongst many musicians when making the move to a bigger city is expecting overnight success. Instead, you should have a long term plan and continue working smart every day till you reach your goal. Even the really successful musicians took some time to really get noticed in LA.\r\n\r\nEnsure you have enough savings – It is always good to save some money before moving to a large city since it might take a while to start earning money from paying gigs. Furthermore, you will also need to invest the money in attending shows and events among others. The money will also be important for paying for <a href=\"http://pitchfork.com/features/article/9894-the-dark-art-of-mastering-music/\" target=\"_blank\">mastering</a> services, especially if you want your music to sound professional.\r\n\r\nFind your own niche – To succeed in LA and get work quickly, you will need to choose one genre of music and specialize in it. This is not to say that it is bad to have the ability of playing multiple styles, but you need to find what you are strongest in and then target that specific scene.\r\n\r\nAdjust your look – Looks do really matter when you are in LA. For example, if you are trying to penetrate the rock scene, there is a way you should be dressing so that people can easily associate you with your exact brand of music. You must look the part if you want to succeed as a musician.', 'What Every Musician Needs to Know about Moving to LA', '', 'publish', 'open', 'closed', '', 'every-musician-needs-know-moving-la', '', '', '2016-06-20 07:58:19', '2016-06-20 14:58:19', '', 0, 'https://afm424.org/?p=1917', 0, 'post', '', 0);
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(1918, 4, '2016-06-09 15:31:54', '2016-06-09 22:31:54', 'Los Angeles is an excellent city to live in, especially if you are an artist, as there are plenty of amazing opportunities. However, many musicians often struggle a lot when they move to this big city. Breaking into any new scene is quite challenging and often intimidating. The following is a few smart tips for any musician seeking to move to LA and have a successful career.\r\n\r\nDon’t set unrealistic expectations – A common mistake amongst many musicians when making the move to a bigger city is expecting overnight success. Instead, you should have a long term plan and continue working smart every day till you reach your goal. Even the really successful musicians took some time to really get noticed in LA.\r\n\r\nEnsure you have enough savings – It is always good to save some money before moving to a large city since it might take a while to start earning money from paying gigs. Furthermore, you will also need to invest the money in attending shows and events among others. The money will also be important for paying for <a href=\"http://pitchfork.com/features/article/9894-the-dark-art-of-mastering-music/\" target=\"_blank\">mastering</a> services, especially if you want your music to sound professional.\r\n\r\nFind your own niche – To succeed in LA and get work quickly, you will need to choose one genre of music and specialize in it. This is not to say that it is bad to have the ability of playing multiple styles, but you need to find what you are strongest in and then target that specific scene.\r\n\r\nAdjust your look – Looks do really matter when you are in LA. For example, if you are trying to penetrate the rock scene, there is a way you should be dressing so that people can easily associate you with your exact brand of music. You must look the part if you want to succeed as a musician.', 'What Every Musician Needs to Know about Moving to LA', '', 'inherit', 'closed', 'closed', '', '1917-revision-v1', '', '', '2016-06-09 15:31:54', '2016-06-09 22:31:54', '', 1917, 'https://afm424.org/1917-revision-v1/', 0, 'revision', '', 0),
(1920, 6, '2016-06-13 23:06:27', '2016-06-14 06:06:27', '<p id=\"E12\" class=\"qowt-stl-Title\">YouTube has taken the world by storm. There is no denying it. But YouTube is not just a bunch of funny videos of people falling over or babies laughing. There is a <a href=\"http://www.vocativ.com/320984/youtube-users-are-reinventing-the-way-we-classify-music/\" target=\"_blank\">whole world of music videos</a> on YouTube that has changed the way we hear and classify music.</p>\n<p id=\"E18\"><span id=\"E19\">For a long time, we’ve had the same old genres of pop, hip hop, rock etc. Once in a while a new genre would pop up, but that wasn’t an everyday occurrence. Things have changed with the advent of YouTube. Though music videos still have tags of the traditional genres like R&amp;B, country and rock n’ roll, </span><span id=\"E21\">there </span><span id=\"E22\">are</span><span id=\"E23\"> new ways of classifying music now. These classifications are based on moods, habits, situations. The traditional methods of defining music––the style of music and who the artist is––have taken a backseat, making room for a new approach. </span></p>\n<p id=\"E24\"><span id=\"E25\">People now want music that </span><span id=\"E26\">has </span><span id=\"E27\">functional or practical purposes</span><span id=\"E28\">. For example, they might want music for an office party</span><span id=\"E29\">,</span><span id=\"E30\"> </span><span id=\"E31\">o</span><span id=\"E32\">r music that puts their bab</span><span id=\"E33\">y to sleep, or </span><span id=\"E34\">music with waves in the background. The result is that these new classifications </span><span id=\"E35\">have melted</span><span id=\"E36\"> the barriers between styles. Now there are new categories that are not as clear-cut as the tra</span><span id=\"E37\">ditional genres used to be. </span></p>\n<p id=\"E40\"><span id=\"E41\">So why these new classifications?</span></p>\n<p id=\"E42\"><span id=\"E43\">YouTube has videos from all over the planet, even from the smallest far flung areas of the world where internet is still a rare phenomenon.</span><span id=\"E45\"> It is the go-to video platform. When you have music videos from literally everywhere, it’s not just the physical barriers that dissolve, it\'s also affecting how we view music categories. </span></p>\n<span id=\"E48\">People can easily download music from two vastly different corners of the world, and mix them up––making a new kind of music. T</span><span id=\"E50\">here are also those who don’t adhere to the traditional genres. Everyone has their own playlist; </span><span id=\"E50\">one for getting ready in the morning, one for jogging, one for sleeping, etc. When they upload these preferences to YouTube, word spreads. This influences other people to start looking at music in a diffe</span><span id=\"E51\">rent manner, and they focus on its functional purposes. </span>\n<p id=\"E52\"><span id=\"E53\">A study conducted by Massimo </span><span id=\"E55\">Airoldi</span><span id=\"E57\">, </span><span id=\"E59\">Davide B</span><span id=\"E60\">eraldo</span><span id=\"E62\"> and Alessandro </span><span id=\"E64\">Gandini, </span><span id=\"E67\">appeared in the journal “Poetics,” called this phenomenon “crowd-generated music categories.” </span></p>\nWe live in a world that is constantly in motion. Why should music classifications stand still?', 'The New Era of YouTube Music Classification', '', 'inherit', 'closed', 'closed', '', '1913-autosave-v1', '', '', '2016-06-13 23:06:27', '2016-06-14 06:06:27', '', 1913, 'https://afm424.org/1913-autosave-v1/', 0, 'revision', '', 0),
(1921, 6, '2016-06-13 22:49:15', '2016-06-14 05:49:15', '<p id=\"E12\" class=\"qowt-stl-Title\">YouTube has taken the world by storm, there is no denying it. But YouTube is not just a bunch of funny videos of people falling over or babies laughing. There is a <a href=\"http://www.vocativ.com/320984/youtube-users-are-reinventing-the-way-we-classify-music/\" target=\"_blank\">whole world of music videos</a> on YouTube that has changed the way we hear and classify music.</p>\r\n<p id=\"E18\"><span id=\"E19\">For a long time, we’ve had the same old genres of pop, hip hop, rock etc. Once in a while a new genre would pop up, but that wasn’t an everyday occurrence. But things have changed with the advent of YouTube into the world. Music videos still have tags of the traditional genres like R&amp;B, country and rock n’ roll.</span><span id=\"E21\"> </span></p>\r\n<span id=\"E21\">But there </span><span id=\"E22\">are</span><span id=\"E23\"> new ways of classifying music now. These classifications are based on moods, habits, situations. The traditional methods of music classification––the type of music, and who the artist is––have taken a backseat, making room for a new approach. </span>\r\n<p id=\"E24\"><span id=\"E25\">People now want music that </span><span id=\"E26\">has </span><span id=\"E27\">functional or practical purposes</span><span id=\"E28\">. For example, they might want music for an office party</span><span id=\"E29\">,</span><span id=\"E30\"> </span><span id=\"E31\">o</span><span id=\"E32\">r music that puts their bab</span><span id=\"E33\">y to sleep, or </span><span id=\"E34\">music with waves in the background. The result is that these new classifications </span><span id=\"E35\">have melted</span><span id=\"E36\"> the barriers between styles. Now there are new categories that are not as clear-cut as the tra</span><span id=\"E37\">ditional genres used to be. </span></p>\r\n<p id=\"E40\"><span id=\"E41\">So why these new classifications?</span></p>\r\n<p id=\"E42\"><span id=\"E43\">YouTube has videos from all over the planet, even from the smallest far flung areas of the world where internet is still a rare phenomenon.</span><span id=\"E45\"> It is the go-to video platform. When you have music videos from literally everywhere, it’s not just the physical barriers that dissolve, it\'s also affecting how we view music categories. </span></p>\r\n<span id=\"E48\">People can easily download music from two vastly different corners of the world, and mix them up––making a new kind of music. T</span><span id=\"E50\">here are also those who don’t adhere to the traditional genres. Everyone has their own playlist; </span><span id=\"E50\">one for getting ready in the morning, one for jogging, one for sleeping, etc. When they upload these preferences to YouTube, word spreads. This influences other people to start looking at music in a diffe</span><span id=\"E51\">rent manner, and they focus on its functional purposes. </span>\r\n<p id=\"E52\"><span id=\"E53\">A study conducted by Massimo </span><span id=\"E55\">Airoldi</span><span id=\"E57\">, </span><span id=\"E59\">Davide B</span><span id=\"E60\">eraldo</span><span id=\"E62\"> and Alessandro </span><span id=\"E64\">Gandini, </span><span id=\"E67\">appeared in the journal “Poetics,” called this phenomenon “crowd-generated music categories.” We live in a world that is constantly in motion. Why should music classifications be any different?</span></p>', 'The New Era of YouTube Music Classification', '', 'inherit', 'closed', 'closed', '', '1913-revision-v1', '', '', '2016-06-13 22:49:15', '2016-06-14 05:49:15', '', 1913, 'https://afm424.org/1913-revision-v1/', 0, 'revision', '', 0),
(1922, 6, '2016-06-13 22:50:33', '2016-06-14 05:50:33', '<p id=\"E12\" class=\"qowt-stl-Title\">YouTube has taken the world by storm. There is no denying it. But YouTube is not just a bunch of funny videos of people falling over or babies laughing. There is a <a href=\"http://www.vocativ.com/320984/youtube-users-are-reinventing-the-way-we-classify-music/\" target=\"_blank\">whole world of music videos</a> on YouTube that has changed the way we hear and classify music.</p>\r\n<p id=\"E18\"><span id=\"E19\">For a long time, we’ve had the same old genres of pop, hip hop, rock etc. Once in a while a new genre would pop up, but that wasn’t an everyday occurrence. But things have changed with the advent of YouTube into the world. Music videos still have tags of the traditional genres like R&amp;B, country and rock n’ roll.</span><span id=\"E21\"> </span></p>\r\n<span id=\"E21\">But there </span><span id=\"E22\">are</span><span id=\"E23\"> new ways of classifying music now. These classifications are based on moods, habits, situations. The traditional methods of music classification––the type of music, and who the artist is––have taken a backseat, making room for a new approach. </span>\r\n<p id=\"E24\"><span id=\"E25\">People now want music that </span><span id=\"E26\">has </span><span id=\"E27\">functional or practical purposes</span><span id=\"E28\">. For example, they might want music for an office party</span><span id=\"E29\">,</span><span id=\"E30\"> </span><span id=\"E31\">o</span><span id=\"E32\">r music that puts their bab</span><span id=\"E33\">y to sleep, or </span><span id=\"E34\">music with waves in the background. The result is that these new classifications </span><span id=\"E35\">have melted</span><span id=\"E36\"> the barriers between styles. Now there are new categories that are not as clear-cut as the tra</span><span id=\"E37\">ditional genres used to be. </span></p>\r\n<p id=\"E40\"><span id=\"E41\">So why these new classifications?</span></p>\r\n<p id=\"E42\"><span id=\"E43\">YouTube has videos from all over the planet, even from the smallest far flung areas of the world where internet is still a rare phenomenon.</span><span id=\"E45\"> It is the go-to video platform. When you have music videos from literally everywhere, it’s not just the physical barriers that dissolve, it\'s also affecting how we view music categories. </span></p>\r\n<span id=\"E48\">People can easily download music from two vastly different corners of the world, and mix them up––making a new kind of music. T</span><span id=\"E50\">here are also those who don’t adhere to the traditional genres. Everyone has their own playlist; </span><span id=\"E50\">one for getting ready in the morning, one for jogging, one for sleeping, etc. When they upload these preferences to YouTube, word spreads. This influences other people to start looking at music in a diffe</span><span id=\"E51\">rent manner, and they focus on its functional purposes. </span>\r\n<p id=\"E52\"><span id=\"E53\">A study conducted by Massimo </span><span id=\"E55\">Airoldi</span><span id=\"E57\">, </span><span id=\"E59\">Davide B</span><span id=\"E60\">eraldo</span><span id=\"E62\"> and Alessandro </span><span id=\"E64\">Gandini, </span><span id=\"E67\">appeared in the journal “Poetics,” called this phenomenon “crowd-generated music categories.” We live in a world that is constantly in motion. Why should music classifications be any different?</span></p>', 'The New Era of YouTube Music Classification', '', 'inherit', 'closed', 'closed', '', '1913-revision-v1', '', '', '2016-06-13 22:50:33', '2016-06-14 05:50:33', '', 1913, 'https://afm424.org/1913-revision-v1/', 0, 'revision', '', 0),
(1923, 6, '2016-06-13 22:55:40', '2016-06-14 05:55:40', '<p id=\"E12\" class=\"qowt-stl-Title\">YouTube has taken the world by storm. There is no denying it. But YouTube is not just a bunch of funny videos of people falling over or babies laughing. There is a <a href=\"http://www.vocativ.com/320984/youtube-users-are-reinventing-the-way-we-classify-music/\" target=\"_blank\">whole world of music videos</a> on YouTube that has changed the way we hear and classify music.</p>\r\n<p id=\"E18\"><span id=\"E19\">For a long time, we’ve had the same old genres of pop, hip hop, rock etc. Once in a while a new genre would pop up, but that wasn’t an everyday occurrence. Things have changed with the advent of YouTube. Though music videos still have tags of the traditional genres like R&amp;B, country and rock n’ roll, </span><span id=\"E21\">there </span><span id=\"E22\">are</span><span id=\"E23\"> new ways of classifying music now. These classifications are based on moods, habits, situations. The traditional methods of defining music––the style of music and who the artist is––have taken a backseat, making room for a new approach. </span></p>\r\n<p id=\"E24\"><span id=\"E25\">People now want music that </span><span id=\"E26\">has </span><span id=\"E27\">functional or practical purposes</span><span id=\"E28\">. For example, they might want music for an office party</span><span id=\"E29\">,</span><span id=\"E30\"> </span><span id=\"E31\">o</span><span id=\"E32\">r music that puts their bab</span><span id=\"E33\">y to sleep, or </span><span id=\"E34\">music with waves in the background. The result is that these new classifications </span><span id=\"E35\">have melted</span><span id=\"E36\"> the barriers between styles. Now there are new categories that are not as clear-cut as the tra</span><span id=\"E37\">ditional genres used to be. </span></p>\r\n<p id=\"E40\"><span id=\"E41\">So why these new classifications?</span></p>\r\n<p id=\"E42\"><span id=\"E43\">YouTube has videos from all over the planet, even from the smallest far flung areas of the world where internet is still a rare phenomenon.</span><span id=\"E45\"> It is the go-to video platform. When you have music videos from literally everywhere, it’s not just the physical barriers that dissolve, it\'s also affecting how we view music categories. </span></p>\r\n<span id=\"E48\">People can easily download music from two vastly different corners of the world, and mix them up––making a new kind of music. T</span><span id=\"E50\">here are also those who don’t adhere to the traditional genres. Everyone has their own playlist; </span><span id=\"E50\">one for getting ready in the morning, one for jogging, one for sleeping, etc. When they upload these preferences to YouTube, word spreads. This influences other people to start looking at music in a diffe</span><span id=\"E51\">rent manner, and they focus on its functional purposes. </span>\r\n<p id=\"E52\"><span id=\"E53\">A study conducted by Massimo </span><span id=\"E55\">Airoldi</span><span id=\"E57\">, </span><span id=\"E59\">Davide B</span><span id=\"E60\">eraldo</span><span id=\"E62\"> and Alessandro </span><span id=\"E64\">Gandini, </span><span id=\"E67\">appeared in the journal “Poetics,” called this phenomenon “crowd-generated music categories.” We live in a world that is constantly in motion. Why should music classifications be any different?</span></p>', 'The New Era of YouTube Music Classification', '', 'inherit', 'closed', 'closed', '', '1913-revision-v1', '', '', '2016-06-13 22:55:40', '2016-06-14 05:55:40', '', 1913, 'https://afm424.org/1913-revision-v1/', 0, 'revision', '', 0),
(1924, 6, '2016-06-13 23:06:41', '2016-06-14 06:06:41', '<p id=\"E12\" class=\"qowt-stl-Title\">YouTube has taken the world by storm. There is no denying it. But YouTube is not just a bunch of funny videos of people falling over or babies laughing. There is a <a href=\"http://www.vocativ.com/320984/youtube-users-are-reinventing-the-way-we-classify-music/\" target=\"_blank\">whole world of music videos</a> on YouTube that has changed the way we hear and classify music.</p>\r\n<p id=\"E18\"><span id=\"E19\">For a long time, we’ve had the same old genres of pop, hip hop, rock etc. Once in a while a new genre would pop up, but that wasn’t an everyday occurrence. Things have changed with the advent of YouTube. Though music videos still have tags of the traditional genres like R&amp;B, country and rock n’ roll, </span><span id=\"E21\">there </span><span id=\"E22\">are</span><span id=\"E23\"> new ways of classifying music now. These classifications are based on moods, habits, situations. The traditional methods of defining music––the style of music and who the artist is––have taken a backseat, making room for a new approach. </span></p>\r\n<p id=\"E24\"><span id=\"E25\">People now want music that </span><span id=\"E26\">has </span><span id=\"E27\">functional or practical purposes</span><span id=\"E28\">. For example, they might want music for an office party</span><span id=\"E29\">,</span><span id=\"E30\"> </span><span id=\"E31\">o</span><span id=\"E32\">r music that puts their bab</span><span id=\"E33\">y to sleep, or </span><span id=\"E34\">music with waves in the background. The result is that these new classifications </span><span id=\"E35\">have melted</span><span id=\"E36\"> the barriers between styles. Now there are new categories that are not as clear-cut as the tra</span><span id=\"E37\">ditional genres used to be. </span></p>\r\n<p id=\"E40\"><span id=\"E41\">So why these new classifications?</span></p>\r\n<p id=\"E42\"><span id=\"E43\">YouTube has videos from all over the planet, even from the smallest far flung areas of the world where internet is still a rare phenomenon.</span><span id=\"E45\"> It is the go-to video platform. When you have music videos from literally everywhere, it’s not just the physical barriers that dissolve, it\'s also affecting how we view music categories. </span></p>\r\n<span id=\"E48\">People can easily download music from two vastly different corners of the world, and mix them up––making a new kind of music. T</span><span id=\"E50\">here are also those who don’t adhere to the traditional genres. Everyone has their own playlist; </span><span id=\"E50\">one for getting ready in the morning, one for jogging, one for sleeping, etc. When they upload these preferences to YouTube, word spreads. This influences other people to start looking at music in a diffe</span><span id=\"E51\">rent manner, and they focus on its functional purposes. </span>\r\n<p id=\"E52\"><span id=\"E53\">A study conducted by Massimo </span><span id=\"E55\">Airoldi</span><span id=\"E57\">, </span><span id=\"E59\">Davide B</span><span id=\"E60\">eraldo</span><span id=\"E62\"> and Alessandro </span><span id=\"E64\">Gandini, </span><span id=\"E67\">appeared in the journal “Poetics,” called this phenomenon “crowd-generated music categories.” </span></p>\r\nWe live in a world that is constantly in motion. Why should music classifications stand still?', 'The New Era of YouTube Music Classification', '', 'inherit', 'closed', 'closed', '', '1913-revision-v1', '', '', '2016-06-13 23:06:41', '2016-06-14 06:06:41', '', 1913, 'https://afm424.org/1913-revision-v1/', 0, 'revision', '', 0),
(1925, 6, '2016-06-15 12:08:56', '2016-06-15 19:08:56', 'The punk movement of the 70s influenced not just the music scene, but also the visual worlds of art and graphic design. The art featured a do-it-yourself approach, reflecting the anti-establishment sentiments of the rough, unrefined rock music popular at that time. These designs exude a sense of rawness in the overall look or in the means of the production.\n\nSome designers during the Punk era did go to art school. Notables are Jamie Reid and Malcolm McLaren. However, the majority of the artists didn’t have any formal training in graphic design. The practitioners did have a few things in common: a passion for music, a camera, a pen and a pair of scissors. Just like the bands they followed, these visual artists used cheap instruments to create their art. The finish products were often described as edgy, indecent and rude.\n\nDuring the Punk period, the most popular forms of music art were fanzines and album covers. Bands created music with inexpensive instruments and pressed their own records. They churned out fanzines reproduced on photocopiers. Their albums were sold at gigs and independent stores, and often featured hand printed covers. The artists were given the freedom to create whatever they like. That’s why Punk cover art was considered provocative and crass––or the combination of the two.\n\nIf you ever find yourself in London, head over to the British Library and check out the exhibit highlighting visual media from the punk period. The exhibit is part of Punk London Festival––a year-long series of exhibitions and events celebrating the creativity of that era. It runs from January 2016 to January 2017.\n\nThere\'s a dazzling wall of album covers, ranging from the Sex Pistol\'s \"Anarchy in the UK\" to Stretcher Case Baby\'s \"The Damned.\" It\'s an incredible exhibition for Generation X-ers who want to relive their punk years, or for Millennials who want to know more about that scene.\n\nIf you can’t go to the library, you can <a href=\"http://www.digitalartsonline.co.uk/news/graphic-design/how-punk-changed-design/\" target=\"_blank\">head here</a> to view the popular album covers and fanzine art from that notorious era.', 'The Influence of Punk on Music Art and Graphic Design', '', 'inherit', 'closed', 'closed', '', '1915-autosave-v1', '', '', '2016-06-15 12:08:56', '2016-06-15 19:08:56', '', 1915, 'https://afm424.org/1915-autosave-v1/', 0, 'revision', '', 0),
(1926, 6, '2016-06-15 11:47:45', '2016-06-15 18:47:45', 'The punk movement of the 70s has influenced not just the music scene, but also the graphic design and art scene. The art of that time featured a do-it-yourself approach and anti-establishment sentiments of the rough, unrefined rock music popular during that era. The designs exude a sense of rawness, whether it is the overall look or the means of the production.\r\n\r\nSome designers during the Punk era went to art school. Notables are Jamie Reid and Malcolm McLaren. However, majority of the artists during that time didn’t have any formal training in graphic design. But the practitioners had a few things in common: a passion for music, a camera, a pen and a pair of scissors. Just like the bands they followed, these visual artists used cheap instruments to create their art. Their finish products were often described as edgy and rough.\r\n\r\nDuring the Punk period, the most popular forms of music art were fanzines and album covers. Bands created music with inexpensive instruments and pressed their own records. They churned out fanzines reproduced through photocopiers. Their albums were sold at gigs and independent stores, and often featured hand printed covers. The artists were given the freedom to create whatever they like. That’s why Punk cover art was considered provocative, crass, or the combination of the two.\r\n\r\nIf you find yourself in London, head over to the British Library and check out the exhibit highlighting visual media from the punk period. The exhibit is part of Punk London Festival––a year-long series of exhibitions and events celebrating the creativity of that era. It runs from January 2016 to January 2017.\r\n\r\nThere\'s a dazzling wall of album covers, ranging from the Sex Pistol\'s \"Anarchy in the UK\" to Stretcher Case Baby\'s \"The Damned.\" It\'s an incredible exhibition for Generation X-ers who want to relive their punk years, or for Millennials who want to know more about that scene.\r\n\r\nIf you can’t go to the library, you can <a href=\"http://www.digitalartsonline.co.uk/news/graphic-design/how-punk-changed-design/\" target=\"_blank\">head here</a> to view the popular album covers and fanzine art from that notorious era.', 'The Influence of Punk to Music Art and Graphic Design', '', 'inherit', 'closed', 'closed', '', '1915-revision-v1', '', '', '2016-06-15 11:47:45', '2016-06-15 18:47:45', '', 1915, 'https://afm424.org/1915-revision-v1/', 0, 'revision', '', 0),
(1927, 6, '2016-06-15 11:48:02', '2016-06-15 18:48:02', '', 'Punk girl with ciggie', '', 'inherit', 'open', 'closed', '', 'punk-girl-with-ciggie', '', '', '2016-06-15 11:48:02', '2016-06-15 18:48:02', '', 0, 'https://afm424.org/wp-content/uploads/2016/06/Punk-girl-with-ciggie.jpg', 0, 'attachment', 'image/jpeg', 0),
(1928, 6, '2016-06-15 11:52:54', '2016-06-15 18:52:54', 'The punk movement of the 70s has influenced not just the music scene, but also the graphic design and art scene. The art of that time featured a do-it-yourself approach and anti-establishment sentiments of the rough, unrefined rock music popular during that era. The designs exude a sense of rawness, whether it is the overall look or the means of the production.\r\n\r\nSome designers during the Punk era went to art school. Notables are Jamie Reid and Malcolm McLaren. However, majority of the artists during that time didn’t have any formal training in graphic design. But the practitioners had a few things in common: a passion for music, a camera, a pen and a pair of scissors. Just like the bands they followed, these visual artists used cheap instruments to create their art. Their finish products were often described as edgy and rough.\r\n\r\nDuring the Punk period, the most popular forms of music art were fanzines and album covers. Bands created music with inexpensive instruments and pressed their own records. They churned out fanzines reproduced through photocopiers. Their albums were sold at gigs and independent stores, and often featured hand printed covers. The artists were given the freedom to create whatever they like. That’s why Punk cover art was considered provocative, crass, or the combination of the two.\r\n\r\nIf you find yourself in London, head over to the British Library and check out the exhibit highlighting visual media from the punk period. The exhibit is part of Punk London Festival––a year-long series of exhibitions and events celebrating the creativity of that era. It runs from January 2016 to January 2017.\r\n\r\nThere\'s a dazzling wall of album covers, ranging from the Sex Pistol\'s \"Anarchy in the UK\" to Stretcher Case Baby\'s \"The Damned.\" It\'s an incredible exhibition for Generation X-ers who want to relive their punk years, or for Millennials who want to know more about that scene.\r\n\r\nIf you can’t go to the library, you can <a href=\"http://www.digitalartsonline.co.uk/news/graphic-design/how-punk-changed-design/\" target=\"_blank\">head here</a> to view the popular album covers and fanzine art from that notorious era.', 'The Influence of Punk on Music Art and Graphic Design', '', 'inherit', 'closed', 'closed', '', '1915-revision-v1', '', '', '2016-06-15 11:52:54', '2016-06-15 18:52:54', '', 1915, 'https://afm424.org/1915-revision-v1/', 0, 'revision', '', 0),
(1929, 6, '2016-06-15 12:09:44', '2016-06-15 19:09:44', 'The punk movement of the 70s influenced not just the music scene, but also the visual worlds of art and graphic design. The art featured a do-it-yourself approach, reflecting the anti-establishment sentiments of the rough, unrefined rock music popular at that time. These designs exude a sense of rawness in the overall look or in the means of the production.\r\n\r\nSome designers during the Punk era did go to art school. Notables are Jamie Reid and Malcolm McLaren. However, the majority of the artists didn’t have any formal training in graphic design. The practitioners did have a few things in common: a passion for music, a camera, a pen and a pair of scissors. Just like the bands they followed, these visual artists used cheap instruments to create their art. The finish products were often described as edgy, indecent and rude.\r\n\r\nDuring the Punk period, the most popular forms of music art were fanzines and album covers. Bands created music with inexpensive instruments and pressed their own records. They churned out fanzines reproduced on photocopiers. Their albums were sold at gigs and independent stores, and often featured hand printed covers. The artists were given the freedom to create whatever they like. That’s why Punk cover art was considered provocative and crass––or the combination of the two.\r\n\r\nIf you ever find yourself in London, head over to the British Library and check out the exhibit highlighting visual media from the punk period. The exhibit is part of Punk London Festival––a year-long series of exhibitions and events celebrating the creativity of that era. It runs from January 2016 to January 2017.\r\n\r\nThere\'s a dazzling wall of album covers, ranging from the Sex Pistol\'s \"Anarchy in the UK\" to Stretcher Case Baby\'s \"The Damned.\" This is an incredible exhibition for Generation X-ers who want to relive their punk years, or for Millennials who want to know more about that scene.\r\n\r\nIf you can’t go to the exhibition, you can <a href=\"http://www.digitalartsonline.co.uk/news/graphic-design/how-punk-changed-design/\" target=\"_blank\">head here</a> to view the popular album covers and fanzine art from that notorious era.', 'The Influence of Punk on Music Art and Graphic Design', '', 'inherit', 'closed', 'closed', '', '1915-revision-v1', '', '', '2016-06-15 12:09:44', '2016-06-15 19:09:44', '', 1915, 'https://afm424.org/1915-revision-v1/', 0, 'revision', '', 0),
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(1932, 6, '2016-06-18 22:21:20', '2016-06-19 05:21:20', '', 'CDs in Holder', '', 'inherit', 'open', 'closed', '', 'cds-in-holder', '', '', '2016-06-18 22:21:20', '2016-06-19 05:21:20', '', 0, 'https://afm424.org/wp-content/uploads/2016/06/CDs-in-Holder.jpg', 0, 'attachment', 'image/jpeg', 0),
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(1934, 6, '2016-06-20 09:38:25', '2016-06-20 16:38:25', '[vc_row][vc_column][vc_column_text]I love movies. My friends think I’m totally insane because I can watch the same film over and over and over again. That is, if its soul truly touches me. And if the music is really good.\r\n\r\nA film is a helluva lot more than a plot, some dialog and a shoot-out at the end. The musical score is something that most people don’t focus on when viewing a film, especially the first time. But it has a tremendous impact on how a movie feels artistically and deeply affects how it translates emotionally.\r\n\r\nFor me, Ennio Morricone lives at the top of the film composer pyramid.\r\n\r\nWhen I mention his name to non-musicians, they invariably say, “Didn’t he invent the radio?”\r\n\r\nNo. That’s Marconi.\r\n\r\nBut they’re both Italian. And both sound wave pioneers.\r\n\r\nMorricone’s work has a large wingspan––from the rich history of European orchestral music to the contemporary sounds of modern grooves, electronics and the avant-garde. His compositions can be achingly beautiful, his orchestrations masterful. I’ve broken down in tears more than once while listening to his sonic raptures.\r\n\r\nMorricone often collaborated with a fellow Italian, the equally legendary film director Sergio Leone. Leone redefined a genre with his groundbreaking “spaghetti western,” A Fistful Of Dollars (1964), starring Clint Eastwood. This film featured Morricone’s first iconic score.\r\n\r\nIt set the stage for all that was to come.\r\n<h3><img class=\"wp-image-1937 aligncenter\" src=\"https://paulchiten.com/wp-content/uploads/2016/06/Whats-The-Score_Ennio-Morricone-2.jpg\" alt=\"What\'s-The-Score_Ennio-Morricone-2\" width=\"531\" height=\"298\" /></h3>\r\n<h2>YOU DON\'T RECOGNIZE THE NAME?</h2>\r\nChances are you’ve been exposed to Morricone’s music even if you weren’t aware of it. Of the over 500 scores he\'s composed for film and television projects, here\'s a few you’ve probably heard of:\r\n<ul>\r\n 	<li><strong>The Hateful Eight</strong> (2015) – starring Samuel L. Jackson, Kurt Russell, Tim Roth – directed by Quentin Tarantino</li>\r\n 	<li><strong>The Best Offer</strong> (2013) – starring Geoffrey Rusch – directed by Guiseppe Tornatore</li>\r\n 	<li><strong>The Untouchables</strong> (1987) – starring Kevin Costner, Robert De Niro – directed by Brian De Palma</li>\r\n 	<li><strong>The Godfather</strong> (1972 – collaboration w/Nino Rota) – starring Marlon Brando, Al Pacino – directed by Francis Ford Coppola</li>\r\n</ul>\r\n<h2>TAKE IT FROM THE TOP</h2>\r\nEnnio was born in Rome in 1928. His father Mario was a professional trumpet player. So it was natural that he taught his son trumpet (and piano).\r\n\r\nWhen the lad was a mere 12, he entered the National Academy of Santa Cecilla, enrolling in the conservatory’s 4-year harmony program. He completed it in 6 months (I wonder how many envious students this precocious young prodigy pissed off).\r\n\r\nEnnio continue to study there for 11 more years, earning three diplomas: trumpet, orchestration and composition.\r\n\r\nIn the 1950s Morricone broke into the business by writing pop songs, doing a lot of arranging, and composing as a ghost writer. In the 1960s, his passion for film scoring became center stage. And this is where he would leave his indelible mark.\r\n<h2>GOOD, BAD, UGLY</h2>\r\nMorricone’s score for The Good, the Bad and the Ugly (1966) is considered one of the most influential soundtracks in history. It was inducted into the Grammy Hall of Fame in 2009. The soundtrack album was on the charts for over a year. The Main Theme was a #2 pop hit in 1968. Pretty damn good for a score to a western flick from a country better known at that time for its pizza, pasta, sports cars and business suits.\r\n<blockquote><em>\"I use realistic sounds in a psychological way. With The Good, the Bad and the Ugly, I used animal sounds - the coyote - and this sound of the animal became the main theme of the movie.\" -Ennio Morricone</em></blockquote>\r\n<h4>The Good, the Bad and the Ugly – Main Theme (1:25)</h4>\r\nhttps://youtu.be/h1PfrmCGFnk?t=1m16s\r\n<h3></h3>\r\n&nbsp;\r\n<h2>ONCE UPON A TIME IN AMERICA</h2>\r\nIf you asked me to pick ONE movie that epitomizes a brilliantly effective approach to orchestral film music scoring, the first words out of my mouth would probably be “<strong>Once Upon A Time In America</strong>” (1984).\r\n\r\nBased on a true story from the book, “The Hoods,” Once Upon A Time In America is a complex and graphic tale exposing the underbelly of the American Dream; viewed through the successes and failures of a gang of 4 small time Jewish hoods over 5 decades, as they scale the ladder from poverty to power.\r\n\r\nFilled with grit, style, intrigue, romance, violence, sex, guilt and betrayal, it’s a fascinating portrayal of early 20th century America. Morricone’s score takes a great film and turns it into a classic.\r\n\r\n[caption id=\"attachment_1939\" align=\"aligncenter\" width=\"472\"]<img class=\"wp-image-1939\" src=\"https://paulchiten.com/wp-content/uploads/2016/06/Whats-The-Score_Ennio-Morricone-4-655x1024.jpg\" alt=\"“I like the stink of the streets. It cleans out my lungs. And it gives me a hard-on.” ––David “Noodles” Aaronson (played by Robert De Niro)\" width=\"472\" height=\"737\" /> <strong><em>“I like the stink of the streets. It cleans out my lungs.<br />And it gives me a hard-on.”</em></strong><br /> <em>–David “Noodles” Aaronson (played by Robert De Niro)</em>[/caption]\r\n\r\nIn order to fully appreciate what this masterpiece means to me, I need to give you a little background on director Sergio Leone\'s epic struggle to make this film, and the zeitgeist that enveloped his final crusade.\r\n\r\nLeone was among the first to be approached to direct The Godfather, but turned it down because he wanted to make a different kind of American gangster film. Though when he passed on that project, he had no idea of what an exhausting, protracted, uphill battle it would be to bring his ambitious Once Upon A Time In America to life.\r\n\r\nAs funding became more elusive with each passing year, Leone became more and more depressed. Ennio felt his friend\'s despondency. So he would try to cheer Sergio up by playing various themes he had composed for the film over the phone. This usually helped lift Sergio’s spirits (for a while, anyway).\r\n\r\nUltimately it took Leone 12 years to find a producer willing to put up the money, and take the chance on this visionary gem.\r\n\r\nFilm scores are generally done after the shooting is finished, when there’s footage for the composer to write to. But because it took so long for the film to get into production––in an unusual reversal––Once Upon A Time In America was shot to the finished score.\r\n<blockquote><em>“Actors like De Niro, for whom live sound is very important, having the music played on set helps them to get into the mood.” -Sergio Leone</em></blockquote>\r\nThe director and actors loved being able to do scenes with the actual recorded score to inspire their performances. Robert De Niro said that this was a rare and incomparable experience.\r\n\r\nActor James Woods believes Once Upon A Time In America is one of the greatest movies ever made––resoundingly qualifying his statement with: <em>“and it’s not just because I’m in it.”</em>\r\n<h5 style=\"text-align: center;\"><img class=\"size-full wp-image-1940 aligncenter\" src=\"https://paulchiten.com/wp-content/uploads/2016/06/Whats-The-Score_Ennio-Morricone-5.jpg\" alt=\"The Jewish Gang William Forsythe – James Hayden – James Woods – Robert De Niro\" width=\"607\" height=\"404\" /> <strong>Jewish Gangsters</strong>\r\nWilliam Forsythe – James Hayden – James Woods – Robert De Niro</h5>\r\nLeone’s theatrical edit came in at a whopping 6 hours. He intended to split it into two 3-hour films. But the studio had other plans. For the American release, they took editing rights away from him and chopped his masterwork to bits, concocting an incoherent, jumbled 2-hour version. Predictably, this butchered abomination met a quick demise at the box office.\r\n\r\nThis was Leone’s last film. He passed away in 1989 at age 60. The cause of death may have been listed as “heart attack,” but many of those close to him felt that he really died of a broken heart.\r\n\r\nLeone did make a 251-minute version, but it wasn’t until 2007 that this extended Director’s Cut became available. His film may have gotten massacred upon initial release, but it’s finally getting it’s moment in the sun.\r\n\r\nMorricone’s music has never fit a film more evocatively or more powerfully.\r\n<h4></h4>\r\n&nbsp;\r\n<h4>Once Upon A Time In America – \"Main Theme\" (1:58)</h4>\r\nAfter a mere 30 seconds, it’s apparent this is a memorable movie motif and a very emotional, even sentimental, tome to 1930s gangster America.\r\n\r\nThe slow, dreamlike tempo undulates with longing while the melody does some serious caressing of one’s core––immersing the listener in a tale of love, sadness, glory, and the deep loss of dreams dashed. Sometimes the pain of missing the brass ring can engender the most beautiful music of all.\r\n\r\nIn this scene, our small gang of young wannabe gangsters are fleeing from a menacing older rival with a gun. The featured instrument is the Romanian-style pan flute, is played by the extraordinary Gheorghe Zamfir.\r\n\r\nThe ethereal sound of pan flute is extremely effective at conveying a wide array of feelings, from the innocence of youth to imminent danger. The flowing string accompaniment underscores the struggles of a Depression-era New York Jewish ghetto. Sometimes it takes the hand of an outsider to show us aspects of ourselves that we cannot see.\r\n\r\nMorricone’s feel for melody, harmony and orchestration is masterful, coaxing sumptuously gorgeous, richly layered timbral palettes out of the symphonic fabric in a way that can rip your heart open. If you aren’t deeply moved by at least some passages of this score, then you’ve left your soul in the passenger seat of your last Uber ride.\r\n\r\nhttps://www.youtube.com/watch?v=WlqavRs6ffw&feature=youtu.be&t=2m21s\r\n<h4></h4>\r\n&nbsp;\r\n<h4>Once Upon A Time In America – \"Debora\'s Theme\" (4:22)</h4>\r\nThis cue has some of the most exquisitely touching and profoundly compelling cinematic music I’ve ever heard. The sound is rich, deep and spacious––built on a simmering low pedal tone while the simple, yet majestic melodies, arch over the top. This transports the listener into a higher realm, a different era, another life.\r\n\r\nThe music sublimely captures the magical sweetness of youth––as it buttresses up against the impending seriousness of adulthood. Morricone makes melancholy sound so achingly gorgeous.\r\n\r\nWhen you listen to this, you might want to have a box of Kleenex nearby.\r\n\r\nDon’t be surprised if you well up with tears.\r\n\r\nI usually do.\r\n\r\nhttps://www.youtube.com/watch?v=PuyYc0gINbU\r\n<h4></h4>\r\n&nbsp;\r\n<h4>Once Upon A Time In America – “Childhood / Poverty\" (2:46)</h4>\r\nA comic and charming scene of innocence. Young Patsy is attempting to buy his manhood from Peggy, a 16-year-old Jewish girl from the ‘hood, having procured her preferred currency: a <em>“5-cent Charlotte Russe…with lots of cream.”</em>\r\n\r\nAs Patsy waits on the stairs for her to emerge from the family’s tenement apartment, he can’t resist tasting just one finger full of whipped cream––then another––and then another. Tired of waiting for his virginity to be addressed, he gives in and, with unbridled joy, unwraps the whole deal, lustily consuming his entire payment for Peggy.\r\n\r\nWhen she finally appears and asks what he wants, his reaction is priceless.\r\n\r\nA scene with virtually no dialog, the score has plenty of space to weave a gentle, deeply moving tapestry filled with exquisitely crafted melodies that flow around a rich, evocative sound canvas.\r\n\r\nhttps://youtu.be/xfo31KV3W7k?t=1m\r\n<h3></h3>\r\n<h3></h3>\r\n&nbsp;\r\n<h2>SIMPLE THEMES, DEEP FEELINGS</h2>\r\nMorricone’s musical output over his long career is staggering. His work runs the gamut from classic orchestral film music to scores embodying funk, R&amp;B and avant-gard electronics. His music also has a high rate of reuse. Staying power is a mark of great art.\r\n\r\nIf you have ambitions about being a film composer or just like listening to breathtaking film music, then you\'ve found a treasure trove in this music and in Ennio Morricone. From the moment I first heard it, this score has haunted me in the best way.\r\n\r\nAs a piano player myself, I’ve been inspired to learn various Morricone compositions. Every time I explore a new piece, I discover  additional layers of his gorgeous and wondrous musical designs.\r\n\r\nMorricone is prideful that he never considered moving to Hollywood, and that he never learned English. This was his way of ensuring that his Italian essence remained uncontaminated––staying strictly his own.\r\n<h4>Morricone Talks Music (1:48)</h4>\r\nhttps://youtu.be/9KeSV-yVTRY?t=5m55s\r\n<h2></h2>\r\n&nbsp;\r\n<h2>NO OSCARS?</h2>\r\nEnnio Morricone is considered by many to be the greatest living film composer. The audience clearly agrees. His music has sold over 70 million records.\r\n\r\nBut as unbelievable as it seems, he has never won as Oscar, despite being nominated 5 times for Best Original Score. It seems that the Motion Picture Academy realized this horrible oversight; he was finally honored with a Lifetime Achievement Award in 2007 ––\r\n\r\n<img class=\"size-full wp-image-1945 aligncenter\" src=\"https://paulchiten.com/wp-content/uploads/2016/06/Whats-The-Score_Ennio-Morricone-10.jpg\" alt=\"What\'s-The-Score_Ennio-Morricone-10\" width=\"300\" height=\"403\" />\r\n<p style=\"text-align: center;\">–– and a star on the Hollywood Walk of Fame in 2016.</p>\r\n\r\n<h3><img class=\"wp-image-1946 aligncenter\" src=\"https://paulchiten.com/wp-content/uploads/2016/06/Whats-The-Score_Ennio-Morricone-11.jpg\" alt=\"What\'s-The-Score_Ennio-Morricone-11\" width=\"243\" height=\"182\" /></h3>\r\n<h2></h2>\r\n<h2></h2>\r\n&nbsp;\r\n<h2>. . . AND HE’S STILL GOING</h2>\r\nAt 88, Morricone continues to compose and perform, conducting orchestras in live concerts of his popular film scores. His entire body of work is finally being recognized for how truly astounding it is.\r\n\r\nFor instance, his 1970 album “<a href=\"https://www.youtube.com/watch?v=9jlpOqg6zsI\" target=\"_blank\">The Feed~Back</a>” combines free jazz along with avant-gard, classical and funk. The recording is frequently sampled by today’s hip-hop DJs. It’s considered to be one of the most collectible records in existence, selling for over $1000 at auction. Yeah...this guy definitely qualifies as a <em>living legend. </em>\r\n<h5 style=\"text-align: center;\">If God decided to go into the picture business, and needed a composer ––</h5>\r\n<h5 style=\"text-align: center;\">Ennio Morricone just might be the first call.</h5>\r\n<h4><img class=\"wp-image-1944 aligncenter\" src=\"https://paulchiten.com/wp-content/uploads/2016/06/Whats-The-Score_Ennio-Morricone-9-246x300.jpg\" alt=\"What\'s-The-Score_Ennio-Morricone-9\" width=\"248\" height=\"303\" /></h4>\r\n<h4></h4>\r\n<h4></h4>\r\n&nbsp;\r\n<h4>ACKNOWLEDGEMENTS:</h4>\r\nSource material compiled from: Front Row Reviews UK, BBC Ennio Morricone Documentary, Maestro Ennio Morricone Facebook, enniomorricone.org, YouTube, IMDb, Wikipedia, Expression of Emotion in the Film Music of Ennio Morricone by Juan Vega, The Quietus.com, and Internet Music Archive.\r\n<h3></h3>\r\n<h3></h3>\r\n&nbsp;\r\n<h3>WANT SOME LIVE ENNIO?</h3>\r\n<strong>Morricone Conducts Morricone</strong> - Once Upon A Time In America Suite (7:05)\r\n\r\nhttps://www.youtube.com/watch?v=D4W17gTumi8\r\n\r\nLINKS:\r\n<ul>\r\n 	<li><a href=\"https://www.facebook.com/maestroenniomorricone\" target=\"_blank\">Facebook</a></li>\r\n 	<li><a href=\"http://www.enniomorricone.org/\" target=\"_blank\">Website</a></li>\r\n 	<li>CD (Amazon)\r\n<ul>\r\n 	<li><a href=\"https://www.amazon.com/Once-Upon-America-Ennio-Morricone/dp/B00008MJ8H/189-1532000-0900924?ie=UTF8&amp;*Version*=1&amp;*entries*=0\" target=\"_blank\">Once Upon A Time In America Soundtrack</a></li>\r\n 	<li><a href=\"https://www.amazon.com/Very-Best-Ennio-Morricone/dp/B00004YTXH?ie=UTF8&amp;*Version*=1&amp;*entries*=0\" target=\"_blank\">Best of Ennio Morricone</a></li>\r\n</ul>\r\n</li>\r\n 	<li><a href=\"https://archive.org/search.php?query=subject%3A%22Ennio%20Morricone%22\" target=\"_blank\">Internet Music Archive</a></li>\r\n</ul>\r\n<strong><a href=\"mailto:pchiten424@gmail.com\" target=\"_blank\">Contact</a> <a style=\"line-height: 1.5;\" href=\"mailto:pchiten424@gmail.com\" target=\"_blank\">Paul Chiten</a></strong>\r\n\r\n<img class=\"alignleft size-thumbnail wp-image-601\" src=\"https://paulchiten.com/wp-content/uploads/2015/05/Paul-Chiten-150x150.jpg\" alt=\"Paul-Chiten\" width=\"150\" height=\"150\" /><strong>Paul Chiten</strong> is a Los Angeles-based songwriter, film composer, producer, musician, singer and artist. His songs have earned him multi-platinum and gold records. His compositions and productions have won Telly, Aurora and Emmy Awards. He’s worked with Michael Jackson, Anita Baker, Tina Turner, Donna Summer, Cyndi Lauper and countless others.\r\n\r\nChiten has written and produced the music for numerous television shows and feature films. He co-composed the score for the gritty Sony/Showtime cult series, “Street Time” starring Rob Morrow and Scott Cohen.\r\n\r\nRecent credits include a 2015 music publishing deal and Music Director/Orchestrator/Arranger/Performer for the 2015 and 2016 EMC World events in Las Vegas and Austin.\r\n\r\nChiten has made a significant portion of his music library available on the Internet in the major online stores: iTunes, Amazon, Spotify, Apple Music, Deezer, Microsoft Groove, Tidal, YouTube &amp; Google Play––with lyrics published on Musixmatch, the world’s largest online lyric database.\r\n\r\n<a href=\"http://sweethartproductions.com/PaulChiten.aspx\" target=\"_blank\">Sweethart Productions</a>\r\n\r\n<a href=\"https://afm424.org/featured-artist-paul-chiten/\" target=\"_blank\">bio</a>[/vc_column_text][/vc_column][/vc_row]', 'WHAT\'S THE SCORE?<br />Ennio Morricone - The Composer’s Composer', '', 'publish', 'open', 'closed', '', 'whats-the-score', '', '', '2016-07-28 16:27:57', '2016-07-28 23:27:57', '', 0, 'https://afm424.org/?p=1934', 0, 'post', '', 1),
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(1961, 4, '2016-07-22 16:43:39', '2016-07-22 23:43:39', 'I love movies. My friends think I’m totally insane because I can watch the same film over and over and over again. That is, if its soul truly touches me. And the music is really good.\n\nA film is a helluva lot more than a plot, some dialog and a shoot-out at the end. The musical score is something that most people don’t focus on when viewing a film, especially the first time. But it has a tremendous impact on how a movie feels artistically and deeply affects how it translates emotionally.\n\nFor me, Ennio Morricone lives at the top of the film composer pyramid.\n\nWhen I mention his name to non-musicians, they invariably say, “Didn’t he invent the radio?”\n\nNo. That’s Marconi.\n\nBut they’re both Italian. And both sound wave pioneers.\n\nMorricone’s work has a large wingspan––from the rich history of European orchestral music to the contemporary sounds of modern grooves, electronics and the avant-gard. His compositions can be achingly beautiful, his orchestrations masterful. I’ve broken down in tears more than once while listening to his sonic raptures.\n\nMorricone often collaborated with a fellow countryman, the equally legendary film director Sergio Leone. Leone redefined a genre with his groundbreaking “spaghetti western” A Fistful Of Dollars (1964), starring Clint Eastwood. This film featured Morricone’s first iconic score.\n\nIt set the stage for all that was to come.\n<h3><img class=\"wp-image-1937 aligncenter\" src=\"https://paulchiten.com/wp-content/uploads/2016/06/Whats-The-Score_Ennio-Morricone-2.jpg\" alt=\"What\'s-The-Score_Ennio-Morricone-2\" width=\"531\" height=\"298\" /></h3>\n<h2>YOU WANT A RESUMÉ?</h2>\nChances are you’ve been exposed to Morricone’s music even if you weren’t aware of it. Of the over 500 scores he\'s composed for film and television projects, here\'s a few you’ve probably heard of:\n<ul>\n 	<li><strong>The Hateful Eight</strong> (2015) –– starring Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Tim Roth –– directed by Quentin Tarantino</li>\n 	<li><strong>The Best Offer</strong> (2013) –– starring Geoffrey Rusch –– directed by Guiseppe Tornatore</li>\n 	<li><strong>The Untouchables</strong> (1987) –– starring Kevin Costner, Robert De Niro, Sean Connery –– directed by Brian De Palma</li>\n 	<li><strong>Once Upon A Time In America</strong> (1984) –– starring Robert De Niro, James Woods, Jennifer Connolly, Elizabeth McGovern –– directed by Sergio Leone</li>\n 	<li><strong>The Godfather</strong> (1972 – collaboration with Nino Rota) –– starring Marlon Brando, Al Pacino, James Caan –– directed by Francis Ford Coppola</li>\n</ul>\n<h2>TAKE IT FROM THE TOP</h2>\nEnnio was born in Rome in 1928. His father Mario was a professional trumpet player and taught his son piano and trumpet.\n\nWhen the lad was a mere 12, he entered the National Academy of Santa Cecilla, enrolling in the conservatory’s 4-year harmony program. He completed it in 6 months (I wonder how many students this precocious young prodigy pissed off).\n\nHe continue to study there for 11 more years, earning three diplomas: trumpet, orchestration and composition.\n\nIn the 1950s Morricone broke into the business by writing pop songs, doing a lot of arranging, and composed as a ghost writer. In the 1960s, film scoring would become his passion. And this is where he would leave his indelible mark.\n<h2>GOOD, BAD, UGLY</h2>\nMorricone’s score for The Good, the Bad and the Ugly (1966) is considered one of the most influential soundtracks in history. It was inducted into the Grammy Hall of Fame in 2009. The soundtrack album was on the charts for over a year and the Main Theme was a #2 pop hit when the film was released in the 60s.\n<blockquote><em>\"I use realistic sounds in a psychological way. With The Good, the Bad and the Ugly, I used animal sounds - the coyote - and this sound of the animal became the main theme of the movie.\" -Ennio Morricone</em></blockquote>\n<h4>The Good, the Bad and the Ugly – Main Theme (2:41)</h4>\nhttps://www.youtube.com/watch?v=h1PfrmCGFnk\n<h3></h3>\n&nbsp;\n<h2>ONCE UPON A TIME IN AMERICA</h2>\nIf you asked me to pick ONE movie that epitomizes a brilliantly effective approach to orchestral film music scoring, the first words out of my mouth would probably be “<strong>Once Upon A Time In America</strong>.”\n\nBased on a true story from the book, “The Hoods,” Once Upon A Time In America is a complex and graphic tale exposing the underbelly of the American Dream; viewed through the successes and failures of a gang of 4 small time Jewish hoods over 5 decades, as they scale the ladder from poverty to power.\n\nFilled with grit, style, intrigue, romance, violence, sex, guilt and betrayal, it’s a fascinating portrayal of early 20 th century America. Morricone’s score takes a great film and turns it into a classic.\n\n[caption id=\"attachment_1939\" align=\"aligncenter\" width=\"472\"]<img class=\"wp-image-1939\" src=\"https://paulchiten.com/wp-content/uploads/2016/06/Whats-The-Score_Ennio-Morricone-4-655x1024.jpg\" alt=\"“I like the stink of the streets. It cleans out my lungs. And it gives me a hard-on.” ––David “Noodles” Aaronson (played by Robert De Niro)\" width=\"472\" height=\"737\" /> <em>“I like the stink of the streets. It cleans out my lungs.<br />And it gives me a hard-on.”</em><br /> <em>–David “Noodles” Aaronson (played by Robert De Niro)</em>[/caption]\n\nIn order to fully appreciate what this masterpiece means to me, I need to give you some background on director Sergio Leone\'s epic struggle to make this film and the zeitgeist surrounding his final crusade.\n\nSergio Leone was approached to direct The Godfather, but turned it down because he wanted to make a different type of American gangster film. When he passed on that project, he had no idea of what an exhausting, protracted uphill battle it would be to bring his ambitious Once Upon A Time In America to life.\n\nAs funding became more elusive with each passing year, Leone became more and more depressed. Morricone witnessed this. So he would try to cheer Sergio up by playing various themes he had composed for the film over the phone. This usually helped lift Sergio’s spirits (for a while, anyway).\n\nUltimately it took Leone 12 years before he found a producer willing to put up the money, and take a chance on this visionary masterpiece.\n\nFilm scores are generally done after the shooting is finished, when there’s footage for the composer to write to. But because it took so long for the film to get into production––in an unusual reversal––Once Upon A Time In America was shot to the finished score.\n<blockquote><em>“Actors like De Niro, for whom live sound is very important, having the music played on set helps them to get into the mood.” -Sergio Leone</em></blockquote>\nThe director and actors loved being able to do scenes with the actual recorded score to inspire their performances. Robert De Niro said that this was a rare and incomparable experience.\n\nActor James Woods believes Once Upon A Time In America is one of the greatest movies ever made––resoundingly qualifying his statement with: <em>“and it’s not just because I’m in it.”</em>\n<h5 style=\"text-align: center;\"><img class=\"size-full wp-image-1940 aligncenter\" src=\"https://paulchiten.com/wp-content/uploads/2016/06/Whats-The-Score_Ennio-Morricone-5.jpg\" alt=\"The Jewish Gang William Forsythe – James Hayden – James Woods – Robert De Niro\" width=\"607\" height=\"404\" /> <strong>Jewish Gangsters</strong>\nWilliam Forsythe – James Hayden – James Woods – Robert De Niro</h5>\nLeone’s theatrical edit came in at a whopping 6 hours. He intended to split it into two 3-hour films. But the studio had other plans. For the American release, they took editing rights away from him and chopped his masterwork to bits, concocting an incoherent, jumbled 2-hour version. Predictably, this butchered abomination met a quick demise at the box office.\n\nThis was Leone’s last film. He passed away in 1989 at age 60. The cause of death may have been listed as “heart attack,” but some of those close to him felt that he really died of a broken heart.\n\nLeone did make a 251-minute version, but it wasn’t until 2007 that this extended Director’s Cut became available. His film may have gotten massacred upon initial release, but it’s finally getting it’s moment in the sun.\n\nMorricone’s music has never fit a film more evocatively or more powerfully.\n<h4></h4>\n&nbsp;\n<h4>Once Upon A Time In America – \"Main Theme\" (1:58)</h4>\nAfter only 30 seconds, it’s apparent this is a memorable movie motif and a very emotional, even sentimental, tome to 1930s gangster America.\n\nThe slow, dreamlike tempo undulates with longing while the melody does some serious caressing of one’s core––immersing the listener in a tale of love, sadness, glory, and the deep loss of dreams dashed. Sometimes the pain of missing the brass ring can engender the most beautiful music of all.\n\nIn this scene, our small gang of young wannabe gangsters are fleeing from a menacing older rival with a gun. The featured instrument is the Romanian-style pan flute, is played by the extraordinary Gheorghe Zamfir.\n\nThe ethereal sound of pan flute is supremely effective at conveying a wide array of feelings, from imminent danger to the innocence of youth; while the flowing string accompaniment underscores the dark struggles of a Depression-era New York Jewish ghetto. It took the hand of a foreigner to express the strife of America’s Great Depression in such a alluring way.\n\nMorricone’s feel for melody, harmony and orchestration is masterful, coaxing sumptuously gorgeous, richly layered timbral palettes out of the symphonic fabric in a way that can rip your heart open. If you aren’t deeply moved by at least some passages of this score, then you’ve left your soul in the passenger seat of your last Uber ride.\n\nhttps://www.youtube.com/watch?v=WlqavRs6ffw&feature=youtu.be&t=2m21s\n<h4></h4>\n&nbsp;\n<h4>Once Upon A Time In America – \"Debora\'s Theme\" (4:22)</h4>\nThis cue has some of the most exquisitely touching and profoundly compelling cinematic music I’ve ever heard. The spacious, simmering, tonal tension and release transports the listener into another realm, another era, another life.\n\nThe music expertly captures the magical sweetness of youth––as it buttresses up against the impending seriousness of adulthood. Morricone makes melancholy sound so achingly gorgeous.\n\nWhen you listen to this, don’t be surprised if you well up with tears. I usually do.\n\nhttps://www.youtube.com/watch?v=PuyYc0gINbU\n<h4></h4>\n&nbsp;\n<h4>Once Upon A Time In America – “Childhood / Poverty\" (2:21)</h4>\nA comic and charming scene of innocence. Young Patsy is attempting to buy his manhood from Peggy, a 15-year- old Jewish girl from the ‘hood, having procured her preferred currency: “a Charlotte Russe…with lots of cream.”\n\nAs Patsy waits on the stairs for her to come out of the family’s tenement apartment, he can’t resist tasting just one finger full of whipped cream––then another––and then another. Tiring of waiting for his virginity to be addressed, he gives in and, with unbridled joy, unwraps the whole deal, lustily consuming his entire payment for Peggy. When she finally appears and asks what he wants, his reaction is priceless.\n\nA scene with almost no dialog, the music weaves a gentle, deeply moving emotional tapestry through its superbly effective thematic waves.\n\nhttps://www.youtube.com/watch?v=ywrd7N-X6nk\n<h3></h3>\n<h3></h3>\n&nbsp;\n<h2>SIMPLE THEMES, DEEP FEELINGS</h2>\nMorricone’s musical output over his long career is staggering. His work runs the gamut from classic orchestral film music to scores embodying funk, R&amp;B and avant-gard electronics. Over the years,  his music has seen a high rate of reuse. Staying power is a mark of great art.\n\nIf you have ambitions about being a film composer, or just like listening to amazing film music, then you\'ve found everything you were looking for. This score has haunted me in the best way since I first heard it.\n\nAs a piano player myself, I’ve been inspired to learn various Morricone compositions. Every time I explore a new piece, I discover new layers of his gorgeous and wondrous musical design.\n\nMorricone is prideful that he never considered moving to Hollywood and that he never learned English. This was his way of keeping his Italian heart and soul strictly his own.\n<h4>Morricone Talks Music (1:48)</h4>\nhttps://youtu.be/9KeSV-yVTRY?t=5m55s\n<h2></h2>\n&nbsp;\n<h2>NO OSCARS?</h2>\nEnnio Morricone is considered by many to be the greatest living film composer. The audience clearly agrees. His music has sold over 70 million records. But as unbelievable as it seems, he has never won as Oscar, despite being nominated 5 times for Best Original Score. It seems that the Motion Picture Academy realized this horrible oversight; he was finally honored with a Lifetime Achievement Award in 2007 ––\n\n<img class=\"size-full wp-image-1945 aligncenter\" src=\"https://paulchiten.com/wp-content/uploads/2016/06/Whats-The-Score_Ennio-Morricone-10.jpg\" alt=\"What\'s-The-Score_Ennio-Morricone-10\" width=\"300\" height=\"403\" />\n<p style=\"text-align: center;\">–– and a star on the Hollywood Walk of Fame in 2016.</p>\n\n<h3><img class=\"wp-image-1946 aligncenter\" src=\"https://paulchiten.com/wp-content/uploads/2016/06/Whats-The-Score_Ennio-Morricone-11.jpg\" alt=\"What\'s-The-Score_Ennio-Morricone-11\" width=\"243\" height=\"182\" /></h3>\n<h2></h2>\n<h2></h2>\n&nbsp;\n<h2>. . . AND HE’S STILL GOING</h2>\nAt 88, Morricone continues to compose and perform, conducting orchestras in live concerts of his popular film scores. His entire body of work is finally being recognized for how truly astounding it is.\n\nFor instance, his 1970 album “<a href=\"https://www.youtube.com/watch?v=9jlpOqg6zsI\" target=\"_blank\">The Feed~Back</a>” combines free jazz along with avant-gard, classical and funk. This recording is frequently sampled by today’s hip-hop DJs. It’s considered to be one of the most collectible records in existence, selling for over $1000 at auction.\n<h5 style=\"text-align: center;\">If God decided to go into the picture business, and needed a composer ––</h5>\n<h5 style=\"text-align: center;\">Ennio Morricone just might be the first call.</h5>\n<h4><img class=\"wp-image-1944 aligncenter\" src=\"https://paulchiten.com/wp-content/uploads/2016/06/Whats-The-Score_Ennio-Morricone-9-246x300.jpg\" alt=\"What\'s-The-Score_Ennio-Morricone-9\" width=\"248\" height=\"303\" /></h4>\n<h4></h4>\n<h4></h4>\n&nbsp;\n<h4>ACKNOWLEDGEMENTS:</h4>\nSource material compiled from: Front Row Reviews UK, BBC Ennio Morricone Documentary, Maestro Ennio Morricone Facebook, enniomorricone.org, YouTube, IMDb, Wikipedia, Expression of Emotion in the Film Music of Ennio Morricone by Juan Vega, The Quietus.com, and Internet Music Archive.\n<h3></h3>\n<h3></h3>\n&nbsp;\n<h3>WANT SOME LIVE ENNIO?</h3>\n<strong>Morricone Conducts Morricone</strong> - Once Upon A Time In America Suite (7:05)\n\nhttps://www.youtube.com/watch?v=D4W17gTumi8\n\nLINKS:\n<ul>\n 	<li><a href=\"https://www.facebook.com/maestroenniomorricone\" target=\"_blank\">Facebook</a></li>\n 	<li><a href=\"http://www.enniomorricone.org/\" target=\"_blank\">Website</a></li>\n 	<li>CD (Amazon)\n<ul>\n 	<li><a href=\"https://www.amazon.com/Once-Upon-America-Ennio-Morricone/dp/B00008MJ8H/189-1532000-0900924?ie=UTF8&amp;*Version*=1&amp;*entries*=0\" target=\"_blank\">Once Upon A Time In America Soundtrack</a></li>\n 	<li><a href=\"https://www.amazon.com/Very-Best-Ennio-Morricone/dp/B00004YTXH?ie=UTF8&amp;*Version*=1&amp;*entries*=0\" target=\"_blank\">Best of Ennio Morricone</a></li>\n</ul>\n</li>\n 	<li><a href=\"https://archive.org/search.php?query=subject%3A%22Ennio%20Morricone%22\" target=\"_blank\">Internet Music Archive</a></li>\n</ul>\n<strong><a href=\"mailto:pchiten424@gmail.com\" target=\"_blank\">Contact</a> <a style=\"line-height: 1.5;\" href=\"mailto:pchiten424@gmail.com\" target=\"_blank\">Paul Chiten</a></strong>\n\n<img class=\"alignleft size-thumbnail wp-image-601\" src=\"https://paulchiten.com/wp-content/uploads/2015/05/Paul-Chiten-150x150.jpg\" alt=\"Paul-Chiten\" width=\"150\" height=\"150\" /><strong>Paul Chiten</strong> is a Los Angeles-based songwriter, film composer, producer, musician, singer and artist. His songs have earned him multi-platinum and gold records. His compositions and productions have won Telly, Aurora and Emmy Awards. He’s worked with Michael Jackson, Anita Baker, Tina Turner, Donna Summer, Cyndi Lauper and countless others.\n\nChiten has written and produced the music for numerous television shows and feature films. He co-composed the score for the gritty Sony/Showtime cult series, “Street Time” starring Rob Morrow and Scott Cohen.\n\nRecent credits include a 2015 music publishing deal and Music Director/Orchestrator/Arranger/Performer for the 2015 and 2016 EMC World events in Las Vegas and Austin.\n\nChiten has made a significant portion of his music library available on the Internet in the major online stores: iTunes, Amazon, Spotify, Apple Music, Deezer, Microsoft Groove, Tidal, YouTube &amp; Google Play––with lyrics published on Musixmatch, the world’s largest online lyric database.\n\n<a href=\"http://sweethartproductions.com/PaulChiten.aspx\" target=\"_blank\">Sweethart Productions</a>\n\n<a href=\"https://afm424.org/featured-artist-paul-chiten/\" target=\"_blank\">bio</a>', 'WHAT\'S THE SCORE?<br />Ennio Morricone - The Composer’s Composer', '', 'inherit', 'closed', 'closed', '', '1934-autosave-v1', '', '', '2016-07-22 16:43:39', '2016-07-22 23:43:39', '', 1934, 'https://afm424.org/1934-autosave-v1/', 0, 'revision', '', 0),
(2002, 6, '2016-06-22 05:40:36', '2016-06-22 12:40:36', 'Bob Dylan is known as a great songwriter. However, he is also famous for providing his own spin on other people’s songs. He often sings other people’s materials in his concerts. Not only that, his love for other people’s compositions has even led him to record some cover albums that has become part of his ever growing discography. Below are some of Bob Dylan’s cover albums.\r\n\r\n<strong>World Gone Wrong</strong>\r\n\r\nThe album contained blues and folk songs as performed by Bob Dylan. With only an acoustic guitar to back his voice, the songs were full of resentment, murder, loss, acceptance, and love. Dylan described this period in his life as the New Dark Ages and the album featured songs such as Love Henry and Two Soldiers.\r\n\r\n<strong>Good As I Been to You</strong>\r\n\r\nGood as I Been to You is another acoustic album that features songs from anonymous and popular artists, such as Frankie and Albert by Mississippi John Hurt and Sitting on Top of the World by the Mississippi Sheiks.\r\n\r\n<strong>Bob Dylan</strong>\r\n\r\nThe self-titled album consisted of 11 cover songs. Dylan covered Blind Lemon Jefferson, Bukka White, and others. The album also had two original songs. It was said that the album was recorded in just two days for only $400.\r\n\r\n<strong>Shadows in the Night</strong>\r\n\r\nShadows in the Night featured B-side love ballads that were previously sung by Frank Sinatra. It included four songs from 1957’s Where Are You? Those were performed by Dylan’s five piece touring band, instead of the big band sound that Sinatra’s songs were famous for.\r\n\r\n<strong>Fallen Angels</strong>\r\n\r\nFallen Angels was a sequel to 2015’s Shadows in the Night. It also featured American standards that were previously recorded by Frank Sinatra, except for Skylark, which was performed by Hoagy Carmichael and Johnny Mercer.\r\n\r\n<strong>Christmas in the Heart</strong>\r\n\r\nBob Dylan recorded swinging versions of holiday classics that were laced with martial drum rolls and cheerful choral. The album contained covers of Must Be Santa and Fairytale of New York that was originally done by The Pogues.\r\n\r\n<strong>Dylan</strong>\r\n\r\nThis album is the first one that featured all cover songs. However, Bob Dylan was not consulted by his record label Columbia when they decided to make the album. That night is the reason why it was not a commercial success, and even the critics hated the album. Some of the songs that were included in Dylan were Big Yellow Taxi by Joni Mitchell and Mr. Bojangles by Jerry Jeff Walker.\r\n\r\nThese are just some of Bob Dylan’s cover albums. Some of the albums were well-received by both fans and critics alike, while there are some that Dylan wishes to not exist in any form. If you want to learn about Dylan’s most played covers, you can check this <a href=\"http://www.vulture.com/2016/05/breaking-down-bob-dylans-love-of-cover-songs.html\">article</a> from Vulture.', 'A Look Back at Bob Dylan Cover Albums', '', 'publish', 'open', 'closed', '', 'look-back-bob-dylan-cover-albums', '', '', '2016-06-22 11:37:06', '2016-06-22 18:37:06', '', 0, 'https://afm424.org/?p=2002', 0, 'post', '', 0),
(2003, 4, '2016-06-22 05:39:17', '2016-06-22 12:39:17', 'Bob Dylan is known as a great songwriter. However, he is also famous for providing his own spin on other people’s songs. He often sings other people’s materials in his concerts. Not only that, his love for other people’s compositions has even led him to record some cover albums that has become part of his ever growing discography. Below are some of Bob Dylan’s cover albums.\r\n\r\n<strong>World Gone Wrong</strong>\r\n\r\nThe album contained blues and folk songs as performed by Bob Dylan. With only an acoustic guitar to back his voice, the songs were full of resentment, murder, loss, acceptance, and love. Dylan described this period in his life as the New Dark Ages and the album featured songs such as Love Henry and Two Soldiers.\r\n\r\n<strong>Good As I Been to You</strong>\r\n\r\nGood as I Been to You is another acoustic album that features songs from anonymous and popular artists, such as Frankie and Albert by Mississippi John Hurt and Sitting on Top of the World by the Mississippi Sheiks.\r\n\r\n<strong>Bob Dylan</strong>\r\n\r\nThe self-titled album consisted of 11 cover songs. Dylan covered Blind Lemon Jefferson, Bukka White, and others. The album also had two original songs. It was said that the album was recorded in just two days for only $400.\r\n\r\n<strong>Shadows in the Night</strong>\r\n\r\nShadows in the Night featured B-side love ballads that were previously sung by Frank Sinatra. It included four songs from 1957’s Where Are You? Those were performed by Dylan’s five piece touring band, instead of the big band sound that Sinatra’s songs were famous for.\r\n\r\n<strong>Fallen Angels</strong>\r\n\r\nFallen Angels was a sequel to 2015’s Shadows in the Night. It also featured American standards that were previously recorded by Frank Sinatra, except for Skylark, which was performed by Hoagy Carmichael and Johnny Mercer.\r\n\r\n<strong>Christmas in the Heart</strong>\r\n\r\nBob Dylan recorded swinging versions of holiday classics that were laced with martial drum rolls and cheerful choral. The album contained covers of Must Be Santa and Fairytale of New York that was originally done by The Pogues.\r\n\r\n<strong>Dylan</strong>\r\n\r\nThis album is the first one that featured all cover songs. However, Bob Dylan was not consulted by his record label Columbia when they decided to make the album. That night is the reason why it was not a commercial success, and even the critics hated the album. Some of the songs that were included in Dylan were Big Yellow Taxi by Joni Mitchell and Mr. Bojangles by Jerry Jeff Walker.\r\n\r\nThese are just some of Bob Dylan’s cover albums. Some of the albums were well-received by both fans and critics alike, while there are some that Dylan wishes to not exist in any form. If you want to learn about Dylan’s most played covers, you can check this <a href=\"http://www.vulture.com/2016/05/breaking-down-bob-dylans-love-of-cover-songs.html\">article</a> from Vulture.', '', '', 'inherit', 'closed', 'closed', '', '2002-revision-v1', '', '', '2016-06-22 05:39:17', '2016-06-22 12:39:17', '', 2002, 'https://afm424.org/2002-revision-v1/', 0, 'revision', '', 0);
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(2004, 4, '2016-06-22 05:40:36', '2016-06-22 12:40:36', 'Bob Dylan is known as a great songwriter. However, he is also famous for providing his own spin on other people’s songs. He often sings other people’s materials in his concerts. Not only that, his love for other people’s compositions has even led him to record some cover albums that has become part of his ever growing discography. Below are some of Bob Dylan’s cover albums.\r\n\r\n<strong>World Gone Wrong</strong>\r\n\r\nThe album contained blues and folk songs as performed by Bob Dylan. With only an acoustic guitar to back his voice, the songs were full of resentment, murder, loss, acceptance, and love. Dylan described this period in his life as the New Dark Ages and the album featured songs such as Love Henry and Two Soldiers.\r\n\r\n<strong>Good As I Been to You</strong>\r\n\r\nGood as I Been to You is another acoustic album that features songs from anonymous and popular artists, such as Frankie and Albert by Mississippi John Hurt and Sitting on Top of the World by the Mississippi Sheiks.\r\n\r\n<strong>Bob Dylan</strong>\r\n\r\nThe self-titled album consisted of 11 cover songs. Dylan covered Blind Lemon Jefferson, Bukka White, and others. The album also had two original songs. It was said that the album was recorded in just two days for only $400.\r\n\r\n<strong>Shadows in the Night</strong>\r\n\r\nShadows in the Night featured B-side love ballads that were previously sung by Frank Sinatra. It included four songs from 1957’s Where Are You? Those were performed by Dylan’s five piece touring band, instead of the big band sound that Sinatra’s songs were famous for.\r\n\r\n<strong>Fallen Angels</strong>\r\n\r\nFallen Angels was a sequel to 2015’s Shadows in the Night. It also featured American standards that were previously recorded by Frank Sinatra, except for Skylark, which was performed by Hoagy Carmichael and Johnny Mercer.\r\n\r\n<strong>Christmas in the Heart</strong>\r\n\r\nBob Dylan recorded swinging versions of holiday classics that were laced with martial drum rolls and cheerful choral. The album contained covers of Must Be Santa and Fairytale of New York that was originally done by The Pogues.\r\n\r\n<strong>Dylan</strong>\r\n\r\nThis album is the first one that featured all cover songs. However, Bob Dylan was not consulted by his record label Columbia when they decided to make the album. That night is the reason why it was not a commercial success, and even the critics hated the album. Some of the songs that were included in Dylan were Big Yellow Taxi by Joni Mitchell and Mr. Bojangles by Jerry Jeff Walker.\r\n\r\nThese are just some of Bob Dylan’s cover albums. Some of the albums were well-received by both fans and critics alike, while there are some that Dylan wishes to not exist in any form. If you want to learn about Dylan’s most played covers, you can check this <a href=\"http://www.vulture.com/2016/05/breaking-down-bob-dylans-love-of-cover-songs.html\">article</a> from Vulture.', 'A Look Back at Bob Dylan Cover Albums', '', 'inherit', 'closed', 'closed', '', '2002-revision-v1', '', '', '2016-06-22 05:40:36', '2016-06-22 12:40:36', '', 2002, 'https://afm424.org/2002-revision-v1/', 0, 'revision', '', 0),
(2005, 6, '2016-06-24 12:42:54', '2016-06-24 19:42:54', 'We have a lot to be thankful for. Technology as it changed our lives for the better––in a myriad of ways. But technology does as its pitfalls. For instance, some claim that technology is the robber baron of human creativity. In a recent article by Tristan Harris, a magician and former design ethicist at Google, he claims that <a href=\"https://medium.com/swlh/how-technology-hijacks-peoples-minds-from-a-magician-and-google-s-design-ethicist-56d62ef5edf3#.rk3tu18rd\">technology hijacks the minds of people</a>. He brings up both the positive and negative effects that technology has on people; it takes advantage of our vulnerabilities, and in some instances, it limits our mental skills.\r\n\r\nHarris identifies some of the ways by technology can exploit our vulnerabilities and our minds. Product designers are executing their magic tricks to grab attention, and in a way, to fool you. if you take time to think about these things, you\'ll realize how technology, especially mobile apps and websites, is not always as benevolent we think it is.\r\n\r\n<strong>It Presents a Limited Menu</strong>\r\n\r\nMany apps will present you with a limited menu. With these constrained options, you are not encouraged to use your mind freely. Yes, menus can help us make a decision. But they limit the decisions that we make. We are usually pressured to choose only from what is specified in the menu, and we fail to look beyond or to consider other alternatives.\r\n\r\n<strong>It Clings Into Us</strong>\r\n\r\nThere is a phenomenon that is known as the Fear of Missing Something Important. This is exactly what websites and apps seek to do to us, especially regarding social media. More often than not, we are over-subscribed. Our life revolves around Facebook, Instagram, and other social media platforms. Our emails are filled with messages from websites or businesses we have subscribed to. We fear that there is something we will miss.\r\n\r\n<strong>It Makes Us Vulnerable to Social Approval</strong>\r\n\r\nTechnology alters our personality. It puts a pressure on us to live a pretentious life just for the sake of feeling like we belong or fit-in with the society. From being tagged in photos to changing your profile picture, social approval is apparent in various ways. Designers exploit our vulnerabilities by forcing us to give in to this social approval.\r\n\r\n<strong>It Forces Social Reciprocity</strong>\r\n\r\nAs in the case of social approval, technology forces us to do things we may not want to do. When someone adds you in their social media circle, you are forced to accept it. When someone sends an email, you are forced to reply. When someone follows you, you are forced to follow back. It leaves little to the mind to think about. Usually, your response is already set, fearing that responding in a different manner will make you appear rude.', 'Technology and Its Exploitation of our Mind’s Weaknesses', '', 'publish', 'open', 'closed', '', 'technology-exploitation-minds-weaknesses', '', '', '2016-06-22 14:23:16', '2016-06-22 21:23:16', '', 0, 'https://afm424.org/?p=2005', 0, 'post', '', 0),
(2006, 4, '2016-06-22 05:42:03', '2016-06-22 12:42:03', 'We have a lot to be thankful for technology as it changed our lives for the better in more ways than one. However, it is also important to keep in mind that technology has its pitfalls. For instance, many claims that it is the robber of human are creativity. In one article published by a magician and design ethicist, it has also been claimed that <a href=\"https://medium.com/swlh/how-technology-hijacks-peoples-minds-from-a-magician-and-google-s-design-ethicist-56d62ef5edf3#.rk3tu18rd\">technology hijacks the minds of people</a>. It is centered on the premise that while there are things that technology positively does to humans, there are also negative things that it can do. It takes advantage of our vulnerabilities, and in some instances, the limits of our mental skills.\r\n\r\nIn the rest of this post, we will identify some of the reasons by which technology can indeed exploit our minds. These are some of the ways by which product designers are executing their magic tricks to grab attention, and in a way, to fool you. Take time to think about these things, and for sure, you will realize how technology, especially mobile apps and websites, is not always what we think it is.\r\n<h3>It Presents a Limited Menu</h3>\r\nThere are many applications that will present you with a limited menu. With the constrained options, you are not forced to use your mind freely. Menus can help us make a decision. In reality, they limit the decisions that we make. More often than not, we are pressured to choose only from what is specified in the menu, and we fail to look beyond or to consider other alternatives.\r\n\r\nIt Clings Into Us\r\n\r\nThere is a phenomenon that is known as the Fear of Missing Something Important. This is exactly what websites and apps do to us, especially social media. More often than not, we are too subscribed. Our life revolves on Facebook, Instagram, and other social media platforms. Our emails are filled with messages from where we have subscribed to. We fear that there is something we will miss.\r\n\r\nIt Makes Us Vulnerable to Social Approval\r\n\r\nTechnology alters our personality. It puts a pressure on us to live a pretentious life just for the sake of being able to belong or fit-in with the society. From being tagged in photos to changing your profile picture, social approval can be apparent in various ways. Designers exploit our vulnerabilities by forcing us to give in to this social approval.\r\n\r\nIt Forces Social Reciprocity\r\n\r\nLike in the case of social approval, technology forces us to do things. When someone adds you in social media, you are forced to accept it. When someone sends an email, you are forced to reply. When someone follows you, you are forced to follow back. It leaves little to the mind to think about. More often than not, your response is already set, and you fear that responding in a different manner will make you rude.', '', '', 'inherit', 'closed', 'closed', '', '2005-revision-v1', '', '', '2016-06-22 05:42:03', '2016-06-22 12:42:03', '', 2005, 'https://afm424.org/2005-revision-v1/', 0, 'revision', '', 0),
(2007, 4, '2016-06-22 05:42:54', '2016-06-22 12:42:54', 'We have a lot to be thankful for technology as it changed our lives for the better in more ways than one. However, it is also important to keep in mind that technology has its pitfalls. For instance, many claims that it is the robber of human are creativity. In one article published by a magician and design ethicist, it has also been claimed that <a href=\"https://medium.com/swlh/how-technology-hijacks-peoples-minds-from-a-magician-and-google-s-design-ethicist-56d62ef5edf3#.rk3tu18rd\">technology hijacks the minds of people</a>. It is centered on the premise that while there are things that technology positively does to humans, there are also negative things that it can do. It takes advantage of our vulnerabilities, and in some instances, the limits of our mental skills.\r\n\r\nIn the rest of this post, we will identify some of the reasons by which technology can indeed exploit our minds. These are some of the ways by which product designers are executing their magic tricks to grab attention, and in a way, to fool you. Take time to think about these things, and for sure, you will realize how technology, especially mobile apps and websites, is not always what we think it is.\r\n\r\n<strong>It Presents a Limited Menu</strong>\r\n\r\nThere are many applications that will present you with a limited menu. With the constrained options, you are not forced to use your mind freely. Menus can help us make a decision. In reality, they limit the decisions that we make. More often than not, we are pressured to choose only from what is specified in the menu, and we fail to look beyond or to consider other alternatives.\r\n\r\n<strong>It Clings Into Us</strong>\r\n\r\nThere is a phenomenon that is known as the Fear of Missing Something Important. This is exactly what websites and apps do to us, especially social media. More often than not, we are too subscribed. Our life revolves on Facebook, Instagram, and other social media platforms. Our emails are filled with messages from where we have subscribed to. We fear that there is something we will miss.\r\n\r\n<strong>It Makes Us Vulnerable to Social Approval</strong>\r\n\r\nTechnology alters our personality. It puts a pressure on us to live a pretentious life just for the sake of being able to belong or fit-in with the society. From being tagged in photos to changing your profile picture, social approval can be apparent in various ways. Designers exploit our vulnerabilities by forcing us to give in to this social approval.\r\n\r\n<strong>It Forces Social Reciprocity</strong>\r\n\r\nLike in the case of social approval, technology forces us to do things. When someone adds you in social media, you are forced to accept it. When someone sends an email, you are forced to reply. When someone follows you, you are forced to follow back. It leaves little to the mind to think about. More often than not, your response is already set, and you fear that responding in a different manner will make you rude.', 'Technology and Its Exploitation of our Mind’s Weaknesses', '', 'inherit', 'closed', 'closed', '', '2005-revision-v1', '', '', '2016-06-22 05:42:54', '2016-06-22 12:42:54', '', 2005, 'https://afm424.org/2005-revision-v1/', 0, 'revision', '', 0),
(2008, 6, '2016-06-27 12:44:54', '2016-06-27 19:44:54', 'With a simple search in engines like Google and Bing, you can get access to numerous websites offering content uploaded by users, including commercial music and movies. Although this makes it extremely easy for most of us to enjoy the songs and films we love, it also involves a great deal of online piracy, causing a lot of harm to copyright holders. That is why, in 1998, the Digital Millennium Copyright Act (DMCA) was passed. This was an attempt to battle online piracy through the \"notice and takedown\" system, and hopefully eliminating copyright-infringing content. However, this system simply just doesn\'t cut it anymore.\r\n\r\n<strong>The DMCA no Longer Works</strong>\r\n\r\nThe DMCA was designed to provide protection for copyright holders, giving immunity to service providers in cases where their users may be engaging in copyright violations; but at the same time, not restricting online freedom of speech. The intention was honorable and it sounded good, but the implementation of these measures is no longer adequate. According to Section 512 of the DMCA, copyright holders can give a notice to service providers should they find copyright violating content. The provider is safe as long as it promptly removes or disables access to the contested content.\r\n\r\n<strong>The Environment is Different</strong>\r\n\r\nWith the current climate of the Internet––infringing content has become rampant, indeed even encouraged, because it generates a lot of website traffic, leading to increased revenues from ads. Websites like YouTube and Vimeo have a vast number of users who unfortunately, have uploaded a lot of music and video content in direct violation of the copyright laws. <a href=\"http://thehill.com/blogs/pundits-blog/technology/279179-copyright-notice-and-takedown-system-needs-fixing\">According to The Hill</a>.com, copyright holders have sent notices for more than 17 million copyright-violating content in the past 4 years. Moreover, copyright holders have experienced problems regarding takedowns due to the various judicial interpretations of the DMCA by various courts. Some demand copyright holders administer a notice and identify every page that has violated their copyrights. In a cat-and-mouse game, infringers simply change the pages addressed, and repost content with a different URL.\r\n\r\n<strong>What must be done?</strong>\r\n\r\nBecause of all these problems, the US Copyright Office initiated a series of meetings this year, in order to review Section 512, which could motivate copyright holders and/or Congress to analyze the flaws and weaknesses in the system, and improve it. According to the Intellectual Property Clause in the Constitution, Congress can \"promote the Progress of Science and Useful Arts, by securing for limited times to Authors and Inventors the exclusive Rights to their Writings.\" Revision of the \"notice and takedown\" is a must, if we want to address the flaws in the system and adapt the Internet to the digital realities we face today.', 'Revision of the DMCA is a Must If We Want to Address Today\'s Digital Realities', '', 'publish', 'open', 'closed', '', 'revision-dmca-must-want-address-todays-digital-realities', '', '', '2016-06-22 17:06:58', '2016-06-23 00:06:58', '', 0, 'https://afm424.org/?p=2008', 0, 'post', '', 0),
(2009, 4, '2016-06-22 05:44:54', '2016-06-22 12:44:54', 'With a simple search in engines like Google and Bing, you can get access to numerous websites offering content uploaded by users, including music and movies. And although this makes it extremely easy for most of us to enjoy the songs we love, it also involves a great deal of online piracy, causing a lot of harm to copyright holders. That is why; back in 1998 the Digital Millennium Copyright Act (DMCA) was passed, in an attempt to battle online piracy through the \"notice and takedown\" system, eliminating copyright-infringing content. However, the system simply doesn\'t work right anymore.\r\n\r\n<strong>The DMCA no Longer Works</strong>\r\n\r\nThe DMCA was designed to provide protection for copyright holders, give immunity to service providers, in case their users are engaged in copyright violation, but at the same time not to restrict online speech. And although all this sound good, the implementation of these measures is not adequate. According to Section 512 of the DMCA, copyright holders can give a notice to service providers, should they find a copyright violating content, and the provider is safe as long as it promptly removes or disables access to the content.\r\n\r\n<strong>The Environment is Different</strong>\r\n\r\nThe way the Internet is set nowadays; infringing content is even encouraged, as it generates a lot of website traffic, leading to revenues from ads. Websites like YouTube and Vimeo have a vast number of users who unfortunately, upload a lot of music and video content in violation with the copyright laws. <a href=\"http://thehill.com/blogs/pundits-blog/technology/279179-copyright-notice-and-takedown-system-needs-fixing\">According to the Hill</a>, copyright holders have sent notices for more than 17 million copyright-violating contents in the past 4 years. Moreover, copyright holders experience problems receiving takedowns due to the various judicial interpretations of the DMCY by various courts. Some demand from holders to administer a notice and identification for every page that has violated their copyrights, but infringers simply change the pages addressed and repost content.\r\n\r\n<strong>What must be done?</strong>\r\n\r\nBecause of all the above, the US Copyright Office has initiated a series of meetings this year, in order to review Section 512, which could motivate either stakeholders or the Congress to analyze flaws and weaknesses in the system and improve it themselves. According to the Intellectual Property Clause in the Constitution, the Congress can \"promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Rights to their Writings\". Revision and improvement of the \"notice and takedown\" are a must, if we want to address the flaws in the system and adapt the Internet to the digital realities we face today.', 'Revision of the DMCA is a Must if we Want to Address Today\'s Digital Realities', '', 'inherit', 'closed', 'closed', '', '2008-revision-v1', '', '', '2016-06-22 05:44:54', '2016-06-22 12:44:54', '', 2008, 'https://afm424.org/2008-revision-v1/', 0, 'revision', '', 0),
(2010, 6, '2016-06-29 12:47:08', '2016-06-29 19:47:08', 'Unless you\'ve been living in an isolated igloo in Antarctica for the past 20 years, it\'s obvious that technology is advancing at an unprecedented speed. This rapid evolution has dramatically affected movie production. From the earliest days of cinema, filmmakers relied on various practical tricks to create a variety of visual effects. They worked around the medium\'s limitations because the technology wasn’t there to do anything else.\r\n\r\nToday, most special effects are done through CGI (computer generated imagery). This brings up the question: <em>is the era of \"practical effects\" coming to an end? </em>While practical effects do bring with them a certain nostalgia, the reality is that the capabilities of computer-generated imaging has surpassed anything that prior film-making generations could have imagined.\r\n\r\n<strong>Broad Application - Unlimited Potential</strong>\r\n\r\nWith the aid of computer-powered graphics, scenes can be altered, enhanced or even created from scratch. The post-production phase of film-making has become just as important as the actual acting. In some cases, decidedly more important. For instance, \"digital buffing\" is capable of making the actor appear younger or older, can drop or increase their weight, and augment their acting ability by adding artificial tears. Crying-on-demand has long been a struggle for many professional actors.\r\n\r\nProducers joke about computers soon being able to replace entire characters. Perhaps actors themselves will become redundant. Though this sounds like a stretch, no one can argue that the CGI has definitely raised the bar regarding a film\'s ability to create an alternate reality.\r\n\r\n<strong>Blockbuster Statistics</strong>\r\n\r\nIf you look at the 50 top-grossing movies of all time, you\'ll find that majority of them are either powered by CGI, or are entirely animated. Yes, there are some blockbusters that don\'t rely on visual effects, but that’s only because the particular genre doesn\'t require it.\r\n\r\nIt\'s clear that the emphasis is shifting. Practical effects could soon be gone, along with the artists that created and implemented them. <a href=\"http://qz.com/674547/hollywoods-special-effects-industry-is-cratering-and-an-art-form-is-disappearing-along-with-it/\">This article</a> goes into greater depth on the topic.', 'Has the Era of Practical Effects Come to an End––and with it––An Entire Art Form?', '', 'publish', 'open', 'closed', '', 'era-practical-effects-come-end-entire-art-form', '', '', '2016-06-29 00:20:02', '2016-06-29 07:20:02', '', 0, 'https://afm424.org/?p=2010', 0, 'post', '', 0),
(2012, 6, '2016-07-01 12:49:34', '2016-07-01 19:49:34', 'Music piracy is rapidly changing––both in the methods used, and the platforms engaged to pirate that content. Most music piracy today is being done through smartphones, as compared to the past, when desktops were the main culprits. The issue of music piracy is a multifaceted one, and there is more to this problem than simply changing to a portable device.\r\n\r\nA research carried out MusicWatch discovered that over 50 million Americans were actively participating in music piracy. One thing that stood out from those results is how pirating was being carried. Rather than using torrent sites like Pirate Bay, more people are now stream-ripping directly from YouTube. Other web-based piracy tools include MP3 download sites and also storage lockers. All of these different kinds of piracy are being carried out on smartphones rather than desktops as people continue spending more time on their better-connected and more powerful handsets.\r\n\r\nThe data from the latest music piracy research shows that smartphones are now responsible for approximately 30% of all music piracy. This indicates that the future of piracy is going to be largely from smartphones. Part of the reason for this shift is simple convenience––a user always has their smartphone with them, while a laptop or desktop is usually not. Music piracy is also rising alongside other types of piracy, such as live streaming. Both the devices and the platforms are driving the continuous growth.\r\n\r\nSo most of the stream-ripping is being done through mobile devices, and especially through YouTube. Smartphone piracy has overtaken grown by over 45% in the last year alone. More and more users are turning towards <a href=\"http://www.mmsend2.com/link.cfm?r=1989073618&amp;sid=96384054&amp;m=12853621&amp;u=ASCAPBulkM&amp;j=33656894&amp;s=http://www.ascap.com/email-tracking/track-externallink?fromMessage=dailybrief_05112016&amp;externallink=http://www.digitalmusicnews.com/2016/05/09/turns-out-smartphones-are-giant-music-piracy-machines/&amp;itemName=dailybrief_05112016&amp;linkTitle=Turns-Out-Smartphones-are-Giant-Music-Pi&amp;themename=ascap-daily-brief&amp;linkcategory=not-selected&amp;utm_source=dailybrief_05112016&amp;utm_medium=email&amp;utm_campaign=newsletter\">mobile-driven piracy</a>. In 2015 there were more than 40 billion visitors to pirate sites. Clearly piracy is a big problem––a <em>very</em> big problem.\r\n\r\nIn terms of accessibility, ripping is easier than torrents. As mobile phones continue to offer the convenience of music streaming through legitimate services like Apple Music, Spotify and Tidal, ripping has fecund soil in which to flourish. Perhaps this is the best time to start thinking about developing a mobile-focused piracy app. As more and more piracy opportunities pop up, and consumers continuously seek access to cheaper media, the issue becomes something that makes all copyright owners nervous. <em>Very</em> nervous.', 'Smartphones are the Biggest Culprits in Music Piracy', '', 'publish', 'open', 'closed', '', 'smartphones-biggest-culprits-music-piracy', '', '', '2016-06-22 17:33:33', '2016-06-23 00:33:33', '', 0, 'https://afm424.org/?p=2012', 0, 'post', '', 0),
(2013, 4, '2016-06-22 05:49:34', '2016-06-22 12:49:34', 'Music piracy is rapidly changing in terms of the methods used and also the platforms that people are using to pirate content. Most of the music piracy today is being done through smartphones, as compared to in the past when desktops were the main avenues for piracy. However, the issue of music piracy is a multifaceted one, and there is more to this problem apart from simply changing screens.\r\n\r\nA research carried out MusicWatch discovered that over 50 million Americans were actively participating in music piracy. One thing that stood out from those results is how pirating was being carried. Rather than using torrent sites like Pirate Bay, more people are now stream-ripping directly from YouTube. Other web-based piracy tools include MP3 download sites and also storage lockers. All of these different kinds of piracy are being carried out on smartphones rather than desktops as people continue spending more time on their better-connected and more powerful handsets.\r\n\r\nThe data from the latest music piracy research shows that smartphones are now responsible for about 30% of all music piracy. This shows that the future of pirating music is actually going to be largely in smartphones. Part of the reason for this shift is being promoted by the simple convenience that a user always has their smartphone with them, while a laptop or desktop is not available all the time. If you evaluate the problem further, you will find that music piracy is also rising alongside other types of piracy, such as live streaming. Both the devices and platforms are driving one another’s continued growth.\r\n\r\nThe other notable statistic in the research was that most of the stream-ripping, especially directed at YouTube, is now being done through mobile devices. It has even overtaken the same ripper piracy coming from desktops, growing by over 45% in the last year. The implications of this study is that more users are turning towards <a href=\"http://www.mmsend2.com/link.cfm?r=1989073618&amp;sid=96384054&amp;m=12853621&amp;u=ASCAPBulkM&amp;j=33656894&amp;s=http://www.ascap.com/email-tracking/track-externallink?fromMessage=dailybrief_05112016&amp;externallink=http://www.digitalmusicnews.com/2016/05/09/turns-out-smartphones-are-giant-music-piracy-machines/&amp;itemName=dailybrief_05112016&amp;linkTitle=Turns-Out-Smartphones-are-Giant-Music-Pi&amp;themename=ascap-daily-brief&amp;linkcategory=not-selected&amp;utm_source=dailybrief_05112016&amp;utm_medium=email&amp;utm_campaign=newsletter\">mobile-driven piracy</a>. Actually, the research showed that in 2015 alone, there were more than 40 billion visitors to pirate sites. This shows that mobile-based music piracy is a very big problem.\r\n\r\nIn terms of accessibility, torrents were more complicated compared to ripping. This means more users can be able to rip music and videos from the various streaming sites. Furthermore, as mobile phones continue to offer the convenience of music streaming through legitimate services like Apple Music, Spotify, and Tidal, ripping has a ripe ground to flourish. When all is said and done, perhaps this is the best time to start thinking about developing a mobile-focused piracy app. However, as more MP3skull alternatives continue popping up, it is clear that consumers want access to cheaper music, which is something that record labels should consider looking into.', 'How Smartphones are the Biggest Culprits in Music Piracy', '', 'inherit', 'closed', 'closed', '', '2012-revision-v1', '', '', '2016-06-22 05:49:34', '2016-06-22 12:49:34', '', 2012, 'https://afm424.org/2012-revision-v1/', 0, 'revision', '', 0),
(2014, 6, '2016-07-04 12:57:21', '2016-07-04 19:57:21', 'In 1969 British band The Zombies released a single, \"Time of the Season,\" that topped the American charts––despite of the fact that the group had broken up two years earlier. In order to meet public demand, a promoter decided to take a drastic measure; hire the services of 4 American musicians to impersonate the band. During the early years of the music business, it was normal to replace the member of a band that was problematic and find a new member that was more compliant. But this case was different.  Rather than bringing the band to the States (never mind that they had disbanded in 1967), this promoter decided to <a href=\"https://www.buzzfeed.com/danielralston/the-true-story-of-the-fake-zombies-the-strangest-con-in-rock\">create two fake groups that toured America</a>.\r\n\r\n<strong>A Story of Deception for Relevancy and Money</strong>\r\n\r\nA struggling group on their British turf, The Zombies decided to disband after their 1968 album \"Odessey and Oracle\" failed to gain the attention of the public.  No one even bothered to take notice of the misspelled “Odessey” (correctly spelled <em>Odyssey</em>) or even regard it as psychedelic wordplay.  Two years after they disbanded, their US label released the single \"Time of the Season.\"  The song immediately rose to number 3 on the US Billboard chart. An ardent public demand ensued––something that continuously eluded them when they were still a working band. The entertainment business if full of ironies.\r\n\r\nUnaware of this ruse forming in America––two different American touring bands calling themselves The Zombies––the real British members decided to pursue other interests.  It\'s interesting to note that both fake bands were managed by the same production company, Delta Promotions, a shady Michigan-based organization.  Delta claimed that they had the rights to all songs by The Zombies. This charade would be impossible to execute today, due to the omnipresence of social media.\r\n\r\nAs previously mentioned, during the early years of the music business it was natural for a label to replace a member of a band, if renecessary. Delta Promotions took this to the extreme. After 50 years, this exploitation of The Zombies has become a kind of quasi-legendary cautionary tale. Though many of the details have been forgotten, the sheer hubris and shamelessness of Delta Promotions is, still today, hard to beat. Delta Promotions is now dissolved, but the myth surrounding The Zombies drama remains a shadowy ghost that haunts the music industry to this day.', 'American Musicians Pretend to be \"The Zombies\" and Tour America', '', 'publish', 'open', 'closed', '', 'american-musicians-pretended-zombie-tour-america', '', '', '2016-07-04 22:29:22', '2016-07-05 05:29:22', '', 0, 'https://afm424.org/?p=2014', 0, 'post', '', 0),
(2015, 4, '2016-06-22 05:57:21', '2016-06-22 12:57:21', 'It was in the era of 1969 when the band “The Zombie” released a single that topped the American chart despite of the fact that the group has already broken up.  In order to meet the demand of the public, a promoter decided to take a drastic measure; and that is to hire the service of 4 American Con artists to impersonate the band.  During the early years of the music business, it was just normal to replace the member of a band and find a member that is more compliant.  But this case is different with the struggling British rock band whose single “Time of the Season” suddenly aroused the attention of the Americans.  Rather than bringing the band the band in the States, the promoter decided to <a href=\"https://www.buzzfeed.com/danielralston/the-true-story-of-the-fake-zombies-the-strangest-con-in-rock\">create two fake groups that will tour America</a>.  Two of the impersonators eventually became members of ZZ Top.\r\n\r\n<strong>A Story of Deception for Relevancy and Money</strong>\r\n\r\nA struggling group in their turf, The Zombie decided to disband when the Odessey and Oracle fell short in gaining the attention of the public.  No one even bothered to take notice of the misspelled “Odessey” or take a look at it as a psychedelic play of word.  Two years after the band disbanded, their US label released the single Time of the Season.  The single immediately rose to number 3 on the US Billboard chart, and there is a great demand by the public of the band.\r\n\r\nUnaware of their jobs, the “real” members of The Zombies decided to pursue other jobs.  In order to address the increasing demand, management decided to form a new Zombie band that would tour the Americas.  In fact, the demand is so great that time that there were two fake The Zombie bands touring the US.  It is interesting to note that those fake bands are managed by the same label company.  Delta Promotions reiterated that they have the rights towards all the songs by The Zombies.  This feat would be impossible to execute today due to the high presence of social media.\r\n\r\nAs it was mentioned earlier, during the early years of the music business, it is but natural for the label company to replace a member of the band.  Delta Promotion took advantage of this and decided to take extreme measures.  After 50 years, the exploitation made on The Zombie band is just a neglected part of the music history.  Most of the details concerning this story are already forgotten.  But basing it on the sheer shamelessness of a company, this is definitely hard to beat.  Delta Promotions have already been dissolved, but the myth surrounding The Zombie will stay as a ghost that will keep haunting the defunct company.', 'American Musicians Pretended to be The Zombie and Tour America', '', 'inherit', 'closed', 'closed', '', '2014-revision-v1', '', '', '2016-06-22 05:57:21', '2016-06-22 12:57:21', '', 2014, 'https://afm424.org/2014-revision-v1/', 0, 'revision', '', 0),
(2016, 6, '2016-07-06 12:59:17', '2016-07-06 19:59:17', 'Earlier this month, <a href=\"http://www.today.com/health/it-s-going-get-worse-nearly-30-percent-teens-have-t96756\">NBC News Today</a> reported that according to a new study, 30% of teenagers are suffering from tinnitus, a condition associated with a buzzing or ringing noise in the ears. Larry Roberts, researcher at Ontario-based McMaster University, concluded that tinnitus is an ever-growing problem and is a \"major public health challenge.\" According to the World Health Organization, nearly 1.1 billion young people are threatened with hearing loss due to the abuse and misuse of portable music players and by the extremely high level of sound at music festivals and other venues.\r\n\r\n<strong>Smartphones, Music Players, &amp; Earbuds</strong>\r\n\r\nEar, nose and throat specialists note that today\'s advanced technologies, particularly smartphones with long-lasting batteries and powerful computers, are the main reason behind the ever-increasing hearing problems. These devices are capable of producing sound levels well over 85 decibels. Constant exposure to \"high volume–long duration listening,\" can cause severe damage to hearing. Under certain circumstances, permanent damage can be caused in a matter of minutes. In addition, popular amongst teenagers are in-ear headphones called \"earbuds.\" These are placed deep inside the ears and can produce extremely loud levels of sound.\r\n\r\n<strong>Listening Habits Are Behind All This</strong>\r\n\r\nIn his study, Roberts and his team performed hearing tests on 170 young people between ages 11 and 17. The study revealed that almost all students had \"risky listening habits,\" both when at clubs, and when using their personal music devices. The majority of responders said that they had experienced tinnitus at least once in their lifetime.\r\n\r\n<strong>Tinnitus is a Clear Sign</strong>\r\n\r\nThe symptoms of tinnitus can last for a couple of days after being exposed to loud noise or music. During the study, Roberts found that nearly one-third of the participants continued to have a buzzing noise in their ears––a clear sign that the tinnitus condition has become persistent in their cases. Although they showed no significant hearing loss, all of them had increased sensitivity to noises, which suggested that their auditory nerves were already damaged. Additional studies reveal that this sensitivity often leads to hearing problems later in life.\r\n\r\n<strong>How to Protect Your Hearing</strong>\r\n\r\nAccording to specialists, protection is relatively simple. When using ear buds, keep the volume on your music player below 60% and limit listening to music in this way to no more than 60 minutes a day.', 'Significant Increase of Hearing Loss Amongst Teenagers Due to Risky Listening Habits and Misuse of Music Players', '', 'publish', 'open', 'closed', '', 'significant-increase-hearing-loss-amongst-teenagers-due-risky-listening-habits-misuse-music-players', '', '', '2016-08-04 17:08:10', '2016-08-05 00:08:10', '', 0, 'https://afm424.org/?p=2016', 0, 'post', '', 1),
(2017, 4, '2016-06-22 05:59:17', '2016-06-22 12:59:17', 'Earlier this month, <a href=\"http://www.today.com/health/it-s-going-get-worse-nearly-30-percent-teens-have-t96756\">NBC News\' Today informed</a> that according to a new study, 30% of teenagers are suffering from tinnitus, a condition associated with a buzzing or ringing noise in the ears. The senior researcher at the Ontario-based McMaster University, Larry Roberts, informed that tinnitus is an ever-growing problem and is a \"major public health challenge\" the modern people face. Moreover, according to the World Health Organization, nearly 1.1 billion young people are threatened by hearing loss due to the abuse and misuse of portable music players and extremely high levels of sound at music festivals and other venues.\r\n\r\n<strong>Smartphones, Music Players, and Earbuds</strong>\r\n\r\nEar, nose and throat specialists note that with today\'s advanced technologies, such as smartphones with powerful batteries and complex computers, identifying the main reason behind the ever-increasing hearing problems is not hard. These devices are capable of producing sound with levels well over 85 decibels, and constant exposure to them can cause severe damage to our hearing. As a matter of fact, permanent damage can be cause in a matter of minutes. In addition the popular amongst teenagers’ in-ear headphones called earbuds are placed deep inside the ears, producing extremely loud music and at the same time isolating the noise, so it doesn\'t spread.\r\n\r\n<strong>The Listening Habits Are Behind All This</strong>\r\n\r\nIn his study, Mr. Larry Roberts and his team performed hearing tests on 170 young people at an age between 11 and 17 years old. The study revealed that almost all students had \"risky listening habits\" both when at clubs, and when using their personal music devices. In addition, the majority of responders said that they had experienced tinnitus at least once in their lifetime.\r\n\r\n<strong>Tinnitus is a Clear Sign</strong>\r\n\r\nThe effects of tinnitus are observed just for a couple of days after being exposed to loud noise or music. However, during the study of Mr. Roberts, nearly one-third of the participants said that they are having a buzzing noise in their ears, which is a clear sign that the tinnitus condition has become persistent in their case. And although they showed no significant hearing loss, all of them had increased sensitivity to noises, which suggests that their auditory nerves are already damaged. Moreover, additional studies reveal that this sensitivity often leads to hearing problems later on in your life.\r\n\r\n<strong>How to Protect Our Hearing</strong>\r\n\r\nProtection is simple - according to specialists, young people can protect their hearing by keeping the volume on their music player below 60% and by listening to music for not more than 60 minutes a day.', 'Significant Increase of Hearing Loss Amongst Teenagers Due to Risky Listening Habits and Misuse of Music Players', '', 'inherit', 'closed', 'closed', '', '2016-revision-v1', '', '', '2016-06-22 05:59:17', '2016-06-22 12:59:17', '', 2016, 'https://afm424.org/2016-revision-v1/', 0, 'revision', '', 0),
(2018, 6, '2016-07-08 12:04:36', '2016-07-08 19:04:36', 'We live in particularly interesting times for music fans. There\'s a wide range of music services such as the YouTube, Music Key, Spotify, Google Play, Apple Music and Tidal. They\'re getting more and more exclusive by the minute. And they\'re taking the streaming industry to new heights, becoming one of the most popular ways to experience music. Vinyl sales are also increasing. Yet hard copies are continuing to fall, which is logical and to be expected.\r\n\r\n<strong>Nostalgia Surrounding True Fans</strong>\r\n\r\nThe major factor that\'s keeping hard copies alive right now is the nostalgia which surrounds the majority of diehard fans; who go out of their way to stick with their tons of hard copies. You can easily turn on Spotify, pay a couple of bucks a month and access all of the songs that you had collected for years. Just like that – in the blink of an eye – it’s that simple. However, this is the problem. Fans who have spent years trying to put together the ultimate music collection are not capable of simply letting it go. The reasons for this may be different, but they definitely don’t want to let all that go to waste, which makes sense. It all depends on where your particular personal preference lies.\r\n\r\n<strong>Streaming Services Are Convenient</strong>\r\n\r\nStreaming services are incredibly convenient––mobile internet is readily available on the get-go. The majority of automobiles are now easily synced with your smart phone, and you don’t need a CD to play your own music (instead of listening to the radio). These are just some of the factors which are fueling the rapid development and evolution of streaming services.\r\n\r\nThere\'s nothing wrong with holding on to your hard-earned, old-school music collection, which is available at all times. Indeed, this is something which could potentially be worth quite a lot of money, providing you got the right hard copies. But it\'s worth noting that hard copies have become relics. It’s no longer convenient to bring CDs while traveling, as you can simply tune in to any of the popular streaming services. Streaming doesn\'t take up space in your car. At you won\'t have any playing issues from scratched surfaces.  You can drill to the bedrock of this topic and read more about it <a href=\"http://www.moderntimesmagazine.com/page15/160607-Nation-Digital-Music/160607-Nation-Digital-Music.php\">here</a>.', 'Keeping Your Old CDs Might be Redundant', '', 'publish', 'open', 'closed', '', 'keeping-old-cds-might-be-redundant', '', '', '2016-06-22 13:27:28', '2016-06-22 20:27:28', '', 0, 'https://afm424.org/?p=2018', 0, 'post', '', 1),
(2019, 4, '2016-06-22 06:04:36', '2016-06-22 13:04:36', 'The fact is that we live in particularly interesting times for music fans. There is a wide range of different music services such as the YouTube, Music Key, as well as Tidal. They are getting more and more exclusive by the minute, and they are taking the streaming industry to new heights as it becomes one of the most popular ways to experience music. However, oddly enough, vinyl sales are still handling themselves quite conveniently, but hard copies are continuing to fall which is quite logical and to be expected.\r\n\r\n<strong>Nostalgia Surrounding True Fans</strong>\r\n\r\nThe truth is that the only thing that’s keeping hard copies alive right now is the nostalgia which surrounds the majority of diehard fans who are going out of their way to stick with their tons of hard copies. You can easily turn on Spotify, pay a couple of bucks a month and access all of the songs that you had collected for years. Just like that – in the blink of an eye – it’s that simple. However, this right here – that’s the problem. People who have spent years trying to put together the ultimate music collection are not capable of simply letting it go. The reasons for this are different, but they definitely don’t want to let all that go to waste, and it’s quite logical. It all depends on where your particular personal preference lies.\r\n\r\n<strong>Streaming Services Are Convenient</strong>\r\n\r\nThe truth is that streaming services are incredibly convenient. This is also further complemented by the fact that technology is advancing by leaps and bounds, and mobile internet is available on the get-go. Furthermore, the majority of automobiles are now easily synced with your smart phone, and you don’t need a CD to play your own music instead of listening to the radio. These are just some of the factors which predispose the entire development of streaming services.\r\n\r\nHowever, the thing is that there is nothing wrong with people holding on to their hard-earned and piled old-school music collection which is available to them at all times. Not to mention that this is something which could potentially be worth quite a lot of money, provided you got the right hard copies. Although, it’s also worth noting that they are getting rather out-of-hand. It’s no longer convenient to bring CDs while travelling as you could simply tune in to any of the popular streaming services. They won’t take up space in your car, at the very least, and they won’t have any issues deriving from scratched surfaces. You can drill to the bedrock of the subject by reading more about it <a href=\"http://www.moderntimesmagazine.com/page15/160607-Nation-Digital-Music/160607-Nation-Digital-Music.php\">here</a>.', 'Keeping Your Old CDs Might be a Bit Redundant', '', 'inherit', 'closed', 'closed', '', '2018-revision-v1', '', '', '2016-06-22 06:04:36', '2016-06-22 13:04:36', '', 2018, 'https://afm424.org/2018-revision-v1/', 0, 'revision', '', 0);
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(2020, 6, '2016-07-11 12:06:12', '2016-07-11 19:06:12', 'Every now and then we stumble upon a story that strikes the core of our humanity. Such is the story of <a href=\"http://biggeekdad.com/2010/09/power-of-music/\">Jack Leroy Tueller and His Ever Faithful Trumpet</a>. The story of Jack Tueller (pictured above) has managed to touch the heart of everyone who\'s listened to him recall his childhood days, or when he was attending the Brigham Young University, or his stint as a pilot during World War II. His accounts are very emotional and his beloved trumpet serves as the common denominator to his story.\r\n\r\nJack Tueller faced a tough battle when he was just a child. He lost his mother at a young age, and his father abandoned the family shortly after his mother\'s passing.  The sound of the trumpet served as a form of relief, helping him through tough times.  He played the trumpet during his high school years, which gained him a scholarship at the Brigham Young University. While studying at the University, he met a beautiful young woman named Marjorie, who was a trumpet scholar just like him. Marjorie eventually became his wife and they soon had a daughter.\r\n\r\nUnfortunately, WWII forced Jack to leave his wife and 6-month old baby.  He went to Europe where he flew over 144 missions without receiving a single hit. He always had his trumpet with him. His fellow soldiers loved to listen to the sound of the instrument. The music rejuvenated their failing spirits.\r\n\r\nDuring the war, Jack carried a canvas bag with him, trumpet tucked neatly inside. He attached this to his airplane seat. He thought that if he was ever unlucky, and his plane was shot down by the enemy, he would play the trumpet in the prisoners-of-war camp. Perhaps his trumpet playing could garner additional amenities from the guards, due to fondness for the sound of his horn. Whenever Jack faced a frightening phase of his life, his trumpet came to rescue, helping him get through the tough times.\r\n\r\nJack Tueller firmly believed that music saved his life. During a combat mission at Omaha Beach, Jack was aware that an enemy sniper might well be watching him. Nonetheless, he decided to play his trumpet despite the risk. He thought that the enemy was also scared, just like him. Everyone appreciates hearing a love song. Even in battle. So Jack played \"Lili Marlene,\" a German love song.\r\n\r\nWell, the enemy never fired. When the sniper was captured the next morning, he wanted to know who played such beautiful trumpet music through the night. The commander fetched Jack and took him to captured sniper. What happened next was far from the idea of war. The sniper, who apparently had been listening to the sound of Jack\'s trumpet all night, burst into tears and told him that the song reminded him of his loved ones. He just couldn’t shoot Jack; even though that was his assignment. Jack shook the sniper\'s hand, realizing he was a scared kid, the same as him––just trying to follow the orders of a superior.', 'The Amazing Power of Music', '', 'publish', 'open', 'closed', '', 'amazing-power-music', '', '', '2016-08-08 00:38:03', '2016-08-08 07:38:03', '', 0, 'https://afm424.org/?p=2020', 0, 'post', '', 1),
(2022, 6, '2016-07-13 12:08:27', '2016-07-13 19:08:27', 'Vinyl has surprisingly been showing impressive growth, even in the current age of digital downloads and live streaming. If you overlook the long delays and high costs of production, then you could see how artists can stand to make a lot of money from vinyl. With over 30 million vinyl units being shipped from 2008 to 2014, the old-line fabrication facilities are starting to get overwhelmed.\r\n\r\nThe result of this increasing vinyl demand is that sometimes artists are kept waiting for nearly six months to get their vinyl copies. That means they do not have enough inventory both online and at shows. This is bad news for artists, as there\'s a lot of money to be made from this niche product that\'s driven by hardcore fans and nostalgia.\r\n\r\nThe big question is: <em>why is no substantial investment being made to create new vinyl production facilities?</em> Two major factors that are hindering ventures into vinyl production are 1) the plants demand a very high capital investment, and 2) most investors are unsure about whether is just a fad, perhaps fading out sooner rather than later. Based on the recent history, the demand for vinyl has a high probability of continuing to multiply over the next decade. But that being said, there\'s also the possibility that it may go in the opposite direction.\r\n\r\nFor now, it appears that some of the major issues related to vinyl production are waning––with more than ten straight years of gains. A notable company that\'s getting involved with vinyl production is Dallas-based <a href=\"http://www.digitalmusicnews.com/2016/06/10/first-vinyl-plant-30-years/\">Hand Drawn Records</a>, which is intending to start construction of a high-tech pressing factory this fall. The company claims they will be using the world’s first fully automated vinyl pressing plant. This should simplify both the order and turnaround times significantly. The founder of Hand Drawn is encouraging artists to use vinyl, with all its benefits, without the usual hassles.\r\n\r\nAt the same time, the actual vinyl is also being enhanced in various ways, with a new HD vinyl technology being patented by an Austrian company. This future HD vinyl guarantees a more immersive listening experience for enthusiasts, and a more modern and quicker production process compared to the dated production equipment used in vinyl production today.\r\n\r\nIn conclusion, the resurgence of vinyl is not just hype. It is real, and it is being driven by a large cultural trend that seeks authenticity from the music available today. Artists should evaluate if opting for vinyl pressing, and tapping into this growing market, could be indeed be a very good idea.', 'Artists Set to Benefit from a Simpler Form of Vinyl Production', '', 'publish', 'open', 'closed', '', 'artists-set-benefit-simpler-form-vinyl-production', '', '', '2016-06-22 12:54:09', '2016-06-22 19:54:09', '', 0, 'https://afm424.org/?p=2022', 0, 'post', '', 0),
(2023, 4, '2016-06-22 06:08:27', '2016-06-22 13:08:27', 'Vinyl has surprisingly been showing impressive growth, even in the current age of digital downloads and live streaming. If you overlook the long delays and high costs of production, then you could see how artists can stand to make a lot of money from vinyl. With over 30 million vinyl units being shipped from 2008 to 2014, the old-line fabrication facilities are starting to get overwhelmed.\r\n\r\nThe result of this increasing vinyl demand is that sometimes artists are kept waiting for nearly six months to get their vinyl copies. That means they do not have enough inventory both online and at shows. This is bad news for artists as there is a lot of money to be made from this niche product that is driven by hardcore fans and nostalgia.\r\n\r\nThe big question, therefore, is why is there no substantial investment being made to create new vinyl production facilities. One major factor that is hindering people from venturing into vinyl production is that these plants normally demand a very high capital, and also most investors are unsure about vinyl just being a fad that will fade out sooner rather than later. Based on the recent history, the demand for vinyl has a high probability of continuing to multiply over the next decade, but it may also go in the completely different direction.\r\n\r\nHowever, for now it appears that some of the major issues related to vinyl production seem to be waning as with more than ten straight years of gains. A notable company that is getting involved with vinyl production is <a href=\"http://www.digitalmusicnews.com/2016/06/10/first-vinyl-plant-30-years/\">Hand Drawn Records</a>, a company based in Dallas that is intending to start construction of a high-tech pressing factory this fall. The company has claimed that they will be using the world’s first fully automated vinyl pressing plant, with hopes of simplifying both the order and turnaround times significantly. The founder of Hand Drawn is seeking to encourage artists to use vinyl and receive all the benefits without the usual hassles.\r\n\r\nAt the same time, the actual vinyl is also being enhanced in various ways, with a new HD vinyl technology already being patented by an Austrian company. The future HD vinyl guarantees a more immersive listening experience for enthusiasts, and also a more modern and quicker production process compared to the dated production equipment used in vinyl production today.\r\n\r\nIn conclusion, the resurgence of vinyl is not just hype. It is real, and it is being driven by a large cultural trend that seeks authenticity from the music available today. Artists should, therefore, evaluate and see whether they can opt for vinyl pressing and tap into this growing market.', 'Artists Set to Benefit from a Simpler Form of Vinyl Production', '', 'inherit', 'closed', 'closed', '', '2022-revision-v1', '', '', '2016-06-22 06:08:27', '2016-06-22 13:08:27', '', 2022, 'https://afm424.org/2022-revision-v1/', 0, 'revision', '', 0),
(2024, 6, '2016-07-15 12:12:51', '2016-07-15 19:12:51', 'If you\'re using Google Voice Search, Google has a record of you. In fact, you can listen to all the recordings of your searches over the past few years.  <a href=\"http://www.independent.co.uk/life-style/gadgets-and-tech/news/google-voice-search-records-and-stores-conversation-people-have-around-their-phones-but-files-can-be-a7059376.html\">Google has been secretly collecting this sort of conversation</a> whenever people utilize their product.  Google Voice search allows people to use the search function using their voice.  Google stores this file and uses it to enhance the language recognition feature and the search results.\r\n\r\n<strong>Listen and Delete Your Google Voice Search Recordings</strong>\r\n\r\nDespite the fact that Google quietly collects these conversations, there is also a way to listen to, and delete, your recordings.  You only need to visit a page wherein you will find the accumulated information that Google collected on you.  Simply go directly to the history page of Google and take a look at the list of the recordings.  Basically, there are two pages concerning this, one contains the audio file of your voice search, and the other contains your online activity.\r\n\r\nThis new feature of Google was launched last June of 2015.  This means that if you are not aware of it, it may probably be full of information about your online activity and behavior.  Some of this info you may want to keep private––and so should deleted immediately.  Although some people treat this audio recording as a form of diary that reminds them about an assortment of situations and places that you have been through.  However, it may contain some private information as well.\r\n\r\nUpon going to the history page of Google, you will be welcomed on a page where you are allowed to listen to these recordings.  You will also get an insight into how Google records your conversations and what app are they using to record it.  Sometimes a transcription is included.  The most essential reason to visit this site is to delete the information collected on you by Google.  Tick the box and delete it.  There\'s also an option to delete all of the files with just one command.  You can also manually choose the date of a message and delete it.\r\n\r\nIf you want to stop Google from recording or collecting information about you, you can turn off your virtual assistant, or you can choose to never use the Google Voice search.  However, turning it off will prevent Google from providing you with a tailored search.  This may present you unrelated results that are not associated with your search criteria. So it\'s up to you to weigh the benefits of having a tailored search result over the risk of leaving an audio recording of your voice.', 'Google Keeps a Record of Your Voice - Find Out How to Delete It', '', 'publish', 'open', 'closed', '', 'google-keeps-record-voice-find-delete', '', '', '2016-06-22 12:22:00', '2016-06-22 19:22:00', '', 0, 'https://afm424.org/?p=2024', 0, 'post', '', 0),
(2025, 4, '2016-06-22 06:12:51', '2016-06-22 13:12:51', 'In case you are using Google Voice Search, there is a possibility that Google has a record of it. You may also listen to all your recordings that happened in the past few years.  <a href=\"http://www.independent.co.uk/life-style/gadgets-and-tech/news/google-voice-search-records-and-stores-conversation-people-have-around-their-phones-but-files-can-be-a7059376.html\">Google has been secretly collecting this sort of conversation</a> whenever people utilize their product.  Google Voice search allows people to use the search function using their voice.  Google will store this file and use it to enhance the language recognition feature and the search results.\r\n\r\n<strong>Listen and Delete Your Google Voice Search Recordings</strong>\r\n\r\nDespite the fact that Google quietly collects these conversations, there is also a way to listen to it and to delete your recordings.  You only need to visit a page wherein you will find the accumulated information that Google collected on you.  Simply go directly to the history page of Google and take a look at the list of the recordings.  Basically, there are two pages concerning this, one contains the audio file of your voice search, and the other contains your online activity.\r\n\r\nThis new feature of Google was launched last June of 2015.  This means that if you are not aware of it, it may probably be full of information about your online activity and behavior.  Some of these things may be in private and should immediately be deleted.  Some people treat this audio recording as a form of diary that reminds them about an assortment of situations and places that you have been through.  However, it may also be composed of some private information.\r\n\r\nUpon going to the history page of Google, you will be welcomed on a page where you are allowed to listen to these recordings.  You will also get an insight how Google records your conversations and what app are they using to record it.  There are times that a transcription is also included in the video.  But the most essential reason to visit the site is to delete the information collected by Google.  Simply tick the box and delete it.  There is also an option to delete all of the files in just one command.  In case you want to make sure that everything is deleted, you can manually choose the date and click delete.\r\n\r\nIn case you want to stop Google from recording or collecting information about you, you may opt to turn off your virtual assistant, or you can choose to never use the Google Voice search.  But choosing to do it will prevent Google from providing you a tailored search.  Google search will tend to present you unrelated search results that are not associated with your findings.  Highly weigh the benefits of having a tailored search result over the risk of leaking your audio recording.', 'Google Keeps a Record of Your Voice - Find Out How to Delete It', '', 'inherit', 'closed', 'closed', '', '2024-revision-v1', '', '', '2016-06-22 06:12:51', '2016-06-22 13:12:51', '', 2024, 'https://afm424.org/2024-revision-v1/', 0, 'revision', '', 0),
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(2030, 4, '2016-06-22 11:35:11', '2016-06-22 18:35:11', '', 'people-woman-girl-technology-large', '', 'inherit', 'open', 'closed', '', 'people-woman-girl-technology-large', '', '', '2016-06-22 11:35:11', '2016-06-22 18:35:11', '', 2002, 'https://afm424.org/wp-content/uploads/2016/06/people-woman-girl-technology-large.jpg', 0, 'attachment', 'image/jpeg', 0),
(2031, 4, '2016-06-22 11:35:14', '2016-06-22 18:35:14', '', 'pexels-photo-12544-large', '', 'inherit', 'open', 'closed', '', 'pexels-photo-12544-large', '', '', '2016-06-22 11:35:14', '2016-06-22 18:35:14', '', 2002, 'https://afm424.org/wp-content/uploads/2016/06/pexels-photo-12544-large.jpeg', 0, 'attachment', 'image/jpeg', 0),
(2032, 4, '2016-06-22 11:35:17', '2016-06-22 18:35:17', '', 'vinyl', '', 'inherit', 'open', 'closed', '', 'pexels-photo-26662-large', '', '', '2016-06-22 11:40:01', '2016-06-22 18:40:01', '', 2002, 'https://afm424.org/wp-content/uploads/2016/06/pexels-photo-26662-large.jpg', 0, 'attachment', 'image/jpeg', 0),
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(2037, 4, '2016-06-22 11:35:36', '2016-06-22 18:35:36', '', 'guitar', '', 'inherit', 'open', 'closed', '', 'pexels-photo-92080-large', '', '', '2016-06-22 11:36:49', '2016-06-22 18:36:49', '', 2002, 'https://afm424.org/wp-content/uploads/2016/06/pexels-photo-92080-large.jpeg', 0, 'attachment', 'image/jpeg', 0),
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(2039, 4, '2016-06-22 11:35:41', '2016-06-22 18:35:41', '', 'ipod', '', 'inherit', 'open', 'closed', '', 'pexels-photo-large-1', '', '', '2016-06-22 11:37:58', '2016-06-22 18:37:58', '', 2002, 'https://afm424.org/wp-content/uploads/2016/06/pexels-photo-large-1.jpg', 0, 'attachment', 'image/jpeg', 0),
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(2041, 4, '2016-06-22 11:35:46', '2016-06-22 18:35:46', '', 'pexels-photo-large', '', 'inherit', 'open', 'closed', '', 'pexels-photo-large', '', '', '2016-06-22 11:35:46', '2016-06-22 18:35:46', '', 2002, 'https://afm424.org/wp-content/uploads/2016/06/pexels-photo-large.jpg', 0, 'attachment', 'image/jpeg', 0),
(2042, 4, '2016-06-22 11:40:17', '2016-06-22 18:40:17', 'With a simple search in engines like Google and Bing, you can get access to numerous websites offering content uploaded by users, including music and movies. And although this makes it extremely easy for most of us to enjoy the songs we love, it also involves a great deal of online piracy, causing a lot of harm to copyright holders. That is why; back in 1998 the Digital Millennium Copyright Act (DMCA) was passed, in an attempt to battle online piracy through the \"notice and takedown\" system, eliminating copyright-infringing content. However, the system simply doesn\'t work right anymore.\r\n\r\n<strong>The DMCA no Longer Works</strong>\r\n\r\nThe DMCA was designed to provide protection for copyright holders, give immunity to service providers, in case their users are engaged in copyright violation, but at the same time not to restrict online speech. And although all this sound good, the implementation of these measures is not adequate. According to Section 512 of the DMCA, copyright holders can give a notice to service providers, should they find a copyright violating content, and the provider is safe as long as it promptly removes or disables access to the content.\r\n\r\n<strong>The Environment is Different</strong>\r\n\r\nThe way the Internet is set nowadays; infringing content is even encouraged, as it generates a lot of website traffic, leading to revenues from ads. Websites like YouTube and Vimeo have a vast number of users who unfortunately, upload a lot of music and video content in violation with the copyright laws. <a href=\"http://thehill.com/blogs/pundits-blog/technology/279179-copyright-notice-and-takedown-system-needs-fixing\">According to the Hill</a>, copyright holders have sent notices for more than 17 million copyright-violating contents in the past 4 years. Moreover, copyright holders experience problems receiving takedowns due to the various judicial interpretations of the DMCY by various courts. Some demand from holders to administer a notice and identification for every page that has violated their copyrights, but infringers simply change the pages addressed and repost content.\r\n\r\n<strong>What must be done?</strong>\r\n\r\nBecause of all the above, the US Copyright Office has initiated a series of meetings this year, in order to review Section 512, which could motivate either stakeholders or the Congress to analyze flaws and weaknesses in the system and improve it themselves. According to the Intellectual Property Clause in the Constitution, the Congress can \"promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Rights to their Writings\". Revision and improvement of the \"notice and takedown\" are a must, if we want to address the flaws in the system and adapt the Internet to the digital realities we face today.', 'Revision of the DMCA is a Must If We Want to Address Today\'s Digital Realities', '', 'inherit', 'closed', 'closed', '', '2008-revision-v1', '', '', '2016-06-22 11:40:17', '2016-06-22 18:40:17', '', 2008, 'https://afm424.org/2008-revision-v1/', 0, 'revision', '', 0),
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(2048, 4, '2016-06-22 11:49:39', '2016-06-22 18:49:39', '', 'HNCK1963', '', 'inherit', 'open', 'closed', '', 'hnck1963', '', '', '2016-06-22 11:49:39', '2016-06-22 18:49:39', '', 2012, 'https://afm424.org/wp-content/uploads/2016/06/HNCK1963.jpg', 0, 'attachment', 'image/jpeg', 0),
(2049, 4, '2016-06-22 11:49:42', '2016-06-22 18:49:42', '', 'HNCK8478', '', 'inherit', 'open', 'closed', '', 'hnck8478', '', '', '2016-06-22 11:49:42', '2016-06-22 18:49:42', '', 2012, 'https://afm424.org/wp-content/uploads/2016/06/HNCK8478.jpg', 0, 'attachment', 'image/jpeg', 0),
(2050, 4, '2016-06-22 11:49:46', '2016-06-22 18:49:46', '', 'HQ5GC2I0AS', '', 'inherit', 'open', 'closed', '', 'hq5gc2i0as', '', '', '2016-06-22 11:49:46', '2016-06-22 18:49:46', '', 2012, 'https://afm424.org/wp-content/uploads/2016/06/HQ5GC2I0AS.jpg', 0, 'attachment', 'image/jpeg', 0),
(2051, 4, '2016-06-22 11:49:49', '2016-06-22 18:49:49', '', 'landscape-nature-man-person-large', '', 'inherit', 'open', 'closed', '', 'landscape-nature-man-person-large-2', '', '', '2016-06-22 11:49:49', '2016-06-22 18:49:49', '', 2012, 'https://afm424.org/wp-content/uploads/2016/06/landscape-nature-man-person-large-1.jpg', 0, 'attachment', 'image/jpeg', 0),
(2052, 4, '2016-06-22 11:49:53', '2016-06-22 18:49:53', '', 'night-vintage-music-bokeh-large', '', 'inherit', 'open', 'closed', '', 'night-vintage-music-bokeh-large-2', '', '', '2016-06-22 11:49:53', '2016-06-22 18:49:53', '', 2012, 'https://afm424.org/wp-content/uploads/2016/06/night-vintage-music-bokeh-large-1.jpg', 0, 'attachment', 'image/jpeg', 0),
(2053, 4, '2016-06-22 11:49:55', '2016-06-22 18:49:55', '', 'O4BXN44VU3', '', 'inherit', 'open', 'closed', '', 'o4bxn44vu3', '', '', '2016-06-22 11:49:55', '2016-06-22 18:49:55', '', 2012, 'https://afm424.org/wp-content/uploads/2016/06/O4BXN44VU3.jpg', 0, 'attachment', 'image/jpeg', 0),
(2054, 4, '2016-06-22 11:49:58', '2016-06-22 18:49:58', '', 'people-woman-girl-technology-large', '', 'inherit', 'open', 'closed', '', 'people-woman-girl-technology-large-2', '', '', '2016-06-22 11:49:58', '2016-06-22 18:49:58', '', 2012, 'https://afm424.org/wp-content/uploads/2016/06/people-woman-girl-technology-large-1.jpg', 0, 'attachment', 'image/jpeg', 0),
(2055, 4, '2016-06-22 11:53:21', '2016-06-22 18:53:21', '', 'zombie-367517_960_720', '', 'inherit', 'open', 'closed', '', 'zombie-367517_960_720', '', '', '2016-06-22 11:53:21', '2016-06-22 18:53:21', '', 2014, 'https://afm424.org/wp-content/uploads/2016/06/zombie-367517_960_720.jpg', 0, 'attachment', 'image/jpeg', 0),
(2056, 4, '2016-06-22 11:53:39', '2016-06-22 18:53:39', '', 'piano-1396971_960_720', '', 'inherit', 'open', 'closed', '', 'piano-1396971_960_720', '', '', '2016-06-22 11:53:39', '2016-06-22 18:53:39', '', 2014, 'https://afm424.org/wp-content/uploads/2016/06/piano-1396971_960_720.jpg', 0, 'attachment', 'image/jpeg', 0),
(2057, 4, '2016-06-22 11:53:42', '2016-06-22 18:53:42', '', 'QS3FJYL99Z', '', 'inherit', 'open', 'closed', '', 'qs3fjyl99z', '', '', '2016-06-22 11:53:42', '2016-06-22 18:53:42', '', 2014, 'https://afm424.org/wp-content/uploads/2016/06/QS3FJYL99Z.jpg', 0, 'attachment', 'image/jpeg', 0),
(2058, 4, '2016-06-22 11:53:44', '2016-06-22 18:53:44', '', 'RW2XCG8CY7', '', 'inherit', 'open', 'closed', '', 'rw2xcg8cy7', '', '', '2016-06-22 11:53:44', '2016-06-22 18:53:44', '', 2014, 'https://afm424.org/wp-content/uploads/2016/06/RW2XCG8CY7.jpg', 0, 'attachment', 'image/jpeg', 0),
(2059, 4, '2016-06-22 11:56:10', '2016-06-22 18:56:10', '', 'cd player', '', 'inherit', 'open', 'closed', '', 'cd-864402_960_720', '', '', '2016-06-22 11:56:20', '2016-06-22 18:56:20', '', 2018, 'https://afm424.org/wp-content/uploads/2016/06/cd-864402_960_720.jpg', 0, 'attachment', 'image/jpeg', 0),
(2060, 4, '2016-06-22 11:59:40', '2016-06-22 18:59:40', '', 'mac-google', '', 'inherit', 'open', 'closed', '', 'mac-google', '', '', '2016-06-22 11:59:40', '2016-06-22 18:59:40', '', 2024, 'https://afm424.org/wp-content/uploads/2016/06/mac-google.jpg', 0, 'attachment', 'image/jpeg', 0),
(2062, 6, '2016-06-22 12:22:00', '2016-06-22 19:22:00', 'If you\'re using Google Voice Search, Google has a record of you. In fact, you can listen to all the recordings of your searches over the past few years.  <a href=\"http://www.independent.co.uk/life-style/gadgets-and-tech/news/google-voice-search-records-and-stores-conversation-people-have-around-their-phones-but-files-can-be-a7059376.html\">Google has been secretly collecting this sort of conversation</a> whenever people utilize their product.  Google Voice search allows people to use the search function using their voice.  Google stores this file and uses it to enhance the language recognition feature and the search results.\r\n\r\n<strong>Listen and Delete Your Google Voice Search Recordings</strong>\r\n\r\nDespite the fact that Google quietly collects these conversations, there is also a way to listen to, and delete, your recordings.  You only need to visit a page wherein you will find the accumulated information that Google collected on you.  Simply go directly to the history page of Google and take a look at the list of the recordings.  Basically, there are two pages concerning this, one contains the audio file of your voice search, and the other contains your online activity.\r\n\r\nThis new feature of Google was launched last June of 2015.  This means that if you are not aware of it, it may probably be full of information about your online activity and behavior.  Some of this info you may want to keep private––and so should deleted immediately.  Although some people treat this audio recording as a form of diary that reminds them about an assortment of situations and places that you have been through.  However, it may contain some private information as well.\r\n\r\nUpon going to the history page of Google, you will be welcomed on a page where you are allowed to listen to these recordings.  You will also get an insight into how Google records your conversations and what app are they using to record it.  Sometimes a transcription is included.  The most essential reason to visit this site is to delete the information collected on you by Google.  Tick the box and delete it.  There\'s also an option to delete all of the files with just one command.  You can also manually choose the date of a message and delete it.\r\n\r\nIf you want to stop Google from recording or collecting information about you, you can turn off your virtual assistant, or you can choose to never use the Google Voice search.  However, turning it off will prevent Google from providing you with a tailored search.  This may present you unrelated results that are not associated with your search criteria. So it\'s up to you to weigh the benefits of having a tailored search result over the risk of leaving an audio recording of your voice.', 'Google Keeps a Record of Your Voice - Find Out How to Delete It', '', 'inherit', 'closed', 'closed', '', '2024-revision-v1', '', '', '2016-06-22 12:22:00', '2016-06-22 19:22:00', '', 2024, 'https://afm424.org/2024-revision-v1/', 0, 'revision', '', 0),
(2063, 6, '2016-06-22 12:53:09', '2016-06-22 19:53:09', 'Vinyl has surprisingly been showing impressive growth, even in the current age of digital downloads and live streaming. If you overlook the long delays and high costs of production, then you could see how artists can stand to make a lot of money from vinyl. With over 30 million vinyl units being shipped from 2008 to 2014, the old-line fabrication facilities are starting to get overwhelmed.\n\nThe result of this increasing vinyl demand is that sometimes artists are kept waiting for nearly six months to get their vinyl copies. That means they do not have enough inventory both online and at shows. This is bad news for artists, as there\'s a lot of money to be made from this niche product that\'s driven by hardcore fans and nostalgia.\n\nThe big question is: <em>why is no substantial investment being made to create new vinyl production facilities?</em> Two major factors that are hindering ventures into vinyl production are 1) the plants demand a very high capital investment, and 2) most investors are unsure about whether is just a fad, perhaps fading out sooner rather than later. Based on the recent history, the demand for vinyl has a high probability of continuing to multiply over the next decade. But that being said, there\'s also the possibility that it may go in the opposite direction.\n\nFor now, it appears that some of the major issues related to vinyl production are waning––with more than ten straight years of gains. A notable company that\'s getting involved with vinyl production is Dallas-based <a href=\"http://www.digitalmusicnews.com/2016/06/10/first-vinyl-plant-30-years/\">Hand Drawn Records</a>, which is intending to start construction of a high-tech pressing factory this fall. The company claims they will be using the world’s first fully automated vinyl pressing plant. This should simplify both the order and turnaround times significantly. The founder of Hand Drawn is encouraging artists to use vinyl, with all its benefits, without the usual hassles.\n\nAt the same time, the actual vinyl is also being enhanced in various ways, with a new HD vinyl technology being patented by an Austrian company. This future HD vinyl guarantees a more immersive listening experience for enthusiasts, and a more modern and quicker production process compared to the dated production equipment used in vinyl production today.\n\nIn conclusion, the resurgence of vinyl is not just hype. It is real, and it is being driven by a large cultural trend that seeks authenticity from the music available today. Artists should evaluate if opting for vinyl pressing and tapping into this growing market, is indeed a very good idea.', 'Artists Set to Benefit from a Simpler Form of Vinyl Production', '', 'inherit', 'closed', 'closed', '', '2022-autosave-v1', '', '', '2016-06-22 12:53:09', '2016-06-22 19:53:09', '', 2022, 'https://afm424.org/2022-autosave-v1/', 0, 'revision', '', 0),
(2064, 6, '2016-06-22 12:54:09', '2016-06-22 19:54:09', 'Vinyl has surprisingly been showing impressive growth, even in the current age of digital downloads and live streaming. If you overlook the long delays and high costs of production, then you could see how artists can stand to make a lot of money from vinyl. With over 30 million vinyl units being shipped from 2008 to 2014, the old-line fabrication facilities are starting to get overwhelmed.\r\n\r\nThe result of this increasing vinyl demand is that sometimes artists are kept waiting for nearly six months to get their vinyl copies. That means they do not have enough inventory both online and at shows. This is bad news for artists, as there\'s a lot of money to be made from this niche product that\'s driven by hardcore fans and nostalgia.\r\n\r\nThe big question is: <em>why is no substantial investment being made to create new vinyl production facilities?</em> Two major factors that are hindering ventures into vinyl production are 1) the plants demand a very high capital investment, and 2) most investors are unsure about whether is just a fad, perhaps fading out sooner rather than later. Based on the recent history, the demand for vinyl has a high probability of continuing to multiply over the next decade. But that being said, there\'s also the possibility that it may go in the opposite direction.\r\n\r\nFor now, it appears that some of the major issues related to vinyl production are waning––with more than ten straight years of gains. A notable company that\'s getting involved with vinyl production is Dallas-based <a href=\"http://www.digitalmusicnews.com/2016/06/10/first-vinyl-plant-30-years/\">Hand Drawn Records</a>, which is intending to start construction of a high-tech pressing factory this fall. The company claims they will be using the world’s first fully automated vinyl pressing plant. This should simplify both the order and turnaround times significantly. The founder of Hand Drawn is encouraging artists to use vinyl, with all its benefits, without the usual hassles.\r\n\r\nAt the same time, the actual vinyl is also being enhanced in various ways, with a new HD vinyl technology being patented by an Austrian company. This future HD vinyl guarantees a more immersive listening experience for enthusiasts, and a more modern and quicker production process compared to the dated production equipment used in vinyl production today.\r\n\r\nIn conclusion, the resurgence of vinyl is not just hype. It is real, and it is being driven by a large cultural trend that seeks authenticity from the music available today. Artists should evaluate if opting for vinyl pressing, and tapping into this growing market, could be indeed be a very good idea.', 'Artists Set to Benefit from a Simpler Form of Vinyl Production', '', 'inherit', 'closed', 'closed', '', '2022-revision-v1', '', '', '2016-06-22 12:54:09', '2016-06-22 19:54:09', '', 2022, 'https://afm424.org/2022-revision-v1/', 0, 'revision', '', 0),
(2066, 6, '2016-06-22 13:11:13', '2016-06-22 20:11:13', 'Earlier this month, <a href=\"http://www.today.com/health/it-s-going-get-worse-nearly-30-percent-teens-have-t96756\">NBC News\' Today informed</a> that, according to a new study, 30% of teenagers are suffering from tinnitus, a condition associated with a buzzing or ringing noise in the ears. Larry Roberts, the senior researcher at Ontario-based McMaster University, concluded that tinnitus is an ever-growing problem and is a \"major public health challenge\" modern people face. According to the World Health Organization, nearly 1.1 billion young people are threatened by hearing loss due to the abuse and misuse of portable music players and also by the extremely high levels of sound at music festivals and other venues.\r\n\r\n<strong>Smartphones, Music Players, and Earbuds</strong>\r\n\r\nEar, nose and throat specialists note that today\'s advanced technologies, such as smartphones with long-lasting batteries and powerful computers, are the main reason behind the ever-increasing hearing problems. These devices are capable of producing sound with levels well over 85 decibels. Constant exposure to high volume, long duration listening can cause severe damage to our hearing. Permanent damage can be caused in a matter of minutes. In addition, popular amongst teenagers are in-ear headphones called \"earbuds.\" They are placed deep inside the ears, produce extremely loud music, and insulate the listener from outside noise.\r\n\r\n<strong>The Listening Habits Are Behind All This</strong>\r\n\r\nIn his study, Roberts and his team performed hearing tests on 170 young people between ages 11 and 17. The study revealed that almost all students had \"risky listening habits,\" both when at clubs, and when using their personal music devices. The majority of responders said that they had experienced tinnitus at least once in their lifetime.\r\n\r\n<strong>Tinnitus is a Clear Sign</strong>\r\n\r\nThe symptoms of tinnitus can last for a couple of days after being exposed to loud noise or music. During the study, Roberts found that nearly one-third of the participants said that they had a buzzing noise in their ears––a clear sign that the tinnitus condition has become persistent in their case. Although they showed no significant hearing loss, all of them had increased sensitivity to noises, which suggested that their auditory nerves were already damaged. Additional studies reveal that this sensitivity often leads to hearing problems later on in your life.\r\n\r\n<strong>How to Protect Your Hearing</strong>\r\n\r\nAccording to specialists, protection is relatively simple. When using ear buds, keep the volume on your music player below 60% and limit listening to music this way to not more than 60 minutes a day.', 'Significant Increase of Hearing Loss Amongst Teenagers Due to Risky Listening Habits and Misuse of Music Players', '', 'inherit', 'closed', 'closed', '', '2016-revision-v1', '', '', '2016-06-22 13:11:13', '2016-06-22 20:11:13', '', 2016, 'https://afm424.org/2016-revision-v1/', 0, 'revision', '', 0),
(2067, 6, '2016-06-22 13:26:19', '2016-06-22 20:26:19', 'We live in particularly interesting times for music fans. There\'s a wide range of music services such as the YouTube, Music Key, Spotify, Google Play, Apple Music and Tidal. They\'re getting more and more exclusive by the minute. And they\'re taking the streaming industry to new heights, becoming one of the most popular ways to experience music. Vinyl sales are also increasing. Yet hard copies are continuing to fall, which is logical and to be expected.\n\n<strong>Nostalgia Surrounding True Fans</strong>\n\nThe major factor that\'s keeping hard copies alive right now is the nostalgia which surrounds the majority of diehard fans; who go out of their way to stick with their tons of hard copies. You can easily turn on Spotify, pay a couple of bucks a month and access all of the songs that you had collected for years. Just like that – in the blink of an eye – it’s that simple. However, this is the problem. Fans who have spent years trying to put together the ultimate music collection are not capable of simply letting it go. The reasons for this may be different, but they definitely don’t want to let all that go to waste, which makes sense. It all depends on where your particular personal preference lies.\n\n<strong>Streaming Services Are Convenient</strong>\n\nStreaming services are incredibly convenient––mobile internet is readily available on the get-go. The majority of automobiles are now easily synced with your smart phone, and you don’t need a CD to play your own music (instead of listening to the radio). These are just some of the factors which are fueling the rapid development and evolution of streaming services.\n\nThere\'s nothing wrong with holding on to your hard-earned, old-school music collection, which is available at all times. Indeed, this is something which could potentially be worth quite a lot of money, providing you got the right hard copies. But it\'s worth noting that hard copies have become relics. It’s no longer convenient to bring CDs while traveling, as you can simply tune in to any of the popular streaming services. Streaming doesn\'t take up space in your car. At you won\'t have any issues from scratched surfaces.  You can drill to the bedrock of the subject by reading more about it <a href=\"http://www.moderntimesmagazine.com/page15/160607-Nation-Digital-Music/160607-Nation-Digital-Music.php\">here</a>.', 'Keeping Your Old CDs Might be Redundant', '', 'inherit', 'closed', 'closed', '', '2018-autosave-v1', '', '', '2016-06-22 13:26:19', '2016-06-22 20:26:19', '', 2018, 'https://afm424.org/2018-autosave-v1/', 0, 'revision', '', 0),
(2068, 6, '2016-06-22 13:27:28', '2016-06-22 20:27:28', 'We live in particularly interesting times for music fans. There\'s a wide range of music services such as the YouTube, Music Key, Spotify, Google Play, Apple Music and Tidal. They\'re getting more and more exclusive by the minute. And they\'re taking the streaming industry to new heights, becoming one of the most popular ways to experience music. Vinyl sales are also increasing. Yet hard copies are continuing to fall, which is logical and to be expected.\r\n\r\n<strong>Nostalgia Surrounding True Fans</strong>\r\n\r\nThe major factor that\'s keeping hard copies alive right now is the nostalgia which surrounds the majority of diehard fans; who go out of their way to stick with their tons of hard copies. You can easily turn on Spotify, pay a couple of bucks a month and access all of the songs that you had collected for years. Just like that – in the blink of an eye – it’s that simple. However, this is the problem. Fans who have spent years trying to put together the ultimate music collection are not capable of simply letting it go. The reasons for this may be different, but they definitely don’t want to let all that go to waste, which makes sense. It all depends on where your particular personal preference lies.\r\n\r\n<strong>Streaming Services Are Convenient</strong>\r\n\r\nStreaming services are incredibly convenient––mobile internet is readily available on the get-go. The majority of automobiles are now easily synced with your smart phone, and you don’t need a CD to play your own music (instead of listening to the radio). These are just some of the factors which are fueling the rapid development and evolution of streaming services.\r\n\r\nThere\'s nothing wrong with holding on to your hard-earned, old-school music collection, which is available at all times. Indeed, this is something which could potentially be worth quite a lot of money, providing you got the right hard copies. But it\'s worth noting that hard copies have become relics. It’s no longer convenient to bring CDs while traveling, as you can simply tune in to any of the popular streaming services. Streaming doesn\'t take up space in your car. At you won\'t have any playing issues from scratched surfaces.  You can drill to the bedrock of this topic and read more about it <a href=\"http://www.moderntimesmagazine.com/page15/160607-Nation-Digital-Music/160607-Nation-Digital-Music.php\">here</a>.', 'Keeping Your Old CDs Might be Redundant', '', 'inherit', 'closed', 'closed', '', '2018-revision-v1', '', '', '2016-06-22 13:27:28', '2016-06-22 20:27:28', '', 2018, 'https://afm424.org/2018-revision-v1/', 0, 'revision', '', 0);
